Looking for speculative fiction by Africans? You are in the right place.

Home Blog Page 2

A Glitch on the Railway Bridge | Mseli Ngoma

0

The 24-year-old black train operator was frustrated and angry. He felt a knot of tension in his chest as he contemplated stopping the train in the middle of the bridge.

He wore his faded blue uniform with a name tag that had seen better days, and his fists clenched and unclenched as he struggled between his desire to end his shift and his responsibility for the passengers on board.

As his frustration grew, he began to reduce the speed of the train as it approached the Dona Ana Bridge which caused the train’s familiar hum to transform into a rhythmic chug.

“You are making the correct decision,” he told himself as he presently pulled the emergency brakes, sending the sound of steel against steel reverberating through the air.

This caused the train to shudder and come to a complete halt, making the passengers jolt forward in their seats.

Outside, the sky displayed a blend of pale blue and soft gray clouds, hinting at the changing season.

The train operator looked at the communication device as a gentle breeze blew through the control room windows.

He then looked at the early spring sky before returning his gaze on the communication device.

Just tell the passengers the truth of what’s happening, thought the train operator as he gazed towards the communication device, If they hate you for it, so be it!

With a deep breath and slightly trembling hands, the train operator picked up the communication device.

He then cleared his throat and spoke, his voice carrying a mixture of frustration and determination.

 “Ladies and gentlemen, I want to apologize for the unexpected stop,” he said, and then paused momentarily, “my shift has come to an end, and according to the system, I’m now considered a passenger rather than the operator. This means I can’t continue driving the train.”

He then left the control room and walked down the narrow aisle of the train car.

Eyes followed him, stealing glances that conveyed worry and disgust at what they saw as unprofessionalism.

His uniform, once a symbol of authority, now seemed out of place as he settled into an empty seat in the cabin.

The worn seat cushion felt unfamiliar beneath him, a stark reminder that he was no longer in command.

As he took his place among the passengers, their reactions were a blend of astonishment, concern, and even a touch of disbelief.

Two passengers decided to confront the train operator while the other passengers in the train cabin paid rapt attention.

 “Why did you stop the train in the middle of the bridge?” the first passenger asked, fear etched on his face.

 “Because my shift is over,” said the calm train operator after he let out a sigh.

“What’s the true reason you stopped?” asked the second passenger who stood in front of him.

The train operator then looked at them and shook his head from side to side.

 “Stop interrogating him,” said another passenger as he pushed the two passengers away from the train operator, “help will come soon, and he will be punished!”

The train operator then grinned, placed his head on the headrest of his seat and closed his eyes. The cabin was tense as conversations among passengers centered on the operator’s lack of professionalism and empathy.

***

A few minutes later, the train operator was awakened by the sound of the communication device in the control room.

He closed his eyes as he saw other passengers looking at him and urging him to go and pick up the call in the control room.

After a few seconds, the sound from the control room ended and the train operator let out a huge sigh.

Suddenly, a protrusion from his smart necklace sprang and fixed itself on his earlobe.

 “The train control center is calling you,” blurted a speaker on the protrusion.

A heavy tension settled over the train operator, like an unwelcome guest at a long-awaited celebration, as he heard the words from the speaker.

He then activated his smart necklace by slightly taking out his tongue, causing a protrusion to spring out of the necklace device and fix itself in front of his mouth.

“Pick up call,” he silently dictated as a bead of sweat formed on his forehead despite the cool early spring air.

“Hello, this is the operator in the control center speaking,” said the official.

“Yes, this is Ngweya speaking,” replied a tense Ngweya.

“Why did you stop the train in the middle of the bridge?” asked the official.

Ngweya was quiet for a few seconds and then he replied, “Because my shift is over.”

 “Ngweya, please be honest, you know lives are in danger, right?” persisted the Official.

 “There’s no other reason sir,” Ngweya suddenly had a dry throat as he wondered why the official said the passengers were in danger.

 “Ngweya, if you have any problem, just tell us.” the Official said.

Ngweya’s mind flashed back to the times they didn’t listen to him in the past. He then said, “I have no problem!”

 “Are you ready to be responsible for the lives that will be lost if you don’t move the train?” asked another official.

Ngweya’s heart quickened its pace, and his fingers nervously tapped against his thigh when he heard that lives might be lost.

He thought about what they said for a few seconds and when he could not understand their reasoning, he decided to ignore their words.

“I am just a clog in the system,” said Ngweya as he reminisced the past, “if lives are lost, the system will be to blame!”

 “The bridge will collapse if you don’t move the train,” as the Official spoke, Ngweya remembered that he had heard about the infrastructure needing repair, “and we can’t come and open the control room since the AI recognizes you as the driver.”

Ngweya then tried to compose himself and rationalize his behavior to allow him to have a good conscience even if the bridge collapsed.

“You know we can’t force you to open the control room since it’s against the law,” continued the official, “so all we can do is ask you to move the train and tell us your complaints.”

 “My shift is over,” said Ngweya after digesting the information about the bridge’s possible collapse, “I am ready to die to follow the system!”

He then silently dictated, “Cut the call.”

Ngweya’s tension escalated to near-breaking point after his conversation with the train control center.

Their words reverberated in his mind like a warning siren, echoing with the realization that the bridge wasn’t designed to support the train’s weight for an extended period.

Yet despite the urgency, and the potential danger to both the passengers and him, the operator remained resolute in his decision not to move the train forward.

After a few minutes, a discernible panic swept through the passengers as they learned about the potential bridge collapse. 

Concerned for their safety, a group of passengers then took decisive action and attempted to bully the train operator to continue with their journey.

“Open the control room and at least move us across the bridge!” shouted one passenger as he grabbed the train operator’s collar.

 “Or open the doors of the train so we can walk to safety!” he shook the operator as he said this.

Ngweya shook his head left and right as he looked at the concerned passengers with a stoic facial expression.

Another passenger then broke the tussle between Ngweya and the concerned passenger.

“Let him go, help will come soon!” said the passenger as he tried to obstruct the aggressive attempts.

Ngweya arranged his collar and sat back down.

The passengers in the train car were now divided between those who sought to force the train operator to move the train and those who believed in respecting the dignity of the train operator and the law of the society.

After 15 minutes, the bridge’s structural integrity started deteriorating and cracks began to snake their way across the bridge.

 Passengers who had previously been engaged in conversations or gazing out of windows now found their attention riveted by the alarming developments unfolding before them.

***

After about 10 minutes, a protrusion sprang from Ngweya’s smart necklace and fixated itself on his earlobe, and said, “The train control center is calling you.”

The cracks can be seen from the windows and hence the passengers who saw them through gazing out of the windows caused the panic. Cracks can be seen through the window as the bridge is wider than the train  

He then activated his smart necklace by slightly taking out his tongue and causing a protrusion to appear in front of his mouth and then he lip synced, “Pick up call.”

 “Ngweya,” said the Official, “we have abandoned the idea of saving the train, we are now trying to ensure the land below is as soft a landing as we can create.”

Ngweya stood up then and went to peek through the window and saw fractures in the bridge’s structure.

“You are the only one who can help us now,” continued the official.

Ngweya returned to his seat and after taking a big breath, he lip-synced, “I am only a passenger now, my shift as a train operator is over.”

“C’mon Ngweya!” shouted the Official, “You are human! Break the rules to save lives!”

 “I tried to whisper to the system, but they didn’t listen and now you will be forced to hear my screams,” said Ngweya sternly.

“What does that mean?” cried the confused official. “this is not the time or place to hold grudges, Ngweya!”

“This generation is too soft and fragile,” said a voice in the background as the official continued trying to convince Ngweya to change his decision, “now he is going to be the reason for so many deaths!”

The words infuriated Ngweya and he then softly said, “The designers of the system should be more careful next time!”

 “You know that if you survive, people in the government will vote for you to be heavily punished!” the official tried a last attempt at fear mongering to change Ngweya’s mind.

 “I am ready to die for the system!” said a confident Ngweya.

Before the officials could speak any other word, he silently dictated, “Cut the call.”

As the minutes went by, the cracks on the bridges surface became bigger, which caused the tension among the passenger to reach a fever pitch. In a bid for escape, some passengers attempted to break the windows, which had steel bars on them, while others attempted to stop them, fearing the commotion might hasten the deterioration of the bridge.

Amidst this tumultuous scene, the once-angry and troubled train operator sat hunched over, his demeanour now a mixture of helplessness and resignation.

As the chaos inside him conquered his mind, a protrusion from the smart necklace sprang once again to his earlobe.

The action startled him and caused him to sit upright. The speaker then said, “Mwanaidi is calling you.”

He felt a tense pain in his heart as he realised that the officials must have told Mwanaidi about the situation and she would try and change his mind.

He activated his smart necklace and picked the call.

“Hi, brother,” said Mwanaidi.

Ngweya hesitated for a few seconds and then answered, “Hi.”

“Why did you stop the train?” asked Mwanaidi.

“My shift is over.” answered Ngweya with an assertive voice.

 “Yes, but there must be a reason behind it,” continued Mwanaidi in an innocent tone.

 “There’s none, little sister,” said a calm Ngweya as the chaos in the cabin filled his ears.

After a moment of silence Mwanaidi asked, “Is it because of what happened to mom?”

Memories of his mom then flooded his mind as he momentarily became deaf to the noise in the train cabin.

“I know that you usually don’t change your decisions easily,” Mwanaidi began in a soft tone. “So, please tell me your requirement so they can do it and help avert the catastrophe.”

Ngweya didn’t answer but just breathed heavily causing Mwanaidi to think that she was making headway.

“Is it the rules?” asked Mwanaidi and then paused, “I know how it felt when the rules caused mom’s death.”

“Not really,” Ngweya started sobbing as memories of the funeral of their mom started flooding his mind.

 “It hurts me too!” Mwanaidi spoke through tears, “they changed the rules but it was too late!”

“Stop, Mwanaidi” cried Ngweya as the emotions were just too much for him.

 “Let’s not cause the pain we are feeling right now to so many other people,” Mwanaidi mumbled, “please tell me how they can make it right so you can move the train.”

Mwanaidi then kept quiet for a few minutes to let Ngweya know that she was ready to give him as much time as it would take for him to say why he stopped the train.

 “So,” said a sad Ngweya after composing himself, “I was fined for being late to the job in the morning.”

 “Mmm,” replied Mwanaidi softly.

“Even though it was because the automated transportation system was late to bring the pod to my place. I told them it wasn’t my fault,” continued an angry Ngweya, “but they didn’t listen, and I also found the train parked 20 yards from the station.”

“Yes, go on.”

“I asked them why it was parked there,” Ngweya’s voice rose as he spoke, “and they said the person’s shift ended while he was there.”

 “Mom died because the doctors’ shifts had ended and those who were on shift hadn’t arrived,” Ngweya continued, after pausing for a few seconds.

“Yes, and we fought in the direct democratic government until the law was changed,” said a proud Mwanaidi.

“Yes,” continued Ngweya and then paused, “but they didn’t accept to change the law that allows people to leave their workplace when the shift is up for every institution.”

“Yes,” said Mwanaidi, beginning to understand her brother’s frustrations.

“I proposed the bill to do that but they voted against it,” continued Ngweya as he looked at the chaos inside the train cabin, “so today, I am going to show them that the law needs to apply for all institutions.”

Mwanaidi then kept quiet as she tried to process what her brother just said.

 “They ignored my gentle nudges,” continued a furious Ngweya, “now they will have to notice my forceful expressions!”

 “Okay, they have heard your side of the story and they said they will change the rules,” said Mwanaidi after a long silence.

 “No,” said an emotional Ngweya while shaking his head, “I am not changing my mind, let this be a lesson for all generations to come!”

 “Ngweya,” mumbled Mwanaidi after a few seconds of silence, “you are the only family I have!”

Ngweya then closed his eyes as his sister’s words caused a surge of worry through his body.

 “Don’t leave me,” continued a crying Mwanaidi.

Ngweya could only muster a sigh as he recalled how he had promised to take care of her when their mom died.

 “I swear,” mumbled Mwanaidi as she rubbed tears from her eyes, “If you die on that train-”

“Don’t,” interrupted Ngweya.

“I am going to follow you and mom wherever you are!” uttered a sobbing Mwanaidi.

“Don’t say that,” Ngweya was now crying.

“Then, please,” said Mwanaidi as she composed herself, “just tell them what you want so this can be over!”

 “Okay,” said Ngweya as he also composed himself, “I want the rules in the transportation institution to be changed to allow people to overstay their shifts for the sake of humanity.”

“Okay,” replied Mwanaidi softly after a few seconds, “let us work on it.”

Ngweya then looked at the ceiling of the train and let out a shout as the tension inside the train cabin continued intensifying to a nearly unbearable level.

He then observed the passengers as thoughts consumed his mind.

Will they really change the rules? thought an anxious Ngweya as he closed his eyes and rubbed his face. And what if they don’t? Should I really let these people die? Should I really let Mwanaidi die?

After a few minutes, a protrusion sprang from Ngweya’s smart necklace and fix itself in his earlobe. It then uttered, “There’s a bill that has been proposed in the transportation institution.”

Ngweya then took out his scrollable tablet which was no bigger than a pen—from its slot in the smart necklace and then un-scrolled it.

He activated his smart necklace and silently dictated, “Open the transportation institution app.”

He then read the bill and voted for it.

***

As Ngweya continued contemplating the bill and the results, the structural integrity of the bridge continued to deteriorate rapidly, with widening cracks spreading like jagged veins along its surface.

The once-sturdy support beams groaned under the strain, and the entire structure seemed to begin a perilous sway.

Inside the train’s cabins, panic had given way to a primal survival instinct. Passengers clung to anything stable, each person filled with fear and desperation.

Ngweya felt the tension in his heart and stomach threatening to reach a breaking point as he waited for the bill results while trying unsuccessfully to ignore the chaos that was going on inside the train cabin.

He then went to look outside the window to see if there were more signs of damage on the bridge.

“Ahhh,” blurted Ngweya as he saw the signs of the bridge collapse. A melancholy enveloped him after seeing the gravity of the situation.

He then returned to his seat and gave the control room door the 1000-yard stare.

Should I just move the train? contemplated Ngweya as it finally dawned on him that their chances of survival were diminishing with every passing moment.

The results are a few minutes away, reasoned Ngweya, let’s hope, the bridge is able to stay intact for a bit longer.

Ngweya then activated his smart necklace and silently dictated, “Please generate a sad song for a person who is faced with a hard decision between saving a few lives in the present or saving many more lives who will live in the future.”

After a few seconds two protrusions from his smart necklace fixed themselves on both his earlobes and a song started playing in his ears.

He then buried his head inside his thighs, closed his eyes and listened to the song which repeated after it ended.

After about 12 minutes, the song stopped playing and the speakers in the protrusion device blurted, “The bill results are ready!”

Ngweya felt a surge of electricity pass through his body as he knew the results would determine the fate of all who were currently in the train.

He then activated his smart necklace and silently dictated, “what are the results?”, and then clenched his jaw and grimaced.

The speaker on the protrusion fixated on his earlobe then blurted, “The bill passed!”

Ngweya took in a deep breath and let out a sigh of relief. He then stood up and looked at the chaotic environment in the train cabin.

He then started walking towards the control room. A wave of relief and happiness swept through the passengers as they witnessed Ngweya make his way back to the control room.

Once inside, he shut the door and turned on the engines and they roared to life.

Unfortunately, as Ngweya began to move the train, the bridge, which was already weakened by the strain it had endured, began to crumble under the weight of the train.

Sections of the structure, behind the train gave way, sending debris plummeting into the abyss below, and causing the ground to tremble.

Ngweya continued to inch the train forward hoping to escape the impending disaster.

Maybe it’s too late, Ngweya grimaced as he continued to drive the train forward.

As the train moved, the gap between it and the collapsing bridge narrowed, causing most of the passengers and even Ngweya to brace for the worst.

But in an awe-inspiring display of precision and timing, the train just managed to clear the crumbling Dona Ana bridge.

The train cabins were then filled with gasps, roars and shouts as the sensation of relief and disbelief washed over the passengers.

“Thanks mom,” thought Ngweya after they managed to get off the bridge onto regular tracks on land.

Ngweya then continued the journey and tried to keep his mind away from the traumatic events that had happened in the last couple of hours.

After a few minutes, Mwanaidi called him again.

 “Hey brother,” said Mwanaidi.

“Hi,” said a timid Ngweya.

“I understand what you did,” continued Mwanaidi.

Ngweya then chuckled and said, “thank you!”

 “But you know that you might be in a lot of trouble?” asked a concerned Mwanaidi.

 “No,” said Ngweya confidently and then paused, “they can’t punish me for following the rules!”

 “Ah, whatever happens, I love you!” softly spoke Mwanaidi.

 “I love you too!” replied Ngweya.

A silence then took over the call and after a few seconds, Mwanaidi blurted, “I want to hear the story of what happened in the train!”

The words caused Ngweya to chuckle as memories of the day flooded his mind. “I will call you so we can meet when I arrive there,” Ngweyasaid before he hung up.

As the train continued on its journey, Ngweya’s mind was a whirlwind of emotions as he rationalized his actions by thinking of all the lives he had saved by making the law pass.

THE END!

Mseli Ngoma
Mseli Ngoma is a Tanzanian writer currently living in Dar es Salaam.

Things out of Place | Adesire Tamilore

0

I don’t recall when exactly; it began. It is one of those mysteries that will forever haunt me, along with why it began, how it began, and what I can do—if anything at all—to stop it. All I know is that one day I found myself inexplicably outside of it all. Far removed. A thing out of place.

The realisations themselves came slowly.

One morning I noticed, as I scrutinised my reflection in the mirror, how neat my dreadlocks were—how tight the roots, despite it being almost three months since my last hair appointment. I could still see the clean flesh exposed in triangular lines. Could still feel the tug on my scalp. Maybe it was my imagination, but I could still smell the hair gel. I brought this up with my brother, Jide, but he didn’t make too much of it. “You probably don’t remember,” he suggested. “It can’t have been that long ago.”

A week later, after a particularly grim job interview, I barrelled through my front door and scratched my arm on a loose nail. It felt worse than it looked. The gash was long, stretching from elbow to shoulder, but it was too faint to cause any alarm. The surrounding skin had only slightly reddened and the elbow–which had experienced the brunt of the needle’s wrath–had just a few specks of blood. 

But the pain was immense. My mother says I’ve always been “tender on the skin, tender in the heart”. It took everything in me not to cry out in frustration–first the interview and now this. My spirit was in knots. 

I wouldn’t stop touching the wound. I wouldn’t stop feeling for any sign of swelling or wondering if the little gash had somehow widened to spill more blood. I went to bed with my fingers grazing it lightly, browsing Quora for strangers’ opinions about tetanus, wondering if I had to go to a doctor.

The next day the scratch was gone. Nothing–not a scar, not even the dull shadow of a throb–remained. 

None of this did more than create a vague itch, an unremarkable sense of unease at the back of my mind. How was I to know, with just those little signs, that I had entered a place out of time? That I no longer aged, and my body had become a bizzare capsule of perpetuity? No, back then I thought it was a thing my mind was doing to itself, a glitch—one that made me interpret things wrong. But I am quick to blame my mind because it is not a friend. It has never been a friend.

Depression is the word. When uttered, it transforms a living person into a hazard.

Since I turned 16, I have felt nothing but that. An inability to breathe. A sense of being drowned by time itself. Depression—the word I and my mother feared for different reasons. She feared it because it made people think she was a bad parent; I feared it because I worried it would kill me.

Depression had turned my brain to foam and my body into a wet blanket. It made growing up hard. It made the world feel like thick sludge, impossible to inch through without exhausting myself. It must have been during this depression that, unbeknownst to me, I broke away.

That’s my theory. That one day I became so profoundly sad, I ceased to exist.

I was an unemployed, fresh graduate–my days were full of repetitions even before It began. This is how it goes with depression. You wake up, open your phone, and find something to do until the sun goes down. You eat but hate yourself for it afterwards. You bathe only when your odour brings an unbearable amount of self-loathing. You don’t speak to anyone. You think of dying but console yourself with the assurance that you are too scared of death to ever attempt it. You try to find peace, but the sadness always returns.

You concede. You repeat.

I was so focused on my own sadness, I failed to realise that other things were on repeat as well. My slippers turned up at the same spot every morning, at the foot of my bed, regardless of where I’d kept them the night before. My wardrobe was always dishevelled, no matter how often I tried to organise it. I grew no more body hair, and if I shaved it always returned by morning. I could neither lose nor gain weight.

On my 24th birthday, I came downstairs to find Jide and Mummy with smiles on their faces, holding a tiny chocolate cake that said, “Hurrah for 23!

I was stuck.

I began to watch it all very carefully. How had I not noticed that I never did laundry anymore? Or that the stain on my bathroom mirror reappeared every time I wiped it off? How wasn’t I aware that the constant ache on my right shoulder—a dull throb, barely perceptible—never seemed to heal?

But time… time was moving forward. Time passed from Monday to Tuesday to Saturday to August to December to March. Flowers died and blossomed. The weather changed. Mummy got fatter and Jide’s broken leg healed. I was in a stasis, the things around me frozen out of place. But everyone else went on.

Jide’s birthday was approaching and Mummy asked me to order him a cake.

“Okay,” I said. “And what are we telling the baker?”

“What do you mean?” She asked.

“Jide’s age,” I clarified. “What number are we putting on the cake?”

She looked askance at me. “20! This girl… You don’t know your little brother’s age again?”

And she was right this time. Jide was 20. He was 19 the year before, and 18 the year before that. And in ten years he will be 30, and I will still be 23.

   *          *          *

The first time I killed myself, it was a spur-of-the-moment decision. A sort of crazed need to end it all that I’d experienced dozens of times in the past but overlooked out of fear and uncertainty. Now, I’d been 23 for three years and I’d never been more certain about anything in my life. Something was wrong. Some cosmic mistake had been made in a world without a complaint department. I was utterly alone, and only I could correct it.

Mummy sent me to make a withdrawal from the bank, money for her latest business venture. Something sketchy—probably a scam—but that wasn’t anything new for her. Mummy has always been bad with money. She’s always trusted the wrong things.

I did not feel guilty—not really. My death would save her from the scam and protect our family from another financial crisis. That was my excuse. And as I walked into the bank’s top-floor bathroom and flung myself out of the window, it made me feel vindicated.

Ah, but I know pain now. Pulsing, searing, fiery pain spitting out at you like hot oil. I know agonising pain, the sort that squeezes your viscera in one moment and makes every muscle in your body relax in the next. Final, murderous pain. The pain at the end of the universe.

The End.

The next morning, I woke up to my slippers, once again, by my bed. My dreadlocks were the same—clean-cut and shoulder-length, the faint smell of hair gel clinging to it. My armpits were bare, and my right shoulder still ached softly. I’d only just wiped the small blue stain off my mirror, smearing it on the hand towel, when I realised: God. I should be dead.

It landed on the centre of my chest, a force that pushed me back until my calves hit the bathtub. It felt like fear.

There was no denying what the mirror was saying: I was unbloodied and unbruised, the picture of health. Yet only moments before, I felt every bone in my body break. I felt my blood vessels rip themselves to shreds. I felt myself fall apart from myself. I felt the unquestionable silence of The End.

The voice that came from me was not mine. Not human. It tore out of every pore, every crevice, every gap. A wail of despair so harsh it took something from me that I will never get back.

I dropped, retching uncontrollably. The shock had drawn the heat from me and made me cold. This is how my mother found me: cold and delirious on the bathroom floor, vomiting into the tub and groaning with the weight of the grief in my chest. She put her hands on me and I leaned in, seeking the warmth.

There were no questions from her, just the rhythmic rubbing of my back as I heaved, cried, cursed and shivered. I wore my body out. And then I fell asleep, knowing that by tomorrow the vomit would be gone, my mother would forget, and the slippers would be back where they always were—by the foot of my bed.

It was a whole year before I attempted to die again. Even with how difficult living had become, dying always seemed marginally harder. This one was less spontaneous: I took a bus to Ibadan, faked an emergency and told the driver to drop me on a long stretch of empty road surrounded by thick green bushes. Then I found a strong tree and hung myself.

I don’t remember why I picked this place, or why I chose to do it in this way. I don’t remember why I thought it would work this time around.

When I woke up in bed again, I just crawled into a ball and cried for hours. Mummy had to break the door down to get to me, but that was fine. It’d be fixed tomorrow, and she wouldn’t remember why her palms burned from the effort.

I didn’t stop trying to die after that, but my reasons soon changed. After the first few times, it just became a thing to do out of boredom. I was curious. Desensitised. 

I crossed a threshold the time I managed to get my hands on a gun. 

It was at a small gun shop in Maryland that only required a license if you couldn’t pay enough under the table. The owner–a yellow man with no eyebrows–offered me some advice, a little good to balance out the sin of the sale: “Person wey hold this thing,” he said. “Their finger go start to dey itch.”

But I already itched, I wanted to tell him. I itched so much it turned my flesh raw.

The gun disappeared from under my pillow the next morning; probably back to the store like I had never been there. But that wasn’t a problem. A bullet couldn’t satiate me anyway. It was mundane, and my mother always said I was a creative. That I could find the magic in anything. 

Despite the pain, there is a quiet that is peculiar to death. Sleep is not nearly as quiet. Not nearly as serene, or empty. It became my favourite feeling. By my fifth 23rd, I’d died over 40 times.

It was unhealthy, but it gave me respite. I did it more frequently, more gratuitously. I tried to be artistic about the locations: in the cinema, at the beach, at bus stops or abandoned construction sites. I began making productions out of them. I was making elaborate plans, I was creating scripts. It was all I could think of. Every moment in my life now was chasing that quiet.

I couldn’t even remember why any of this was bad. It didn’t feel like a purgatory anymore. It felt like a trampoline.

And then Mummy got pulled into another business venture. This time with a man who promised to help her ship second-hand clothes from Michigan, but only if she sent him a few million Naira to get the gears moving.

I want to be as frank as possible here: When I was sent to the bank, I only felt giddiness. Relief. No one could deny I was an addict; hooked to death and craving my next fix. But this one was special. This was going to be an encore. A return, three years after my first death, to where it all began.

Except, I walked into the top-floor bathroom ready to jump, looked out and down in the last moments before leaping forward—out and down at the spot where I had first died—and found the splattered remains of my own corpse. Head cracked open, limbs bent, blood painted across the pavement.

It was all the things I’d felt at The End, laid out here as proof.

The body wore a striped-blue shirt and the same pants I currently had on as I looked down on myself. My dreadlocks… I couldn’t see them from that distance, but I knew they were probably still fresh. Everything about me was fresh: the still-wet blood, the colouring of my skin–so different from the greyish pallour and purplish patches one would expect in death. Some parts of me even looked alive; like my thighs, both still solid and held to bone and tendon, as if they could get up and walk away. Or my left fingers, curved as if prepared to wave. Even in death, I was unmoved by time.

Even in death, I was suffocating.

I didn’t jump. Again, that inhuman scream tore out another piece of me—I was getting emptier and emptier, with each new revelation. Again, I vomited till there was nothing left to vomit, and proceeded to retch until tears fell freely from my eyes. Again, a warm hand rested on my back, this time a security officer’s. He wasn’t as patient as Mummy, though.

“What happened?” He asked once, twice, three times.

I could not speak. I could only hum, and hum, and cry and hum. I was moving my body this way and that, never stopping, the concept of stillness—of quiet—suddenly gross and unnatural to me. I raised a weak, shaky hand, pointed at the window, and then pointed down.

He left my side for only a few seconds, presumably to look down, and then returned. “What is it, ma?” He asked once again. “What happened?”

I half expected, when I finally got the strength to stand and approach the window, that the body—my body—would be gone. But no, it was still there, and the sight made my knees give. He gripped my underarms to steady me as I pointed frantically. I pointed at it. I pointed at myself.

“Can’t you see it?” I asked, even though I knew he could not. “Can’t you see her? Can’t you see?

He helped me call a taxi, and I returned home. Back to my bed, my slippers, my mirror and my dreadlocks. Back to my injured shoulder. Back to back, and back and back and back again, and… nothing ever seemed to matter, did it? Nothing mattered. I spent a few months in bed—four or twelve, I don’t know. It occurred to me that I didn’t have to move from where I was. I didn’t have to bathe, I didn’t have to poop, I didn’t even have to eat.

I started to think maybe I was dead. Maybe I had died in my sleep one day, and this was hell. Or maybe I was in a coma, strapped to a life-support machine, and this was my brain making sense of a senseless situation.

I am alone.

Jide is getting engaged soon, my mother has diabetes, the country has a new president, and a pandemic spread across the world. Everything is happening—everything is moving—except me. I don’t understand why. It doesn’t make any sense. It is cruel.

Jide’s birthday was approaching again, and Mummy asked me to order him a cake.

“Okay,” I said. “And what are we telling the baker?”

She sighed. “This girl… why do you keep forgetting your big brother’s age?”

And she was correct once again. Two years ago, Jide was 22, last year he was 23, and this year he is 24. Officially my older brother. I wasn’t upset about it; I had seen this one coming. I was just… curious, I suppose. Pensive.

   *          *          *

This is how I find myself here, in the bushes off a long stretch of road leading into Ibadan. By the strong tree, looking up at myself.

I’ve been to every other spot—every cinema, every beach, every construction site—and found myself right where I had left me. Some were not so easy to find; some were lost at sea or lolling at the back seats of public buses I may never cross paths with again. But I remember them all, and I have kept a tally: 46 bodies. 46. Here, there, and everywhere; meaning nothing, having done nothing, the more recent ones just creatures born of habit. I found as many of them as I could, went to them, looked at them.

I look at me, all the versions of me, shot, bruised, poked, cut, poisoned, slashed, asphyxiated. I wonder what it all means. Nothing is too easy an answer. But easy doesn’t always mean wrong.

This—the second death—is the only one left. I saved it for last because of how far away from home it is. I don’t remember why I chose to do it this way; what possessed me to go all the way to Ibadan. I was so dramatic, in those early days.

Like the rest of them, this one is untouched by time. Her eyelids almost flutter, as though her mind is unsettled by the weight of my stare against her skin. But no—she is certainly dead. The little swings of her feet and the twitch of her fingers are an illusion in my head. I’ve spent enough time staring at my corpses to know how a restless mind can pour life into the dead. No, that is not a smirk on her lip. She is dead. She’s been dead for years.

I’m glad I mostly left myself in private places. I shudder to think of bodies like the first, sprawled by the side of a busy road or floating in some public pool. I hated going to those corpses, watching the way people interacted with them—with me. The way they would duck under, cross over, curve around like it brought the plague. As if they knew what they could not see. It made no sense. It drove me mad.

I cut down this one with the cutlass in my hand, and it thumps to the floor, head shaking no as if it doesn’t want to meet its inevitable fate. Well, that’s too bad. I’ve spent the last year retrieving and burning these things and thank god they burn. I’m not going to leave this one because it… well, because it looks the most alive out of almost any of them. Any moment I expect it to open its eyes and lunge at me. And that’s reason enough to destroy it. There can only be one of me walking around.

I fold myself into a large box and drag her behind me as I move. There is a bus stop an hour’s walk away, and the buses there will take us right home. The walk is slow, and I stop too frequently to listen. I think, maybe I can hear myself struggling inside that box. Maybe I have come to life again. It’s a fear that hangs weakly over me.

This is the final one. Number 46. I’ve started to think of them a bit like children. After all, I created them, and I can create more. They are born of my pain, my blood, my flesh. I take care of them. I could sit them on my dining table, talk to them, treat the prettier ones like dolls. God breathed life into man and called them His. I must be some sort of god, making death in my image, calling them mine. Whatever—I don’t know. All I know for certain is that I am no longer His.

But I have discovered something, the sort of thing you only discover after staring down dozens of deceased versions of yourself. After knowing so vividly every final moment of their lives. After feeling their wounds move as ghosts under your own skin. And it is this: I am not dead. I am so perpetually alive.

Pain is how I know this. Pulsing, searing, fiery pain spitting out at you like hot oil. Agonising pain, murderous pain. The pain at the end of the universe.

None of the other 46 know this pain. Only I do. And pain is what moves me. It is what contorts my body, throws me about, makes me dance like a puppet on strings. It is what draws me from fire, shrouds me from ice, pulls me out to air; protects me. And I don’t know why, but that must mean there is something worth protecting.

When you have died 46 times, and know you can die 46 and 46 more, the concept of pain becomes an option. Pain shouldn’t be an option. It should be potent and inescapable, a fear-invoking force so exquisite it turns your body into a machine made purely for its own survival. I have not felt that pain, that absolute pain, in so long. Many, many months, maybe. Years, maybe. Yet it is there, under the surface of my skin, ready to take control when I allow it. A humanising force.

I almost lost my pain. Almost buried it, suffocated it, left it to die. Then, I would have been the 47th.

When I round the corner and reach the bus stop, I am sweating all over. The sun is beating down heavily, and my breaths are short and painful. My right shoulder throbs under the weight of the box as I pull it behind me. My head aches from the exertion.

A man—one of the bus conductors—spots me and rushes over in an instant. He has clean white teeth and a strong jaw, with a scar splitting his lower lip into two uneven parts. He smiles at me with his odd mouth. “Ah, ah, ah, ah, madam,” he says. “To where?”

“Surulere,” I tell him.

He takes the box from me and stoops, for just a moment, under the weight. “Ah, madam,” he says again. “Wetin you put inside here?”

He doesn’t need or care about my answer, though. He just leads me to his bus and puts my box in the back. I give him my money and take a seat. He smiles again, and I smile back. I am suddenly dizzy with happiness.

I want to tell this man all about my quest. About how I am burning my last body. I want him to know that she’s sitting in that box, so life-like that I’m almost not sure. But when I burn her, I’ll know. Will she scream? Will she take off and run? No, probably not. She’ll sit and let the fire bathe her, while the smoke makes my lungs burn and my eyes water. Because I am alive, and she is not.

I don’t tell him any of this, though. If I do, his eyes will glaze over and his brain will shut like a flytrap. And that’s okay. We all have our secrets.

Mine just happens to be a thing out of place.

End.

Omenana Speculative Fiction Magazine Issue 26

0
Cover for omenana issue 26 showing African centaurs in battle.

Editorial: It’s Been 9 Years And We Are Still Here

It has been 9 years of striving to stay live and serve the growing community of speculative fiction writers on the continent and the diaspora. We’ve taken it slow and steady and have had the pleasure of playing host to many of the brave new voices out there.

We are aware of the sense that the genre is really coming of age on the continent of Africa as more writers aren’t just embracing the genre, but the accolades are flowing.

We can talk about the Hugo Awards, Nebula, Utopia Awards, Ignyte Awards, etc, and mention the African names that are making one shortlist or the other, led by the brilliant Oghenechovwe Ekpeki, Wole Talabi, Tlotlo Tsamaase and others. Speculative fiction also made a fine showing in this year’s Caine Prize shortlist, with long time Omenana contributor and collaborator Mame Bougouma Diene breaking the mould by making the shortlist with a story he co-wrote with Woopa Dialo.

By the way, Omenana is also up for best anthology/collection for the 2023 Utopia Awards for our democracy special edition collaboration with the National Democratic Institute. Naomi Eselojor’s short story, Neyllo, published in the same edition and the art for the story by Jema Byamugisha, are up for best short story and best art.

Utopia Awards is decided by public votes via this link. Definitely check it out and give us a vote if you are minded.

So, with the history out of the way, what do we have to offer you in our second edition of 2023?

Well, as usual, we offer you writers from across Africa, telling African stories through diverse genres.

What did we think about the stories in this edition?

Let me start by confessing that I struggled to place Michelle Enehiwealu Iruobe’s Parody of the Sower. Don’t get me wrong, I love, love the hauntingly beautiful tale of plants serving as incubators/wombs/carriers of seeds that, when “harvested”, had developed into fully formed human babies. Or were they babies to begin with?  

No, my sense of confusion stemmed from my inability to decide which subgenre of speculative fiction this story belongs. Is it horror? Is it science fiction? A mixture of both?

I still don’t know, but I know this is a story you will love absolutely.

Ask The Beasts by Masimba Musodza is a science fiction story that looks at what happens when man’s best friend climbs the evolutionary ladder and acquires human-like intelligence. Here, space-faring humans meet their rather ferocious match.

And Mame Bougouma Diene returns to Omenana as a contributor, following his hiatus from the editorial side of things, and his return is one for the times. His story, Mame Coumba Lambaye’s Stinky Pinky, should leave you looking for ways to save your stomach muscles from the pangs of laughter induced trauma. Yes, we do need a reminder that speculative fiction can be funny too.

Space operas from African writers are something I’ve always looked forward to since we published Wole Talabi’s Crocodile Ark in Omenana issue 1. Uche Nwaka’s story is also set in an ark travelling through space and deals with what reads like a very African political struggle, then… there was more.

Stolen memories by Mwanabibi Sikamo tells us of the many ways to see and what happens someone acquires the power to see through the eyes of others.

This edition also features tributes to Nick Wood, who was a keen supporter and promoter of SFF in Africa as well as being noted writer of the genre. Nick Wood’s final stories, set around the Table Mountain in his native South Africa, were published in Omenana. Nick Wood will be sorely missed. Omenana is grateful for the opportunity to be a home for his stories and to have received his immense support. May his memory endure.

Animation has taken a life of its own in Nigeria and it is finding a natural partner in the country’s established comic book industry. Spoof, one of the comic book pioneers in the country, recently premiered its first animated film Ayaka: Lost in Rome. Please enjoy the review of this ambitious animated movie.

We promise you that these titbits about the stories are just that…titbits. You just have to read them to see how outstanding they really are. I am sure the titbits do them insufficient justice!

Do enjoy until we come your way again.

Remember, you can support the omenana mission to keep African writing speculative fiction here.

Mazi Nwonwu

Cover for omenana issue 26 showing African centaurs in battle.

Tribute to Nick Wood

Review: Ajaka: Lost in Rome

Ask the Beasts | Masimba Musodza

Mame Coumba Lambaye’s Stinky Pinky | Mame Diene

Parody of the Sower | Michelle Iruobe

Stolen Memories | Mwanabibi Sikao

The Secret Diaries of Councilman Tiku Agbado | Uchechukwu Nwaka

Stolen Memories | Mwanabibi Sikamo 

0
old woman and child illustration for Stolen Memories

He put me in this dusty, sun-scorched prison because he thinks he can outsmart me. Won’t even accord me the dignity of a mat to shield me from the grit. The young are always far more confident than their abilities allow. And of course, being an arrogant man doesn’t help him much either. What is it that they say—Youth is wasted on the young.

Around here, nothing is more revered than youth. Many an old woman accused of witchcraft is either thrown in prison like me or simply killed. To have the audacity to outlive your peers is considered a great sin, but that is only one of mine. Sin. Such a subjective word. One man’s sin is another man’s pleasure. I prefer to call them special attributes. Tools for survival. Gifts.

It has taken me a long time to hone my gifts and I’ve done it so well that I almost can’t remember a time when I wasn’t this way. The people do not let me forget who I am. Instead of learning my name, they call me the Blind One. Those who gave me my name at birth took it away when they discarded me.

I sometimes wonder if their sacrifice paid off. If, in place of a child that they believed flawed, my parents gained someone more acceptable. I try not to dwell on these thoughts. After all, some may consider me lucky. The fate of other children deemed inadequate is much worse. Whisked away after birth, they are bound in cloth to shield them from the stares of strangers. Left in the bush to either wither away from lack of food or become food themselves, because the kabumba, the potter who moulds us before birth, neglected to give the child enough limbs or was overzealous and gave them teeth too soon.

To exist despite the natural order of things is another sin. Women have had their wombs removed because the kabumba just couldn’t get the baby to fit the mould.

I suppose I was too grown up for them to smuggle me away. By the time the darkness came, I was a pubescent girl awaiting her betrothal. Old enough to be useful to my mother.

I lost my sight over many moons. My vision turning blurry, fading, and then becoming non-existent. My mother grew tired of me stumbling around her hut. She took me to a diviner who advised my parents to take me to the malende of our mzimu—the revered shrine of our ancestors. The mzimu, he said, would know what to do with me. Well, it turned out the ancestors were also at a loss. I stayed at the shrine for many days, distinguishing the passage of time by the heat of the sun on my skin. Unable and unwilling to explore my surroundings, I fell into a deep depression. Drifting in and out of sleep, weak from lack of food and water, I woke up one night by the wet nuzzle of a curious duiker. Shaking with desperation, I reached up, placed my hands around its warm neck and snapped it. I don’t know where the strength came from. Some might say it was the mzimu willing me to live. If it was, I am yet to discover their purpose for me.

****

My will to survive my parent’s sacrifice was another of my sins.

I lived in the bush and learnt to feel the silence of my surroundings. To co-exist with the trees, the animals, and the ever-changing weather. I scrambled about on the ground collecting sticks and stones, making tools and fire to cook, stay warm, and protect myself from predators. I walked with my arms outstretched, feeling for caves to shelter in when it rained. Using sound and scent, I started first by hunting little rodents. The morsels of meat kept me hungry, and I began to target bigger animals. The bigger the animal, the more hide to clothe myself. So I became adept at separating flesh from skin. Above all, I stayed hidden. Knowing that my survival lay in remaining invisible. Three cycles of rainfall went by before I started to do more than feel. I started to see.

“See?” you ask. “If you started to see, why didn’t you return to your people?”

You are young. You have much to learn. There is more than one way to see. The darkness allowed me to see so much more than you ever will.

I killed that first duiker too quickly to notice the shift in me. Indeed, even if I had noticed it, I would not then have been able to tell what I was experiencing.

As the seasons passed and I became a better hunter, I started to see flickers. I would pierce a warthog with the sharpened stick I used as a spear and as I placed my hand on it, dots of light appeared behind the hoods of my eyes. Then heat would begin in my palm and move up through the veins in my arm until it took over my whole body. It was like the flashes you see after closing your eyes from staring at the sun, only these flashes were hot. I would see blades of grass and blurry roots tugged from their place in the earth. Sometimes, I would see the limbs of other animals whizzing past. A warthog doesn’t live a very exciting life and I resolved to find more interesting memories to watch.

By now, I could tell the shape and size of an animal by the pocket of atmosphere it took up. I could hear not only their cries but also their hooves grazing the ground. I could track them in silence and knew which leaves to rub against my skin to render myself undetectable. I learnt to avoid killing the animals too fast so that I could savour their memories. After countless hunting expeditions over many moons, the visions had grown steadier. Where before I had seen flashes, I now saw entire snapshots.

I, of course, had my preferences. The wildebeests proved quite rewarding. They travelled far and wide, showing me so much more than a trotting little warthog ever could. The monkeys were always involved in some sort of family drama. But the most satisfying was the elephant. Its visions were so vivid and meaningful. The death of an elephant would leave me bereft. A spiritual experience that led me to seek out more of them to kill.

It was inevitable. I had to know how it would feel. Wouldn’t you? I mean, you may say curiosity got the better of me, but it was more than just curiosity. It was the innate human desire to see what I was missing out on.

I started with easy prey. Girls singing as they collected firewood a little too far away from the village. Inexperienced hunters taking so long to stalk their targets that they themselves became targets. Hunting people is so much easier than hunting wild animals. People believe they have the right to exist. They generally don’t spend too much of their time looking over their shoulders.

You clutch your chest in horror, but I know you’re more than a little intrigued. In my defence, I was still learning. As I said, I was honing my gifts. Back then, I believed that the memories would only appear at the point of death, so I had no choice. I had to kill them. I’ll spare you the gory details, but I will say that there was nothing more thrilling than touching the strong, skipping, pulse at the base of the neck, feeling it slow down, and then stop as I saw the climax of their memories. I found that if I placed my fingers at just the right spot, my pulse would mirror theirs and increase the pleasure.

I wept as I saw visions of what my life could have been had it not been snatched away from me. Once or twice, I thought I caught a glimpse of my mother. The violence of my rage at the sight of her scared me. I wanted to be able to replay the memories, but I also never wanted to see her again, so I decided to move as far away from the malende as I could, far away from those who had decided that I was not worthy of their family.

In the early days, stealing from a person left me sated. I didn’t have to hunt for memories more than once during each lunar cycle. The memories also sapped me of energy, so I hunted less and less for food. I no longer needed the animals for their visions and compartmentalised the killing. Food versus memories. As I said, not sin, survival. Seeing made me feel whole again. I needed it to keep going.

I know I keep saying it. I don’t want you to believe that I’m an ageist, but there’s something not quite satisfying about the memories of young people. Particularly the sorts of gullible young people who were easy for me to capture. It always feels like something is missing from them. A certain level of depth only attainable with time – like the need for the ever-increasing potency of a lengthily steeped brew. That need for depth drew me out. It made me careless. I either needed more and more memories or memories with greater substance. To achieve this, I had to keep moving. Too many lives lost in any one community risked me turning from hunter to hunted. I spent lots of nights hiding away from baying crowds. The crowds did not know or understand what they hunted and, in the end, this is what saved me.

My way of life became unsustainable. I was running out of hunting ground and wasn’t as sprightly as before. I decided to attach myself to one village and target those who were already close to death. The obvious advantage being that they would be both old and weak. So, for the first time in many seasons, I removed the veil of invisibility and revealed myself to others.

In the end, it was easy. People are fallible. Many would never imagine that someone like me could actually be capable, let alone able to cause harm. I listened out for a group of women who often collected firewood nearby. Waiting until they sat in one area, I stumbled towards them, making sure to look lost and confused. After much debate, they offered to take me to their local mung’anga.

Now, someone like you might take offence at being led straight to a diviner. You’d probably expect a wholesome welcome into a family home. But your life is different from mine. I don’t assume an entitlement to basic human kindness. And anyway, it made sense. If I was lost, then the best person to tell me how to get back to where I belonged was surely a mung’anga. I did not know it then, but that single act was my salvation. It led me to this very moment.

I was honest with the mung’anga. Well, as honest as it was safe to be. I told him how my parents drove me from home, leaving me to roam about in the wilderness until the villagers found me. It was a likely story. Believable. But I think there was more to his invitation for me to stay on as his apprentice. He could sense my abilities. Ultimately, he underestimated them, but I’m getting ahead of myself.

Being back in society was a major adjustment. I had spent many harvests alone. Naturally, I wanted to withdraw and hide away from the stares and murmurs.

My work kept me busy. In the bush, I had, through trial and error, mixed potions for health and hunting. This meant I already knew many medicinal trees, plants, and bones, but the mung’anga taught me how to combine them to achieve greater potency. I learnt something else too. I learnt that I did not have to kill to see the memories.

When I got to the village and was living among so many people, my senses heightened. All the memories around me meant that, even without touch my mind was bursting with visions. I may have always been able to steal memories without killing, but I’d never have known because my main goal while in the bush had been to capture my prey before they could escape. I now saw as many memories as I heard voices and had no way of filtering them. It was too overwhelming to be enjoyable. I began to despair of ever again achieving the clarity of that first stolen memory.

I did away with the need to target the elderly, opting instead to snatch memories as I sat in on the mung’anga’s consultations. I would crouch in the corner of his hut and listen as a patient told their story. I found that if I kept my breath steady and focused, I could achieve intense visions.

As the seasons passed, I built up a sizeable library of memories and could cross reference them in order to resolve our patients’ ailments. I could, for example, use one woman’s memories to deduce that her discomfort was not due to some mysterious spell but to the fact that her wayward husband, who had also come in for a consultation, was sowing his seeds in many different fields. I, of course, kept much of this to myself because it did not serve my master. He was, after all, a diviner, not a healer. If he gave solutions to every problem that walked through his door, he would soon be out of business. And anyway, the people liked the mystery of spells and charms. I’m not saying these things don’t exist. What I’m saying is that divining and healing are different, and, in my day, there was clear regulation. But I digress.

Now, where was I?

The mung’anga knew I had abilities but even he couldn’t imagine my strength because let’s face it, I can’t see. At least not in a natural way. He believed, rightly, that the heightened sensitivity of my other senses improved my intuition. He thought that, like all good mung’anga’s, I was putting together a puzzle, being attentive to a patient’s voice and using doubt or concern to figure out their thoughts. He began to ask my opinion on particularly difficult cases. At first, he asked so he could teach me and later; he asked in order to consider my point of view.

I dare say the clinic was much better for our partnership. He, being a man, did not see it as a partnership. He hid me behind a curtain in his hut and made me diagnose his patients while he took all the credit. He knew full well that if the people discovered how useful I was to him then they would seek me out. I was, to be fair, much more of a novelty than him. I did not have to wear special looking trinkets or utter indecipherable incantations for them to believe that I was powerful.

Two things combined to increase the level of my ambition. The first was self-serving, well, if I’m honest with you, both of them were, but the first was a little pettier. I was sick and tired of the mung’anga keeping me further away from the patients than I would have preferred. His need for accolades hampered me. I longed to touch the patients. To feel their breath against my fingers as I traced the outline of their faces. Feeling a person’s pulse was still the best method of seeing memories and the mung’anga was just always in the way. He became a nuisance. It took everything in me not to scream at him to move. The second, is the reason I am in this prison.

The mung’anga was a revered man. Many came from far and wide to seek his services. But these were, by and large, common folk. People who didn’t offer much in return for his work. His real income came from well-to-do patients – prolific hunters and fishermen, wealthy widows and chiefs.

This last group, the leaders of men, were the most vulnerable and sought the rarest treatments. They also required the most secrecy and would pay whatever was necessary to gain it. They could not be seen to be visiting a mung’anga so, the mung’anga went to them. He would leave under cover of darkness and return at dawn, saying nothing of the night’s events. I was patient, biding my time. He would soon recognise that he needed me so that he could be more effective.

You see, the practice of being a mung’anga is competitive. The higher up the ladder you go, the more vulnerable you are. At any moment some youngster can come along and usurp you. That’s if you’re lucky. If you’re unlucky, you could wind up dead.

When you become the chosen diviner of a chief, the stakes rise considerably. You have no choice but to be successful. For instance, if you give a chief an amulet to defeat an enemy and he doesn’t succeed, then either you or the chief will die. There are only two reasons why a charm may not work, your fallibility or the patient’s inability to follow directions, and you don’t want to be the one to tell a chief that he is wrong. Well, you could, that is, if you had built up a certain level of trust. But my master couldn’t tap into what a patient’s real needs were. Truth be told, he was completely unsuited to serving a powerful leader.

When he finally did ask me to go with him to visit his most important patient, it was because he was at the sharp end of a spear.

You may have become weary of my diversions, but they are necessary to tell the whole story. Please indulge me once more while I explain the complicated political landscape in which we live.

The man who had employed my master is not the Chief, he only seeks to be. This was my master’s first mistake. You can’t align yourself to an unpredictable, power-hungry, social climber. There is no common purpose there. A man who wants to take power at all costs will always need more than you can ever provide. This man, the same one who has decided to throw me in prison, is a great hunter. His name is Kayambila, and he has become such a great hunter that he no longer holds a spear in his own hands. Instead, he is a commander of hunters who has built alliances across many nations, and gained great wealth. He has earned the respect of not only his peers but also that of people of far greater standing than him. Despite all this, he remains a mere foot soldier in the Mwene’s army. Well, he is far more than a foot soldier. As a general, he has led her army to famous victories, allowing her to conquer many of the villages that surround us. But, of course, as long as he is not the Chief, he regards himself as a mere foot soldier. The fact that the actual Chief, the Mwene, is also his sister only adds insult to injury.

Kayambila’s frustration has grown alongside the Mwene’s kingdom. He cannot understand why a woman, who does not yield a spear, should or could even lead a nation.

My master was at a crossroads. It was no longer enough to give Kayambila charms and medicine to win in battle. He now had to convince him that he was the right mung’anga to enable him to overthrow his sister. This was the reason why he finally decided that it was time to take me with him.

One of the benefits of being engulfed in darkness is that I am not intimidated by those around me. I didn’t lose sight of my purpose as I was led into Kayambila’s hut. I had done my homework. I knew the politics. His soldiers and advisors had visited us and I had learnt a lot from watching their memories. I’m sure I don’t have to mention it, but, by now, I was also able to tap into my master’s mind. The mung’anga’s delay in bringing me along didn’t hinder me.

As he sat listening to my master’s incessant chanting, I tapped into Kayambila’s memories.

Normally, when I stole memories, I was a mere spectator but with Kayambila it was like he was telling me the story. He was the most powerful person whose memories I had stolen and I had to steady my shaking hands. From my corner in the hut, I saw him in battle defeating many armies, I saw him in discussions with key players in our region, I saw his arguments with his sister and when I finally saw what I needed, I waited.

At last, my master finished with his potions, powders, charms, and chanting. During the reverential silence that tends to follow such proceedings, I spoke up,

“You’re going to need guns to defeat your sister.” I said, “You can only get them from the zelo – the ghosts from the North – and they will only give you guns if you hand over prisoners of war. You need to give them slaves.”

Now, I have to admit. This was not a particularly insightful thing to say. Everybody had heard about the zelo’s insatiable need for slaves, but I was banking on the element of surprise. I had rendered myself invisible and they had all forgotten I was there, this increased the gravitas of my words when I eventually did speak up, that, and the fact that most people, including my master, wouldn’t dare to tell Kayambila what they thought. 

When I was sure they were all listening to me, I continued, “You will not win this war on the battlefield,” I said. “It will take time and strategy.”

“Go on,” he said after a while, but I stayed quiet. Hesitated for just enough time before I continued. “With respect,” I said, “strategy requires discretion.”

I didn’t need to say any more. Kayambila understood the need to have only one man in charge. I do not know what became of my master.

****

Over the many seasons that passed, Kayambila and I went on to fight many battles together, both on and off the field. He knew that proximity improved my abilities as a seer, so he took me everywhere with him. Soon enough, he became reliant on me and didn’t bother to pay special attention to friends or foes. He knew that I would translate their words for him. It was almost as if he preferred our quiet moments, my fingers on his wrists or crowning his forehead.

In time, I became as infamous as him. Although they did not understand what exactly it was that I did, people knew to expect me wherever he was. The only downside was that, because of the amount of time we spent together, I began to see myself in his memories. To see how I went from smooth-faced to wrinkly, from a full head of thick, tight, curly hair to wispy grey. I saw glimpses of him through other people’s memories and although he aged with time; he did not wither like me and instead became more dignified in stature.

But, as I said, you cannot form a partnership with a man like Kayambila. The process of taking power became too slow for him. I could not give any more excuses. He wanted to know why his sister was still the Mwene.

I grew tired of his constant complaints. Watching his memories became boring. I began to believe that his sister may just be better than him. She surrounded herself with powerful advisers, but, more than that, she had the people on her side. They knew that she would not sell them to the zelo, whom she refused to do business with. Given the chance, Kayambila would be happy to work with the zelo and everybody knew that.

I was stalling, I said, for his own good. If he tried to take over the nation now, the people would rise against him. I told him how her calm confidence spoke louder than his antsy desperation, that his son was more likely to become chief before he would ever even be considered, and, just to drive my point home, I told him that the Mwene’s memories had far more depth than his ever would. That did it. He threw me in this prison and left me here like a common criminal. He could have killed me, but I’m far too valuable.

On the advice of a mung’anga, he has decided to sacrifice his son, Sitondo, to the mzimu to prevent a claim to the throne. He thinks that this will make him more powerful, but it won’t.

Listen to them, scampering about looking for him.

Kayambila has forgotten that strategy requires discretion. My sense of sight is far more sophisticated than his. Indeed, my gifts have surpassed even my own expectations. I knew that he would lock me up here long before it was even a glimmer in his mind.

I have already whispered to Sitondo. He is on his way to the royal court to seek refuge. I have given him strict instructions for what he must say and when he does, the Mwene will have no choice but to send for me. And then I can be rid of this irritant and take my rightful place beside the Mwene. I can’t wait to finally be able to work with another woman who understands what it takes to stay at the top. Someone with some real vision.

END

Mwanabibi Sikamo is a Zambian storyteller and filmmaker exploring the real and imagined lives of Africans both past and present. Her fiction is steeped in the magical tradition of indigenous folk lore. She has been published by Olongo Africa, AFREADA and Iskanchi Magazine. She is currently writing her first novel. 

Ajaka: Lost in Rome – A Captivating Tale of Betrayal, Redemption, and Visual Splendor

0

Ajaka: Lost in Rome is a mesmerizing 20-minute short film animation that draws inspiration from rich accounts of the old Oyo empire. The narrative revolves around sibling rivalry, the thirst for power, and the ultimate journey of redemption. Released on YouTube on July 14, 2023, this visually stunning animation transports viewers to a world of fantasy and historical intrigue.

At the core of the story lies the struggle for power and its consequences. Ajaka, portrayed as a wise and compassionate ruler, seeks peace and prosperity for his kingdom. In stark contrast, his younger brother, Shango, driven by insatiable ambition, betrays him, leading to Ajaka’s downfall. The unexpected turn of events lands Ajaka in Rome, where he becomes a gladiator, adding an element of grandeur and spectacle to the narrative.

The film’s strength lies in its ability to immerse viewers in the heart of the story. The animators at Spoof Animation deserve accolades for their exceptional work, breathing life into the vibrant world of Oyo and the majesty of ancient Rome. The attention to detail in every frame creates breathtaking visuals that capture the audience’s imagination.

Ajaka: Lost in Rome stands out for its visually stunning animation and compelling storyline. Ajaka’s determination to reclaim his kingdom and return home fuels an extraordinary journey filled with challenges and obstacles. The film’s narrative arc keeps viewers engaged, eager to see how Ajaka overcomes seemingly insurmountable odds.

The film boasts an exceptional team whose efforts contribute to its success. Osas Akugbe, the Background Supervisor, seamlessly harmonizes the sets, providing an immersive experience. Ayodele Elegba, the Producer/Director, showcases passion and precision in guiding the film, resulting in a cohesive and engaging final product. Wale Olojo, the Line Producer, manages the production with skill and efficiency. Collins Momodu, the Animation Director, orchestrates the team of animators, resulting in awe-inspiring visuals.

The film’s music and sound design add depth to the experience, complementing the emotional beats of the story. The voice acting brings authenticity and life to the characters, enhancing their development.

One of the film’s central themes is redemption, as Ajaka seeks to rise above the challenges and reclaim his honour. The journey of the former king resonates strongly with the audience, showcasing his growth and transformation throughout the narrative. Each character is well-developed, and the voice performances breathe life into their personalities.

Despite being a short film, Ajaka: Lost in Rome leaves a powerful impact. Its message about the consequences of greed and the importance of family bonds lingers long after the credits roll.

In conclusion, Ajaka: Lost in Rome is an animated short film that blends breathtaking visuals, a compelling storyline, and well-rounded characters. It showcases the dedication and talent of a passionate team of animators, producers, and directors. The film’s universal themes and emotional resonance make it an unforgettable experience for audiences of all ages. As the credits roll, viewers are left in awe and yearning for more stories from the captivating world of Oyo. Ajaka: Lost in Rome is undoubtedly a triumph in animation, leaving an indelible mark on the hearts of its audience.

The Secret Diaries of Councilman Tiku Agbado | Uchechukwu Nwaka

0

Entry 09 – Central Olympus, Superstition

Deep in the sublevels of Central Olympus, there is an elevator whose doors cannot be opened with a clearance level of BLACK. Which is almost unfathomable, because there is no higher clearance. Nobody can access any sublevel in Central Olympus without a BLACK clearance in the first place.

And yet, this door exists.

There is a panel by the elevator’s inconspicuous doors. I swipe my card over it and I am rejected instantly. Something clicks in the black steel-panelled walls. Some unseen machinery creaking—arming itself in wait of another error.

It won’t get it.

I place my palm on the panel instead. My updated presidential subdermal nanocircuitry interacts with the panel and it responds with a soft hum. Of course. I am no longer just any man, but one of the Ageless Council. This final path, I must walk alone.

The doors slide apart, ushering me towards a cocoon of darkness and recycled air.

I step inside.

The doors slide shut, and the falling darkness abruptly cuts me off from my senses. I reach for the cuffs of my jalabiya and miss. No, this is not a symptom of my old friend; the neurodegeneration of my descending tracts. Something about the darkness is suffocating. More oppressive than my eyes closed; or the void of space ever present a few inches behind every wall of this space station.

The journey is short.

The elevator pulls to a halt by silent magnetic brakes. When the doors slide open again, a lobby spreads out before me. Faint blue lights line the floor from the exit of the elevator. I squint into the darkness. But besides the lights on the floor, everything is shrouded in shadow. The lobby itself is freezing cold. It is a struggle to keep myself from shivering.

And so I follow the lights.

However, a few steps into the lobby the dark shifts ever so slightly, betraying the silhouetted figure of something.

“Councilman Tiku Agbado.” A voice starts. It is oddly unaccented, seeming to emanate from the thing before me. “Welcome.”

I halt my advance at the final strip of blue luminescence. The temperature has dipped even further. The figure draws closer, stepping into the torus of blue lambency. Bifid legs of lustrous steel support a barrel-like torso made of the same metallic alloy. Its arms fold behind its torso, not unlike a human’s would. Its face, a steel sculpture of engineered humanness—complete with green-pulsing porthole eyes—appears last, emerging from the shadows like it was stripping down a hood.

“What are you?” I ask.

The robot’s hands unfurl, presenting me with a coat. “I am Prometheus, your guide to immortality.”

“Becoming a machine?”

It chuckles curtly. “No.”

At the snap of Prometheus’ fingers, the lights come to life. The room is a high walled vault, sterile but for a scattering of tables and beds and incubators and servers. An enormous vat occupies the wall at the end of the cavern. It is over ten feet high, bubbling with amber liquid. A multitude of thick wires—like the tentacles of a many-limbed squid—snake outward, connected to numerous monitors. I draw closer to the biomechanical agglomeration, my pacemaker working to manage the excitement in my heart.

“What lies in there?”

I don’t wait for Prometheus to answer before my hands reach for the frosted-over glass. My reflection spreads over the vat’s surface—an amber-tinted likeness of a black man too old to stand without vertebral implants.

Then, in one terrifying heartbeat, the liquid within bubbles caustically. The contents materialize suddenly beneath the glass; unlike anything I have ever seen. Half a torso and half an exposed thoracic cage float within the liquid—an abominable cocktail of primate and something arachnid. Covering its skin is an epidermal makeup of hair and chitin like the desiccated grasslands of Old Earth. Before it sank.

The creature’s head is partially lost, fossilized within a chunk of space rock.

And somehow, I feel its scrutiny. It steals the air from my lungs.

Prometheus appears beside me. “That, is the reason you are here today. Are you ready to begin the procedure, Councilman?”

A draft of cold air escapes my parted lips as I ponder Prometheus’ half-answer. I stare at the alien in the vat for a moment longer before swallowing my reservations.

“I… I am.”

*

Entry 03 – North sector, Juggernaut

“… and that concludes my report on the recently completed station-wide popularity poll.”

“What did you say the projections from the South are?”

Oteri, the latest aide in a long line of failures, fidgets visibly. “Mixed. Most of the results came out inconclusive. The sector is still unstable.”

On the screen, a recent campaign video of Adaobi Ibe-Ozoma plays. She keeps outlining each of the deficiencies in the Juggernaut’s sectors. Insecurity in the South sector. Dwindling output on the farms on the South West. When she begins to outline measures to reverse the downward trend of Juggernaut’s economy, I turn off the screen.

“Cynical woman,” I hiss. “This forty-year-old politician girl thinks she can run this station with only statistics and fancy words.”

“Many people seem to agree with her.”

I deign to give him a scathing look. “Has the campaign team begun working on my next speech?”

Oteri coughs. “Yes. They have isolated four of Ibe-Ozoma’s points that can be assimilated into your campaign promises. We think you can present a few credentials—”

I scoff. “I have no interest in such trivialities. There is more to winning an election than promising the world to your subjects.” I rise, reactivating the holo-board. A real-time image of Juggernaut fills the screen. The gargantuan ark station has its North and South sectors designed as concentric discs, one overlying the other. Each ‘disc’ is linked by the hull bridge of Central sector. Satellite sectors connect to Central through miles of stem corridors. The satellite sectors are globular, spinning on dedicated axes. Hundreds of satellites encircle the station like man-made stars. Half belong to me.

“All of this is mine,” I hiss under my breath. “Let me tell you a story, Oteri. Do you know when this ark set sail?”

“Err… no. No sir. I do not.”

“You’re one of those who were born on Juggernaut then. Never saw Old Earth?”

“No sir. Except in the archives.”

“You’re not unlucky. There wasn’t much to see there in the last days anyway.”

I swipe the screen for an image of Earth, blue in its entirety. “The skies went ablaze. The seas rose and lands were swallowed in its entirety. Everyone was fleeing. The Western world had long mastered space exploration. And we, the poorest of the poor? Nobody cared, Oteri. I had to make the Juggernaut happen! When the Arabs built their space continents and charged the corrupt elites of Africa’s entire national treasuries just for a ticket, I stayed. Built this future for us. And indeed the Juggernaut became the Giant of Remnant Africa. A refuge for all the survivors that swam out of the sunken Earth.”

Oteri doesn’t answer.

“But don’t be fooled. Even after surviving the waters and making heaven, there was a madhouse. Everybody wanted a seat at the Juggernaut’s ruling assembly. Again, I had to take the helm. I made the economies of North and Central happen. That same economy Adaobi Ibe-Ozoma thinks her Bachelor’s degree will help her solve. I, Tiku Agbado, orchestrated every leadership regime that pulled this station forward. Two Heads of Assembly. The newly appointed ambassador to Superstition! It is my turn, you see? My time to hold the reins of Juggernaut. Officially.”

Oteri remains mute. Smart fellow. Not at all like his predecessor, who thought it quick-witted of herself to debate with me about the exponential corruption and inadequacy of the administrations of the past Heads of Assembly.

 I lift my hand to dismiss the image on the screen, but then the arm begins to spasm. The contractions zigzag up my arm and into my shoulder. Pain splinters across my back and a small gasp escapes my lips.

“Sir!”

“Get out!”

“B-but sir, your hands…”

“I said get out!”

*

Entry 01 – North sector, Juggernaut

It is said that the youngest member of the Trans-Galactic Ruling Council is two hundred years old.

She does not look a day over sixty.

Her face fills my holo-board, as though time swept by and forgot to take her. Her hair is silver-grey, and a mole sits on her upper lip. She smiles easily. It does not reach her eyes.

“Apologies Ms. Harrison, but I cannot offer Superstition our fusion engine.”

“It is a spare, Mr. Agbado.”

“You should be talking to the Juggernaut Assembly.”

“But you hold sway over your station’s affairs. Dare I say, even more than your Assembly.”

Tremors push against the implants on my vertebrae. I am used to the pain. I do not let it surface.

“Typical of you foreigners. Always trying to sow unrest to expand your empire. Ah, but you people call it a free republic now. Sorry.”

“A trade then,” she says. “A piece of the new sector we are constructing.”

“You mean all of it?”

Her plastered smile falters. “Surely you jest.”

“Over my engine?” I laugh. “Would the Arabs even demand anything less? You’re the ones expanding faster than the timeline needed to build a corresponding engine. I doubt there is anything you can offer me of equal value.”

“At least we’re over the faux bureaucracy now.” Her expression changes. Hardens. “What if I offered you a seat on this council? With all of its perks.”

“And what would those be?”

“What every monarch since the dawn of man has dreamed of. Perpetuity.”

The ageless Trans-Galactic Ruling Council.

“I’ve heard about your health ‘challenges’.” She pauses for effect. Debilitating effect. “Don’t you think a partnership would benefit us both? Even the Arabs would never be able to get such a bargain.”

Silence stretches between us, screaming against my ears, her pixelated likeness before my eyes, the steel on my spine.

“All for a fusion engine?”

“Yes.”

“And the rumours about Superstition trying to break space have no merit?”

Harrison smiles. “You are as shrewd as I’ve heard, Mr. Agbado. But I’m afraid I have no comment on that. However, if you do happen to step into the spotlight and become Juggernaut’s Head of Assembly, the Council will extend an invitation to you. You need us, and you know it.”

My hands tremble at her benign smile. Of course she knows.

“Your move, Tiku Agbado.”

*

Entry 04 – A few miles into Juggernaut’s orbit

“With a station like Juggernaut, one would think people would spacewalk often.”

Black Pepper readjusts the collar of his jumpsuit. A nervous tic. Perhaps an action meant to anchor himself. The man must not venture into space very often. Strange, but not surprising.

“I guess Africans are tired of looking to the gods for answers,” the man replies. “For all we know, heaven is black and cold and starless.”

“If I wanted to hear poetry, there are hordes of griots at Central.”

“I see. Was just wondering out loud why this ostensibly expensive suit with a note to these coordinates showed up on my safe box.”

“The walls have ears,” I tell him. We are in my personal floater. Myself and the guest, in the cockpit of the stingray-shaped vessel. The station expands outwards a few kilometres off, each metallic buttress highlighted by the void it wears like a sleeve. Another episode of humans defying God. Successfully. From this distance, the trailing lights of the inter-sector trains track across the station’s hull. Juggernaut is the miniaturisation of a galaxy, held aloft by steel and the colliding atoms of a nuclear engine.

Mine.

“So,” Black Pepper’s tone loses the lilt. “What is the job?”

I lock my digits between each other. “Adaobi Ibe-Ozoma.”

I watch his expression. It does not falter. It is as though he is made of stone, or bolts and code like the househelp-bots.

“That job is ten forms of suicide,” he says, nonplussed. Like he is casually commenting on the quality of a piece of freshly baked loaf.

“Complete it, and you’ll be set for life.”

“The people have hope for Adaobi Ibe-Ozoma. I’m not a politics person, but you must be down bad if you’re considering the services of an assassin.”

It’s getting harder to control the votes. Sway the elections by clout or cash. Adaobi Ibe-Ozoma can give the people the change they want, but only after I’m done. After me!

“One billion credits,” I deadpan. “Half upfront.”

His composure cracks. Slightly, almost imperceptible, but I see it. “I know you, Black Pepper. You live in the depths of Central sector. Way too close to the South for your own good. You do good work too, but you just haven’t been able to save quite enough, have you? This job is the game changer. You, your wives, your children? Out of that dump.”

He grinds his teeth. “Getting to Adaobi Ibe-Ozoma will not be easy. She wears anti-phaser shields so advanced…”

“Superstition-grade, I’m aware.” I reach under my seat and flick a button. A panel slides out of the wall. Within it is a weapon.

“This is a remastered M82. Old Earth weaponry. Shields won’t stop this.”

Black Pepper cradles the gun. “I’ve heard of these. Simulated them even.”

“Good. Once the job is completed, you’ll get a new set of coordinates and you’ll get the rest of your money.”

“I’ll be pulling the trigger against the change this station needs. Lighting the torch to possible unrest. This one bullet can potentially end the lives of thousands.”

“I never took you for the sentimental type.” My tone is acerbic. “Then again, you were reciting poetry.”

“Don’t misunderstand. My last born reads a lot. Will your administration make her future any better than what we have now?”

Irritation twitches against my eyebrow. “With a billion you could even relocate to Superstition. You don’t need to watch the dogs eat themselves.”

“You’re a ruthless man, aren’t you, Tiku Agbado?”

“No.” I squeeze away the makings of a new tremor. “Only out of time.”

*

Entry 02 – North sector, Juggernaut

RE: NEUROIMAGING SCANS

Dear Mr. Tiku Agbado.

Find attached the report to your recently concluded neural scan. We advise booking an appointment at your earliest convenience.

It is also imperative to note that craniospinal implants are not a form of definitive care. Prolonged usage may significantly decrease prognosis…

<Are you sure you want to send this mail to the trash?>

*

Entry 05 – North sector, Juggernaut

The news reel flashes over my holo-board. It’s been flashing since it first broke six hours ago. “ADAOBI IBE-OZOMA SHOT WHILE GIVING RALLY SPEECH IN SOUTH SECTOR.” Head shot. Brutal. Impeccably precise. The reel has updated with efforts by the station guard to lock down the sector. Too late. Black Pepper is a southern rat. They will never get him.

A monitor comes to life beside me. Motion detected on the floater’s pressure chamber. Black Pepper has already reached the coordinates of our second meeting? I am impressed even further. Good money. Good money.

I turn on the surveillance feed.

I watch him walk into the narrow corridor and undo his jumpsuit helmet. He fiddles with his collar the way he likes to. Then he hits the access panel to the cockpit, our meeting point.

The feed cuts off.

And instantly another feed appears, recording from a slight distance away. It is directed at the floater, now aflame in a million sparkling bits, exploding silently in the vacuum.

I smile to myself and go over my speech again. Insecurity in the Juggernaut. How I barely survived my own assassination due to a last-minute change of plans.

Adaobi Ibe-Ozoma can die a hero. I, on the other hand, do not plan to die.

*

Entry 08 – Intimidation, en route to Superstition

It takes eight days to reach Superstition, the station-continent of the old West. Superstition is anchored deep within an asteroid field, and ever expanding. The station does not travel across space anymore, seeking some kind of exoplanetary Elysium. Instead, it has become a hive of mini stations, with each hub interlinked like an arachnid’s spinning web. The pinnacle of mankind’s creation.

And for the first time, they have extended an invitation to the Juggernaut.

Our envoy pulls in on the Intimidation, the Assembly’s official vessel. Envoys from the Assembly stand in the sky room, eyes wide in awe at Superstition’s megastructure. Arching elevators etch infinite distances into space. Each sector is almost as large as Juggernaut itself.

And not a single one of my people knows that I am the reason why they are here.

Not really. They marvel at the infrastructure, yet with each converging space bridge, I see what the Ageless Council has been planning for decades. Some weeks ago, I received structural plans for a conceptual fusion mega-engine. An engine theoretically capable of creating breaches in known space-time.

Into another universe.

We adjust our kaftans and agbadas as we board the capital of Superstition, Olympus. Olympus is the ‘eye’ in this grand machination. Whatever they hope to channel to break space will happen in Olympus. A few more years and they could. Easily. Why rush now? And why bring me into it?

In fact, why do it at all?

I smile with my fellow Assemblymen, adjust my fila and wait for the landing protocol to commence. However, for the first time, even I question my motivations.

*

Entry 06 – North sector, Juggernaut

 “If you’re watching this video, that means I have died.”

Black Pepper’s face fills the display. “Tiku Agbado had me killed.”

“Good job Oteri,” I say, dismissing the video from the holo-board. “If that had come out… hmm.”

“Y-yes sir.”

“You mentioned that one of his wives was going to upload the video. Has that been taken care of?”

He nods mechanically.

“Good. I knew you were a sharp one. I trust you have not told anybody else about this.”

“O-of course not sir.”

“Very good. And our numbers?”

“Climbing steadily sir. With Ibe-Ozoma gone, her running mate has been unable to garner her kind of support.”

“Such charisma is one-in-a-million.” I turn to face the aide. He shrinks at the crookedness of my paralysis-affected smile. “Too bad.”

*

Entry 07

INVITATION TO SUPERSTITION, THE FREE REPUBLIC

Head Assemblyman Agbado.

Congratulations on your victory in the just-concluded elections. Find attached below your schedule for your inauguration into the Trans-Galactic Ruling Council as an envoy of Juggernaut. We hope to see you soon.

Janet Harrison.

For the Ageless Council.

*

Entry 10 – Central Olympus, Superstition

I don’t know what immortality is. What it does feel like is liquid fire spilling into my veins through the cold hollow IV tubes. A cacophony of beeping monitors ringing loudly inside my eardrums. My bones. I become one with each cell in my body. Rejuvenation. Affirmation of every decision I have made until now. My delegates lounge above in the upper levels of Olympus, oblivious to my transformation. My transcendence.

I feel… alive!

Until I begin to see the flashes.

First, it is a simple image. A possible trick of the anaesthesia. Then, again. A vessel unlike any shape I have ever seen, imagined or dreamed. A planet burning. My body now replaced by alien integument that reflects the stars. Skin latticed with woven obsidian, and heavy with the hope of an entire species.

Are these the alien’s memories?

I see a rift in space. The strange vessel jets through the rift—gate?—while an armada of arks wait behind.

What is this?

My newly rejuvenated muscles spasm over the bedsheet. I feel the alien vessel crashing. Breaking the gate. Burning. Dying.

Persisting.

Then, thriving.

Suddenly, I hear its voice. A single command in my hippocampus. Urgent. Imperative. An endless chorus of one singular task.

Finish the engine. Reopen the gate and bring my people through!

The Ageless Council were no longer human! Only avatars for this alien and its civilization.

And now, I have become…

…one

of

them.

Prometheus, the robot, kneels beside me. “Welcome to the Ageless Council, Tiku Agbado. Let’s get started, shall we?”

It all makes sense too late.

End

Uche Nwaka

Uchechukwu Nwaka is an Igbo medical student at University of Ibadan, Nigeria. His works have appeared in PodCastle, Escape Pod, Fusion Fragment, Omenana among others. When he’s not trying to unravel the mysteries of human (or inhuman) interaction, he can be found reading manga, streaming TV shows, or generally trying to keep up with an endless schoolwork. Find him on Twitter as @uche_cjn.

Mame Coumba Lambaye’s Stinky Pinky | Mame Bougouma Diene

0
Mame Coumba Lambaye’s Stinky Pinky | Mame Bougouma Diene

The year: 2022.

The place: Rufisque, Department of Dakar, Senegal.

The date and time: Tuesday, June 26. 14:00.

The crime: Fingering.

   Commissaire Ba read the first four lines of his report, printed on a white piece of paper, shook his head, shredded it, and started again. Again.

   His colleagues whispered behind his back that his shredder was a frivolous waste. They were right. It should be bigger. At times like this, he wished he could push people through it. It seemed like a kind and necessary punishment for having him type this kind of bullshit.

   Fingering… He thought, lighting himself a cigarette and heading for his private toilet. No one liked that either, but leadership has its privileges, and Commissaire Ba’s mind and stomach worked in tandem. Clearing one cleared the other, and he happened to be heavily loaded. Fucking fingering…The nerve on them… But Commissaire Ba, 300 lbs and six feet tall, was nothing if not a consummate professional. I’ll get to the…bottom of this… he thought, giggling his way to the privy.

   The details of his cleansing bearing no incidence on the tale, e stood up, his mind cleared, to wipe and flush, and there, just as he bent over to pull up his pants, he felt it:

   A mild tickle, the distinct feel of a fingernail dilating his anus, two phalanges reaching up into his rectum all the way to the knucklebones, and a very deliberate…wiggle…

   He jumped up with a yelp, rushed into his office pants around his ankles, rectum aflame, tripped over his pant legs, and landed dick first in the shredder. Top of Form

#

Earlier that day…

   “My ass! Sama boon! Elle a doigté dé! Right there! In front of everybody!”

   The man… Mansour Koly, red eyed and toothless, patchy afro sprinkled with sand, hadn’t uttered a complete sentence since running screaming into his precinct in Rufisque. Since then, fifty more men had rolled in, hands on their butts, heads dashing left and right, harrowed eyes defiant and subdued, all shaking nervously on the floor, waiting to unload on Commissaire Ba in much similar fashion.

   The man had been fingered. In the bum. By an unnamed invisible woman. Or so he claimed, but no one had seen anything. Two hundred people around, more goats, and not a witness to speak to the violation of his anus. His staff spoke seven languages between them, but none who spoke goat.

   “And there are no witnesses?” he sighed as he wiped his forehead.

   “She did! Bilay she did! I don’t lie about my ass.” Mansour finished, arms folded.

   Wouldn’t you be so lucky… Ba thought, wondering what creature would dare near Mansour Koly’s behind, even just to kick it.

   “Invisible, you say?”

   “Wow!”

   “So…how do you know it was a woman?” try though he might, Commissaire Ba couldn’t help but grin at that. Mansour Koly’s irate eyes striking lightning at the implication. He hesitated…

   “The nails! Only a woman has nails that long!”

   Ba stared at Mansour’s uncut claws sitting on his desk.

   “You mean like those?”

   The hands disappeared under the table. Eyes watering in shame.

   “It’s ok. Mr. Koly. It’s ok. Thank you for your statement. We’ll… look into it!”  

   He laughed so hard he farted. There were times when your twenty-year career choice paid off. This was one of them.

   “Next!”

#

Meanwhile, across town…

   Khasaoutat sat trembling on his burgundy pleather couch, the sweat running down his stomach slowly pooling inside his pants soothing the phantom limbs of two long fingers wiggling inside his butt hole.

   He could still feel them. The memory of them. He feared he always would. He hadn’t risen from the couch for two hours, lest he exposed his anus to another speleological dig.

   Long and knobby, they were. Gnarly roots stretching from an unfathomable abyss into a smellier one, with all the delicacy of…. Of two fingers shoved up his ass, that’s what!

   It was sudden and sweaty. One moment he was leaning over to pick up a coin he’d dropped, and next thing you know, his boubou’s pants still on…

   He’d run straight into the women’s prison across the square, shoved his way past the female guards and into the Director’s office.

   “Baram! Baram naniouma!”

   Aminata Niang, sitting at her desk, a glass of scalding mint tea in hand, dropped it into her lap, jumped up with a scream, and spit the tea from her mouth into his face.

   “You’ve been what?!”

   “Fingered! Someone fingered me! Right out…” Then he heard himself. Realization dawning, that he was screaming at the top of his lungs, Director Niang’s door wide open to the visitation room, that he, Khasaoutat Samb, son of Oumar and Majiggen Samb, had been….

   “The inmates! Won’t! BELIEVE THIS!” One of the wardens peeking in yelled before dashing to the cells.

   Perhaps they laughed. Perhaps they didn’t. They were drowned by the roaring hilarity of Aminata Niang, the six prison wardens at the door, the two wardens he’d shoved, the dozen husband, sisters and babies sitting in the hall, visiting their jailed-up wives, nieces, aunts and cousins, cell phones in hand, snapping pictures of him and tweeting them to their WhatsApp groups…

   In less than a minute, two thousand people knew. In five, half the country and by the time he got home an hour later, he had been memed from Dakar to Lagos, Abidjan to Agadez. In Dogon villages high in the mountains to small fishing boats in the Niger Delta. They all paused from eating their rice and their suya, from herding sheep and blowing up pipelines to like, comment and share, and share, and share, and share…

Aminata Niang had called him a liar, asked him what he’d done, and who might have done it. What he’d done to invite the…fingering. All with a straight face, while nearby inmates yelled that if he needed more action, they would gladly indulge him…in the butt.

   His wife. His WIFE! Had wagged a finger at him, shoved him against the wall with a grin, and said:

   “So, you like it up there, do you?” and tickled his asshole!

It was a 50CFA coin he’d dropped, less than a penny on a dollar, it wasn’t fucking worth it.

#

Commissaire Ba bolted upright from the flashes of a dozen cameras.

   White walls, green sheets, beeping of monitors. I’m in a hospital…why am I in a… my dick!

   His hand darted for his crotch, but a nurse caught him halfway and pushed it back down on his side.

   He caught a glimpse of her long, curly nails and almost fainted, his anus twitching furiously.

   “Glad you’re finally awake, Commissaire. Don’t worry we were able to reattach your… hmmm…penis. It’s still shredded and irritable, but you’ll be able to use its basic functions within a couple of days. In the meantime, we’ve attached this bag to collect your urine. It’s important you don’t move…”

   Click, click, click as the press typed everything down…

   “Get them out of here!”

   “Oh, yes, sorry.” The nurse grinned as she apologized. “Out with you! He’s fine! That’s all you need to know!”

   Commissaire Ba sighed.

   His five and a half inches were back, but his pride, his pride had been penetrated, and try though he might, he could never revirginize his asshole.

   Alone in his quiet room, the bag on his side slowly bubbling with piss, he could think… a little.

   The fingering was real. It could have been psychosomatic, but no. The wiggle. The wiggle was real. The feeling that his rectum had become a playground was real. He would never eat a twix bar again. Never again.

   None of the dozens of men pouring into precincts all over Rufisque were lying either.

   Laughed at, dismissed as finger teases and sent home with their dignity shattered and their faith in the system broken. Yes. But they weren’t lying.

   The penis-theft epidemic of 09. Damn he’d been young and fit back then. Dozens of men claiming they shook hands with a foreigner and woke up without their cocks. He’d been charged with the inspection. All the dicks were right where they were supposed to be. It had all ended well and quite hilariously in fact, yet, mobs had assaulted dozens of people. People had died. All over West Africa.

   It was obviously a ploy to beat up foreigners unpunished, yet… here he was. The sweet flower of his puckered ass blown to the four winds. And no one to believe him.

   I will get to the bottom of this. He thought. Even if it’s my own.

   The urine bag burst under the pressure.

   “Nurse!”

#

“Serigne bi!” Khasaoutat’s wife yelled at him from the window.

   “Wow, Sokhna si!” He answered, smiling back at her from the street.

   “Making sure your butt is properly plugged!”

   He bit his tongue and dropped his head. Passerby laughing at him.

   “And don’t go flashing your ass to random strangers again you hear?!” she added, slamming the window behind her.

   He was a good man. He’d done nothing to deserve this.

   It had been three days now, and there wasn’t a single man out on the streets. No passerby, not a cab driver, not a cop, no one. Women and children galore, but not a man in sight.

   Three days holding back his poop, pissing his pants and sleeping balled up against the wall, ass out of reach. Three days and he couldn’t take it anymore. He had to talk to someone.

   A child ran past him carrying a bowl overflowing with curdled milk, sprinkling small drops on the concrete, lapped up by hissing stray cats.

   He ran up to a small corner store, usually manned by Koy Boundao and his teenage boy, but today his wife, Aminata, managed the business, sitting outside the store on a small wooden bench in an orange and green dress. She slipped the boy a thousand CFA bill and poured the milk on a circular, slightly hollow stone until the depression filled up, and started to pray.

   Khasaoutat caught her repeating something under her breath as he walked by:

   “Mame Coumba Lambaye, Mame Coumba Lambaye, Mame Coumba Lambaye…”

#

Commissaire Ba was back behind his desk, shredder gone, itching not to scratch his healing dick.

   Think, don’t scratch, just…. Ahhhhhh!

   He ran into the bathroom to pour warm water on the tip.

   That’s better, he thought, walking back to his desk. “Now, where was I…”

   A tall, skinny man in a green boubou collapsed in his office out of breath.

   “Let me guess.” Commissaire Ba said without looking up, “Fingered?”

   Khasaoutat looked up at the cop.

   “How do you…”

   “Sixth sense, obviously. Look, don’t bother with the details. I mean that. No details. I believe you. How’s your ass?”

   “But how do you know???!!!”

   “It happened to me too. Every man in town. Two fingers up the ass. Now, what do you wa… Wait, don’t I know you from somewhere?”

   Khasaoutat looked around him at the empty precinct, the giggle of street children riding a wave of grilled meat. He wasn’t alone. Alhamdulillah he wasn’t alone.

   He shook his head hard enough to crack his neck.

   “No. No. Don’t think so.” He said “Commissaire Ba is it? Khasaoutat Samb. I… I think I know what’s happening.”

#

Commissaire Ba and Khasaoutat followed the jerky rhythm and nasal vocals under cover of darkness.

   “Are you sure about this?” Ba asked, crawling between tombs to the middle of the cemetery. “It sounds like a party.”

   “Definitely. My wife’s been coming home late these past few days. I just never thought…”

   It was a party. A wild one. Women of all ages were dancing around a fire and passing small cups around, filled out of a plastic bottle. Just as Ba and Khasaoutat settled between two sandy mounds, the stereo stopped, and drums picked up instead. The women danced on but opened a circle between them and a young woman walked in, trembling in the humid darkness, frail, her eyes haunted and sad, shying away from the women trying to comfort her, fearing to be touched.

   She lay on the ground by a couple of goats, as the other women kept singing, covering her and the animals with layer upon layer of cloth.

   Commissaire Ba whistled softly.

   “Freaky stuff! With a goat! Women…”

   Khasaoutat shook his head.

   “Don’t you know anything? It’s Ndeup. They’re trying to heal her.”

   “Ndeup? I’m Fulani, sir. I don’t heed your Lebou nonsense.”

   “Did it feel like nonsense when she stuffed you up like a skewer on dibi Hausa?! Let me listen.”

   Ba didn’t answer but threw up in his mouth.

   “Weird, they’re…”

   “Yes?”

   “They’re calling on Mame Coumba Lambaye to… Mame Coumba is the Rab… the protective spirit here… anyway, it’s weird, they’re calling on her to help the young girl. To help her pass her trauma to the goats… something about getting… Raped?”

   “What?!”

   “Yes. Something about the quarantine two years ago. Help her, Mame Coumba, they’re chanting. Take revenge on that evil uncle of hers. Strike him as he struck her…”

   Ba had a flashback. Something he had neatly pushed deep into the mental caves of denial. A young girl who had nowhere to go back then. Nowhere to confine herself. He had taken her in, and nature had taken its course… or had it? It was the least she could do, right? For him taking her in? Right…?

   Thunder cracked out of a quiet sky. Lightning struck the fire, and its stead stood a beautiful woman, black as midnight, hair covered in a blue head wrap, a matching blue dress flowing down her curves into the flames where her ankles disappeared, yet there she stood impervious, dark brown eyes calm and kind, her long delicate fingers ended in nails sparkling with star light.

   She reached down to the young girl, threw the sheets off her as the goats ran away, and helped her up.

   “Mame Coumba Lambaye!” the women screamed in unison.

   She was free to go anytime, Commissaire Ba thought, staring at the flames dancing around the woman’s ankles. Anytime, he hadn’t locked her in when he left the house, hadn’t he? Except I had… She had screamed, he remembered. You don’t wanna die, do you? He would yell back. Show some gratitude! He had yelled.

   “Mame Coumba!” A short, stocky woman said, nearing the fire.

   “That…That’s my wife!” Khasaoutat whispered in shock.

   The apparition in blue turned towards her.

   “Mame Coumba.” She continued, “Thank you for helping us, all of us, but…”

   “Is there something wrong, sama dom?”

   “Nothing Rab. Nothing wrong. It’s just… you’re fingering ALL the men. Not saying they don’t all deserve a little… introspection, and teasing my husband is a lot of fun…but he’s a good man, Mame Coumba, lazy and not too bright, but he’s a good man… maybe you could be a bit more… selective?”

   The others murmured agreement.

   Mame Coumba’s deep laughter rose from the ground and tombs around her, reaching into the sky to echo in the clouds.

   Ba pulled out his service weapon and started rising.

   “Wait!” Khasaoutat said “What do you think you’re…”

   Too late. Ba sprung up, weapon in hand, rushing towards the gorgeous Jinn.

   Khasaoutat scattered to catch his ankle but landed face first in the dust.

   “Khasaoutat Samb! You sneaky butt slut!” His wife berated, “What are you doing here?”

   “Hands up! All of you! You’re all under…”

   Mame Coumba Lambaye snapped her fingers, sending a shockwave across the ground knocking them all off their feet, except Commissaire Ba. He rose in the air spinning and screaming at the top of his lungs, drawn closer to the Rab until he stood close, his feet dangling over the bonfire, the sole of his shoes melting with thick pungent plastic drops.

   “Baye meh!” He yelled, sweating and squirming. But she wouldn’t let him go.

   Mame Coumba’s eyes danced with small flames.

   “I see you Kouldo Reedou Ba.” She said, her voice a cavern. “I see you and all your sins…”

   The last of his repressed memories burst to the front of his mind, coming home from the supermarket, and opening the door to find the young girl hanging from his ceiling fan…

   “You are a bad man, Kouldo Reedou Ba. A bad man.” She turned to the other women while Khasaoutat buried his head in the sand.

   “I did nothing wrong!” he screamed, the flames slowly eating away at his pants. “It was only a couple of months! She had nowhere else to go!”

   “And neither do you…” Mame Coumba added. “You are right, my daughters. I will be more… selective…”

   “Let me go!”

   “… And you Kouldo Reedou Ba will know the full extent of my wrath…”

   Khasaoutat’s wife helped him up and to his horrified eyes, the rotund shape of Commissaire Ba, stretched into a wraith thin version of himself, was slowly melting into the nails on Mame Coumba Lambaye’s index and middle finger, her soft smile now sharp with teeth.

   “…you will always be the first one in – and the last one out. I hope you enjoy…colon.”

   Commissaire Ba’s scream died as he disappeared into her fingers, alive, yet condemned to forever feel all the ‘operations’ she would carry out in future.

#

Khasoutat lay exhausted on top of his wife in their small bedroom, love making consumed repeatedly.

   “I can’t believe you were behind all this…” He said, rolling off her.

   “Wallahi. Never underestimate the power of women.” She answered reaching under the bed.

   “Never again!” Khasoutat exclaimed, contented smile dropping as his wife pulled out a huge blue dildo and waved it in his face.

   “Alright, butt boy, now let’s have a little fun!”

#

Mame Diene

Mame bougouma diene is a franco –senegalese american humanitarian living in brooklyn, new york, and the us/francophone spokesperson for the african speculative fiction society (http://www.africansfs.com/). You can find his work in brittle paper, omenana, galaxies magazine, edilivres, fiyah!, truancy magazine, escapepod and strange horizons, and in anthologies such as afrosfv2 & v3 (storytime), myriad lands (guardbridge books), you left your biscuit behind (fox spirit books), this book ain’t nuttin to fuck wit (clash media), and sunspot jungle (rosarium publishing). His collection darks moons rising on a starless night published last year by clash books, is nominated for the 2019 splatterpunk award.

Parody of the Sower | Michelle Enehiwealu Iruobe

0
West African woman cradling a child

Nene decides to transplant her embryo seedlings into the cocoyam farm at the back of our house, where the fertile soil is a luxuriant black, and large grey-pink earthworms slither and burrow like limbless moles.

It is a cool, late afternoon when she brings the seedlings home in a pot of fired clay. Only three weeks old, yet they’ve already started sprouting leafy ears. Nene informs us that they are improved varieties, her face alight with joy and pride. Can we believe it? The embryos would grow and become mature in just six months!

Congratulations! Mummy says to Nene happily. She is certain that with Nene’s expertise, the seedlings would be healthy babies at harvest. Daddy is furious. His ears and nose emit vapour and his hand quivers as he points at the three sprouting embryo seeds in the pot. How on earth is my grandmother going to take care of babies at her old age? He yells. Young couples do not even apply for embryo seeds anymore. All the necessary paperwork involved is exhausting, nursing the seedlings till harvest requires per-minute attention and the foetuses do not always turn out well in the end. Many of them perish when the rains become too heavy, and the few that survive either get scorched to death by the merciless sun or become shriveled, disabled babies at harvest. Does she want them to end up like the one-and-a-half-legged child of the Onaiwu couple living in the opposite flat? Does she?

But Nene is resolute. She holds her drooping breasts with her hands and looks Daddy in the eye. What does Daddy know, ehn? What does he who was uprooted yesterday from her cassava farm back in the village know? She is still healthy enough to raise a child. Her nipples leaked a few days ago! She thought she was going crazy, but it was true. Her nipples, which seven children, including Daddy, suckled as infants and which have been dry for three decades, miraculously released milk. She knew then, after she’d absorbed the sight of the drops of creamy liquid on her blouse that she still had ‘work’ to do. And didn’t she cultivate Daddy and his siblings many years before? Does she ever complain about how hard it was to nurture them before they were harvested? And what about Daddy’s own children: me and Sam? Isn’t he enjoying the fruits of his and Mummy’s toils now? Can he remember just how tremulous those early days were? So, because climatic conditions were becoming more unfavourable by the day, people shouldn’t have babies anymore? Humankind should go extinct?

No, she declares emphatically. She is going to nurse her embryos. There is nothing Daddy or anybody for that matter can do about it.

Daddy swallows any words he might have to say after Nene speaks. His shoulders droop and he trudges to his room like a man soaked in cold water.

#

Much too early the next morning, I awaken to our dog, Checkers, howling wildly in between spurts of loud barks. I sit bolt upright and listen closely in the stark darkness of my bedroom. There are more sounds: owls hooting, leaves rustling, and feet sinking in mushy soil in the garden just behind my window.

My door bursts open and I jerk up, but I catch the faint outline of my brother, Sam standing in the doorway in his striped pyjamas.

“Jesus, you scared me!”

A bright white light beams on—Sam’s phone torch.

            “Won’t you come outside? Nene wants to transplant the embryos.” He announces, and even in the darkness, I can see the excitement illuminating his features. I fumble with the thick bedding and jump out of bed, my heart beating excitedly in my chest at the same moment betrayal creeps in. I can’t believe Nene would’ve gone on to transplant them without me.

Outside, the sky is a darker sheet of blue than I thought—almost midnight black. Sam’s bright torch leads the way, casting long shadows behind us as we walk to the garden, the cool breeze seeping through our pyjamas.

            Checkers’ howling switches to relieved whimpering on seeing us, and he starts turning in circles, vigorously wagging his curled tail. I pat his large head reassuringly.

            Nene is crouched inside one of the ‘boxes’ demarcating one part of the garden from the other in a wrapper tied around her waist, leaving her upper-body bare, her breasts as flat as slippers dangling from her chest. It looks like she’s performing a ritual—holding the clay pot containing the seedlings with one arm and mechanically pulling out weeds from the soil, her forehead wrinkled in concentration. She doesn’t even glance at us.

            “Nene, Aisan,” Sam greets.

            “Oya, vhare, come and help me pull these things,” She says. Sam lowers the torch to the ground and we squat under the umbrella-like leaves of the cocoyams and uproot the leaves wet with dew. Checkers inspects the growing heap of dead, limp foliage as we work, scratching and clawing at the earthworms still clinging to them. My hands are covered in wet loam by the time we are done.

Nene carefully sets the pot of seedlings down and digs three holes in the weeded ground with her fingers. Sam takes pictures randomly with his phone camera, the shutter sounding like mini-thunder claps in the still darkness. Nene takes out two of the three seedlings one by one from the clay pot and lays them in their bed holes. Their sprouted leaves stick out of the soil even when the seeds are completely buried. Then, she hands me the last one. I cradle the embryo—bean-sized and a faded pink—with both palms and I feel something throb rhythmically against my palm like a faint heartbeat. I tune out all the sounds around me until I can hear only the seedling’s heart beating underneath its sensitive, pulsating skin, and then mine, both beating together in a harmony that spreads pleasant warmth through my body.

Sam’s shutter clicks madly, bursts of light settling on me and the little one in my hands for a second before vanishing.

When Nene takes the seedling away to be buried in the ground, my hand feels very empty, hollow even.

#

It is a full, bubbly house by the time I finish wiping dirt off my body and changing my soiled clothes. It is Sam’s tenth harvest-day anniversary. The delicious aroma of jollof rice, grilled fish, and dodo fills the house’s air. My little cousins run around the house bursting balloons and giggling in excitement, eliciting occasional cautionary shrieks of ‘Esosa!!’ and ‘Oghogho!!’ from my Aunt and Uncle Parents. Even Checkers won’t stop twirling happily around in circles.

Daddy’s guests talk and laugh loudly in the living room over the blaring music but Daddy sits with hunched, dejected shoulders and doesn’t join in whatever conversation they are having. He seems to grow smaller every hour, watching Nene cheerfully exchange pleasantries with his friends. He goes particularly small when Nene starts to talk about her seedlings in the cocoyam garden, trying to get some of the guests to examine her exposed breasts to find where milk had come out from. It is here, yes, this spot. Do you see it? Feel it, full and ripe with milk.

Daddy’s other siblings, who are present, do not seem to mind Nene cultivating children at her age. Aunty Ofure squeals in delight and inspects Nene’s nipples. I see it, Nene. May the gods let me lactate even in old age! Aunty Bridget laughs and jokes about Nene acting like an Ovbiaha about to harvest her first child, and Uncle Ehigiator stares at Nene with a slackened jaw on hearing the news but doesn’t utter a word of objection.

Mr. and Mrs. Ohaito, our next-door neighbours, congratulate Nene most enthusiastically. Mrs Ohaito weeps when Nene talks about being ‘dry’ for thirty years (she too had never lactated until recently) and Mr Ohaito says that she and her husband would harvest their baby tomorrow and that we were all invited for the ceremony.

Nene congratulates them and prays that they should harvest more children. Then, she makes use of the opportunity to narrate the story of how Daddy and his seven siblings were cultivated. They were quite a lucky set; all seven were alive and healthy at the time of transplant, and alive and healthy at harvest. Baba, my grandfather, had thrown a feast of the century to celebrate them.

            “I never used a drop of inorganic fertilizers like some people did,” Nene says proudly. “How do you expect foetuses to grow well in the soil when the only thing you do is to let them chuck down chemicals?”

Towards the end of the party, after almost all of Mummy’s Jollof rice is licked off the pots, all the balloons are either removed or burst, and half of the birthday cake disappears, Sam brings out his photo album (which he allows to be in the public gaze only once a year) and the visitors ooh and ahh at his photographs. Mummy and Daddy worked very hard at documenting my brother’s early memories. There are photos of him at his transplanting; Daddy holding a black cellophane filled with sand and Sam’s ready-to-be-relocated seedling and grinning lavishly at the camera, Mummy in rubber gloves dirty with grime, all stages of Sam’s growth in the soil, photos from his bud-nipping ceremony…

My mind wanders again for the one-thousandth time since the party started to the feel of the embryo in my palm, and the heartbeat—the little hint that it was real, that life, whole and powerful was within that thin strip of fragile skin.

#

The next day, my family goes to see the Ohaitos. Mrs. Ohaito welcomes us gleefully at the door, smelling pleasantly of flour and sugar. We are ushered into the living room where a handful of other guests are milling around. Daddy snorts disapprovingly at the crowd and mutters something like a child harvest day/bud-nipping was usually a private family affair so there weren’t supposed to be so many people present. Mummy coolly chides him by saying that it is only natural for the Ohaitos, who weren’t granted the right to cultivate their own babies for a very long time to want to celebrate their success in a grand style. Besides, richer couples throw more extravagant parties nowadays, or doesn’t he know?

            “It’s just God that said I should start lactating, and then be granted rights around the same time.” Mrs Ohaito says to the women over and over again, after she changes from her kitchen work clothes into a pretty, flowery dress.

            “It’s really the work of God,” Mummy says.

            “You deserve it, my sister.” One woman says, noisily munching some chin-chin.

            “Yes o!” Says another. “You think nine years is a joke?”

            “We all know that getting those idiots at the ministry to accept your application and grant you rights on the first try is almost as impossible as trying to get a return ticket to the afterlife.” Says a woman, the female version of Mr Ohiato. “But for a woman’s breasts to respond to her pleas as well is even tougher.”

            The women murmur their agreement. Aunty Omogui, a talkative woman with messy brown hair who lives in the apartment directly opposite the Ohaitos says after downing a glass of wine: “It is like the day someone would die. Does anyone know when their time would come? Look at Edede. How old is she? I’ve known her since I walked with my knees on the ground. She was around Mama Samuel’s age then.” She glances at Mummy. “Over forty years have passed now. And to my knowledge, not a single drop of milk…”

And so, the discussion drags on until the late afternoon, when we all troop outside for the main event—the harvest. Luckily, the weather is as cool as evening time. No one will complain about staying out in the sun for too long.

The full-grown baby plant is as tall as me, with a heavily muscled trunk, luscious green leaves and red and pink flowers that remind me of the hibiscus. There is a sweet smell wafting off the flowers. The crowd inhales, sighing collectively in appreciation.

The harvesters, two burly men stripped to the waist, take their positions on both sides of the plant while the expectant couple stands nearby, beads of sweat clinging to their foreheads in trepidation. The men pull hard, and the crowd comes alive, chanting words and singing songs of encouragement. Sweat flows down the harvesters’ tense backs and the ground below the plant tremors. Mrs. Ohaito grips her husband’s hands so tightly that his veins pop out. Even when babies were healthy from their early days, many things could go wrong during harvest.

“Isn’t it taking too long?” Sam asks me. I shrug. How should I know? I haven’t witnessed a harvest before. 

The crowd’s singing intensifies as the plant slowly begins to move, its tangle of roots rupturing the earth. Slowly, slowly, slowly, it comes up until with one final yank by a harvester; the plant is off the ground and a small, dirt-brown baby is wailing open-mouthed underneath.

“It’s a boy!” One of the harvesters screams. The happy cheering of the crowd is deafening. Aunty Omogui and a few other women begin to sing and dance. Mrs. Ohaito half-slumps on her husband in relief before recovering herself and taking her baby from a harvester. Sam takes a series of photographs in rapid succession.

I stare at the new-born, being jostled around happily by the guests even with mud caking his skin and his plant bud still clinging to his navel, and with a surge of warmth, I think of how someday, Nene’s seedlings—now as small as peas—would grow and become like this.

 Mrs Ohaito hands her baby over to Nene, the oldest person around to nip the bud with a broad smile. Nene rubs her hands with red oil and salt and deftly yanks the bud off the un-cleaned baby’s navel. The baby’s cries increase in pitch. Nene hands him over to his mother who immediately thrusts her nipple into his open mouth.

                                                            #

Three mornings after the Ohaitos harvest their baby, our family awakens to Nene’s loud, strangulated screaming. We all rush to the backyard to find Nene sitting on the bare earth, legs astride, still wailing. The sun is high up in the sky, casting everywhere in a golden light too bright for so early in the morning. Some yards away, under the newspaper-wide cocoyam leaves, Checkers is still digging up the holes where Nene’s embryos were buried. Everything that happens next happens in a blur. Mummy joins Nene in the wailing. Sam dashes forward, dog chain in hand and a vicious look on his face. I search the black soil for the seedlings, heart racing. The chain in Sam’s hands locks around the dog’s neck. The first seedling suddenly pops out of the dug-up soil like an orange seed spat out of a child’s mouth. Sam smacks Checkers so hard that he lets out a yelp. I find the second seedling. Checkers continues to whimper as Sam drags him to the porch. Nene’s voice echoes off the porch. Her cries are mixed with choking sounds. I can hear Daddy telling her sternly to keep quiet. I find the third one.

I kneel in the dirt, turning the seedlings over in my palm, their newly sprouted leaves already wilting and sprinkled with soil. I wonder which embryo I held that day Nene planted them. My hands shake. Was it this one? Or this one? I pause to feel their heartbeats, to grasp faint evidences of life within their now shrivelled skin. There is none.

Michelle Enehiwealu Iruobe is a writer and storyteller from Nigeria. She was shortlisted for the 2023 Isele Short Story Prize. Her stories appear in Lolwe, Isele Magazine, Kalahari Review, and elsewhere. She is mercifully in the final lap of pursuing a law degree.

Ask The Beasts | Masimba Musodza

0
War dogs illustration for the story Ask the dogs

“But now ask the beasts, and let them teach you” – Job 12:7

In the hour following the second sunrise, Kalu stepped out of his hut to investigate the sound and smell of animals that had seeped into and finally snatched him out of sleep. He could move no further than the doorstep; the courtyard teemed with cattle, donkeys, horses, goats, sheep and fowl. Domestic animals, originally from the Homeworld, with slight variations from how they were depicted in historical documents. 

     Kalu stared at them, and they at him, for a good five minutes, his brain racing. The approaching sound of activity in the middle of the herd snapped him back to the present. A pair of cows parted reluctantly, and Hadraah appeared, a hand over her eyes to shield them from the glare of the suns.

     “When they said expect the unexpected,” she said as she turned to face the animals, putting her hand down to her side. “I don’t think they had this in mind. Not on Mbiru IV, anyway.”

     “No,” said Kalu. “Where did they come from?”

In the background, against a blue-grey sky, rose the Manda Hills. There, a Standard Year ago, they had found the wreckage of a spaceship and an abandoned human settlement. To all intents and purposes, whoever had built that settlement perished about a hundred Standard Years ago. Human, but not of the Afrikan Foundation. They had found no Homeworld fauna larger than rats on Mbiru IV. It had been Kalu’s idea to name the desolate settlement Manda, the grave. Although it appeared to have been inhabited by nearly a hundred people, only three sets of human remains were found. They had salvaged as much of the equipment as they could for their own settlement, Savuka, which translates to “we have risen.”

“Maybe one of the exploration teams found all these animals and brought them back,” said Hadraah.

“God knows we need them! Just look at all this food, transport, fuel…” She spread her hands to indicate the seemingly endless possibilities.

There were five teams on expeditions to explore the planet and find resources, such as hydrocarbons and rare minerals, vital to maintaining the technological level of the new settlers. Twenty-one humans were out there, leaving Kalu, Hadraah, and five others to hold the fort and look after twelve children.

     Kalu came down from the doorstep, and peered closely at a cow, then a goat, a chicken, another cow. He pushed his way into the flock, prising fur here and there, bending to grab at legs before he was satisfied with the first interpretation he had made of his observation. “Hadraah, they are all lame.”

     “What?”

     “Look, every last one of these poor creatures has either an injury or a disease!”

     Hadraah glanced around her. She clapped a hand across her mouth when she saw what Kalu meant. “Well, you are the vet,” she said. “Can you fix them?”

     “I can fix some,” said Kalu. “Whether I can fix all of them remains to be seen. I hope they are carrying nothing that we can catch. But where on earth, I mean, where on Mbiri IV, did they come from?”

     “From the Homeworld, originally,” said Hadraah, matter-of-factly. “They came here with the people who built Manda.”

     “Plausible, but there is one thing glaringly wrong with this picture,” said Kalu. “Manda died out over a Standard Century ago. These animals look like they have been cared for, domesticated even. Unless we can find survivors from the original Manda settlement, this is very peculiar business.” 

     The cows hobbled this way and that, and Kitso burst through, surveying the scene with wide eyes and laboured breathing. “I guess we won’t be needing that inventory of edible species and beasts of burden after all,” he said, grinning at Hadraah and Kalu. “So, who found them?” Kitso’s grin faded, as realisation hit him. He manned the radio. If any of the exploration teams had come across surviving livestock from Manda Hills, he would be first with the news. “So, they all just herded themselves here?”

      “They need a vet,” said Kalu.
     “A vet?” Kitso echoed, noting for the first time the various displays of infirmity on the animals. “They came here on their own, looking for a vet?”

     “I did not say that, Kitso,” said Kalu, looking to Hadraah for support. “If they are from Manda Hill, then someone survived from that settlement.”

     “I will get the drone,” Hadraah said. The animals parted reluctantly to allow her passage to a room on the northern end of the quadrangle.

     Kitso said, “Kalu, I think you should get started on treating these animals, while the rest of us figure out who sent them. If the owners are hiding because they are scared of us, they might be less so after we do them this act of kindness.”

     It occurred to Kalu that the inventory of material recovered at the Manda Hill settlement had included veterinary supplies. Whoever had brought these animals here would have known that. Unless there was someone else on this planet who did not, someone who knew nothing about humanity or its livestock. Dr Themba Mfengu, the Savuka settlers’ xenoanthropologist, was out with the exploratory teams. Kalu felt his flesh creep, and he found himself casting a sweeping glance at the forest beyond their settlement, yet dreading whatever it was he would see there. A feeling of being watched came over him. However, a goat hobbled up to him, reminding him of the business at hand. So, he set to work. In the afternoon, some of the children came to help.

     ****

Kitso put the tablet down on the desk and looked up at the author of the report he had just read. “Good work, Kalu,” he said. “However, we are still nowhere closer to knowing how and whence these animals got here.”

     “The drone picked up a pack of dogs about half a kilometre from here,” said Hadraah.

     “Dogs?” Kalu echoed, looking around at the small group.

     “Alsatian-looking,” said Hadraah, nodding towards the main screen at the other end of the meeting room as she touched a keypad on her tablet. Kalu was familiar with aerial shots of the surrounding forest and thought he recognised some features along the river they had named Mutsara. Although he had just been told about them, the sight of six large canine beasts emerging from the foliage was startling. Even before the drone swooped for a closer look, it was clear that it was its appearance in the sky that had prompted the dogs to emerge from concealment. Then, one of them opened its mouth, uttering a bark, inaudible on this recording, and they scattered in different directions. The drone ascended rapidly, in a desperate bid to keep the dogs in frame, until the entire landscape was blurred, and the image shook as the drone contended with high altitude turbulence.

     “Those dogs came out of the bushes to investigate, and when one of them felt the drone was a threat, it directed the others to disperse in all directions,” said Kalu.

     “I am so glad that our expert on animals concurs,” Rt. Major Homora said. He was Savuka’s engineer, but, with a rank like that, earned by leading a desperate and eventually triumphant platoon against thousands of giant acid-spewing centipedes on Njekese III, Homora was also their Security Officer.

     “Trained dogs mean there is a trainer,” said Kitso. He glanced around the group, as if apprehensive that he was the only one who had reached this conclusion.

     “Except, we haven’t found a trainer!” said Homora. “We have evidence of training, yet no evidence of a trainer.”
     “Manda Hills is the only location with signs of recent human occupation on this planet prior to our arrival,” said Hadraah. “Whoever herded those animals here did not come from there.”

“But DNA comparisons that I have done show they are descended purely from livestock whose remains we found at Manda Hill,” said Kalu.  

Silence fell on the meeting as they pondered the enigma posed by the information in their reports. From outside the building came the lowing of cattle and other animal sounds.

“I am recalling all the exploration teams, until we have a clearer picture of what is out there,” said Kitso. “Homora has started to put all our drones in working order, and arm them. This might take a few days, but we can send out one tomorrow, when its batteries are fully charged. After a more thorough reconnaissance of the immediate vicinity, I will send out teams again.”

“If there is anyone out there, they may have made further contact by then,” said Hadraah, “They might want to see how their animals are doing.”

***

As the second sun peeped over the horizon, Kalu dashed from his hut to investigate a sharp human cry that pierced the morning silence and seemed to ricochet off the buildings of the quadrangle before dissipating into that stillness that Kalu realised with a thudding heart should not be there at all. As he scrambled into the pleasant glow of the first sun, he knew exactly which direction to turn to, what he would see there. Or, rather, what he would not see.

The animal pens were empty, the gates swinging freely in the breeze. Kenaan, Haadrah’s teenage son, staggered back slowly from the shocking scene. The contents of an upset bucket of animal feed oozed. When he swung around, Kenaan found himself looking up at Kalu. “They are gone, sir!” he cried.

“I can see that, Kenaan.”

Kalu was aware of other people arriving on the scene. Their expressions of astonishment punctured the silence. He turned around to face them. “It looks like our mysterious neighbours discharged their livestock from our little hospital last night and did not leave an address for us to send the bill.”

“So much for the security system!” said Kitso.

Behind him, Horoma glared indignantly. “Hadraah, let’s get the drone up!” the security officer said. He brushed past Kitso, moving closer to the pens to get a closer look at the ground. He dropped on one knee. “If I didn’t know better, I would say the animals simply walked themselves out on their own. Either that, or their owners flew in without touching the ground.” He seemed to be talking to himself, as if trying to process the meaning of the words, or delaying their impact on his tidy, methodical mind.

“So, what are we saying, ghosts? Beings that exist in a parallel dimension?” said Kitso. “I need someone chasing that herd right now! Where is Hadraah?”

“Getting the drone up,” Kalu said.

“Drone’s out of whack!” said Hadraah, as she appeared from round the corner. “Sabotage. Someone or something ripped the rotors.”

“And you can’t repair them?” Kitso asked, his voice rising.

“I can, but it will take a while,” said Hadraah.

“We haven’t got a while,” said Kitso. “You and Kalu can take the last gyrocraft. The rest of you, conference room in five minutes.”

****

The herd had made considerable progress at a steady pace west, and it would take about 10 minutes before the gyro flew over them. It occurred to Kalu that this direction was diametrically opposite to Manda Hill, and that this was a clue to the mystery of the invisible herdsmen.

Below, forest undulated dreamily past, punctuated by glens and the glimmer of the river Mutsara. It was just as well that the weather was pleasant. Even though Kalu and Hadraah were ensconced in a pod, he would have loathed to be out in a typical winter or the rainy season of Mbiri IV’s southern hemisphere.

“Dogs!” Hadraah exclaimed, bringing the gyro round for another flyover. “Where are the owners?”

Kalu counted at least twelve dogs around the main herd. “Bring her down. There has to be someone with them! Someone who owns all these other animals as well.”

As the gyro swooped over the glade, the dogs scattered, and, when it passed, they returned to regroup the animals.

“Can you believe what you are seeing?!” said Hadraah, her voice a near-scream.

“Can you?” Kalu replied. “Who, or what, is telling those dogs what to do? I need…”

“Look! That’s one of the teams!” Hadraah cried, pointing to another glade, about two hundred meters to the right of the herd’s route.

It looked like one of the exploration teams had crashed on their way back. The gyro lay on one side, with bits of rotor and other appendages strewn around it. Mujaka – Kalu recognised him by his short, near-platinum afro – staggered from the bushes, and began to wave his arms frantically. Hadraah swung back and took the gyro down. Kalu jumped out before the craft touched the ground, crouching to avoid the spinning rotors as he darted towards Mujaka. He stopped, as he saw the condition of the geologist. The sleeves of Mujaka’s flight suit were shredded, his hands and arms covered in lacerations. Someone had done a good job of dressing some of the wounds, but blood seeped off some.
     “Ziri is up the tree,” said Mujaka. “Where the dogs cannot reach. But they tried last night. We need to get up there quickly before they return!”

“What about the owners?” asked Hadraah.

A low growl arose from the bushes behind the gyro. As Hadraah turned, a flash of dark fur sprang from the foliage. Hadraah raised her hand and fired the hunting pistol she held. With a plaintive howl, the dog jerked its head to one side, as if it had been kicked by an invisible force, a spurt of blood bursting from behind its right ear, and fell to the ground.

“Come on, there’ll be more of them soon!” said Mujaka, shimmying up the tree. “They will send the larger animals to wreck the gyro.”

“I’ll get help!” said Hadraah. She tossed the gun to Kalu and jumped into the gyro.

Three dogs emerged from the foliage. Their jaws were clamped around what looked like sacks with bulging ends that dragged across the ground. Mujaka jumped back down beside Kalu. “That’s how they got us down, Kalu!” he said.

As the dog closest to the gyro rose on its hind legs, horrified realisation – and the logical part of his brain’s refusal to process what he was seeing – struck Kalu. The dog tossed its head, and the sack swung an arc towards the stationary rotors. It flew over them close enough to disturb the air and landed in the bushes. In the gyro’s cockpit, Hadraah’s hands worked desperately on the controls.

Kalu fired two shots at one dog, then the other. With the first dog, he got its sack, and the dog vanished into the foliage with a yelp. Its remaining companion keeled to land on its right flank, its head against the sack, whimpering piteously. The gyro ascended, leaning forward like a mechanical theatre prop, then veered off towards Savuka.

“Come on, there’ll be more dogs!” said Majuka, grabbing Kalu by the arm. They could both hear a crazed rustling coming through the bushes.

Kalu followed the geologist up the tree, noting how the lower branches had been cut. That would prevent the dogs from climbing the tree, but what about their owners? A soft moan redirected him from this thought to the sight of a woman hanging from one of the upper branches in a makeshift hammock, one of her legs in a sling.

“Ziri!” Kalu exclaimed. “What happened to you?”

The xenozoologist braved a smile. “Nice to see you again, Kalu. The dogs set a trap for us yesterday. They jumped us when we came down and wrecked our gyro.”

“You keep saying the dogs. Where are the owners?” Kalu finally said out loud, sitting on a branch at Ziri’s feet, leaning back against the trunk.

Ziri and Mujaka exchanged glances.

“It’s just the dogs,” said Mujaka.

“What do you mean?” Kalu looked at Ziri, then back at Mujaka. He knew the answer. It had been staring at him ever since the previous morning, when he woke up to the appearance of a herd of domestic animals that should not have been there at all.

     “There is no one else on this planet except us and these dogs,” said Mujaka. “They are at the apex of life on Mbiri IV. They have a social organisation. We have seen one of their cities, their monuments, their idols, their writing.”

Kalu stared, refusing to believe what he was hearing.

“We found the records of Nalean anthrocynologist, Dr Mbali Mukoroti, hidden in a cave on an island on a lake about three days from here,” said Ziri. “There is no trace of her, but it appears that was the last place she lived in after she left Manda Hill.”

Mujaka held out a palm-sized viewer. Kalu had taken a module on animal development which had mentioned anthrocynology – the study of the theory that over ten millennia of living side by side on the Homeworld had shaped human and canine social evolution. He had never heard of Dr Mukoroti, which was not surprising, as the discipline of anthrocynology had progressed from when she might have been a leading scholar.

“My greatest wish at the moment is that my observations be transmitted off world so that the rest of humanity can see how the conditions on this planet, and the selective breeding of the most intelligent of the dogs have reversed the roles evolution assigned us on the Homeworld,” Dr Mukoroti was saying, her eyes twinkling with excitement out of a wizened face. “Just as thousands of years ago, on the Homeworld, their lupine ancestors recognised our place on the food chain and built a relationship with us in order to survive, we now must cringe before them if we are to live on this planet. Pliny the Elder wrote of peoples on the African coast called the Ptoeambati and Ptoemphanae, who had a dog for their king…” 

“She trained these dogs?” Kalu asked.

“No,” said Ziri. “She studied them and realised what they were doing, what they were becoming. Maybe she warned the others, and they did not heed her.”
     “So, what happened to the settlers at Manda?” Kalu asked.

“We don’t know,” said Mujaka. “All we know is that for the past century, the dogs have been building a civilisation on this planet on their own, using what they have learnt from humanity.”

“Throughout the history of interplanetary colonisation, I always thought it would be other primates that could supplant us, or at least compete,” said Kalu. “But, dogs?”

“Dogs have always been the most likely candidates, actually,” said Ziri. “They have lived with us the longest.”

There came a persistent swooshing sound overhead, and the foliage shivered in response. They all looked up, straining to see beyond the leaves. Sunlight stabbed at their eyes through the gaps.

“Kalu?!” a voice called, coming from the ground below. “Are you up there?”

“Is that Horoma?” said Mujaka.

They clambered down and found the security officer surveying the glade.

“Horoma, the dogs….” Kalu began.

Horoma smiled and patted the black device that dangled from his neck. “Ultrasonic repellent,” he said. “Here.” He threw two of the devices at Kalu and Mujaka. Overhead, the gyro that had brought him veered back to their settlement.

Still beaming, as though on a leisurely outing, Horoma cocked his head at the boxes of equipment at his feet. “Let’s get Ziri down.”

****

 In his lab, Kalu ran the test on the recovered dog corpses at least ten times before succumbing to the exhilaration that seizes all scientists at a time like this. He hopped and turned in one spot, whooping deliriously, and dashed to the conference room on the other side of the quadrangle.

Some of the other exploratory teams had returned earlier that day in response to Kitso’s urgent recall. There were thirteen people at the round table. They were startled at Kalu’s entrance, but Horoma looked particularly irked. From his posture, Kalu guessed the military man had taken charge of the settlement. Hadraah was not at the table.

“I have discovered what has made the dogs so smart,” said Kalu. “It’s a life form that, like the dog, has been with humanity for millennia. Masiodisria Sapienccilla.”

This announcement was greeted with silence. Then, Nandi, the epidemiologist, said, “Masiodisria, the bacteria?” She sat up as all heads riveted towards her. “The Masiodisria bacteria acts on the central nervous system of mammals such as dogs, boosting their intelligence. The same phenomenon has been observed in rodents….”

“So, what if we know what makes these dogs smart?” said Homora, impatiently. “I want to know if you life science types can come up with something that can exterminate them.”

“The Masiodisria can be exterminated by a competitive strain that has no effect on mammals,” said Kalu. “I propose that we introduce it into this planet’s entire ecosystem immediately.”

“But the attacks…” Horoma began.

“The attacks will be carried out,” said Kitso. “But the introduction of the bacteria must be carried out immediately too.”

Horoma opened his mouth to voice his objections further, but Kitso beat him to it. “Horoma, I can’t believe you are so keen to massacre dogs.”

“They are not just dogs!” said Horoma. “We have all seen what they can do!”

“Yes, and Kalu here has just figured out what makes them do it, and what we can do so that they can’t do it anymore!” said Kitso. “I suggest, Horoma, that you plan and carry out your attacks. Kalu will work out how we can quickly spread the bacteria into the food chain.” He rose to indicate that the meeting was over. “The rest of you get some sleep.”

Nandi caught up with Kalu outside the conference room, and they crossed the quadrangle to the lab. Hadraah was waiting at the entrance, a look of concern on her face. “Ah, Nandi, I am glad you are back. I need you both to look at this with me and tell me what you think. I would get Horoma on board, but you know what he’s like.”

They entered the lab. “I was collating what we know of the dog’s movements and settlements, and this pattern came up.” She punched a few keys on her tablet. The information appeared on a large screen covering one wall of the lab. Kalu and Nandi stared intently at the shifting colours on the map.

“Manda Hill settlement was destroyed a century ago,” said Hadraah. “The dogs became the dominant species on this planet. They have shunned Manda Hill, even though it has much to offer them. Even the route they have taken to come here with their livestock avoids Manda Hill.”

“Why?” said Nandi.

“That is the mystery,” said Hadraah. “We have two options. We could stall Horoma’s plan to annihilate the dogs until we learn more about this other threat or find out for ourselves the same way the people at Manda Hill did.”

They all paused, listening intently. There was the sound of commotion outside. Incredulous voices shouting. Dogs barking.

They burst out of the lab to a scene from a nightmare. In the twilight of two moons, Horoma and Kitso were holding off about ten dogs with their pistols. At one end of the quadrangle, someone lay on their back, kicking frantically at a dog. Another dog joined in the fight, grabbing an arm, and shaking it furiously. At another end, three more men were firing on a pack of dogs.

None of this should be happening, Kalu’s brain screamed. The persistent trace of the ultrasonic repellent whined distantly in his head, and he wondered: why are the Dogs here?

A dark flash came towards him. There was a sharp bang, and it dropped at Kalu’s feet. He looked down at the dead dog. There was enough moonlight to make plain the streaks of dried blood from its ears.

“They have made themselves deaf to the repellent!” said Nandi. “Oh, God, how many of them are there?”

As if in response, another pack of about ten dogs emerged from behind the schoolhouse. They bore down on the humans, growling menacingly. Hadraah positioned herself in front of the unarmed Kalu and waited for the snarling, growling brutes to come into range.

THE END

Masimba Musodza was born in Zimbabwe, but has lived much of his adult life in the United Kingdom. His short fiction has appeared in anthologies and periodicals around the world and online. He has published two novels and a novella in ChiShona, his first language, and a collection of short stories in English.

Tribute: Nick Wood (1961-2023)

0
Nick Wood
Nick Wood_1961-2023

African SF writer Nick Wood passed away in June 2023 at the age of 61. He was a noted supporter of African speculative fiction and a founding member of the African Speculative Fiction Society (ASFS).

Some noted African SFF writers shared their recollection of Nick Wood, who we also remember as a big supporter of Omenana Speculative Fiction Magazine.

~~

I met Nick years ago when I approached him as a fellow writer published by NewCon Press for a commendation to accompany the release of my black speculative novella Ivory’s Story. He wrote moving words that captured the essence of my story. Later, I reviewed his novel Water Must Fall, and I wrote: 

Nick Wood’s futuristic cli-fi is a layered political drama that races you across a maze of suspense-filled intrigue. The dystopian black speculative thriller unfolds in the shifting perspectives of Graham, Lizette (Liz) and Art. The first person narrative offers moments of outstanding dialogue and broad coverage on themes of climate change, identity, sexuality, quest for meaning, and the power of the collective in an oppressive regime. 

In 2048 FreeFlow is the new world order. It fraudulently profiteers from the scarcity of water and improvises ways to stifle dissenters. Dwindling dams are swollen with stale mud; anything is go for recycled water. A burnt savannah, scorched camps, desiccated waterfalls—Victoria Falls is a thin curtain surrounded by gales of dust. Water is expensive, the price of a droplet nurturing the black market.  

Wood’s novel was the epitome of his thirst to save the world from itself. He was always fascinated about ‘writing the other’see this review of his book Learning Monkey and Crocodile, and stepping outside perceived identity boundaries.

Later he approached me about collaborating on a possible article about ‘the trials and tribulations of not staying in our lanes’, as a follow-up piece to his article with Isiah Lavender, ‘SFF Writing for White Goblins: Decolonising your Defaults‘. 

He shared with me his affection for the South African activist Steven Biko who stood proud and defiantly black to his death. He said, ‘Keep dreaming, breathing – and writing! The world needs your stories…’

I was very busy at the time and now I wish I’d tried harder to collaborate with this legend, a gentle giant, but fate would not allow it.

— Eugen Bacon

~~

Nick and I met about 12 years ago. We were in an anthology together and there was a mutual ‘I see what you did there’ moment when we commented on each other’s stories. 

We quickly discovered a love of old African superhero comics, specifically Mighty Man (South Africa) and Powerman (Nigeria – renamed Powerbolt for Western audiences). We had long, twisty conversations about superheroes, African literature, politics, how the Cold War played out in different parts of Africa, uranium, Patrice Lumumba, philosophy, and a host of other topics, all over email or Skype. He was extremely well-read and yet still curious when we swapped book recommendations. We met each other’s families. We collaborated on both fiction and non-fiction.

We both worked in what you might call the Mind Sciences, him a clinical psychologist, me a consultant psychiatrist, and he often sent me scientific articles like an older colleague should.

I consider him part of the first wave of modern African science fiction, and his seminal novel Azanian Bridges encapsulates a lot of his egalitarian ideas. Ursula le Guin called it chilling and fascinating, and a pleasure to read. 

In our talks I discovered he’d had a whole other life as a journalist and an advocate for equality in 1980s South Africa. He’d taught underprivileged people. He once wrote fiction where he donated all of the proceeds to charity. He’d worked with children at risk of suicide. He was a person who cared by doing, not talking.

There’s a saying that you can achieve anything if you’re willing to let others have the credit. My experience with Nick is that he was always willing to do that. He would let his name be second on published papers because he seemed to genuinely enjoy the success of others. Nick was the first person to send me a review of my novels when they came out. I still have screenshots of my own work from him. He got to them before my agent or mother did.

The thing about Nick is he smiled all the time, which, when you consider the perspective of his chronic pain, was pretty amazing. He’d ask me to “pop in for coffee and cake” any time I was anywhere near his post code. He knew I wrote longhand and he would always suggest these handwriting-to-text apps or websites. 

Water Must Fall, his 2020 novel, was Nick all over. He went all in on a topic that was close to his heart: climate change. He was Solarpunk before it became a thing. 

The last piece of writing he sent me was in 2022, a paper on the psychological consequences of climate change. He told me he’d stopped writing fiction. He said, “my fiction wasn’t going anywhere, so I’ve given up.”, which is the saddest sentence I ever heard from him. But even then, at that low ebb, he was still encouraging me.  

He was brilliant, gentle, and a science fiction writer through-and-through.

Remember Nick Wood.

— Tade Thompson

~~

Nick has been an ever-present figure for me since I entered the published African speculative fiction world in 2015. I have been involved in and watched Nick’s organisational passions bring people together in support of the African creative community. He has helped make it a collaborative and supportive environment for new writers and existing writers to project their ideas and their voices to a world beyond our continent. 

As someone who has never felt like he’s fitted in anywhere, Nick made me feel supported. Being a newbie to the writing and SFF world, Nick was always kind and supportive to me. He was one of the few people who reached out to me when I arrived in London in 2022, giving me a familiar contact while feeling isolated and alone, and he was so enthusiastic for my next ventures, and giving me valuable leads and introductions for some of my research. We missed a coffee date he was wanting to squeeze in mid-March 2022 before he flew to Cape Town – Nick trying what he could even with his hands full!

I was blessed to have been included in DisCon III in 2021 and the amazing panels Nick helped coordinate. Nick gave so much more behind the scenes that people will know. 

Nick, mfowethu, bru.

Your words live on.

Camagu / ǁGammāgu

— Stephen Embleton

~~

I remember Nick Wood chiefly for his kindness. Whenever he was visiting Cape Town, we would always make time to catch up over a cup of coffee or three, and those times were lovely, full of laughter and typical writerly banter – especially since he had reached out to me that first time, even though we were relative strangers to each other. We didn’t stay strangers, and he made my experience of being an African author of SFF fiction that much bigger and brighter. He was someone I considered a friend, and when he asked me to help offer critiques for aspiring black writers, I was more than happy to help. Nick did good. He inspired other people to do good. We need more people like Nick. We’re going to miss him something fierce. – Nerine Dorman

It is with great sadness I learned of the death of Nick, one of the finest writers I know, a good friend, and just an all-round great human being. He can be considered one of the first of the new wave African speculative fiction writers, publishing his first SF short story in 1977 at 16. He went on to publish numerous short stories, articles, and novels. I was honoured and inspired to receive the excellent short story ‘Azania’ from him for AfroSFv1, and he was instrumental in making sure that this ground-breaking anthology was widely noticed in the very welcoming SF world. He also co-authored with Tade Thompson the fantastic novella ‘The last Pantheon’ in AfroSFv2. For much of his life he battled with Chronic Pelvic Pain Syndrome (CPPS) and Ménière’s disease and yet despite this still wrote and published and above all was a consistent and active proponent of African Speculative Fiction taking its rightful place in the world. He will be greatly missed. His work stands for all to read. His positive contributions to SF and the world shall forever hold the change he engendered. 

— Ivor W. Hartmann

~~

I had been aware of Nick Wood since 2010, but it wasn’t until about 2014 we started to interact online. First on Facebook and then later by email, which would become our regular means of communication until his death (we emailed each other regularly and had the occasional Zoom call). My first email from him was him introducing me to the also late, great Gardner Dozois, trying to help make him more aware of African speculative fiction publishing. And our last email communication came because he was trying to help the Association of Nigerian Authors with funding. Selfless and kind in every way, Nick was always helping others, especially other Africans. 

I met him in London in 2018 when I was there for the Caine Prize ceremony. I’d mentioned how hectic my schedule was and so he came to my hotel for afternoon tea, despite his poor health (he had Ménière’s disease). I was surprised, but it was a delightful conversation about life, science fiction and the power of storytelling. It was a great afternoon. 

Nick gave so much of himself and his time. He worked tirelessly to get grants for the African speculative fiction society and raise the profile of global African SFF. He taught writing workshops to township youth in South Africa, worked to promote storytelling as a way of combating climate change, and so much more. 

His writing was strong, brilliant. His stories featured regularly on my annual favorite African SFF lists. I consider his second novel Water Must Fall (2020) to be the finest, most direct, and passionate work of African cli-fi. 

Following COVID, Nick wrote a bit less and focused on his advocacy and volunteer work. But it seemed to me that his passion was returning. He wrote two wonderful and related cli-fi stories in 2022 – a sort of textual diptych – both published in Omenana, “The umHlosinga Tree” and “The White Necked Ravens of Camissa” (which I edited). He also told me that he was working on expanding the opening story in his collection ‘Learning Monkey and Crocodile’ so it’s sad to know we have no more of Nick’s passionate, thoughtful stories. But his legacy remains.

I was in Tanzania a few weeks after Nick’s passing, at the Shira 1 camp of Mount Kilimanjaro. There, I saw two white necked ravens, just like the ones from Nick’s final stories. They perched on the rock in front of me and in that moment I reflected on my memories of him. Nick Wood was a special person. Someone who cared about others and about the world, deeply. He dreamed of a better world and was always willing to do the work required to make it. 

His life, like his stories, is one we can all learn from and we will never forget him. 

Sleep well, Nick.

— Wole Talabi