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How to Acquire a Tongue-eating Louse – Stacy Hardy

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Possession of a tongue-eating louse is not in itself illegal – although laws to prevent the spread of foreign parasites in most countries make it borderline. Acquisition can be difficult. The louse requires certain conditions to thrive. A damaged or ill louse could prove dangerous, fatal in some instances. Dealers are a rare breed, hard to come by. Often you will find them in port cities, small coast towns in South America and along the trade routes that run down the West African coast – Angola, Cape Verde, Guinea and Guinea-Bissau.

There is a lively trade out of the urban area that hems the Cape Town harbour. Seek out one of the small diners specialising in seafood. Walk the narrow streets spiralling with galaxies of cheap discount stores, electronics and cellphone repairs, lingerie shops and gambling parlours. Look for an eatery whose purpose and origins are indistinct. A hole in the wall without signage, its trade only identifiable by the row of low narrow tables, the smells that emanate from the kitchen. Do not be put off if your entrance is greeted by cold stares or open hostility from the other patrons. Remember, you are the foreigner in this context. Take a seat close to the window. When the owner comes, place your order. Persist, even if at first, he feigns ignorance or pretends not to understand your request. Say louse. Learn it’s street names: pou de langue, língua comendo piolho, ulimi kula chawa, ulwimi ludla ulouse. Wrap your tongue around the unfamiliar syllables. Say them with intensity.

If you are lucky, you will be led down a back street or through a narrow alleyway. Another block, a slight shift in demographics, warehouses and factory shops, street kids breathing glue and drag queens selling blowjobs. A back room behind an internet cafe or a small office in a warehouse. If one is prepared to negotiate, one can usually acquire a fresh specimen at a reasonable price. Take care in choosing. On the table is an iron box. The seller sits, turns the box in your direction. Unclasps the lid and swivels it back on its hinge.

The louses greet you in unison, a dense rabble of exotic flesh. They seem longer and thicker here, away from the confines of the mouth. An inexperienced eye might not understand their writhing but anyone with expertise will immediately recognise it as a kind of language; the miming of speech executed with exuberance. Bring your ear closer as if to listen. From that low angle note the merchandises’ appearance. Pay specific attention to colour and texture. A healthy louse is damp and pinkish white. Lean forward and it will rise upward; tip reaching towards you, shaft shifting in a quickened twitch.

Select a specimen, a beautiful mauve shaded urchin. Hold the louse in your upturned palm, cup it. Outside the mouth, the louse loses all agility, moves the way an inchworm does, scuttling in lines, creases, over the folds in the fingers. Its body is armoured in intersecting segments, which, when contracted give it the appearance of a tiny abstract porcelain sheep, a pale knobby creature, like a spectre or an alien, something born of an unknown alchemy. Its head is a small bead, bald and deceptively human, with piercingly black eyes that seem to look into you. The louse has no real legs to speak of. Its underside is a dusted pink, a quivering thing with folds that seem uncannily familiar: an eyelid wrinkled shut, a creased elbow, the pleats of the labia edged in loosely strung doily scallops that dance when you finger them. 

Once you have ascertained that the louse is the real thing, not a mutant shrimp or sea-slug, some form of doctored crustacean or isopod, you will want to test its readiness for implantation. Lift the louse gently by positioning your thumb and index finger on either side of the thorax. Bring it to your mouth. Gripping the louse tightly, part your lips. Give it a taste of your tongue. Sometimes just revealing the tip is enough, other times you might need to be more persuasive, to thrust it far out or even wiggle it. Occasionally a small lick might be what’s required to provoke the desired reaction.

If the louse is ripe for tongue-eating, you will feel it; the change in pressure between your fingers, the thorax once slackened, suddenly erect and thrusting, reaching forward towards the pink wetness offered to it. Perhaps it is the premonition of blood, a smell, maybe a taste. The reaction is unmistakable, a sensation not unlike gripping a small penis, that of a child’s maybe – an immature object suddenly alerted to the lure of desire. Pluck at it and feel it react, quiver for an instant, then swell with blood, grow hot and hard… ready.

No one knows exactly what the louse is. Scientists, when forced to comment, point to Cymothoa Exigua, a parasitic crustacean of the family Cymothoidae, regularly found along the Gulf of California and north of the Gulf of Guayaquil, as well as in parts of the Atlantic. Jumping species is a common occurrence in nature, especially amongst diseases and parasites. Anyone who keeps dogs will tell you. The flea, the head louse – these jumps happen so regularly as to be almost every day. But the tongue-eating louse’s jump is inexplicable. It is momentous. A giant leap, outpacing evolution, overcoming species division; a sudden unexplained flight from sea to land, from fish as preferred host to man; swelling and morphing into something that resembles its aquatic ancestor only loosely.

There are those who theorise that it is an artificial construct; a product of modern science, genetically engineered in a laboratory. There is a top-secret facility in the desert. There are people with guns and dishonest government officials and there are large sums of money at stake. A specimen escapes or it is stolen. A pair of tongs and a small Styrofoam cooler is all it takes. A man in a dark suit walks quickly enough to seem purposeful yet not so fast as to arouse suspicion. A certain customs officer, invited for a whisky in a ship captain’s cabin. There is a beach near an Africom naval base on the East Coast of Africa. A body washed up. A man with no fingernails or genitals; whose ears are stubs; whose eyes are missing and face is badly beaten; a man who, in spite of everything, possesses a lithe, wet tongue inside his mouth with which to speak. 

It is said the louses spread quickly via port cities. Foreign sailors who take up the practice as a form of body augmentation to signify bravery and sexual prowess – a practice then, not unlike tattooing or body piercing in origin. The bars and brothels near the harbour are numerous. On weekends they fill with seamen whose only diversion is karaoke and drunken congress with the prostitutes that service the area. The interior is nondescript. There is a video screen playing K-pop. A sailor hunched at the bar drinking beer – a foreign brand, illegally imported and available only in establishments like these. You take a seat and he turns towards you. His smile is crooked, too wide. He lifts his beer, tips his head back, jaw ajar. And then slowly he parts his teeth to reveal it: a tiny head peeling out from lips, a lustrous white worm, erect and coiling its smooth segmented surface.  

The louse is a natural kisser, a master even. It seems to know instinctively how to work with tongues, to pleasure them. Strange how easily the disgust becomes commonplace and then welcome, desirable even. It is best to begin slowly. To bring it to your mouth and feel that smooth topside caress your skin. Now part your lips. As soon as the louse senses the proximity of a human tongue, it begins to quiver. Allow it in. Place the root of the thing against your palate, tickle the frill-like pleats on its lower ventral side with your tongue. Instantly it responds, moving side to side, then arching up and bowing down, tensely, feathered fins dancing on the surface of the taste buds. Saviour it, somehow familiar, the metallic suck of the taste of the cut. Note the buzzing sensation, like eating sherbet, the soft fizz as the citric acid reacts with the bicarbonate of soda. It is the feeling of something alive and breathing; bursting and nipping and sucking.

The practice is not without its dangers for both parties. Sometimes during a moment of pure exalted pleasure, the tongue-eating louse might decide to jump hosts. Who can say what provokes it? Could it be the same desire that fills you, the same lust, a sexual drive that becomes unbearable? Maybe it is purely functional; the louse discerns something in the new mouth that makes it a more attractive habitat. We know nothing of its criteria. Maybe the teeth are in better condition, less eaten by cavities, the gums less diseased, the saliva more alkaline or acidic and thus more inviting.

The shock of a louse detaching suddenly is said to be a grenade going off; the blow of a lost limb, an epileptic fit or brain aneurysm; waking with aphasia. The mouth is no longer capable of mediating speech. You can make noise with your vocal cords but not the sounds of vowels and consonants grouped into words. You might try to scream, but the cry lacks direction. It is a throat scream, coarse and shrill, emptied of infection. It doesn’t end so much as fade into hoarseness.

You cannot tell your partner what is happening. You do not need to. The louse is already attaching. Its frontal claws hook into the soft flesh. It embeds itself and begins to suck. Your partner coughs out blood and looks up at you. He or she begins to emit small whimpers, trying to get at it, fingers groping their mouth. It is difficult, impossible maybe, as hard to grab hold of a louse as is to catch a tongue. Go ahead and try it. Grip each side of the slippery muscle. Pull all you like but always the tongue glides away. You are empty handed, index and thumb blood smeared and spit coated.

According to reports, the pain as the louse embeds is unique. At first it is just a stab, something like a cavity, like sticking a soft spot. Then a throbbing, a soreness that pulses from the back of your head to the front of your skull. It stretches, your neck and shoulders succumbing as your blood is sucked up. Your mouth burns. Your throat feels raw, teeth buzzing. Jesus fuck, a pain that’s audible, that rings in your ears.

If you are serious about hosting a louse, isolate yourself. Lock yourself off from the outside world like a junky going cold turkey. Prescription painkillers are essentials, as is Paracetamol for the fever. Prepare everything. Chain the doors and remove the sim card from your phone so that you won’t be tempted to call for medical assistance. There is little doctors will be able to do for you anyway. By this stage, your tongue will already be dead in your mouth. The once-infused organ, gradually withered, sucked into a shrunken membrane.  Soon decay will set in and then that will be gone too. You will swallow your tongue, the little that’s left of it. Suck it down like a sausage skin or the waxy membrane on the top of milk left out of the refrigerator.

The first few weeks of recovery are hell. The mouth is inflamed, gums red. There is constant bleeding. You curl up within the sheets and pray to be saved from the aftershocks. The shocks are internal: your brain refuses to accept the new invader. It views it as a form of cellular anarchy, a disorder, an internal disrespect for the laws of nature. The body seeks to eject the intruder, uses every mechanism at its disposal, sudden chills and fevers as white blood cells swarm the area.

Even if you survive the initial shock, it does not become easier. The louse is like a foreign object suddenly implanted; a dental brace or a tongue guard but alive, tight and squirming. Speaking is impossible, eating too. In some instances, the louse lodges itself too far back, too close to the soft palate, setting off the gagging reflex, resulting in an ongoing nausea.

Your mouth is constantly flooded with saliva. You try to spit but your tongue refuses to cooperate, to collect the salvia up and eject it. Drool runs down your chin, your mouth foams. Your dreams are flooded with legs and feelers. Lice bite your scalp, your ears, lay pale eggs that hatch and grow even larger. At night you wake up coughing, drowning in your own liquids. You rush to the mirror, convinced you’ve chewed it, open your mouth expecting to find hundreds of bisected louse bits trying to wriggle out over your lips.

Hosts report trouble with hearing, the mouth and the ear being, as they are, intimately joined. The ear, erect and facing out, but screwed inward, linked to the mouth by way of the spiral of canal. The louse is never still and every movement registers. The mouth is a cave, an acoustic conductor, inside, the sounds ricochet and vibrate. Some describe it as the grinding of teeth or a grating inside as if misaligned gears are meshing in improvised patterns. Others hear insects, the mouth infested with thousands of beetles rubbing up against themselves, spiny legs grinding on hard shells. Most experience it more as sort of sucking or eating, the empty mastication produced by the coming together and moving apart of gums wet with saliva.

And then slowly, slowly, you begin to adjust. The sound becomes normal, internalised, no worse than your regular grunts and slurps while eating. You can swallow again. At first, just water. Then soft foods that you do not need to chew. Finally, your teeth develop a rapport with the louse. They learn to work together, the subtle tongue movements that characteristically complement mastication, previously unnoticed. Now you are aware of them, you can map how food moves about in your mouth. You can tackle more solid things. You learn to share the louse’s love for seafood: abalone, shrimps, fresh oysters.

Language is the last thing to come. For months after, you stutter and speak in faulty grammar. There’s this inescapable sensation of a presence being with you. Some describe it as a ghosting. Yet, it is more a sensation of weight than an airiness, a stone in your mouth, a heaviness that hinders nuanced articulation. Without your tongue, sentences lose their former precision. Words are laboured. Phrases are approximations, attempts, odd scraps of stray verbiage. Sometimes you think you hear fragments of a foreign language. Is it Arabic? Amharic? Berber?

 It is best to start with the basics. The simple sounds a tongue makes so many times that they roll off it without any effort. Ma and ba and pa and da. These baby utterances, meaningless in themselves, are sounds the tongue finds easiest to give shape and voice to. The muscles at the base simply go through the paces. At first your voice may sound different to you, unfamiliar, alien. The voice of a foreigner, heavily accented. It may stutter or stammer or slur, a voice stretched into slow motion like when a tape begins to deteriorate.

Then it comes back.  The alphabet. Songs. Prayers. And discovery! New words. Sentence constructions you never dreamed of. Strange couplings of nouns and adjectives. New ways of annunciating syllables. The vowels escape, round and malleable, in soft and encircling coagulations. The louse is alert, dextrous, the fleshy strips on the underside of its body wriggle with vigour. Say, Cymothoa Exigua, Cymothoidae, tongue-eater, and feel the louse respond in your mouth, lift in recognition, squirm with pleasure.

Is it the host speaking or the louse? Scientists will tell you the question is ridiculous. Of course, it is the host. The louse has merely learnt to interpret the signals coming from the stub of the tongue. In this way, the louse is like the latest artificial limbs fitted with myoelectric devices that use electrodes to sense muscular impulses in the residual limb; a control system that detects signals and amplifies them to power electric motors that operate the prosthetic limb as though it were human, a normal leg or arm. Similarly, the louse learns to respond to the movements in the muscles and the signals that pulse from the brain. This code is then interpreted into movement.

And yet the stories persist. There are rumours of hosts who acquired extraordinary speaking ability since the implant. This is not just a matter of tone and texture, but also in the realm of vocabulary and even poetics. A former postal worker who becomes a famous poet. A website that claims a previous president of the United States, known for his oration, was a carrier. A detailed analysis of the president’s speaking patterns. Two recordings, side by side, red circles marking the deviation in the sine waves. Pictures, obviously doctored. A gallery of the president’s smile, before and after, shifting from wide toothy grin to tight-lipped. There are close ups of something lurking, a white presence hunched behind the presidential teeth. Has the president been caught masticating a piece of fried squid at some Japanese diplomatic luncheon or has he been infected? 

It is perhaps not accurate to use the term “infected” for hosts. Ideas regarding species and purity are changing quickly. Medical science is evolving. Little by little we are all crossing over. Pig hearts are commonly transplanted. Soon, prosthetics will not need to mimic the cheetah’s legs, they will be them. The yearnings of a snail will one day be shared by snail-men, part molluscs, part human; the speech of a crustacean, by a louse-man.

But it’s not just its verbal abilities that make the louse so sought after. Travel the brothels that dot the main road running from the harbour to the shanty towns on the outskirts. Look for a single red light in a doorway, xxx painted in the windows. Some of these establishments offer sexual relations with louse-infested prostitutes.

The girl leads you to a private room. Her hands are warm and dry, slim and weightless as a child’s, but her touch is deliberate. She opens her mouth to reveal her treasure. The louse is white, pearly textured, the colour of baby teeth, of calf fat, of beeswax. Its mandibles dance, minuscule but incessant. The louse is hungry. It is ready. Tentacles deployed and undulating.

A rush of foreign words escapes the girl’s mouth as she wipes the spittle from her chin. The secretion produced by the louse is infamous, a supreme treasure; a liquid ecstasy. The girl reaches out her hand and touches your lips with it, softly brushes them. She pulls her hair back then goes down. You close your eyes and feel it run chest to navel. It lingers there. The louse wants to burrow. The girl has to pull it back. Not just yet….

Your hand is on her head, willing it down. She pauses, looks up at you, mouth gaping, the tongue-eating louse now fully erect, its body distended, segments wreathing. Yes. The word emerges from your lips like something you can taste.

The girl drops. She unbuttons your jeans, pulls them to your knees. Your cock is hard. It rises to greet the louse. Two creatures in a rapt encounter, touching. Its feelers skim your dick, they dance under your foreskin and lick the head. The louse slides downwards. Its legs are like thousands of tiny electrodes plugged into the shaft. It wiggles between your balls, curls and coils around them, rolls itself into a fist and squeezes. You can’t take it anymore. You grab hold of the girl’s head; thrust your dick deep in her mouth. She opens to take it. The louse is waiting to embrace you. It massages the shaft as you thrust deeper.

As you come, the girl slides backs to the tip. She takes it in the front of her mouth and the louse digs its way inside your crease, drinks your come; writhing in it, bathing in it. The feeling is like a lapping but from within, like something tapping the flow at its stem. You pull out and shake it off. Strings of cum lash the bedding, then a drop of something else, darker, staining the sheeting, spreading in a circle that loses its edges in the wet of the splatter.

<<<<<>>>>> 

Stacy Hardy
Stacy Hardy is a writer, an editor and a teacher. Her short fiction collection, Because the Night, was published by Pocko (London) in 2015. She collaborates with Angolan composer Victor Gama on multimedia musical works and her experimental one woman play, “Museum of Lungs” (2018 – 2019) was performed around the world. She is currently working on a research-and-performance-based collaboration on the geographies and biographies of breath with anthropologist Kaushik Sunder Rajan and musician Neo Muyanga, as well as the libretto for a new opera composed by Bushra El-Turk.

Madam Aisirhiowen’s Greatest Invention – Amadin Ogbewe

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Madam Aisirhiowen could hear her crew muttering as they worked on their routine tasks around her. They were in a large empty space which had been converted to a workshop

“Madame Aisi is building something.”

“She’s hasn’t spoken in weeks; it must be massive.”

“She’ll be back in Igiogbe when she unleashes whatever marvel she’s cooking up!”

Their vaguely humanoid faces lit up when they spoke as the display lights behind their eyes intensified. Aisirhiowen smiled at their lack of subtlety. Her augmented transducers guaranteed that little much happened within 2 km of which she was unaware.

She opened another tab in her cranial browser and sent a link to the chattering crew: Sidetalk in the workplace; cause for alarm. They attempted to feign seriousness at their jobs again as they received the article.

She continued her complex design as electronic beeps accompanied her clicks of the 15D holographic projection before her.

Aisirhiowen’s bionic arms did not betray her ripe age of a hundred and fifty-seven years as she deftly manoeuvred half a billion light points through minute volumetric spaces in seconds.

She found herself reliving memories of almost a century ago. Living in Nigeria in the 2000s as a ‘Gen Z’ teen had afforded her a status of mystery thanks to her parents and older persons. Fix the house WiFi once, or help with setting up a Facebook page and you were a genius.

Aisirhiowen had however taken genius to another level as she became a computer engineer at age13. She’d gone on to build her first robot a year later with minimal equipment.

It wasn’t long before she began working for the government and it took even less time before her advancements made the government redundant. So, she got rid of the government.

She had set up Igiogbe and transformed the landscape into a digital utopia.

It had come as quite a shock when she was kicked out of the office and forced to take shelter in the same sector as her great-granddaughter.

Curiously, the later generations had not caught the techie bug like hers’ had. She often wondered if this was her fault.

After discovering near-immortality, it didn’t seem as important to pass knowledge to the younger ones. It had been much easier to hand them an iPhone or android than to explain the workings of modern tech.

“Where did I err?” she thought, her hands still working furiously.

“Ma Aisi!” Aisirhiowen recalled how her aged great-granddaughter had called out her name and hugged her when she’d slunk back from defeat with her tail tucked between her legs.

“Eloghosa!” Aisirhiowen embraced her. Metal meeting flesh.

Eloghosa’s frail hands clasped her bionic ones as her dark brown eyes started to well with tears. Her brown face was heavily lined and her braids had begun to grey at the edges.

“Where are your parents and grandparents?” Aisirhiowen had asked.

“They- they’ve all passed away, Iyé” Eloghosa said, unable to hold back the tears.

“Oh, poor child,” Aisi had sighed and returned her progenitor’s warm embrace.

“I hate to burden you even more but as you’re probably aware, I’ve been forced out of my seat. I need some shelter and time, to reboot and find a way back to Igiogbe” Aisirhiowen said, holding on to her sobbing great-granddaughter.

“Of course, of course.” she had acquiesced

She gave the signal as her crew went into the spacious house with all the tech they’d been able to cart away from Igiogbe.

She watched as Eloghosa’s face fell at the sight of the equipment.

No matter. Aisirhiowen knew she’d be back in Igiogbe in less than a week. She just needed to plan and create a solution.

#

The second week in, Aisirhiowen noticed Eloghosa’s demeanour, and how she tried to avoid the light – this was difficult as the lights were everywhere.

The bags under her eyes seemed heavier and she constantly twitched at slight noises or motions.

“What is wrong, child?” Aisirhiowen asked her, gently placing a hand on her shoulder.

“Iyé, It’s- It’s- just-” she started, gazing up at her great-grandma. “Never mind,” she said, her eyes darting away

“Tell me,” Aisirhiowen said.

“Screens, Iyé,” Elo said manically as her eyes snapped back onto Aisi. “Screens. So. Many. Screens” she pleaded. “They’re everywhere. Everywhere! I can’t take it anymore. And I can’t — I can’t sleep” She said, crying; at least it seemed like she wanted to. “I just want a little rest,”

Her eyes were widened and her pupils dilated but they were also dry as if she’d run out of moisture.

“Shhh. Shhh. It’s okay child,” Aisirhiowen said drawing her into her bosom.

The screens had to go. Aisirhiowen made the commands as she got back to work, her hands moved furiously as she computed and permuted. Her new urgency had excited her crew. They were sure madam would be storming Igiogbe with brand new tech.

When the crew had made the necessary adjustments to the large space, there were minimal display lights, and a large dark space had been evacuated so Eloghosa could be free of the screens.

After a while, Eloghosa told Aisirhiowen that she’d been sleeping again but Aisi knew this was not true as she could tell from her vital functions that whenever Eloghosa was in her dark dome, she was wide awake and pacing.

Aisirhiowen had gone back to work, her juvenile face screwed up in determination. Soon, she stepped back from her workstation, prompting her crew to forget their pretence of occupation.

“I just need one more component!” Aisirhiowen presently announced.

“What do you need, madam?”

“Where can I get it?”

“Say what it is, Ma’am, I’ll bring it to you.”

They all offered, excited to witness the new genius invention that would take them home.

“No, I will get it myself,” she replied as she draped a wrappa over her shoulders.

“But—” they’d begun to protest.

“Take care of Elo” she said, as she exited the door.

As Aisirhiowen walked to her destination, she realized that the outdoors was a whole other world she’d forgotten existed, but it wasn’t much different from what she remembered.

She had paid no mind to her surroundings on her way to Eloghosa’s after her ousting. And now Elo’s words echoed in her head.

“Screens. So. Many. Screens.”

The billboards, the windows, the traffic signs, Aisirhiowen had never realized how pervasive they were. If she had, she didn’t think it mattered, but now amidst all the screens, she could see one person or another with bagged eyes and premature lined faces.

There were a lot of Eloghosas out there.

She got to the scrapyard which was thankfully a great distance from Igiogbe. She had to hack an electronic door to get in. After hours of searching, she found the last component.

As she made to leave, the sound of shifting metal suddenly permeated the space as humongous objects started to levitate out of the debris of scraps. There were 4 standard Igiogbe Q8 combat drones.

“I should have terminated you when I had the chance, Owen,” a woman’s voice came from the drones as Aisirhiowen stood, surrounded by them.

The gigantic drones were shaped like pentagons with laser guns and energy blasters trained on the youthful great grandmother.

“Decided stealing my seat wasn’t enough, Uwaila? I should have known” Aisirhiowen said as her heart pounded faster in its metal cage. Her jaws clenched as she began assessing possible exits.

“It was a necessary retirement and you seem to have reneged on our agreement to stay retired” the hard voice said. “What are you doing here, Madam?” She asked.

“I made Igiogbe, I created this world, I made it what it is and my thanks is to be pushed out of my own home?!” Aisirhiowen screamed at the drones as she tucked her component into a compartment in her lap.

“Your arrogance persists Owen, creating a thing doesn’t mean it’s yours ad infinitum” Uwaila spoke, “The state is bigger than you and you’ve spent so much time inside yourself, you can’t see what’s going on around y—”

“I am your god!” Aisirhiowen retorted.

“Well, colour me an unbeliever,” Uwaila said in a raspy voice. “We can’t do this again, you didn’t listen before, you won’t listen ow. I only want to fix our problems; problems you can’t see with your perfect deified eyesight. The eyes of god cannot glimpse our sufferings, they’re just too far away,” she added.

Aisirhiowen’s frown deepened and her hands formed fists.

“Surrender what you’ve acquired here and I might consider letting you leave with a few of your parts,” Uwaila warned.

Aisirhiowen ripped off her wrappa, exposing her enhanced body as she drew out a baton from her side which lengthened into a glittering spear. She whirled it around till it aligned with her arm outstretched and in battle stance.

“Yes?” she whispered as the drones rearranged around her.

They attacked.

Aisirhiowen got her shield up before the bullets started raining down on her. The electronic bubble around her fizzed and whirred as the bullets continued to hit.

She knew her shield wouldn’t last long while receiving heavy fire at such close range. She launched her spear at one of the drones but it manoeuvred out of the way.

The spear changed direction mid-air and attacked the drone again as she manoeuvred it with controls in her arm. The drone then turned its fire at the spear but it evaded the bullets, scoring several hits. Two other drones joined the first and started firing at the spear.

Aisirhiowen sent the spear far into the stratosphere as bullets followed it before bringing it down in a different trajectory and straight through the fourth drone firing her just as her shield went down.

The drone exploded with the spear, leaving Aisirhiowen without a weapon or shield as she faced three drones. They started to fire energy blasts at her.

She dodged the blasts skillfully as scraps of metal blew up around her. She continued to evade till she hit a wall of stacked metals and went tumbling in the debris. Her component had fallen out and one of the drones swiftly swooped it up with an elongated arm.

“Stop!” Aisirhiowen screamed.

“You risked your life for this?!” Uwaila asked as the camera scanned the object. “This is worthless!” She added.

“Then give it back,” Aisirhiowen said.

The drone tossed it away as an energy blast took off Aisirhiowen’s left hand. She screamed. Just then, the drones approached her, thick metallic ropes shooting out of them.

One grabbed her remaining hand, and the other two took one leg each and began to pull.

Aisirhiowen’s screams continued.

“You forced my hand, Owen,” Uwaila said. “Your desperate drive to take back power is your undoing.”

Aisirhiowen strained as her joints began to creak. Her braids had fallen over her face, obscuring it but for her glowing eyes. Suddenly, some compartments opened up on her chest as miniature versions of her started to scramble up the ropes to the drones.

“Ah. Your famous Pico hackers,” Uwaila said. “You mean to take control of my drones but you’ll find that like it was when I kicked you out of Igiogbe, I’ve evolved. I’m better than you now, so go ahead, give it your best shot.”

The pico hackers soon disappeared within the interior of the drones. Aisirhiowen smiled. “Thing is, my hackers are retired. I found that Suicide bombers are more effective.”

“What?”

“Detonate.”

The detonators went off at Aisirhiowen’s command, causing the drones to explode.

“I’ll be waiting for you in Igiogbe,” Uwaila vowed as the last of her drones dropped to the ground. Aisirhiowen crushed it with a heavy foot. She could imagine Uwaila in her control room in Igiogbe lashing out at an innocent monitor. The petulant cyborg was always more emotional than she was rational. Aisirhiowen didn’t think rational was such a terrible quality anymore. Even before she got her bionic enhancements, she’d always been more robot than she was human. Maybe Igiogbe was better off.

She sprayed her amputated arm with a silver aerosol hidden within her body’s many compartments.

She pulled out the main body of the device she’d been building at her great grand daughter’s.

With one arm and the last light of the setting sun, she completed her work in the abandoned scrap yard.

Hours later, she put on her wrappa and swiftly tucked the device inside as she made her way back. She decided to take a longer route, to be cautious and also to observe the people of Igiogbe.

The screens were just as ubiquitous as they were on her trip to the yard. She glimpsed sullen eyes, weakened souls, and a city unalive and undead.

Subconsciously, Aisirhiowen began to plan all she would do.

With her wounds concealed under her wrappa, she returned to her workshop. Her crew stared at her as though she would disappear if they let her out of sight for a second. They hoped she’d finally let them in on her secret project.

She pulled out an orb. The 7-sided object shone with a metallic lustre. It looked like it was made of mercury but it was translucent. In the middle of each face, there was a circle through which diffused colours of light emanated, bathing the room in different hues.

“Is that an uhmm…uhmm?” One of The crew murmured, his eyes never leaving the glowing orb.

“What’s an uhmm?” Aisirhiowen asked him.

“Uh… I don’t know. That?” He said pointing at the orb.

“I guess, it does need a name.” Aisirhiowen chuckled. “Why, yes, this is an uhmm”

She stepped into the darker part of the large space as the light from her orb surrounded her in a dome of colours.

Eloghosa sat at the edge of her bed, her eyes glued to her great grandmother and the object in her hand.

“What-, What is that?” She asked

“An uhmm apparently,” Aisirhiowen said wincing as she favoured a leg.

“What is an uhmm?” Eloghosa asked

“My greatest invention,”

“Where’s it’s screen?”

“No screens this time,” Aisirhiowen said as she gently passed the orb to her.

Eloghosa stared at the uhmm in her hand.

“The light. It’s so… so pure. Pure and warm,” she said cradling it.

“What’s in it?” she asked as she blinked, her first time in weeks.

“Whatever you need,” Aisirhiowen said, her one arm holding her side as she watched her granddaughter.

“It’s beautiful,” Eloghosa said as she lay on her side, the orb nestled in her palms.

A dulcet tune began to emanate from it. The graceful sound filled the space as the lights danced to its melody.

Eloghosa’s blinks became slower till her eyes finally began to roam beneath her closed eyelids. Her breathing seemed to complement the mellow sound and twirling lights.  Aisirhiowen pulled the bedcovers over her granddaughter, who still had the orb in her hands.

“Pack up the equipment, we leave immediately,” Aisirhiowen said to her inquisitive crew.

“What – Are we going to take back Igiogbe?” One of them asked excitedly.

“I am never going back and our nation will be better for it.” Aisirhiowen said, “It took longer than I would have liked but I see now, what Uwaila and her supporters tried to show me.”

“She stole your nation!”

“Yes. Yes, she did,” Aisirhiowen replied, her eyes unfocused. “But I suspect, not to keep,”  she heaved a sigh, then continued, “Nevertheless, times have changed and not for the better. I more than anyone should have noticed.”

“I – I – I don’t understand. I thought you were building some kind of weapon,” a crew member stammered.

“I was,” she said “But I decided to help my great-granddaughter before going back to conquering. I thought the weapon was the primary task and Eloghosa the secondary. I was wrong, there will be no more weapon.”

“S- so, what are we going to do,” another asked.

“We’re going to do the work,” she answered, looking around at their equipment before she focused on her team. “It’s probably not the kind of which you’ve had dreams. Not the kind of work that puts your name in the archives. Nor the one that gets systems named after you.

“No. Not that kind. You won’t cure incurable diseases or build great weapons. No. After all your hard work and labour, perhaps all you’ll have done … is help a troubled soul get a night’s sleep.”

She smiled as she stroked her great grand daughter’s hair. The frail-looking woman had a faint smile on her face as her body rose and fell gently.

As the crew watched the duo, their confused looks grew determined and they began to do as the madam had commanded.

Amadin Ogbewe
Amadin Ogbewe is a journalist from the ancient city of Benin. He’s a lover of sitcoms and has works in Fireside Fiction magazine, Cast of Wonders, Dark Moon Digest, Expound magazine and others.

Riding Hood – Tariro Ndoro

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They say it should not have happened, could not have happened. In the first place, the autopsy was proof that she died by blunt force trauma to the cranium after sustaining multiple contusions to her ribs. There were unmistakable signs of struggle – she’d fought back, clawing at his skin with her nails and biting when she couldn’t punch but, in the end, he’d been stronger.

The republic police received a call about a domestic dispute at exactly 2200 hours, arrived on scene at 2330 and declared her dead at 2347 on Wednesday the 23rd of March 2008. A seasoned officer checked for her pulse and many neighbours bore witness. Revai Matanga was a dead woman.

The particulars were taken as follows: she was 19 years of age, she weighed 63 kilograms and she suffered before she died, even before the fatal battery. There were half-healed bruises, there were welts and, the coroner noted, any marital coupling she may have had with her husband must have been by force.

In addition to the evidence on her body, there were statements from her neighbours, and even her husband’s sister had testified against him in the court of law, but in the end, he’d walked free on some technicality – the technicality being a bribe paid to a magistrate the day before the trial was concluded.

They say she could not have been the one who did it in Mexico City, 15 November 2011. But her DNA was found at the crime scene and, DN, they say, never lies. Not that they would have linked her to the crime at first, but CCTV footage kept finding her there. There being Mexico City, Barcelona, Johannesburg, Amsterdam, everywhere. Even the Kremlin held a redacted file, privy only to the highest cleared investigators, that spoke of Krasnaya Shapochka – the Red Hood.

Not that it was possible to see the colour of her clothing on most security feeds but a profiler from The Netherlands could confirm with 89% certainty that the build, gait, and mannerisms of the perpetrator pointed to one UnSub (unknown subject) working alone.

“Even the idiosyncrasies of the crime scene, the separation of entrails, the spilling of blood, point to one perpetrator,” said Anna Jansen in a special briefing for Interpol. She didn’t mention the word serial killer, for it tended to make people panic but any investigator worth their salt knew what it meant when there were multiple murder victims in multiple cities with staged corpses.

And so, unbeknownst to Revai’s family (and because it was against the custom) the republic police exhumed her body by cover of night and concluded that: a) she was indeed still dead and b) she had not escaped her coffin.

How could it have happened?” her relatives asked when the police kept asking questions, but the international police were beginning to think it was the only thing that could have happened.

There was the fact that the second wife of the first victim, a Bruce Lancaster from Salt Lake City, Utah, wouldn’t meet the eyes of the investigating officer. Her body was bruised. Bruises she’d tried to cover by pulling her jersey tighter around her shoulders as she stared intently at her overly polished shoes while her fingers played at a loose thread on her old couch.

Yet the detective who worked homicide had started off at Special Victims and knew the signs. Bruce Lancaster had died because he was a wife beater, pure and simple. In the end, lack of means and opportunity meant they couldn’t pin it on the Vic’s wife, but in his own mind, the detective pinned it on her till his dying breath. He had a gut feeling about such things.

The Guatamalan detective who questioned the prematurely aged widow of Juan Calabar had reported a different story – the widow cried, he wrote in his brand-new notebook, but the stepdaughter seemed visibly relieved at the shopkeeper’s death, almost smiling her pleasure but only held back by propriety, while the widow kept sniffing into a handkerchief and asking, “¿Por que?”

She wore a brown dress, and her hair was tied back into a severe bun. Her daughter sat stoically next to her, rubbing her shoulders in a circular pattern, a mysterious gleam in her eyes. The detective could see that she was all bruised skin and broken bone, and by the way she shied from his booming masculine voice, he concluded that a man was at the root of those scars.

The detective put her down as a person of interest, but the sheer force of power needed to enact that level of violence? That ruled her out. She was a slip of a thing and by the way she shied from his gaze, he doubted that she could have created such a gruesome crime scene. But if not her, then who?

They say it was a serial killer. The manner of death, the MO as one officer rambled, was similar in all cases: blunt force trauma to the cranium, the murder weapon being an axe, bruises, and contusions consistent with grievous bodily harm before the final blow. DNA under the fingernails of the victims showed signs of struggle. Hard struggle.

These pronouncements were made by a New Orleans cop who drawled around the piece of peppermint gum he chewed. With his tall frame, wrinkled suit and newly bare ring finger, Alfred La Haye was a walking cliché. He even had the coffee breath to go with his persona. It was obvious to anyone who looked that La Haye was recently divorced and married to the job. The bodies of many victims kept him up at night, this one in particular. The body had been found by a homeless man behind a dumpster, his corpse carved like an animal – the entrails set aside. La Haye had lost his diner breakfast to the asphalt in the alley. Although he’d lived in New Orleans all his life, he felt there were some things a man must never see, that corpse being one of them. It was a good thing the uniforms had cordoned off the area.

After he’d regained his composure, La Haye surveyed the crime scene. There was skin under the man’s fingernails. Red fabric intermingled with his navy business suit. La Haye concluded that the “perp” was careless, leaving DNA and fabric behind at the crime scene.

“He’s quite the amateur,” he said later in his warbling accent as he teleconferenced the so-called profiling expert.

Anna Jansen, the analyst from Netherlands disagreed, “A lot can be gleaned from this type of UnSub. The UnSub left their DNA there on purpose. Such UnSubs feel the need to be heard and have probably felt silenced in the past. I would suspect the UnSub to be a victim of a previous crime that went unpunished, or at least they see themselves that way. I would even hazard a guess that such an UnSub may visit the crime scene or try to keep track of police investigations. Such UnSubs may even attend their victim’s funerals in disguise.”

She said “they” but deep down in her heart, she knew it was a woman, despite the M.E.’s reports about weight and force and drag. She had been there before… she remembered the hand of a superior officer wandering into her clothing while she was drunk at an office party, only to wake up naked in his bed the following morning with no recollections, but the year had been 1989 and no one would have cared so she’d kept it to herself.

 “We should call him the Deadbeat Killer,” Adebayo Avery said to a group of fellow reporters. The reporters were “up to here” with the police because the police weren’t revealing important facts and what’s more, were dragging their feet in the investigation. Yet the latter was not entirely true.

The FBI and local PDs set up boards with names places, dates, vics until they ran the DNA sample found under a victim’s nails on an international database and concluded that America’s Deadbeat Killer was the Castigadora de Bestias who was wreaking havoc in Latin America and The Viking who was killing sex traffickers in Europe’s red-light district.

“He is a big blond man with muscles and a goatee beard and carries an axe, a very big axe,” the wide-eyed sex workers told the police whenever they were questioned. They shrunk deep into the reflective blankets that shielded them from shock and drank the tea the gendarmes gave them greedily.

The perp looked nothing like the sex workers described, and they knew it, but the police believed them readily enough, what with the coroner’s report about force and drag and weight differentials. Besides, there was a code on the streets – The Red Maiden saved them, and whatever it or she was, they wouldn’t repay her kindness with disloyalty. For the first time since they’d all been drugged and kidnapped, there was a chance to return home or live their remaining lives with some semblance of peace.

In Africa, they hadn’t named him, still burdened by cases of femicide and theft and gang-related violence but Aiden Randera, SAPS veteran in charge of the Cape Flats confirmed that crimes against women had gone down by 5% since the first sightings of Die Rooi Poppie. Most said she was an urban legend, but Randera considered her a miracle.

He’d been battling femicide since even before Nelson Mandela and FW de Klerk got the Nobel Peace Prize and if some skirt was going to take the work off his hands, then he wasn’t complaining. The last part, he told the reporter “off the record” while patting her shoulder like they’d been friends since the Y2K explosion.

They all said it was a miracle and secretly, to their wives and girlfriends and lovers and brothers, they admitted that the Deadbeat Killer made them sleep safer at night, knowing there was one less sleaze on the streets but to the cameras and microphones and reporters and paparazzi, they condemned “any and all forms of vigilantism”, saying every man, deadbeat or not, was innocent till proven guilty and if any woman had any charge, any case of assault and battery, gender-based violence or workplace harassment, then she should report it through the “proper channels” but the senseless killings should end.

They say only the minority of abusers are ever put behind bars. The actual figures, of course, vary from country to country. They say, “Look what happened to Cyntoia Brown.” ‘They’ being the army of women on the internet who were pissed off by the statement given by the FBI’s Assistant Special Agent in Charge, ASAC Cho’s statement on the 8 o’clock news, the video having been reshared on Twitter and WhatsApp and Tik-Tok and Reddit.

For a while, ASAC Cho had hunted down their IP addresses, saying it wasn’t a case of single vigilantism but perhaps the day had come when women got so angry that they decided to find vengeance and so they all donned the red hoodie, the way all members of Anonymous donned V’s mask. That way they’d all have alibis for their abusers’ murders. That way they’d be everywhere and nowhere and invincible. ASAC Cho was wrong.

Today

I know different. I was hired to find the killer by the widow of a particularly rich deadbeat. At least, that’s what I tell them when I interview the widows, the cops, the profilers.

The evidence leads me to a sleepy old town called Redcliffe. Southern Africa. A country by the name of Zimbabwe. What Interpol and the FBI didn’t tell members of the public, but what I managed to glean using the 21st-century resource of hacking the internet, is that the DNA under the men’s fingerprints was female and belonged to a Revai Matanga. Born in the village of Hwedza, married at the age of 15 to a local businessman and then bludgeoned to death at the age of 19 for not cooking the correct relish for dinner that night. A senseless killing.

“She didn’t even want to get married,” they say. I’m talking to a gaggle of girls I meet chilling near a service station. Sleepy town, not a lot to do. After the metalworks shut down in the nearby town, everyone here is underemployed and itching to leave. Here, the teenagers can buy snacks and gossip until one of their parents comes looking for them – which is unlikely at 4 in the afternoon. Dusk has not descended yet.

  “She was just a girl, but some of these men think they can cure STDs by sleeping with virgins. Her family was poor so…” the girl shrugs nonchalantly when she says this but, in the undercurrent, there is an unspoken message: Revai could have been me, Revai could have been any of us. I’m glad she wasn’t me.

“She hasn’t been here in a year,” another girl says, to erase the last statement.

No one likes to acknowledge that the world is ugly. I’ve learned that in all my years on this trail. I don’t tell the girls that sometimes serial killers circle back to their hometowns, it gives them a sort of closure to come back as powerful avengers but these girls, sixteen going on nineteen still have their naivete and I won’t be the one to burst their bubbles.

 The girls say that the murder weapon was an axe. That the whole neighbourhood heard her screaming while her husband wielded it, but no one thought it was their business to intervene until her body was carried off in the white republic police van with blue and gold stripes. Then it was their business to spread rumours about it to this day.

“Zvakaoma!” One of the girls exclaims. It is a word they use when the conversation is heavy, and they have nothing useful to add.

There are details that don’t appear in official records, that I only know because I came here after the first Interpol hit suggested it might be her DNA, her corpse, her body. For instance, her first bed was a sad affair – a simple double bed with dirty blankets on it and no bedspread. Her neighbour remembers this detail as Revai often spoke of it. As a village girl, her family hadn’t afforded beds and simply laid down blankets on reed mats. Revai didn’t often think of herself as a wife, only when it was time to visit the marital bed – and then she would freeze, tense, and sometimes pray she was elsewhere.

***

Notes from my interview with the neighbour also referred to a lot of skinning that Revai did:

“Her husband slaughtered animals. Revai said he was too stingy to buy meat from the butchery, even though he could afford it. So, every weekend, she was in the kitchen cutting and cleaning goats, rabbits, chicken, sheep; always separating the meat from the entrails – in one bucket the liver, in another the intestines, the rest of the carcass in a green metal dish. Her hands were always a bloody mess. Their house always smelled like blood. That’s why I didn’t realise that day. I was used to the smell.”

“Sometimes we sat under that mango tree in the afternoon,” the neighbour points at a gnarled specimen that no longer bears fruit. “She watched the girls coming home from school. Here, there were korokozas – gold panners, you see, men who drove these big cars around the neighbourhood. The girls jumped in and came back with new clothes, new weaves, pizza, money. Sometimes it didn’t end well though. When the girls got old or pregnant, the men abandoned them. Revai just frowned and said she’d stop the men one day; she’d kill them in the act. Redcliff is her town and she felt rage for it. Of course, she scared me with her ferocity, and we never spoke of it again.”

“Never?” I asked.

“Never. But you see, her family… these are things that must not be said… but I believe she’d want to say them.”

I nodded to indicate that she must continue but when I brandished my pen, she pushed my notebook away.

“They beat her grave. They weren’t supposed to. Revai once ran away from her husband. That was after she lost the baby. Her husband followed after a while. They always do. So, when she ran away her husband threatened to take back his roora and her father – he has seven other children – told her to return to the city. Can you imagine?”

I could imagine it, so I nodded.

“So, anyway, when she died, he mourned her like normal. Some say he felt guilty, and others say he was too greedy to think, but the coroner said she was killed, and the judge said she died of natural causes, so her family decided to consult the spirits. Her father wouldn’t have it.”

“Her sister told me they did it the wrong way. It was her mother and sekuru and a distant cousin of her father’s stood for the paternal lineage. They called her spirit home, but it was not their right. They asked for her to name her killer but … nothing.”

By this time, she is whispering, and I angle closer to her. There is load shedding tonight and the only source of light we have is an old paraffin lamp. The neighbour positively looks like a ghoul and the yellow light dances across her face, igniting shadows on the ceiling.

“Then what happened?”

“The next day her husband was found dead in the house – his head was kicked in, his entrails separated, liver in one bucket, intestines in another, his corpse in the green metal dish. The house reeked of blood.” She shifts closer to me. “That was the first time they exhumed her body. There was nothing in the coffin.”

“But…”

“But the second time she was right there wasn’t she?”

***

They say, there have never been survivors, but there must have been, for in her neighbourhood and in her province, there are stories of a hitchhiker.

“She wears a red hoodie,” they say, “stops men on their way home from bars.”

“No, she wears a red trench coat in winter and hitchhikes along Harare Road.”

“You’re wrong. It’s a dress that she wears, and she follows men home from the bar. Anyway, she’s not all bad,” one girl says, “I feel safe at night.”

That’s how I like to think of her, as an unsung angel, caped in red, thumb jacked into the starless night.

They say, “She looks 19, and has looked 19 since she started haunting the neighbourhoods. Ever since she died, she has never looked older!”

 “She stops the men’s cars, okay, and they take her on a drive to, like, wherever she wants them to go, then in the middle of nowhere, she tells them, ‘Stop the car, yes, right here.’ And they must think she wants to stop for a quickie (at this the neighbourhood girl looks down in shame for a second, but my eyes are not judgemental) or something because she was pretty cute before she died. That’s why it made her husband jealous. Aichengera, you know?”

Indeed, I know. I’ve interviewed her surviving relatives and they all agree on her husband’s jealousy and rage. Her image in CCTV footage is grainy at best but I can attest to her beauty too.

This particular homicide takes place near her death place. Twenty kilometres outside the town of Kwekwe, not an hour’s ride from where she died. Appledew Farm, to be exact, although given the arid conditions here, it’s more of a cattle ranch than an apple orchard. The officer commanding Midlands Province allows me to ride shotgun because someone at Interpol told him I would be joining him in the investigation. The woman who hired me as a PI has boat-loads of money and even more influence. She wanted me to find out why her husband was killed by the red one and I told her I’d investigate. I could have told her a long time ago that he was implicated in a trafficking ring but then I wouldn’t have a cover and I wouldn’t have money to travel the world. Besides, it’s her dead husband’s money I use to follow the trail, so I feel zero guilt.

The officer picks me up at the service station, as Interpol asked him to, I see him sneer at my short stature and large tote bag before pasting on a fake smile.

“I thought you’d be taller,” he says, “from your passport photo.”

“I thought you’d be handsome,” I retort, and then giggle before he can take offence.

This is a high priority case – the vic happens to be a popular businessman with relatives in high places so they won’t let any old inspector investigate. Heads will roll if the real killer isn’t caught, hence the presence of the commanding officer. He has all the confidence of a man who has never been bested before and I laugh inwardly because I personally know he won’t catch her. No one ever has, not even the coffee consuming La Haye.

“So, HQ sent you down here to consult?” He must still be hung up on my height and deceptively young looks.

I nod. He looks doubtful but shrugs. He can’t fight his superiors, and he knows this. He turns the volume up on the sungura music streaming from his radio before hitting the tarmac. He turns into a bumpy dust road before speaking to me again.

“A small girl like you shouldn’t come to crime scenes,” the policeman says, in heavily accented English, and I bristle because I’ve already told him I’m twenty-nine – a woman – but his types like to establish dominance. He thinks he knows everything about me but these smug types often overplay their hand, I know more about him.

I look out the window for a while, where the landscape is eerie as the sun dips into the horizon, casting an orange pall. The sparse trees turn to dark silhouettes. Something like a jackal or a wild dog cries out. My skin tingles.

 “As a matter of fact, crime scenes can get ugly. My first crimes scene was so ugly, I vomited my entire breakfast – eggs, bread, baked beans.”

“I know,” I tell him, pissed that he’d given me a whole shopping list of his morning appetites. I did not need to know that. He was a small-town detective when Revai Matanga was killed, and he turned a blind eye when her relatives begged for justice. He even went farther, burying evidence and making sure the statements in the case file disappeared the night before an enquiry declared that there was no evidence of foul play. Revai’s husband paid him well. Two hundred US dollars was a big bonus for a civil servant back in 2008.

“She only targets violent men, so I have nothing to fear,” I add, feeling a surge of adrenaline.

He turns surly. I’m not kowtowing to his leadership enough. This could get ugly.

“I’ll say it again, crime scenes are ugly, and women like you have no stomach for crime scenes. Women have no stomach for anything.”

There is a lull in which his police radio and the car radio both turn silent, and it is just the two of us in the wilderness. The sky has darkened to a deep blue now and we should have arrived at the crime scene a while ago, instead, the road seems to extend itself onward like a Sisyphean loop. I refrain from responding to his words. The interior of his Ford Ranger is filled with the overpowering aura of smugness – this is a man who has never known fear. It will make everything easier.

“Neither do men. You lost your breakfast when you were called out to investigate the husband’s murder,” I tell him.

“What? You’re a social behavioural consultant from the States. What do you know about my case history or how many murders I have investigated in my time?”

I am undeterred by his insignificant question, and I throw two bloodied hundred-dollar bills into his lap, “You lost your breakfast when the grave was empty and then when it wasn’t.”

 His hands tighten on the steering wheel and the car swerves dramatically. The commanding officer sweats even though it isn’t hot. He seems to notice for the first time that the sky has turned to pitch. He checks his phone, but the battery is dead. He glances briefly in my direction and for a fraction of a second, I see the fear of God in his eyes. And now at once I look both foreign and familiar. He makes to grab his service weapon from its holster, but it isn’t there.

The grey coat I wore when I entered his vehicle has transformed into a luminous cherry red. I smile and my teeth are sharp talons. Superintendent Karimanzira’s pupils dilate then constrict in rapid succession. He has finally caught on – there is a monster in his car and for the first time in his life, the monster isn’t him. He has solved the case of Revai’s corporeal disappearance and of her husband’s murder and if only he could call someone at Interpol then he’d be promoted big time but –

Reading his thoughts, I smile when he acknowledges that there won’t be a call to Interpol or any promotion in the near future and, for a while, he just keeps driving, his hands and feet moving of their own accord as if he has become a puppet, enslaved to someone else’s intentions. At the first juncture in the road where there are no signs of life except snakes and hyenas, I command him to pull over before zipping up my cherry-coloured jacket and heaving the axe out of my unassuming tote bag and he has no choice but to comply.

I could tell him he’s been weighed on the scales and found wanting, but that would just be too much of a cliché. I could also tell him about how I was reborn in a body that wasn’t mine when my family called my spirit home, a body that is always shifting – unassuming by day yet terrible in the nighttime, but I do not have time to illuminate these things for him. I simply follow the impulse.

“Get out of the car,” I say, and he complies though his eyes flash with hate and fury. I follow him to a secluded tree where he kneels before me, awaiting judgement. I swing my axe.

Tariro Ndoro is the author of Agringada: Like a Gringa, Like a Foreigner. Her essays, poetry, and short fiction have been published in many anthologies and literary journals around the world including AFREADA, The Kalahari Review, Moving on and Other Zimbabwean Stories, and Omenana. Tariro currently resides in Harare where she is trying to survive the apocalypse.

THE BATMAN REVIEW – Seun Odukoya

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After watching comic-based movies for over thirty years, I can confidently say—the best superhero films are not superhero films. They are simply genre films featuring people with special abilities.

Case in point: Captain America: Winter Soldier. Logan. And now, The Batman.

DC needs to learn to keep a lid on their casting choices—or maybe not. At this point, people ranting and screaming at the heavens because of Batman and related characters casting choices is nothing new. Hey, I ranted at Heath’s casting as Joker—but I learned my lesson. So, when Batfleck’s turn came about, I held my peace.  

The result?

An incredible performance that didn’t get its time in the spotlight.

We all know the story; personal issues interfered with the original plan to have Affleck direct and star in a stand-alone Batman movie that would have had Deathstroke as the main villain. That would have been insane; as both characters are well known for their physicality and combat abilities. Besides, the warehouse scene in Dawn of Justice gave me one of the several things that had been lacking from live-action Batman films:

A Batman who can actually fight.

Another thing that has been so conspicuously absent in these/those movies is actual detecting. For a character who is hailed as ‘the world’s greatest detective’, to the point where one of his deadliest and oldest rivals refers to him like that, the movies have failed in that regard.

Till now.

The Batman is a standard mystery crime thriller; someone is running around Gotham murdering the rich and the privileged ala the corrupt. He leaves breadcrumbs for the police and a certain vigilante to find – or the tail end of a rope for them to tug on, and unravel the biggest corruption scandal in Gotham since…well, since Gotham.

The vigilante in question has been around for roughly two years; his methods still need a lot of work. The most obvious tell of this is the fact that there’s no clear distinction between the mask (Bruce Wayne) and the man (Batman) yet. Bruce broods. Bats broods. Bruce is obsessive. So is Batman. He seems to totter on the edge of complete insanity, needing ‘one little push’ to completely lose himself. And somewhere on the fringes is Batman’s batman, hovering, unsure of his place in the ungodly mess that is his charge.

Gotham itself is a city devouring its own tail. It is gloomy, seedy, with the sun barely seen during the 176-minute runtime. Bruce himself provides the narration for some of the film, providing context and exposition. Zoe Kravitz’s Selina Kyle is a pleasure to watch—something even Bats acknowledges in one of the ‘that was weird’ scenes. The character can be fun, but we cannot have much of that in this joyless movie. Her bisexuality was introduced—but they did not beat us over the head with it. And both the stars have on-screen chemistry in abundance. Sparks and hearts flew off the screen every time The Cat and The Bat shared a scene. I do like how their relationship is teased but not explored any further.

Matt Reeves’ The Batman is soooo good for so many reasons. The dialogue is excellent, James Gordon is more visible here than in any other movie version, though he seemed more like Bats’ sounding board than his own man. It’s always nice to see the more human members of Bats’ rogue’s gallery – Falcone, Maroni, Collin Farrell virtually disappear into his Penguin, sounding like an early-day Rob DeNiro knock off. Gil Colson is supposedly Harvey Dent’s forerunner—and Peter Sarsgaard plays him like a college teenager on his first date with his crush. Alfred is the guardian who is confused about his ward’s choices but loves him, nonetheless. And a bonding moment promises a closer relationship between the two, which will probably lead us to the Alfred we all know and love.

The Riddler, whose name has somehow become Edward Nashton is played to perfection by Paul Dano, who I have thought of as ‘disturbed’ for a while. I’ve always found his babylike face creepy, and he dials it all the way up with growls and grunts and sudden screams.

I couldn’t help but notice how Reeves draws parallels between Bats and Riddler. They both stalk people. They both embrace theatricality. They both keep meticulously detailed ledgers.

And Riddler admitted to being inspired by Bats. If only he knew….

Pattison’s Batman realizes he still needs a lot of work; this is clear for all to see when, at the climactic moment, he is made to realize running around a city in black and calling himself ‘Vengeance’ may not be the smartest choice.

I’m not even going to talk about the bike. The Batmobile. The gadgets. The functionality of the Batsuit. However, it is worth mentioning that it’s as though Reeves looked at Nolan’s trilogy and went, ‘Grounded, shey? Hold my cape!’

And the cinematography?

The Batman is a lovingly and gorgeously shot movie, frame by frame. Several shots in it feel like a picture come to life, and symbolism is rife within the shots. Greig Fraser of Dune fame deserves an Oscar for this one!

If I could offer Reeves some advice, though; it would be to 

LEAVE JOKER ALONE. 

Everybody has a narrow view when it comes to Bats and his rogues’ gallery; as though Joker is the only villain he has! Reeves did a great job with Riddler, now do some other guy like The Ventriloquist or Ra’s or Killer Croc or Clayface or Mad Hatter or The Court of Owls or Hugo Strange or Black Mask or Calendar Man or Lady Shiva or….

 Point made.

The Batman may be a hard sell for ‘regular’ moviegoers who only know Steve Rogers because they’ve seen Avengers Endgame, and people who are not movie buffs may find it long and boring. But I guarantee anyone who watches with an open mind will be entertained.

After all, is that not why we’re here?

Seun simply loves to write.
An award-winning writer/copywriter, he is the author of nine books including Saving Dapo, a local bestseller. He has written all sorts of things; poetry, tv/movie scripts, speeches, love letters, music, album reviews, and movie reviews – including the one you just finished reading. He has created, co-created, and written a number of campaigns and TV/radio spots for brands like MTN, First Bank, Sterling Bank, KIA, Oraimo, etc.
He also teaches creative writing, and is a creative consultant and troublemaker. When he is not writing, he is thinking about writing, and when he is not thinking about writing, he is drinking vodka, eating shawarma, reading a book, and or watching life happen.
Find him online @seunodukoya or www.seunodukoya.com.

Call for submissions from artists and writers for special edition of Omenana Speculative Fiction Magazine

As we put pen to paper, it was literally raining coups in Africa.

From Sudan to Mali, from Burkina Faso to Equatorial Guinea to Niger, one hears either of violent truncation of government or an attempt at seizing the reins of power by gun-wielding soldiers who purport to act for the greater good of the country. 

Democracy, the system of governance that best serves the interest of the individual by allowing them a say in who governs them and how they are governed, is in peril. With this backdrop, Omenana Speculative Fiction Magazine in partnership with the National Democratic Institute (NDI) – a US-based non-governmental organisation that works to strengthen democracy – is calling for submissions for a special themed edition that explores positive visions of democracy.

Note that some of the stories in this special edition will form part of a global anthology edited by Dr Amy Johnson in late 2022. Stories for the anthology will be selected from Omenana and two other great SF magazines from South America (Mafagafo and A Taverna) and an SF magazine based in Asia (Mithila Review).

What we are looking for

We are looking for 15 speculative short stories that explore the theme “Positive Visions of Democracy”.

We are looking for strong, character-driven stories that focus on future or other worlds where society’s bedrock is solid democratic institutions. These future or other worlds can be dystopias, but they should be ones where an entrenchment of universal suffrage holds hope. 

Maybe democratic principles or institutions shape the events of your story. Maybe your story re-envisions how democracy could work. Or maybe democratic norms are just key components of the background. 

Think space operas that look at the intricate politics of people in ships hurtling towards distant galaxies. 

Think stranded explorers trying to build a home on a planet light-years away and having to decide about leadership.

Think love! Think war! Think family! Think technology! Think gods and goddesses and what they could get up to if they ever decide to cleave to a system of democracy!

Please don’t restrict yourself to one version of democracy, or feel that you need to lean only on governance and its accoutrements.

You can draw from African examples such as the Igbo, where a republican system of governance that existed before the coming of westerners and colonisation allowed for each town, village or city to be independent and governed by the people through representation in a council of elders.

You can explore the notion of independence where every town/village is its own country and can decide its own fate without recourse to control by larger towns or stronger city-states. You can take this thought to space, across time or into alternative worlds. You can also backdrop your story within a confederacy. 

You can look at minority rights for aliens/orishas/muos/jinns/humans as entrenched in the principle of democracy in a brave new world where almost instant travel across planets and galaxies is a norm. 

You can place modern iterations of democracy and the different facets that make them work in the background of stories about average persons in far-flung places in space and time.

Let your creativity run wild.

Word length

We are looking for stories of 1000-5000 words and bespoke illustrations that convey the spirit of the individual stories. We hope to work with 15 different illustrators and writers from across Africa on this project.

Additional requirements for stories

Stories should be centred around an African experience and can be set anywhere in a near or far future, other place, other world. If you can imagine it, let’s see it.

However, stories should be vivid enough to give artists something to work with.

Stories can be Science Fiction, Fantasy, African Futurism, SteamPunk, Space Opera or any other genre of speculative fiction.

Finally, stories should be original and should not have appeared anywhere else.

How to submit

All submissions should be sent to sevenhills.media@yahoo.com on or before April 30, 2022.

Interested illustrators should send a sample of their work to sevenhills.media@yahoo.com before April 30, 2022.

Submission format

All stories must be submitted as a single attachment in .doc file format.

Artists should send a link to their portfolio or samples of their work.

Include a cover letter in the body of your e-mail providing your contact details (name – not the pseudonym you write under – address, email and phone number), a brief publication history, a bio of no more than 100 words and a profile photo.

Please follow this Standard Manuscript Format.

Payment?

Yes. We will be paying a flat rate of USD 100 for published stories and USD 50 for accompanying Illustration.

We can’t wait to see your work!

About Omenana Speculative Fiction Magazine

Omenana Speculative Fiction Magazine is a tri-monthly magazine that is open to submissions from speculative fiction writers from across Africa and the African Diaspora.

Art by Sunny Efemena

Omenana Speculative Fiction Magazine Issue 20

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Omenana Speculative Fiction magazine issue 20 cover
Cover art by Sunny Efemena Cover Design by Godson Emeka Okeiyi

Editorial

The year 2021 has rolled to its end, and the world still struggles with an unwanted guest which has become so comfortable on our planet; mutating into new forms and making our lives a worry feast. Still, we are gracious enough to admit that this year has been a busy one for us, and it is memorable for us at Omenana; for many reasons. It is the year that has seen us celebrate the most diverse offering of African speculative fiction stories. This year we had the largest number of stories published in an issue (issue 18). This year also we started publishing speculative and science fiction stories written in French. As the months go by we hope to get more and more French stories for the reading delight of our French spec fic enthusiasts.

2021 is also the first time we will publish four (4) issues within one year. This huge feat was largely possible because of our hardworking team, but also because of the amazing writers who send us great stories that arrive at our doorsteps almost ripe, or with enough promise for us to take a chance and publish them. Shout out to everyone who made this year as full and busy as it has been.

We have a lot of “search missions” in this issue; from the search for a loved one who has slipped into a different dimension, to the search for a cure or restoration, we also encounter a search for the past, encrypted in the capsules of childhood memory, there’s a journey into the future when the world as we know it comes to an end. All these are wrapped up with some futuristic climate action and a slice of time travel that comes laden with a hidden catch.

Issue 20 is a  bumper offering, and I assure you that it is quite tempting. Going forward, we plan to keep publishing four issues each year. Go on and scroll right into the 10 stories in issue 20 – Eight in English and two in French.

Don’t be a stranger; drop a comment if you feel like it.

Happy reading and soar right into 2022!

Iquo DianaAbasi

***

Ishimiri – Marycynthia Chinwe Okafor

Curing – Kristien Potgieter

The Dogs Save the Day – Fagbamiye Wuraola                                                                               

The Revolving Mountain – Tanatswa Makara

The Walls of Benin City – M. H. Ayinde

The Water Dweller – Lazarus Panashe Nyagwambo

Time Says No – Praise Osawaru

Dust – Kwasi Adi-Dako

French Language Stories

“Le Livre du Qaloun et de la Lune – L’ Ascension Nocturne” – Makan Fofana

“Étoile Sombre” – Dounia Charaf

***

Omenana Speculative Fiction Magazine is published four times a year by Seven Hills Media.

Omenana Issue 20 Editorial team:

Mazi Nwonwu – Managing Editor

Iquo DianaAbasi – Editor

Mame Diene – French Language Editor

Godson Emeka Okeiyi – Graphic Designer

Sunny Efemena – Illustrator

Social media

Somtochukwu Ihezue
Chinaza Ebere Eziaghighala

Curing – Kristien Potgieter

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The vulture came first, circling the cloud-thirsty sky. The sun was barely up, but sweat trickled down Bontle’s back as she started up the bakkie and drove out to the crops. The truck sputtered and spat like an irate old man, kicking up red dust, and Bontle knew it would run out of petrol soon.

Last year, Sandile rigged up the engine to run partly on solar power, which made a tank of petrol last far longer. Still, it wouldn’t last forever. The station in Welkom hadn’t had petrol for two months now, and the owner just kept repeating that he didn’t know when he’d have more.

Bontle drove past the rows of cacti, motionless sentries in the morning light, and towards the pallid yellow maize stalks. That was when she spotted the vulture, a grey smudge against the blue.

She hadn’t seen such a big bird in decades. She thought they’d all died out, along with everything else. Much of the earth here was arid, lifeless, cured like the skins of dead animals by decades of near-continuous drought. Almost the only plants that persisted were the cacti. Year by year, the rows of maize diminished and the cacti expanded. They had no choice. It was too costly to keep growing only the water-greedy maize. Yes, it had rained three times in the last two months, the most rain in more than a decade, but surely this was an anomaly. They couldn’t count on it happening again.

Bontle headed towards where the bird was circling. Navigating the expanse of crops was second nature to her; she’d lived on this farm her entire life, got lost in these fields as a girl, back when it was all maize. A long time ago, back in the 20s,

Bontle’s father bought this land from a white farmer, who shortly after fled the country for Australia. They later heard that he and his family had died in one of the cyclones, the one that practically levelled Melbourne and ironically sent many ex-South Africans back here as refugees.

She turned a corner and spotted her farmworker Xolani in a clearing between two sections of maize, peering down at something. Even from a distance she could see his puzzlement, hands planted on his hips. She got down from the truck. ‘What’s going on?’

He silently shook his head.

Following Xolani’s gaze, she saw a bloody heap of flesh, bone and reddish fur.

Remains of some kind of animal, violently killed.

Bontle sank to her haunches to examine it.

‘What do you think it is?’ Xolani asked. He glanced nervously up at the vulture, then back down again.

Whatever the animal had once been, only its rear half was left. There was a curve of fur that looked like a black-tipped tail. The slender hind legs, splayed limply across the dirt in death, would have been powerful in life.

‘Springhaas,’ Bontle said firmly. Xolani looked surprised at her confidence. She was a little surprised herself. But as she studied the carcass, she had little doubt. She had last seen a springhare as a girl, when she and her father and brothers sometimes went out at night to chase them for sport. When there was still enough life, enough rain, enough grass and bush and veld to do such things.

That was a long time ago. But she was certain.

Xolani, of course, was too young to have ever seen such things.

‘What did this?’ he asked, suddenly looking at the towering maize in fear.

‘I don’t know…’ Bontle wiped sweat from her forehead, equally perplexed.

She instructed Xolani to find an old tarp while she looked for prints. But her and Xolani’s footsteps, as well as the bakkie’s tyres, must have destroyed any intact ones. She cursed herself for her carelessness. She could excuse Xolani, but she should have known better.

She drew the tarp over the springhare, and she and Xolani went about their work, watering the parched maize in precise doses measured to the drop. Then they rigged the dewatering equipment to the cacti. It was gruelling work. The earth grew so hot that it burned Bontle through the soles of her boots. They didn’t have bots to do the work for them, like the bigger farms. The dewatering machinery had to be manually attached to each cactus, then detached and emptied once it was done.

And all the while, the vulture revolved above them, watching.

The sun was low when Bontle arrived back at the house. The front room was a jumble of electrical parts. It looked like Sandile had taken the solar-powered dehumidifier apart. It had been acting up for a while and, unless it rained again soon, they relied on the water it drew from the air to survive. The cactus moisture was too valuable for them to drink; it was sold off and sent to Johannesburg.

In the kitchen, Sandile stood in front of the stove, stirring porridge. ‘Just finishing up.’

Bontle pecked her on the cheek and Sandile wrinkled her nose. ‘Sweaty.’ Bontle nuzzled her ear as Sandile pulled away, laughing and said, ‘I found another fly.’

Sandile pointed to the lifeless insect on the counter. Bontle leaned in closer, frowning. Even in summer, flies had been a rarity for years.

‘Weird, huh?’ Sandile said.

In the bathroom, Bontle found a second fly, drifting in the water bowl. She picked it out, holding it up to the window, then set it gently on the rim of the sink. She splashed cool water onto her face.

Bontle left the bathroom and went to the bookcase in the living room. She ran a finger across the spines until she found her father’s old Sasol First Field Guide to Birds of Prey of Southern Africa. Its spine was coming apart, the pages brittle as autumn leaves. After some searching, she found what she was looking for: the white-backed vulture. She studied the faded drawings. Back when the book was published, this species was already listed as endangered. Yet she’d seen one today.

She put the book aside and retrieved the guide for mammals, finding the entry for springhares. She saw she’d been correct about the dead animal. It was a springhare.

But what had killed it?

Over supper, Bontle told Sandile about the springhaas. ‘We’re going out there. Tonight. Whatever killed it might come back for the rest.’

Bontle parked the bakkie with its rear facing the springhare. The vulture had vanished and, as she lifted the tarp, she was half-afraid the hare would be gone too.

But there it was.

They settled in on the back of the bakkie, the flap lowered so they could lie down and keep watch. Sandile had brought a blanket, but the night was too warm for it.

Bontle lay on her front, watching the shadowy mound in the dark. Sandile was on her back, looking at the stars. She hooked a foot over Bontle’s legs.

‘Do you ever wonder what they’re doing right now, the Mars people?’ she asked.

‘Did you hear? The other day, the first baby was born. The first Mars baby.’

But Bontle was too focused. ‘Shhh. Be quiet, or it won’t come.’

Several hours passed. Nothing came. Beside Bontle, Sandile’s breathing evened out as she fell asleep, and Bontle drew the blanket over her.

She was too alert for sleep. Each time she thought she detected movement, her heart began to pound and she readied her finger on the torch. But each time it was nothing.

More time passed, and the springhare’s carcass remained undisturbed. Bontle finally drifted off, overcome by exhaustion after a day of work in the sun.

A hint of dawn began to tint the air silvery grey. Bontle was half-asleep when a faint rustle in a section of maize tilted her back towards wakefulness. Immediately she was alert.

Something was there, moving. Breathing. Sliding out from between the maize stalks into the open air.

The black triangle of a nose. Then round ears, alert and twitching.

Bontle held her breath.

The head of the leopard appeared. A second later came its spotted body, moving with a silken, almost serpentine, grace.

It made no sound as it approached the springhare, delicately sniffing the carcass. Then it looked up and caught sight of Bontle. She did not blink – she did not dare – as she and the leopard looked at each other in the semi-dark, each wondering at the other’s existence, as if sprung full-blooded from nowhere. Is this how it happened?

Nothing, then all at once a leopard?

The leopard lowered its head, clamped its jaw over the remains of the hare and slid back into the maize, the tip of its tail vanishing last.

Next to Bontle, Sandile murmured in her sleep, curling her warm body into Bontle while, above them, new clouds gently gathered. To the east, the sun broke over the brim of the horizon, spilling gold.

Kristien Potgieter
Kristien Potgieter is an editor and writer from Johannesburg who currently works in educational publishing. She has a PhD in Creative Writing from Bath Spa University and an MA in Creative Writing from the University of East Anglia, where she was also a UEA Booker Scholar. Her short fiction has been published online and in print.

Le livre du Qâloun et de la Lune L’Ascension Nocturne – Par Makan Fofana

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Avertissement : cliquer sur ce lien comporte un risque d’éveil spirituel, de nouvelle pensée, et d’un avenir meilleur.

Makan Fofana
Ministre de la magie en charge de la banlieue du turfu, Makan Fofana est fondateur de L’HYPERCUBE, le laboratoire qui explore le TURFU par la science-fiction et la culture pop. Étudiant au CNAM en master de prospective et chercheur associé à l’université Queen Mary de Londres, ancien journaliste du Trappyblog, il est également l’auteur de plus d’une trentaine d’articles sur la vie de quartier. Il prépare un projet de thèse sur les nouvelles utopies et son dessert favori est le tiramisu chocolat blanc noix de coco. Son premier ouvrage, La banlieue du turfu est publié chez Tana éditions.

Étoile Sombre – Dounia Charaf

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Le jeune garçon observait les alentours, fasciné par les marchandises accrochées aux devantures ou étalées sur les trottoirs.

Les hautes roues plates du train-chenille les transportant s’étaient arrêtées sur la place encombrée de véhicules, très près des arcades roses que les boutiquiers envahissaient de leurs marchandises, comme autant de devantures extérieures. L’air était sec et les odeurs s’y répandaient dans une belle lumière dorée de fin de journée. Les parfums des pyramides d’épices aux couleurs vives, l’odeur âcre du cuir des vêtements et chaussons pendus, celle animale des tapis aux motifs géométriques lui piquèrent la gorge et envahirent directement ses narines et son palais de sensations inconnues. Les premiers mots qu’il entendit dans la langue de Warzazate furent braillés en chant aigu par une sono de mauvaise qualité.  

Ils étaient parvenus à leur destination, une ville au nom étrange. Il s’accrochait à la main de son papa qui ne le quitterait plus jamais.

Il n’y avait rien eu entre les deux rives de l’interminable désert qu’ils avaient traversé, rien de plus que quelques gargotes hôtels, de simples tentes à l’abri des falaises ou au bord d’oueds où ne coulaient que vent et sable.

Warzazate ne rappelait pas les grandes villes tropicales au sud du désert. Pas de tours en verre le long de fleuves épais et de lagunes verdoyantes à la végétation dense, ni de vastes avenues en latérite bordées d’étals de commerçants proposant des denrées au parfum fleuri et pourrissant à la fois. Au contraire de l’enveloppante humidité de sa ville natale tout ici n’était que sécheresse : la terre, la ville, même l’air qui lui irritait le nez.

Orpiré, son père, était revenu un soir dans le bidonville de Agbocity où sa petite sœur, Awa, et lui survivaient sous la protection de tatie Fatou, une proche cousine de leur mère décédée, et annoncé qu’il emmenait ses enfants dans le nord de l’Afrique pour tenter l’aventure spatiale.

Le dernier soir, à l’hôtel Sahara, la veille de leur arrivée, assis tout contre Orpiré, il leva les yeux et regarda la nuit dont la brillance l’éblouit presque. Il tendit les mains pour en saisir les étoiles scintillantes qui tapissaient la voute céleste nue et transparente. Orpiré rit et s’exclama :

« La prochaine étape, c’est là-haut, Kouadio, ce petit train nous emmène vers les étoiles ! »

« Les étoiles ! Papa on y arrivera quand ? » répondit-il.

Orpiré perdit le sourire et soupira :

« Moi dans un mois ou deux, toi dans quelques années. Quand tu auras appris ce que je sais et bien plus. »

« Tu m’emmèneras avec toi, » dit-il, « Et tatie Fatou et même Awa. J’irai à l’école dans les étoiles… » puis après réflexion. « Sur quelle étoile papa ? Il y en a beaucoup. »

Orpiré ne répondit pas, abattu par un chagrin permanent qu’il refoulait à la faveur de leur long voyage. Kouadio n’y prit pas garde et s’allongea sur la natte et le sable. Il s’endormit aussitôt.

*

Orpiré le prit contre lui et s’allongea. Fatou qui craignait le froid saharien s’était installée à l’intérieur, bien enveloppée avec Awa dans un épais sac de couchage. Elle l’interpela dans un grognement désapprobateur.

« Pourquoi lui dis-tu qu’il ira dans les étoiles ? »

« C’est pour cela que je suis venu vous chercher, je veux que mes enfants puissent aller dans l’espace. »

« Mais tu nous emmènes dans un pays étranger où tu vas nous laisser seuls. » insista-t-elle.

« Deux années, trois tout au plus. Tu habiteras avec des amis du pays et même du quartier, ne crains rien, cette région n’est pas dangereuse. Comme il y a l’astroport elle est sûre, et les gens du Grand Bassin sont heureux là-bas. On a des accords entre la fédération du Grand bassin atlantique et les états du Nord-africain. »

« Et tu ne pourras pas venir les voir avant deux ans. » continua-t-elle.

« Fatou, je serai à des millions de kilomètres. Et tu seras bien payée par la mine, ils te verseront tout mon salaire. Nous avons une association Afri qui aide à gérer l’argent et à se protéger. Vous serez à l’aise tous les trois. » il hésita, « c’est aussi pour cela que je pars, pour que les enfants puissent grandir en bonne santé et instruits scientifiquement. Ils doivent devenir ingénieurs en technologie et biologie spatiales. Un jour ils seront spationautes, c’est le plus important. »

« Et devenir comme les pipoles des forteresses ? »

« Oui, ou même mieux. Quand ils deviendront pilotes de vaisseaux ils pourront fonder leur propre compagnie et échapper à l’emprise des pipoles qui nous empêchent de conquérir nous aussi des planètes. Tu le sais même toi qui ne t’intéresses pas au vol spatial. »

Elle eut un haussement d’épaule méprisant.

« Les pipoles se croient meilleurs que nous, tant qu’ils nous laissent en paix sur nos terres africaines, ils peuvent bien même se faire avaler par leurs trous noirs ! Moi je trouve qu’on s’en sort mieux sans eux depuis qu’ils vont chercher leur richesse ailleurs qu’en Afrique. »

« Nous sommes impuissants sans cette technologie, Fatou, et nous restons dépendants d’eux. Bien sûr ils s’assurent que notre gouvernement ne devient pas trop tyrannique. Comme ça on ne cherche pas à fuir vers leurs pays forteresses. Ils ont les robots à la place des ouvriers, mais ils ont choisi pour nous, et nous devons les égaler. Mieux, les surpasser. Je ne veux pas que ce soit leurs trous noirs, mais ceux de tous. »

Elle poussa un petit soupir de désintérêt :

« Les égaler ? Les surpasser ? Pourquoi faire ? Tu n’arrêtes pas de me parler de ça, et de l’accession à la connaissance clandestine.

Fatou finit par se taire, comme à chaque fois qu’ils discutaient tous deux technologie et politique, et elle renonça à argumenter contre ce choix de faire des petits des étrangers à la Terre, d’autant plus qu’elle vit des larmes briller sur les joues d’Orpiré, même à la chiche lumière sous la tente. Elle avait eu peur de quitter Agbocity et sa routine souvent ennuyeuse, la technologie spatiale ne l’intéresserait sans doute jamais, mais elle commençait à aimer l’idée de devenir une autre personne, et sentait qu’une fois seule là-bas, elle ne s’ennuierait sans doute plus jamais, idée à la fois effrayante et désirable.

*

Il rêva de l’astéroïde. Un caillou minuscule qui tournoyait dans l’espace, noir de jour et noir de nuit. Vêtu de sa combinaison spatiale, il roulait sur une large piste de poussière grisâtre et collante qui restait en suspension bien après son passage, sa voiturette verte et sa combinaison rouge comme seules tâches de couleur sur la rocaille noire environnante. Il se dirigeait vers un monticule d’où dépassaient de grandes grues. Dans le fond, par-dessus les nuées de poussière, il apercevait la chaîne montagneuse qui plissait l’astéroïde. En ralentissant pour en admirer les pointes tranchantes Orpiré les vit soudain s’arrondir. Il reconnut l’Atlas qui surplombait Warzazate.

« Papa ! »

Kouadio courait dans sa direction, et à son allure précipitée il aurait dû s’envoler dans la faible gravité. Mais le garçon était tout près, dans son pyjama, et quand il saisit le volant de la voiturette celle-ci rebondit légèrement sur la piste. Il grimpa tout près de lui.

« Papa, tu as une combinaison d’astronaute ! Tu vois, je t’ai retrouvé ! »

Orpiré se réveilla aussitôt, refoulant son rêve, mais ne parvint plus à trouver le sommeil et se levant, partit marcher dans la nuit glaciale.

*

Au matin il se leva le dernier. Fatou avait regroupé leurs maigres bagages et emmené les enfants vers la longue table en métal sur laquelle le gargotier servait café léger sucré, coupelles d’huile d’argan sucrée et pain plat d’orge et de semoule, ainsi que quelques œufs durs dont Orpiré, n’ayant pas vu une poule de tout le séjour, se demanda d’où ils venaient.

Le soleil commençait tout juste à tiédir, gagnant l’intérieur de la vallée rousse qui formait le lit fantôme et pierreux d’un fleuve préhistorique. L’hôtel occupait une plage sableuse, campement de tentes en laine meublées de nattes et de couvertures rêches.

Les enfants mangeaient avec appétit, seuls de leur âge parmi les adultes. Orpiré s’approcha d’eux et sans se faire une place sur le banc, se servit un bol de café. Il observa les alentours, ignorant la mauvaise humeur que Fatou exprimait à chaque fois qu’elle prenait un repas étranger, c’est-à-dire depuis qu’elle ne pouvait ni cuisiner elle-même, ni espérer un plat de manioc arrosé d’un bouillon au poisson de la lagune. Awa accourut s’accrocher à sa taille et délaissant le liquide trop clair et tiédi de son petit déjeuner, Orpiré la prit dans ses bras et partit jouer avec elle un peu plus loin, suivi par Kouadio qui riait à gorge déployée.

*

Comment choisir ? Rester sur Terre avec eux ou partir coûte que coûte accomplir son projet… Il savait qu’il ne penserait plus qu’à son travail une fois qu’il se serait sanglé dans la navette spatiale. Qu’il construirait une nouvelle fraternité avec ses co-équipiers, comme celles qui lui avaient permis de tant de fois partir sans regarder derrière lui. Etreint par la culpabilité de trahir ceux qui l’aimaient en les laissant derrière, mais incapable de renoncer à évoluer et changer sa condition de vie, à sa liberté d’entreprendre le voyage.

Ainsi ruminait-il cette fin de journée en se promenant avec son fils dans le Quartier du Spationaute, ainsi nommé car lieu des échanges entre Warzazate et la base spatiale.  Kouadio lui secoua le bras et lui montra ses premières navettes transcontinentales alignées sur un quai graisseux. Tout terrain terrestres et spatiaux, colorés par destination, ils avaient ramené l’équipe du matin et attendaient celle du soir.

« On dirait de gros autobus ! » Rigola Kouadio. 

« Les navettes vont à l’astroport, elles sont comme des taxis pour les ouvriers qui travaillent là-bas. » dit-il à son fils. « Elles vont d’un continent à l’autre plus vite que tu ne parles ! »

« Elles ne vont pas dans les étoiles ? »

« Non, mais elles peuvent aller sur la Lune ou une station orbitale Lagrange. Pour aller dans les étoiles il faut de très gros vaisseaux qui sont construits sur la Lune, d’où c’est plus facile de décoller pour l’espace. Veux-tu voir des navettes s’envoler vers l’espace ? »

Orpiré lui prit la main et fendant la foule affairée des rues encombrées de marchandises, partit à grands pas vers l’extérieur de la ville ocre. Ils traversèrent les derniers faubourgs et montèrent sur la haute rive du fleuve, découvrant les plateaux alentours. Ils trouvèrent du monde, des badauds et quelques touristes venus assister au ballet des navettes fusées partant de l’astroport à quelques kilomètres.

Des commerçants proposaient des jouets fabriqués avec les métaux des navettes abandonnées, d’autres des épis de maïs grillés, des boules de dattes en purée, des arachides confites de sucre et du thé à la menthe. Orpiré installa Kouadio sur une roche plate et partit commander de quoi grignoter. Le marchand avait collé sur son étal une tablette archaïque où s’affichaient les heures des vols et le nom des vaisseaux, sans aucun doute un site de communication pipole piraté. Pendant qu’il sirotait son thé brûlant, le visage embué de sa vapeur parfumée de menthe, Orpiré écoutait distraitement les discussions autour de lui. Kouadio le surprit en demandant :

« On part tous les deux les premiers, puis quand on a trouvé l’étoile Tatie Fatou viendra avec Awa ? Awa est trop petite pour venir tout de suite avec nous, on doit d’abord construire la maison sur la nouvelle étoile. »

Orpiré ne sut pas répondre, mais Kouadio continuait :

« Mais elle ne brille pas cette étoile, j’ai vu sur ton téléphone les images, elle est juste pleine de poussière, et il y fait toujours noir. Comment on va faire pour tout construire dans le noir ? »

Orpiré s’étouffa dans son thé et reposa son verre en toussant.

« Tu es arrivé à allumer mon portable tout seul ? »

« C’est facile ! »

Orpiré s’emporta.

« Je t’interdis de fouiller dans mon téléphone, c’est impoli en plus ! »

Vexé, presque en larmes, Kouadio fit la moue. La discussion s’arrêta là cependant. Les badauds se précipitaient pour regarder le premier départ. Orpiré saisit son fils pour l’installer sur ses épaules.

*

« Où vas-tu ? »

Kouadio se tenait à la porte, ayant délaissé son jeu, et repoussé sur le ciment de la cour les fusées et voiturettes d’un petit astroport. Orpiré ne vit nulle part Fatou, ni la petite fille. Il s’était levé d’une courte sieste et sortant directement de la douche, se dépêchait de courir à sa formation d’entreprise. Les hommes d’Astéromines regroupaient le personnel à envoyer dans l’espace dans une vieille bâtisse berbère éloignée de la cité pour garantir la discrétion sur leur projet et il risquait de rater la navette s’il tardait davantage.

« Je vais travailler Kouadio, reste tranquille. Je reviens ce soir. »

L’enfant n’insista pas et accourut lui-même claquer la porte en métal qui grinça dans l’après-midi silencieuse et ensoleillée. Orpiré hésita, se secoua puis se hâta de filer.

*

Hommes et femmes s’installèrent à même le sol, dans une grande cour dont les hauts murs de terre crue les protégeaient de l’extérieur et donnaient la désagréable impression à Orpiré d’être en détention. Il écoutait attentivement la démonstration de Steph leur chef de mission, une suite de hologrammes projetés à l’ombre, là où le soleil qui entrait par les fenêtres sans vitres ne parvenait pas.

Orpiré prit quelques notes sur sa mini tablette, cherchant à comprendre le fonctionnement des outils d’extraction qu’on leur indiquait : comprendre comment on fabriquait les objets l’intriguait plus que leur finalité.

Art by Sunny Efemena

Des pipoles européens, Steph et Alfa les directeurs techniques, et Tania la navigatrice, dirigeaient la formation, en échangeant leurs points de vue, répondant de bonne grâce aux questions de l’assemblée. A eux trois ils représentaient l’expertise assurée des habitants habitués à accéder librement au savoir, personnes que ni leur carnation différente, blanche et noire, ni leur langue commune, l’anglopéen, ne permettaient de différencier.

Ils étaient les pipoles de la Forteresse Europa, et ils en avaient l’assurance naturelle. Tania, blonde et fluette, qui s’était présentée comme la compagne de Steph, restée en retrait, intervenait dès qu’il était question de voyage ou de transport en milieu sans gravité. Un jeune garçon roux, de l’âge de Kouadio, assis près d’elle sur un vieux tapis, coloriait avec minutie un des plans de machine extractrice. Fasciné, Orpiré l’observa un moment en se rendant compte qu’il remplissait une réelle feuille de papier avec des crayons de couleur, au lieu de pianoter sur une tablette graphique. Croisant le sourire de Tania, il le lui rendit poliment.

Quand on décréta une pause, laissant ses compagnons se servir à boire ou relancer certaines séquences du diaporama, Orpiré sortit respirer l’air tiède de la fin d’après-midi. Tania et Alfa le suivirent et lui offrirent une bière, engageant une conversation si directe et amicale qu’il repoussa sa méfiance des pipoles.

Un des techniciens stagiaires vint les rejoindre et demanda :

« Tania, tu crois qu’on peut nous autoriser à faire venir nos enfants ? On ne va plus les voir des mois durant, et ils comprendraient ce qu’on va entreprendre. »

Alfa protesta :

« C’est une mission confidentielle, le fils de Tania n’est en relation avec personne ici, nos enfants risquent de raconter ce qu’ils voient. Nous fêterons avec nos familles notre départ, mais seulement la veille. »

Ils retournèrent à la formation, cette fois chacun devait monter et démonter les outils de manière virtuelle sur une tablette à plusieurs dimensions, et fournir des arguments de réparation de pannes diverses, chacun et chacune heureux d’enfin se confronter à la réalité des travaux à venir.

Orpiré s’amusait à trouver de nouvelles pannes possibles quand Tania et Alfa vinrent le regarder faire. Tania finit par lui demander :

« Orpiré, tu as des connaissances en communication d’après ton CV. »

« Oui, en effet, » répondit-il avec curiosité, « j’ai beaucoup travaillé dans les réseaux de com et sur leurs machines et logiciels. Vous avez besoin d’un communicant ? »

Alfa lui jeta un regard d’avertissement et baissant la voix, lui confia :

« Nous avons besoin de quelqu’un qui officiellement fait l’interface technique avec la direction d’Astéromines, et surtout qui puisse nous alerter si des trucs pas clairs se passent à ce niveau. »

Interdit, Orpiré répéta : « Des trucs pas clairs ? »

Tania hocha la tête en chuchotant :

« Par mesure de protection. Nous serons à leur merci, à plus d’un million et demi de kilomètres de la Terre, personne ici-bas n’est au courant du projet. Alors si nous n’avions pas complètement les yeux bandés et les oreilles bouchées… »

Orpiré frissonna, comprenant brutalement sa situation et celle de toute l’équipe recrutée avec de belles promesses salariales et sociales et l’assurance que leurs employeurs avaient une grande maîtrise de la technologie de l’espace, mais exilée si loin qu’il serait bien difficile de se sauver et de se plaindre aux autorités terriennes.

*

Il rentra déprimé chez lui, se demandant si partir avec Astéromines était la meilleure solution, partagé entre le désir d’entreprendre quelque chose de nouveau, de se lancer enfin dans une activité qui lui permettrait de vivre une expérience  exaltante et d’en revenir pour construire un vrai projet de conquête spatiale avec ses enfants et ses collègues d’Afrique, et le besoin douloureux de rester auprès de Kouadio et Awa, de les protéger ici-bas et de bricoler pour leur offrir une instruction technique digne de ce nom.

La nuit claire brillait par-dessus les lumières du quartier afri, plongeant leur cour dans une pénombre indigo. Fatou cuisinait un ragoût de poulet sur un braséro dont les flammes dorées et rouges qui léchaient la marmite bouillonnante lui jetaient des lueurs vives au visage.

Kouadio l’aidait en épluchant de grosses bananes qu’il débitait en tronçons. Orpiré prit Awa dans ses bras et s’assit près d’eux. Fatou l’observa discrètement, lui plongé dans ses pensées, et caressant avec tendresse la tête de la fillette.

Elle découvrit la gamelle et y glissa avec soin les morceaux de banane que lui tendait fièrement Kouadio. Orpiré sentit son regard et sourit piteusement. Il était bien difficile de cacher ses sentiments à Fatou.

« Tu as besoin que je te fasse de grosses courses ? » demanda-t-il

« Tu pars déjà ? »

« Cela ne devrait pas tarder, nous avons presque tout appris des techniques, maintenant on doit apprendre à vivre et travailler dans l’espace. »

« Tes chefs vous demandent beaucoup d’abnégation et de confiance. Ou en vérité, ils n’ont que faire de vos sentiments, vous êtes des bras et du travail pas très cher, j’en suis sûre. Tu as des dates au moins ? »

« Tout est secret. On le saura dans quelques jours sans doute. »

« Hum, tu ne peux même pas prévoir tes courses pour faire ta valise. »

Orpiré ne sut quoi répondre, il y avait beaucoup trop d’incertitudes.  

Après le dîner Orpiré hésita à envoyer les enfants se coucher. Kouadio démontait tranquillement une fusée qu’Orpiré l’avait aidé à fabriquer, et Awa le regardait avec attention. Autour d’eux la cour avait pris un faux air de cour afri, et empêchait toute brutalité extérieure de pénétrer leur cercle illuminé par le petit feu. Orpiré décida à parler franchement avec son garçon, Awa saisirait des bribes, seulement des impressions de cet instant, trop jeune pour en comprendre le sens. Fatou ferait de son mieux, mais c’était lui leur père, lui qui les laissait ici-bas.

« Kouadio, laisse ton jeu pour l’instant, je dois t’expliquer des choses importantes. Comme à un grand garçon. »

Kouadio se contenta d’une grimace, il savait ce que Orpiré lui dirait, il l’avait senti à travers leurs échanges depuis qu’ils s’étaient retrouvés quelques semaines plus tôt. Il se fit attentif cependant.

« Là où je vais, c’est mon travail, les enfants ne peuvent pas venir. » Commença-t-il avec difficulté, la gorge nouée. « Tu l’as compris, bien sûr. Je dois aller, non pas sur une étoile mais sur un astéroïde. Tu sais ce que c’est ? »

« Oui. »

« Il n’y a que des adultes là-bas, on va miner du fer, du titane… Pour les rapporter sur Terre. »

« Tu m’as déjà expliqué, papa. »

« Tu comprends alors que l’étoile, notre étoile à nous, c’est pour plus tard ? Il faut un équipage, un vaisseau. Quand tu seras grand. Quand Awa sera grande aussi. »

« C’est quand ? »

Orpiré lui sourit :

« Dans quelques années, maintenant tu as cinq ans, ce sera quand tu auras seize ans. Dans onze ans, c’est le temps qu’il faut pour trouver de l’argent et pour apprendre tout ce qu’il faut pour faire voguer un vaisseau spatial. Pendant que tu apprendras ici à l’école des astronautes indépendants, je travaillerai à amasser l’argent. »

« L’argent ? »

« Pour acheter le matériel. »

« Tu pars bientôt ? »

« Dans plusieurs jours, un mois peut-être, je n’ai pas encore la date. »

« Tu vas rester là-bas beaucoup d’années ? Tu ne vas pas oublier ? »

« Non, je te le promets, je reviendrai dans deux ans de mon premier voyage sur l’astéroïde. »

Il se tut subitement, saisi par une inquiétude nouvelle, reviendrait-il de ce voyage ? Kouadio ne parut pas remarquer son trouble, de nouveau absorbé par son jouet. Orpiré ne sut pas s’il écoutait toujours, s’il était trop jeune pour suivre une discussion aussi théorique sur l’écoulement du temps à venir.

« Papa, tu nous racontes l’histoire de tata l’araignée qui voulait monter voir Ogun dans les nuages ? » réclama tout à coup Awa en se lovant dans ses bras.

Kouadio éclata de rire :

« Tatie Fatou nous a dit que tu vas travailler avec Ogun sur l’astéroïde ! »

Les enfants avaient chassé la tristesse de leur séparation en décidant de penser à autre chose. Orpiré les envia.

Il ne sut pas comment il s’endormit malgré le tourbillon des ruminations qui l’aiguillonnait à chaque fois qu’il tentait un peu de sophrologie pour échapper à son anxiété. Ils avaient gagné la salle et ses tapis plus confortables pour finir la soirée de contes et il s’était allongé près des petits endormis sans parvenir lui-même à trouver le sommeil. La fatigue l’avait sans doute écrasé à son tour.

Il rêva plusieurs fois, se réveillant en sursaut pour trouver les enfants serrés contre lui, tous blottis sous une épaisse couverture berbère dont la laine fleurait le pays et sa poussière. Fatou veillait sur eux.

*

Kouadio était assis sur une voiturette découverte et la Terre n’était qu’une tâche bleu pâle derrière lui. Un rideau de poussière noire et argent jaillissant de sous le véhicule lui faisait un tunnel statique. Kouadio portait une tenue de foot, Orpiré ne sut pas de quel club.

« Papa, elle est belle ta combinaison ! »

« Comment es-tu arrivé jusqu’ici ? Où est tatie Fatou ? »

« Tu as trop tardé, on est venu te chercher ! »

Fatou apparut dans le tunnel derrière, pieds nus, et tenant fermement Awa qui cherchait à s’échapper pour saisir la nuée de régolites brillants dans le faisceau de la voiturette.

Un faisceau de lumière dans l’espace ! Un portable qui vibrait longuement. Il comprit qu’il rêvait et se réveilla. Il faisait encore nuit, et Alfa lui parla sans même prendre la peine de le saluer.

« La navette d’Astéromines passe te prendre dans une heure, on part plus tôt que prévu, des fuites sans doute. »

« Quoi ?! Déjà ? Mais je ne suis pas prêt, j’ai encore ma famille à finir d’installer. On devait partir dans quelques semaines au moins, non ? »

« On ne t’a jamais donné de date, » grommela Alfa à voix basse, « c’est ça où tu restes. »

« Quoi ? J’ai signé mon contrat ! Je suis au courant de tout ! Tu ne peux pas me traiter comme ça ! » 

Orpiré sifflait entre ses dents dans son téléphone et rageait de ne pouvoir laisser éclater sa colère et son inquiétude. Les enfants dormaient toujours à ses côtés.

« Je ne peux pas partir d’ici une heure, rien n’est encore prêt ! »

« Débrouille-toi, ce n’est facile pour personne, et tu es le premier que je préviens, les autres auront encore moins de temps que toi ! On s’envole dans trois heures environ. On a une fenêtre. »

Il s’adoucit brusquement :

« Je suis désolé Orpiré, nous ne pouvons pas nous passer de tes compétences, Tania pense sincèrement que tu es le plus doué de l’équipe, il ne te manque plus que d’apprendre la navigation spatiale et les techniques en micro gravité. Tu t’es bien débrouillé pour atteindre des compétences que d’autres commencent tout juste à maîtriser. Si tu préfères rester avec tes enfants on le comprendra. Il te faudra juste te cacher dans le quartier afri le temps que tout le monde s’en aille. On ne sait jamais. Je me méfie de l’entreprise. »

« Mais je veux participer à cette aventure, » protesta le jeune homme, « je veux absolument en faire partie ! je demande juste quelques jours encore. »

« Ça, je n’ai pas le pouvoir de te les donner mon ami, je suis de l’avis de Tania, tu dois entrer dans l’équipe dirigeante, une fois qu’on sera sur notre caillou minier. A toi le choix douloureux. Si tu décides de renoncer, envoie-moi un message écrit d’ici une demi-heure, je pourrai dérouter la navette de transport, et file voir Djenneba qui tient le maki de la rue principale, elle te cachera de ma part, elle est dans l’organisation. »

Alfa lui raccrocha au nez, le laissant soupirer de détresse. Un soupir plus profond, presque un gémissement lui répondit : Fatou, levée, s’avançait sur le seuil de la chambre en renouant son foulard sur ses cheveux défaits.

« A quelle heure tu t’envoleras de la base ? »

« Tu as tout entendu, bien sûr… Je n’ai pas dit que je partais ! je crains de devoir tout abandonner ! »

« Ne dis pas de sottises, pas après m’avoir amenée jusqu’ici avec les enfants ! fais ton sac, je réveille les enfants. »

« Mais ça va être terrible pour eux ! »

« Je vais les emmener au bord du plateau, à quelle heure tu t’envoles ? »

« Si tout se passe comme prévu, dans trois heures. » fit-il d’un ton morne.

Il imagina Fatou remonter dans l’aube obscure vers le plateau, les bras chargés de ses enfants à lui, pour voir exploser les gaz de sa navette fusée. Une angoisse violente lui donna la nausée.

« Non, je ne peux pas les trahir ! »

Fatou ne voulut rien entendre.

« Tu as promis à Kouadio que tu irais préparer votre voyage vers les étoiles pendant qu’il grandirait et s’instruirait, c’est cela ta parole. Allez, prépare tes affaires, que je les réveille et qu’ils te disent au revoir. »

« Fatou, » commença-t-il sachant qu’elle avait raison « je suis déchiré de les laisser, mais j’ai besoin d’y aller. »

« Vas-y mais ne nous oublie pas. »

Orpiré l’attira contre sa poitrine et la serra convulsivement, envahi de sa chaleur, ressentant son corps musclé et solide de femme dure au labeur. Il sut qu’il emporterait avec lui dans un univers aseptisé et vide le souvenir du parfum bon marché de sa chevelure, et de la tiédeur de ses bras. Elle avait raison, Alfa avait raison, c’était maintenant ou sans doute jamais. Il allait quitter la planète.

« Papa ! tu pars maintenant ! »

Le ton du garçon était presque accusateur, mais surtout résigné. Ce qui blessa le plus Orpiré qui tentait de se dépêtrer de sa culpabilité et de son chagrin.

Fatou repoussa avec douceur l’astronaute et lui chuchota :

« Reprends-toi et souris, tu dois les saluer et renouveler des promesses sincères avec eux. »

*

Quand ses jambes se dérobaient sous lui au rythme de l’allure de Fatou, quand son pied se tordait dans un trou invisible dans l’ombre des bâtiments, Kouadio étouffait son angoisse et refoulait ses larmes comme il pouvait. La jeune femme le portait presque à bout de bras à ce moment-là, déjà chargée de Awa bien serrée contre son dos.  La petite ne disait rien, le regard fixe. Quelques chiens errants et agressifs les coursèrent à deux reprises, obligeant Fatou à s’arrêter et à les chasser à coup de pierres.

Ils parvinrent enfin sur le plateau désert qui ouvrait directement sur la nuit mourante et ses étoiles presqu’aveuglantes. La jeune femme déposa les enfants et leur saisissant la main, les emmena d’un pas prudent parmi les cailloux et les détritus abandonnés par les gargotiers jusqu’au bord de la haute berge.

« Voilà, dit-elle en respirant péniblement, c’est bientôt, on est arrivé à temps. »

Si Awa se réfugiait dans la sécurité affective de Fatou, Kouadio ne parvenait pas encore à accepter le départ soudain de leur père, gardant l’espoir très vif qu’il réapparaîtrait pour l’emmener avec lui.

« Je veux papa, » parvint-il à prononcer malgré sa peine à refouler ses sanglots, « je veux partir maintenant, pas quand je serai grand. »

Un bruit d’explosion au loin, une vive lueur blanche dans l’aube grise et rose : une traînée de fumée dessina un arc de cercle dans le ciel. Ce fut tout, son père partait pour les étoiles sans lui.

Alors que tous trois gagnés par le froid s’en retournaient chez eux, Kouadio secoua la main de Fatou qui lui sourit courageusement.

« Tatie, je veux apprendre tout de suite pour les fusées et les étoiles. Et aller chercher papa. »

*

Dounia Charaf
Je suis romancière et nouvelliste, bibliothécaire et animatrice d’émissions littéraires pour Nice fictions et la tribune des Vagabonds du rêve. Je puise mon inspiration dans l’histoire et les mythes de l’Afrique, surtout le Maroc où je suis née et où j’ai vécu des années et l’Afrique occidentale, plus particulièrement les périodes précoloniales, contemporaines et le futur imaginable. Pour ce qui est d’imaginer une Afrique future et un univers littéraire en Science-fiction, je me fais une projection chatoyante de l’Afrique du futur, bâtie sur les cultures actuelles de ses sociétés variées et sur le génie de ses peuples. https://fr.wikipedia.org/wiki/Dounia_Charaf site et publication de dounia charaf

Isimmiri – Marycynthia Chinwe Okafor

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The night Chimebuka and her mother sat for the first time on the veranda of their new air cabin and she saw a cat—black and sleek—saunter past through the passage like it knew exactly where it was going, she knew something bad laid ahead. To see a lone black cat not moving along stealthily was ominous, but to see it very clearly on a night when no moon or stars graced the sky, was more than a bad omen.

So, when four market days later, two officers from the Ministry of Magic Affairs arrived at their doorstep, she knew even before they spoke that something had happened to her father. After their first visitors, she and Mama hastily threw a few things into a bag. Then, just as she started drawing the circle that would transport them to the headquarters of MMA in Awka, the ding rang out for the second time.

She opened the door to see Lotanna, her father’s aide. Because ever since they became adults, she had seen him only a few times and always in the company of Papa, she asked, “Where is my Father?”

She tried not to wrap her arms around him and hold on or let Mama see the fear in her eyes as she took in his battered face, his crocked posture and his ruffled blue hospital nightwear. She instead gripped tighter the nzu she had been using to draw the circle.

“That’s why I’ve come. Inside, please.” He leaned in and hugged Mama with the hand currently not in a sling. He didn’t hug Chimebuka but kept his eyes on her face as he limped into the house, fell into one of the sofas and took the precious time Chimebuka didn’t have to catch his breath. He glanced at the nzu in her hand and asked simply, “Did they tell you to go to Awka?” When she raised her eyebrows in question, he added, “I saw them leave. What did they want?”

Chimebuka turned to her mother and saw that she was already leaving the room, perhaps, to get something, to keep busy. They were already revved up for the tumble into Awka and couldn’t keep still. She turned back to Lotanna, “No. They wanted to know if Papa—or any of our ancestors—have any links with Ndi Mmiri. One dared to ask if our family ever sold any maid from the Water people. They wouldn’t tell us what’s wrong or why they were asking all those questions.”

“If they’re asking questions, then they’ve not found him.”

“He’s missing? He’s not dead then?” Until she asked, Chimebuka hadn’t realized how much she dreaded the possibility of getting to Awka only to be told that her father was dead. But the fear which had been curled low in her stomach like a viper ready to attack didn’t unfurl; it remained twisted, tight and ready.

Lotanna seemed to notice and said quickly, “His body hasn’t been discovered. When anybody drowns in Isimmiri, the maids bring the body to shore in no more than three days. It’s been five.”

“You were with him, what happened?”

“We were on Isimmiri, on our way home, when our bubble ran into something very hard. The bubble’s sensor didn’t warn us of any impending obstacle. Before it burst, your father sent out a distress call. After that, I don’t remember anything else. I woke up in the hospital and was told General Okolo is unaccounted for.”

“I can’t sense him, that’s why I thought he’s dead,” she finally admitted one of the fears nagging just behind her right ear. Both Lotanna and Mama turned to her sharply. Her gift was not something they talked about. Only four people alive—Lotanna included—knew about her gift of being able to sense people she had met in whatever sphere she was in. She hadn’t known whether to tell her mother that when she had tried to reach out to her father—several times—she had encountered only blank space. “It’s as if he has disappeared,” her eyes widened. “Disappeared.” She whispered. “Oh, Mama. He’s not in this realm.”

Mama gave a strangled cry and leaped up from beside Lotanna where she had sat and had a tray of juice balanced on both her laps. The tray upended and fell to the cloud carpet-protected floor, scattering glassware. The juice—the bright colour of Lotanna’s hospital nightwear—pooled at Mama’s feet as she stood shaking. Neither Lotanna nor Chimebuka dared to touch her.

“Mmiri has taken him,” Mama’s voice—usually soft and sure—was edgy and unrecognizable now. Chimebuka started to come forward to take her hand, but Mama waved her back and began pacing, her momentary fear put aside. “Before we got married, we checked our stars to see if we were compatible. The ogba-aha told us we were compatible, but it is written in your father’s akaraka that the water would take him. You know your father,” she turned to Chimebuka. “He didn’t take the ogba-aha seriously; he laughed it off and told me not to worry. I loved him, so I married him but I couldn’t stop him from his scavenging; it’s family business that had become tradition over generations. And he loved the water. Every time he left, I kept vigil until he returned. It was all I could do.”

“Mama, did he sell a nwa-okpu of Ndi Mmiri?” Chimebuka was horrified at this thought. Selling a maiden of any sphere was a great alu against Ana and a lot of other deities. “It’s an unforgivable alu that stretches out to future generations. Did he do it, Mama?” Desperation made her say what normally, she wouldn’t even contemplate.

“No, no. Your father would never do that; besides, he knows there are consequences. His great grandmother was from the water. Her husband, his great grandfather lured her away from her people and married her without the biamaru uno ritual. They never forgave him and now, they’ve taken your father away from us. Despite your father’s status, the ministry won’t be eager to help when they find out the problem is ancestral.”

“He’s partly of the water. They won’t hurt him,” Chimebuka said, more to reassure herself than her mother. “We’ll bring him back, Mama.” She promised. She didn’t know how they could manage that but she didn’t like the look that had yet again come into her mother’s eyes. “We’ll bring him home.”

“How?” The question was a hopeless cry.

Lotanna wobbled to his feet. “I know of a great dibia.”

Convincing her mother to remain home while she and Lotanna went to Anaku to consult the dibia hadn’t been easy. But by the time they set out, Mama agreed to stay back in case Papa returned or called home. She looked so small and fragile as she stood at the door and watched them descend, Chimebuka almost told her to come along.

They chose to take the ground route to Anaku rather than the air route because, though it was bumpier, it had less traffic. The vehicle—round and streamlined—which Lotanna had insisted on driving himself, moved steadily at a speed of a little over 140km/hr but Chimebuka felt it moved slower than giant home-grown snails.

“Could you go faster?” She growled for the umpteenth time.

Lotanna merely glanced at her and thought how he had missed her. He couldn’t believe how distant they had become. Once, in what seemed like a very long time ago, they had been as close as two nuts in a groundnut husk. Their mothers had been best of friends and they had grown up like brother and sister until that year she had been fifteen and he sixteen, and something had come between them.

A kiss.

Now, as he stole glances at her from the corner of his eye, he wished they could go back to the way they were back then. He couldn’t give up that one kiss they had shared and the fondle that had followed, for anything. In a blink he would go back a second time and attend that New Yam Festival where they had shared that one dance in the lovers’ circle and he had laid his lips on hers, and tasted her mouth for the first time. But he wished they hadn’t avoided each other afterwards, he wished they had sat down and talked about it.

Then, he wouldn’t have been so far away to see her dark skin grow shinier, her face leaner, her brown eyes sharper, her lips and body fuller—all this as her womanhood bloomed. He wouldn’t have had to just nod politely at her on the few occasions they saw each other.

“What happened to us, Ofunwa?” He called her by the name they hadn’t called each other in a very very long time. The name drew out a gasp from Chimebuka, more than the question would have.

She couldn’t pretend to misunderstand him, so, she remained quiet.

He put the vehicle on auto-pilot and shifted to face her. He pushed, “Ofunwa.”

The name had come from a very long time ago after they had realized that their parents wouldn’t give them siblings. It had started, at first as a joke, then it had stuck till their teenage years.

And now.

“We are here.” She couldn’t quite disguise the relief she felt at the interruption.

The vehicle had stopped in front of a palm-frond wall with no gate. The GPS on the dashboard blinked an arrow a furious red and the arrow pointed up. Lotanna changed gears and swung up and into the compound.

The dibia’s apprentice greeted them by name. They looked at each other, incredulously.

“Please, come. Onu is expecting you.” The apprentice took them further into the compound and then disappeared when he brought them to the mouth of the shrine adorned chiefly in red and black.

“Remove your footwear and come inside.” A voice said. They had to bow their heads slightly to pass the cave-like entrance. Inside, a face was put to the voice, and the young, innocent-looking face was a contrast to the gruff voice that welcomed them.

“I’m Onu Ujuagu, the mouthpiece of Ujuagu. I knew before you knew yourselves that you would come.” He picked a twin metal gong and its stick from beside him and beat a harmonic tune. “Ujuagu, my agbala told me.”

Lotanna whose idea it had been to visit the dibia, watched him now, his eyes shinning skepticism. Chimebuka knew there were dibias who really had the sight and knew what they were doing and there were ones who pretended they did and played simple parlour tricks. “Did your agbala tell you why we’ve come too.”

Onu focused bi-coloured eyes on her and smiled widely, as if he knew a secret about her, she didn’t know. “Ujuagu will forgive you because—though you have gifts—you see not with the same eyes that Ujuagu does.” He turned serious, shared a look between them. “You have come because somebody you both love immensely is missing, presumed dead.”

He didn’t give them time to break out of their surprised trance and comment before he broke into rapid incantation. “Anya mmuo abughi anya mmadu. He’s being held so that he cannot return. He’s hidden, it’s only his will to return that is making him seen at all.”

“Will you help us?” Lotanna was leaning forward in his stool, both his hands braced on his laps, his eyes earnest.

“Ask, Ujuagu,” he said to Chimebuka and pointed at a figure, a carved image of a willowy woman who had her hands stretched forward as if in receipt of something. “And call your father by name.”

“Please, Ujuagu, help us bring General Obinna Okolo home.”

Onu stood abruptly from his stool and turned in circles as though he was possessed by a wild evil spirit. With his back first, he went through a door draped with raffia mat. When he came back, he held a charm wrapped in fabric similar to the ones adorning the shrine and tied in thin threads.

“Take this,” he gave it to Lotanna. “The woman shouldn’t touch it because a woman who still bleeds shouldn’t. Keep it close, always, until your return. It’ll permit you to enter into the Water realm undetected.

“You’ll come back and thank Ujuagu after, only then will I tell you my fee. If you don’t come, Ujuagu will hunt you down. “He turned his back on them, “Go, now.” then he added, “Do not look back.”

They both stood to leave. Lotanna had to use both hands to tuck the charm carefully into his bag and he winced doing it.

Onu hurried to him and touched the hand in a sling. “You can’t journey there injured. Ujuagu said to inform you that you’ll spend half the night in her healing pond. You’ll drop the fee for healing in that bowl now.”

When Lotanna had first been deployed to search and dig in River Awka beside General Okolo for olanyanwu, the magical gem that aided the growth of plants in the dying world, the second person he had wanted to tell was Mama but he hadn’t because he had bruised her heart. He had bruised a heart that had loved and nurtured him after his parents’ death when he chose the water—which she feared—over taking charge of his parents’ conglomerate. When she heard of his promotion, she had traveled all the way to Awka to bring him a cake and they were back to how they had been in the past, and no reconciliatory words were said between them.

After that, he had told her everything exactly as it was, until now, and even though he felt really guilty, he didn’t say this to Chimebuka. Instead, he said, “We should have told her the whole truth.” But she cut her eyes away from him. She agreed with him, but they couldn’t have told Mama that her daughter was going into the water too.

“Soon, all these would be mere stories.” She whispered.

Lotanna remained quiet. He was standing at the wheels urging the bubble as fast as it could move to the centre of Isimmiri, from where they could see no land or even a mirage of one. From there, they could shift and the shift wouldn’t be noticed or recorded in the Hall of Magic in Awka. And because of the charm, it wouldn’t be noticed either in the sphere of Ndi Mmiri.

Feeling a yearning to be close to Chimebuka, to at least smell her long, dreadlocked hair, as he had done while they sat together at Ujuagu’s, he automated the vehicle and wandered to the glass refrigerator, took out two cans of Fanta and had the vending machine attached to it dispense a bowl of biscuits. He went to the crystal table where Chimebuka sat, studying the map of Isimmiri.  He clicked the program off and sat the bowl and tubes before her.

“Take a break,” he said, “there’s nothing else to do until we get there.” He sat beside her and bit into a biscuit. They had barely gone through a quarter of the bowl—in silence—when he asked again, “What happened to us, Ofunwa?”

This time, there would be no interruption that would prevent her from answering. She finished chewing and considered stuffing another biscuit into her mouth. She shrugged, “I guess we drifted apart.” She met his gaze, her eyes daring him to say otherwise.

But he agreed with her. “Because we let ourselves drift apart. We could drift back again.”

“We’ll never be what we once were.” They could never have that innocuous friendship that only children could manage. Not after the lover’s circle on that New Yam Festival. She looked at him and saw in his eyes that he remembered. “We can’t.”

“I know, but I don’t want us to. You don’t want us to,” he settled his can on the table and leaned forward and took her hands. When she didn’t withdraw them, he took it as a sign, good or bad, he wasn’t sure. But he marveled at the familiarity of her hands, after such a long time. He slanted his palm—broad and rough—over her narrow one with long tapered fingers and linked them, lifted them to his lips and kissed softly.

She watched him from under her lashes. Dark and tall with a face that was a crooked nose away from being too beautiful, he could never remain the object of her sisterly affection. She had come to terms with that after she had stopped denying her attraction. She couldn’t deny it now so, she met his eyes with hers and assessed him as he did her.

Lotanna raised his hand to her face, pushed two long brown dreadlocks behind her ear, smiled into her eyes. And as always, was knocked back by them.

Onu had informed him while he had lounged in the pond that he didn’t need any charms to make him immune to the sirens’ charms because his heart had already been taken. He hadn’t needed Onu to tell him so, he knew already and was reminded every time he saw her. He was reminded every time her father mentioned her name. He was reminded at every glance at the small things that reminded him of her.

But he had surely needed the slight push from Onu urging him to tell her. Not yet though, he thought. He would wait until all this fiasco was over. Now, he would have to settle for tasting her lips again. He dropped his eyes to them, then brought them back to her eyes, searching.

Chimebuka smiled slowly and let him see the shine in her eyes before she said in a breathless, low voice , “Kiss me.” Then, she took his mouth, gingerly at first, then not.

Their lips battled for dominance. She moaned and dug her fingers into his thick dark hair and pressed his face closer. His tongue caressed her bottom lip, then slipped inside to tango with hers. Groaning into her mouth, he lifted her from the cushion and brought her to saddle his laps.

Unconsciously, she shifted to settle properly and dragged a deep moan from Lotanna. He snatched his mouth from her neck and groaned, “Damn, Ofunwa.” He kissed her again, swallowing her moans. “Don’t do that again.”

She smiled, a triumphant smile that told him she understood perfectly. “What?” She moved again and took her time climbing off him.

And they began to laugh. And laugh. And they laughed and laughed until they couldn’t anymore.

“How I’ve missed you.” He said it so simply that she turned, went to where he stood near the controls looking through the glass at the passing waves and hugged him from behind.

“Me too,” she said. “We’ll talk.”

“Yes, we will. First, we bring General Okolo home.”

The bubble stood in place and waved in tune with the gentle lapping of the water against it. They had changed from their simple attire of jeans and T-shirts to nylon lined swim suits that were resistant to both heat and cold. Watching Chimebuka strip—as if he wasn’t there—and shimmy into her swim suit had been refreshing and quite satisfying.

Now, as he watched her drawing the circle, he tried to put it out of his mind and focus on the task ahead. Again, he checked his back pack, checked hers too and ticked off his mental list. Hydrotorch, check. Cans of food, oxygen strips, double edge retractable swords, swim suits, check. And most importantly, nzu and the charm. When he finished, Chimebuka was done drawing and was standing in one of the two small spaces she had made in the circle.

He joined her inside the circle and stood opposite her. She stared into his eyes and murmured words that to him, were gibberish and soon, they were flying and flying. The world passed—white and very fast—before their eyes, the air stopped and if they listened hard, beyond the buzzing in their head, they could actually hear silence. And they were falling and falling. Then, they were both standing outside the closed door of a mansion which was white and regal in its entirety.

Lotanna quickly turned to Chimebuka and asked, “Are you okay?” and found out even before he thought it that he could speak and breathe easily.

Chimebuka replied, “I’m fine,” and created a flurry of smaller bubbles from her mouth. She reached out and started to take his hand but two very shiny people, a maid and a man holding hands came at them propelled by their scissoring legs at a surprising speed. The maid and the man swam through them, pushed the door open and went inside. The door closed after them.

“Woo, they can’t see us.”

“That shows the charm is genuine. I had my doubts.” Lotanna took her hand. “We too should scissor our legs behind us,” he demonstrated and figured he just floated quite fluidly.

A pair of glowfish circled around them before moving on and Chimebuka would have smiled had her heart not been beating so fast. They pushed open the door and went through and were greatly taken aback. The inside was magnificent and the people decked out in all manner of sparkly shells and strange ornaments stood and walked on both legs. Perhaps because, Chimebuka imagined, there was no water inside for them to swim in and for a moment, she wondered why the water stopped just at the mouth of the mansion and didn’t come through the open windows.

“Look,” Lotanna’s voice was heavy with terror. His grip on Chimebuka’s hand tightened.

She glanced up to where he had pointed and saw Papa—dark and beefy—draped in shiny ornaments. He was smiling into the eyes of a woman who was wearing a crown, kneeling before him and holding a wooden cup. The woman raised the cup to her lips, took a sip and with a half smile on her lips, handed the cup to Papa. He took the cup very gently from her, drained its content and stuffed a handful of pearls into it, sealing their marriage vows.

Marycynthia Chinwe Okafor
Marycynthia Chinwe Okafor is a Nigerian writer of Igbo descent who lives in Enugu. She loves reading and particularly enjoy disappearing, at whim, into worlds of her own creation. Her works have been published or are forthcoming on Writers Space Africa, Brittle Paper and Kalahari Review. Her short story Chronicle of Anaoma was longlisted for 2020 K and L Short Story Prize and 2021 Nommo Awards. She can be reached via Twitter .@Marycynthia600.