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Burnt Shawarma | Chukwunwike Ajemba

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Burnt Shawarma art for Omenana Issue 29
Art Sunny Ifemena

James took a bite of his first meal of the day and recoiled. “Guy, did I order roasted corn?” He started to demand a refund, but his phone rang and he stopped to fish it out. On the screen, the caller ID read Sweetheart with three heart emojis. James picked up the call.

“My love,” his wife said into his ear.

“Sweetheart. How are you and my baby doing?”

Charity chuckled. “Baby hasn’t been born and you already love her more than me. Where are you, my love? Are you driving home?

James scratched his head. “Err– not yet. I’m looking for one more passenger, then, I will be on my way.”

“By ten thirty p.m.?”

He hated when Charity did this, talking like his Bolt driving wasn’t a sacrifice to put food on their table. But he knew to hold his tongue. “Just one more ride, sweetheart.”

“Do whatever you want. Good night.” James kissed her through the phone and hung up. He gave the vendor one final look of disgust and, taking another bite of the burnt shawarma, turned the ignition of his 2004 Toyota Corolla and the radio’s crackling echoed in the cabin.

      And now, a public service announcement from the NCDC. Hypermalaria is a new and deadly disease caused by a genetically engineered subspecies of mosquitoes that mutates the malaria parasite into a highly virulent strain. These engineered mosquitoes were created to cannibalize other mosquitoes carrying the malaria parasite, activate it within themselves, and then die as a strategy to eliminate malaria once and for all. Unfortunately, these mosquitoes escaped containment due to a city-wide blackout before testing was concluded. Hypermalaria is transmitted to humans who ingest the remains of an infected mosquito. Infected patients suffer rapid symptoms of malaria and die within twelve hours.

     James turned off the radio, he’d heard the infomercial so many times that he could recite it. Then his phone buzzed with a ride request. James accepted and let the app guide him to a stop beside a lanky young man in his early twenties who was wearing an undersized shirt over a faded pair of jeans.

“Good evening, sir, I’m going to Ejanla Crescent.”

James nodded to both statements and replied “Enter” and the young man got in the seat beside him.

“So how much is the ride on the app?” James asked.

“One thousand naira.”

“To Ejanla? Haba, no please,’ he complained. ‘Fuel prices have gone up again. Your bill is one thousand, seven hundred.”

The young man didn’t balk immediately. He looked to be considering the likelihood of finding another ride that late. His best option, his only option, was James, and they both knew it.

“One-five” he finally said.

“I’ll start the trip.”

     They drove in silence for all of five seconds before the boy pulled out his phone and started listening to a podcast on speaker. An Igbo man’s baritone reached James.

“The problem is that these scientists always think they know more than God, eh? Tell me, who sent them to create their mosquitoes, eh?”

The young man settled into the passenger seat with a plastic bag full of beans, bit the tip off the bag, and started sucking the food out as he listened. James half-turned to look at him, astounded. “You listen to Ibe?”

“Yeah. I’m a third-year microbiology student so I like to stay informed about these things.”

“Really? What is your name?”

“Ireti. I’m planning to write my project on the hypermalaria parasite.” Another speaker came on the podcast and Ireti’s attention shifted again.

“Ibe this thing no clear again oh. We are outside the hospital with my cousin’s two sick children and they won’t allow us to enter. More than twenty families are standing outside but the doctors have locked the doors. Two people have died outside already. Kai, Ibe you need to see these bodies…”

The deaths started some three weeks ago. Accounts of sick people dying before the results of their blood tests were ready put everyone on alert. Then more reports flew around the internet and people started coming up with their own theories, forcing the NCDC to make the infomercial. That’s all it took for the bug spray shelves in every supermarket to go empty. Drug stores sold out all the typhoid and malaria medication they had, within hours. Still, people kept dying. James had seen one of the bodies before it became a body. The little girl looked like all the moisture had been sucked out of her skin. She held her joints stiff against relentless shivers, her mouth was a tight grimace, her eyes screamed in agony. She grew up next door to James and he had stood in a circle and prayed for her before she left for the hospital last Monday. By afternoon Charity called to say the girl was dead. James changed their window nets after that. He was the only son of aged parents and Charity had a baby on the way, there was no room to take chances.

He took another bite of his shawarma and turned to Ireti who was sitting quietly.

“How are you coping wi– kaff kaff!

James gripped the steering wheel tight and tried to cough up the chunk of beef that went down wrong. Ireti jerked forward in his seat.

“Oga are you okay?”

When James started thumping his chest, Ireti whipped out a bottle of water three-quarters full and handed it over. James snatched the water and gulped desperately as he parked the car. The bottle was nearly empty before he felt relief. After taking a moment to catch his breath and wipe tears from his eyes, he set the squeezed bottle down and offered Ireti a hoarse thank you. A sharp honk made James and Ireti look up to see that cars were congesting at the next intersection, looking for ways to get to the masked NCDC personnel charged with checking people’s temperatures at six-hour intervals with infrared thermometers. James watched the cars snaking around each other and saw the checkpoint for what it was; another well-intended medical precaution but all it did was get in the way. What was the point? There was still no cure for hypermalaria, all the testing would do was tell him that he was about to die. Ibe was right, who asked the scientists to create mosquitoes?

Ireti squinted at his watch and wrote something down.

“What time is it?” James asked.

“Ten forty-six p.m.”

James let out an impatient scoff and put the gear in reverse. “Ireti, I don’t have time for all this. I know a shortcut we can take to bypass this checkpoint.” Ireti nodded and James started driving back the way they came. His eyes scanned for an intersection with rusted gateposts. The street was easy to miss in the dark because it was so narrow that two cars couldn’t fit through at once. Ireti found it first and sat up, alarmed.

“Wait, is this the shortcut you want to take? Oga no, no, no.” He tried to open the door like they weren’t going forty miles per hour and when that didn’t work, he scrambled to find the central lock button. James had to snatch the hand away before it broke something.

“O-boy calm down. What’s wrong with you?” But Ireti wasn’t listening, his heart was a wild thing in his chest and his eyes darted about restlessly. The poor boy probably thought he was being kidnapped. James looked at the street as he slowed to a stop. There were no houses to be seen from the gate, only a collapsing fence on the right and gnarled trees to the left. Creeping plants were reclaiming small sections of the tarred road, yet no leaves rustled, no crickets chirped and the only source of light in the shunted darkness was a naked bulb too far away to see with. Outside, just beside the left gatepost was a broken sign half-swallowed by the tall grass that read “Simin Street”.

James would have turned back but he saw the traffic behind them growing even longer in the rearview mirror.

“Look,” he said as he unmounted his phone from the dashboard. He opened Google Maps and showed it to Ireti. “See, we take this road, turn right, and continue till we reach that shop, then we enter the main road again, hm?” James waited for Ireti to calm himself before continuing.

“It’s just to beat traffic. Abi you wan sleep for road?” When Ireti raised no further objections James fired the engine again and as he did, a cold shiver shook him from neck to knees, but he didn’t stop to acknowledge it. He was not a man to contemplate fear, not at his age.

     They didn’t drive very far before the road ran out of tarmac. James kept on making small talk and pretending not to see Ireti share his live location in a chat.

“This road is worse than I thought oh, but it’s short. What are you afraid of, hm? Big boy like you. Abi them don rob you f–”

“Oga watch oh!”

James slammed the brakes and the car screeched to a stop two feet from a little boy. All three of them froze in place, petrified. Then James shivered again and he remembered he had a horn.

Honk-honk!

The boy didn’t even blink. He just stood there clutching his red ball and staring through James like he wasn’t there. Then he turned to Ireti, and his body suddenly jerked into motion.

James watched the boy cross the road as he forced down chills crawling up his spine. About thirty feet away, the headlamps spilled light on a woman standing in the bushes and resting against a tree. Her hair was a bird’s nest and her calf-length dress had rips and mud stuck all over it. She looked up to see who was coming, a tired smile spread across her cracked lips and she stood to approach them, straightening her dress as she walked. James took one look at her and didn’t bother stopping. The woman looked half-mad. She held her fingers stiff and crooked and used her wrist to grind the dirt into the fabric while trying to dust off her dress. She picked through the grass like she was wearing heels but when she stepped out of the shadows James saw she was barefoot.

Ireti turned to look at her as they drove past. “Oga, I told you not to follow this road oh.”

As if it was in agreement, the car went off. James smacked the steering wheel in fury. “I told Chisom to change this spark plug yesterday. What is wrong with all these mechanics?”

The tires stopped rolling before James could park the car, so he got down and popped the hood right in the middle of the road. The night was chilly, but he wiped sweat off his forehead as a headache formed at the base of his skull. His bladder tickled urgently, so he replaced the plug after dunking it in fuel, slammed the hood, and walked over to the edge of the road to unzip his jeans. Just before he zipped up again, James spat out phlegm so bitter he cringed at the taste it left in his mouth. He turned on his phone flashlight to examine it, his urine was stained with a tinge of red. Blood.

Malaria. Hypermalaria. He was infected. Shivers became trembles as he hastened to the car.

Infected patients suffer rapid symptoms of malaria and die within six to twelve hours.

“What will I do? What will Charity do?” A memory of his neighbour’s daughter flashed in his mind and he tried not to imagine himself looking like that. James had to get home, fast. He turned the ignition and the car sputtered for a few seconds, then died again. He tried once more, the same result. James all but punched the windshield, then he deflated in his seat.

Burnt Shawarma art for Omenana Issue 29
Art Sunny Ifemena

“Ireti, please come and hold this light for me.” He turned to get out of the car again and the woman was standing right there.

“Yes, what is it?” James fumed. She opened her mouth to respond and James saw her top left canine grazing her bottom lip. It was so big the tooth before it had fallen off to make room. She started to say something. He leaned in to hear and, in a flash, she opened her mouth all the way and lunged to take a bite out of his cheek. James dodged just in time, and she hit her chin on the half-open window. Someone screamed and a second later Ireti was fleeing the car.

“Ireti wait, wait,” James called after him, but the boy didn’t stop. James wanted to stay with the car, but the woman turned her head sideways and tried to climb in through the space. Her second bite almost nipped his ear, but he scrambled over the center console and tumbled out through the door Ireti left open. He walked around the car to confront the woman, but the sound of shuffling feet made him look behind her. At least fifteen more were making their way to the car, dragging their limbs along like pieces of wood. Each one of them was half-living proof of something James once thought didn’t exist.

He knew he couldn’t fight them. There were too many, their thirst for blood too great. Leaving his car felt like abandoning family, but James ran, he didn’t even take his keys. He heard something crash behind a tree and more stumbled into the road as if they were spawning in the shadows. One came close enough and sprang on James but missed completely, crashing face-first to the ground. The thing that used to be a teenage boy didn’t even stop to register the pain, it just righted itself and began crawling after James again, that tired smile revealing its massive proboscis.

     James ran so fast he felt the sand he kicked up hitting his back. He ran so fast he forgot that any form of exercise would accelerate the effects of hypermalaria, and focused on pumping his legs, pumping his heart, anything to get him to the safety of certain death. A few feet ahead, Ireti was fighting off an old woman. She held his collar and was pulling Ireti’s neck to her toothless maw. James ran over to them and pried her grip free. He got a good look and was shocked to find that she looked familiar. Not the woman exactly, but her twisted features. Cracked lips, screaming eyes, skin taut with dehydration. The truth struck him hard in the chest.

“Ireti, these people died from hypermalaria!”

“No, they are still alive,” came the reply between puffs of air. “Just barely.”

Footsteps approached from behind and James turned to see one closing in. This one was faster, more sure-footed. It passed under the light of the naked bulb and James saw a waterfall of blood splattered on its mouth and down its shirt with some feathers and fur in the mix.

The sand started touching James’ neck after that. He saw the turn leading back to the road up ahead and willed himself to run faster but it was no use. Fatigue slowly crept into his muscles and the spots in his vision made it harder to traverse the uneven ground. James knew he was slowing down because the distance between him and Ireti kept widening. Panic rose with every footfall, the ragged breathing behind him growing louder and louder. He bit his lip and shut his eyes for a moment to gather all his strength but that proved a mistake. His foot caught a rock and sent him sprawling to the dirt. Everything hurt. He tried getting up again but pain negated adrenaline so fast that his head spun. The hypermalaria was getting to him quickly but the thing behind him got to him quicker. It tried jumping on him, but James rolled away and gave it a feeble kick to the head. It staggered two steps back then jumped at him again. It used to be a large man, James saw that in the broad shoulder and slack clothes, and even though hypermalaria had reduced it to skin and bones, James still couldn’t fight it off. It sat astride him and went for his neck, biting a mouthful of sand instead. James held that neck before it could try again and fought to keep it away. They struggled like this for what felt like an eternity, James using what was left of his strength to save what was left of his life, the fiend adamant to get its first meal of the week. James felt his arms growing numb as it pushed against him. He could feel death cornering him from all sides, so he took a gamble. Swiftly as the deadening limb would allow, he took his left hand off its neck and searched around for anything he could use as a weapon. In a stroke of luck, his fingers found a stone. He grabbed the lifeline and hit as hard as he could on its temple. The impact lulled its head back and around in a semicircle, bringing it within striking distance so James struck again with everything left in him. Crack! This time a gash appeared, and a sickly yellow sap trickled out.

Once more, James aimed and swung. But this time, it was ready. With one hand, it brushed the stone from his grasp, and with the other, it started to scratch the arm at its neck, jagged fingernails cutting into flesh. The grip finally came loose, and it held both hands apart in triumph, spread its jaws wide, and thwap! Ireti caught it right in the face with a tree branch. This time, it toppled over and James scrambled to safety. Ireti pounded it with the branch three more times before it stopped moving. James struggled for breath as his mind raced, torn between gratitude for Ireti’s heroics and astonishment at the boy’s killer instinct. But then remorse gutted him. This boy had warned him not to take Simin Street, this same boy was saving his life,

“Ireti wait, wait,” he said as his saviour helped him to his feet. “I think I have it. I have hypermalaria.” He stopped to spit out more vile phlegm. “Just leave me here. Save yourself, I will die soon anyway.” But Ireti shook his head.

“No, don’t worry, oga. I told you I’m a microbiology student, and my mother is a nurse. We have been working on a cure together. If we can reach our pharmacy, then I can save you.” James did not argue further. The hope that he would see Charity again lent his knees strength to hobble along. They got to the turn and the sound of speeding cars reached them.

“Charity, Peace, my baby. I’m coming.”

     They turned the corner and the stretch of road was pitch black. A thicket of trees and grass held the light from the naked bulb hostage. James couldn’t see his legs in front of him. He fished his phone from his pocket and tapped the power button. Three-quarters of the screen was ink black, and the last quarter had technicolor lines running across.

“Ireti try your phone. Mi-ne-is-broke-n.”

Ireti whipped out his Samsung and tapped the flash icon several times.

“My battery is too low. Two percent. The phone won’t let me use the flash.” They heard something fall behind and watched in horror as the undead turned the corner. One of them fell flat on its face, another stepped on it, tripped, tripped two more, and still they kept coming.

Ireti tweaked the screen brightness to its maximum and they continued their three-legged run. James ran as fast as his weak legs would allow, focusing on the roar of engines far ahead and not the shuffles inching closer from behind. He fought to see through the spots in the darkness. Ireti tried to keep the small circle of light under their noses but a crash came from the bushes behind them, he whipped around to investigate and James promptly missed his step.

“Oga, take it easy. Sorry.”

James wasn’t listening. It hurt to stand; it hurt to breathe. His head weighed two tonnes on his exhausted neck, and he lost control of his bladder.

“Just leave me here.”

“Remain small. See that shop you showed me on the map? We are almost th–” Ireti’s foot hit something and this time they both fell, banging their shins on metal. Lightning fast, Ireti sat up, feeling around for his phone, and then jumped in alarm a second later.

“Wait, I know what this is.” He fumbled around in the dark some more, found his phone, and cast its dim light on a motorcycle with the keys still in the ignition. James wanted to feel relief, but all he felt was dizzy. Not even the enemy ten feet away could make him stand up.

“Hold the phone for me,” Ireti said as he heaved the motorcycle upright. He helped James on first, then angled his body to climb on and the light flashed into a ditch beside them.

The bike man lay there, riddled with bite marks and staring blankly at the night sky. They had clawed the clothes away to get to his flesh, then sucked all the blood from his body. Each bite mark was punctuated by a hole so deep it looked like someone took a concrete nail to his corpse. In some places, they could see crunched bone. James lurched forward and vomited all over the front tyre.

     And the fiends were upon them. Ireti kicked the first one away and lost a shoe to another, who grabbed his foot. There was no time to climb on, so he pushed the bike with James still on it. James wiped his mouth and kicked the starter twice to wake the engine. It stuttered and sputtered and stalled but eventually answered. Ireti jumped onto the seat and grabbed the handlebars from behind to keep them steady. They drove as fast as the motorcycle would go and three minutes later; they were back on the open road. James fought to stay conscious as they zipped to safety. He tried holding on to hope, but he felt himself dying. It was hard to recall Charity’s face through the delirium. It was even harder to breathe through his exhaustion. Just as he was about to pass out, a skinny hand came into his field of vision, pointing.

“There, that’s my house. Park near that black gate.” James crashed into the gate and Ireti hopped off.

Knock knock knock.

“Who’s there?”

“Mommy it’s me.” The deadbolt clicked free and Ireti’s mother opened the door for them.

“Good evening, Ma. I’ve brought him.”

“Oya, carry him inside the pharmacy and put him on the table.”

The table was a wooden thing so short that everything from James’ knees was dangling off the edge. The stout woman placed a hand on his forehead and flinched. “This man is burning up. How many times will I tell you to stop bringing them this late?”

“The car broke down on the road. Sorry Mommy.”

“Sorry for yourself. That’s how you applied for medicine and messed yourself up in post UTME. Tell me what I will do with microbiology, eh? She kissed her teeth and Ireti tried to make himself invisible.

“Which method did you use?” she asked.

“Bottled water.”

“What time?”

“Ten forty-six p.m.” It took James a while to process this. “Eh?” He sprang up. “Ireti, you infected me? You infected me! Why?” He would have kept going, but the rest of his shawarma chose that moment to exit the wrong way. James didn’t even have the strength to wipe his mouth. He just collapsed onto the table, panting. Ireti came over and wiped it for him.

“Sorry oga. We are working on a cure that can save thousands of lives. The versions we tested on the people on Simin Street were defective, but this one–” he raised a syringe filled with a pale-yellow liquid, “this one will surely work.”

James was powerless to stop the tears when they came. “Please. Please, just let me die. Let me call my wife one last time and die. I won’t tell anybody you did this to me, I swear.” But neither of them listened. Ireti’s mother came over to the table, tied a tube over his elbow, and flicked his biceps twice. James tried to thrash, tried to scream, but he had no strength left in him. Ireti slipped the needle into his exposed vein and he started convulsing.

“He’s dying. Give me the–”

The woman pushed her son out of her way and deftly replaced the empty syringe with another that eased the shaking. First came a gentle calm, followed by roaring pain. White hot pain that curled his toes and crooked his fingers. Eyes wild with anguish, James writhed and contorted as the liquid coursed its way up his body.

“Hold him down. Hold him.”

Searing hot pain pooled in his head, condensed in his jaw, and twisted his insides so hard he tasted blood. James tried to vomit again, but this time only a single tooth fell out.

Chukwunwike Ajemba is a writer who trailed his roots from Lagos to Awka and discovered his love for speculative writing along the way. He enjoys exploring narratives afforded by human experiences and imaginative perception. 

Alika’s Dilemma | Mazi Nwonwu

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Art for Alika's dilemma in Omenana issue 29
Art by Sunny Efemema

Dusk had just passed into deeper darkness and the night market of Alor had come alive.

The river harbour was crowded with slave and livestock pens, and the cluster of homesteads on their stilt legs. The light from hundreds of oil lanterns, swinging from bamboo poles, beat back the shadows cast by the red moon — the sister of the silver moon — that would not rise until just before twilight. The light from these lanterns bounced off the raffia buildings and sheds that served as temporary dwellings for the merchants who came from near and far, where trade routes meet the great Mmamu river.

Away from the harbour, towards the well-trodden road that leads to the Northlands, where the light by some kind of trickery appeared not as bright as elsewhere, a singular building made of baked river clay stood, alone. Here, the business, like at the slave pens at the harbour market, is of flesh, albeit of a more sensual leaning.

It is from this latter place that the captivating sound of flute music wafted out, drawing even the attention of ears not attuned to music. The music was played by an expert, and the applause and encouraging loud voices that accompanied it, attested to the audience’s enjoyment. The flute music rose and fell, and just as suddenly as it had started, the music reached a crescendo and died, leaving echoes of the magic of pleasant music. Then there was a lull, as when people pause mid-chew to savour a tasty mussel they rue to be done with, and then, clapping and ululations broke out.

Standing on a low table in the middle of the tavern, longlimbed with the face of a mischievous cherub, was Obele Okwu. He bowed low with an ornamented flute clasped in his hand, first in one direction then in the other, smiling as he fed from the praise by his captive audience.

Grabbing the large gourd of palm wine that the proprietor of this not too respectable establishment held out to him, he settled into a chair that became vacant as soon as he walked towards it. The owner was appreciative because just within a little lengthening of shadows, Obele Okwu had just drawn in more customers than he had seen during the festival season. Throwing his legs on a nearby table, Obele ignored the clay cup the proprietor was holding out to him as he lifted the gourd to his lips with both hands and drank thirstily.

“Whew!” he exclaimed, after lowering the gourd, wiping off the froth from his lips with his long-fingered hand. “Obele has arrived! If there is one thing that my mother’s people are good at, it is the tapping of the raffia palm. This is excellent wine, Okadi, my mother’s kin. You know good wine.” With that, he saluted the tavern owner and drank again.

“Not a thing, son of my sister, not a thing. Since you are of our blood, I knew you would know good wine, so I offered you one. Most of your brothers from the Seven Hills cannot tell an average wine from a super wine,” Okadi said.

At the mention of the Seven Hills, the tavern quieted, and everyone turned to look at Obele Okwu. Wonder shone in their eyes as most speculated on what a man of the Hills was doing in the Lowlands at this time of the year.

“You are of the Seven Hills?” the man that had vacated his seat for him asked.

“Yes,” Obele said, taking a deep swig from his gourd.

“And what brings a hill man to the Lowlands in the wet season?” someone else, hidden in a dark corner, asked.

Obele did not answer at first. He sighed deeply and nursed his drink while the crowd, feeling a tale in the air, shifted as close as they could without upsetting Okadi, who was known for his deadly temper.

Obele lifted the gourd to his lips, drained it, and slammed it on the bamboo and raffia table between his feet. He then declared that if the Lowlanders wanted to hear his tale, they must refill his gourd, since wine helped the tongue flow better. This made the whole tavern burst into laughter. Though some murmured that this hill man who drank like a fish may burn holes in their pockets, they all agreed that his tale would be worth the expense.

More drink was bought and Obele walked to a more central position in the tavern, surrounded by the Lowlanders. Then he cleared his throat and began his tale.

“My name is Obele Okwu, which you will find is a misnomer, for I earn my living as a bard, and you know we bards sing as loud as the Iroko gong — I know some of you have never seen the Iroko gong. It is a large gong cut into the base of the giant Iroko, but that is not the tale for today.

“I am of the Seven Hills, though I am kin with the people of the Dry Marshes through my mother’s mother, as Okadi over there will attest to, having hailed from the foothills. I am presently on a fool’s errand for my famous friend Alika of the Seven Hills. Perhaps you have heard tales of his exploits in the Two Markets War and the Taming of the Plain Lion?

“I was sent to these foothills because of my bloodlines, for it is hoped that I can convince some of my grandsire’s kin to follow me back through the dreaded path to the hills and bring the fabled northern ox with us. The ox is for Amaoge of the Shrines, who Alika hopes to make his partner at the Festival of Bonding.

“I would like to tell you a bit about Alika, my friend, whose tale this is. I would have loved to tell you of his exploits in the Two Markets War, assuming you have not heard of it, but we both know that will call for more palm wine than I can consume at this sitting.”

Laughter followed in the tavern as Obele lifted the fresh gourd and tapped the bottom to show its emptiness. Someone brought another full gourd over and Obele grasped it by the slender neck and took a swig, belching contentedly as he shifted his weight on his stool before resuming his tale.

“Alika, the strongest man in the Hills, has walked away from more battles than any other warrior in the Seven Hills. No, not for cowardice, but for lack of a worthy opponent and his unwillingness to inflict harm on a fellow human. The songs of the Hills have it that the most well-kept secret of the Two Markets War was the fact that Alika was coaxed to appear on the battlefield by his mother with the solemn promise that he would not strike a blow. Then on the front lines of Umumba like Ala, the Earth God’s wrath, Alika stood trying his best to look as mean as possible. Now, now, I am not trying to put wings to that story, and I can only confirm that Alika shared two burly rams with me after that hardly fought battle, presents from the elders he said.

“Yes, I assure you, even the elders agree that had the Ezilo clan summoned enough will to strike out, they would have hauled home the lone human head that would have given them the battle. But the fear of the gentle giant, Alika, robbed them of a ready victory though they out-numbered Umumba three to one and owned the most feared war Ikenga (war totem) in the entire Seven Hills. This is not a summon to arms for you faint-hearted plains and river men. Remember that Ezilo is of the Hills, and we fight all outsiders together.

“But I digress; I was talking about my friend, not the war.

“Alika is tall, everyone agrees. The tallest man the Seven Hills has ever produced. You know, we of the Hills are born tall, most crossing the length of six feet. But Alika stands above seven and has the mass of two Hill men without the fat of the Lowlanders. He could easily lift ten times his body weight and till the fields at par with five strong workers combined. Everyone also agrees that Alika is an asset to the Seven Hills. In the crowded market, women look at him with doe eyes, and men envy him. His mother could not have prayed for a better son.

“All appeared well, but Alika nursed a secret pain.”

Obele paused, as if to gauge the crowd’s enthralment. He noticed that most of his audience had limp lower jaws, a good enough sign of their rapt attention, so he smiled to himself and continued.

“You see, marriage in the hills is unlike those of the Lowlands and elsewhere. There, parents take pride that their children chose a life partner on their own. We hill dwellers bond at late adolescence or early adulthood, and most get married soon after that. Here lies Alika’s dilemma. Fear, fear for the weaker sex. Though strong and built like the ox of the northern plains, Alika gets queasy around women. He cannot go beyond the first few words of pleasantries before his habitual stammer takes over. No, Alika rarely stutters. His affliction only occurs when a maiden’s smile lights up her beautiful eyes.

“Now, the time of bonding drew near and Alika’s soft heart had been seized by the medicine man’s beautiful daughter, Amaoge, who stands taller than her brothers and is known to shun womanly tasks, choosing instead the hazards of her uncle’s hunting lodge in the Twin Forests. No one knows why she caught Alika’s attention but, I, Obele, his bosom friend and confidant in many adventures, swear by the Thunder God’s Bellow that it is because she is the only woman in the Seven Hills who can look Alika in the eye and hold his gaze, rather than her beauty that makes even old men dream of youth long spent.

“Our hill bonding ritual is done at the lesser market square away from the cradle of the elders, effectively hidden from the prying eyes of parents who harbour prejudices and want to lift their families standing in the Hills with their choice. Before the day of bonding, a suitor is expected to give his intended a gift known only to her. If she fancies him, she will give him hers on the day of bonding.

“Now, it is a common occurrence for suitors to be led on and then dumped for another at the bonding. In the hills, a woman’s pride is measured by how many suitor gifts adorn her mother’s hut. The youths avoid this situation by seeking and getting assurances from an intended beforehand. This is done at the Iyi Ama stream, where a promise given is broken only at one’s peril. It was exactly two moons short of the yam harvest and would-be-suitors had about a full moon circle to either get the promise at Iyi Ama or hope for any maiden left over from the choosing, which would not be suitable for the most feared warrior in the seven hills.

“The day this adventure began was not remarkable. I was busy cleaning new flute woods my master tutor sourced from an antelope hunter in the Twin Forest. Having eaten a stingy meal of roasted locust and ncha, tapioca meal to you Lowlanders, that was provided by my tutor’s wife, whom he met with the river dwellers at his music’s prime, I was still feeling hungry. I was about to give into temptation and raid my other mother’s loft when a shadow fell across the stacked wood pieces in front of me. I almost jumped out of my skin but for that irritatingly familiar voice that reached my well-tuned ears.

“‘Obele Okwu,’ Alika called out in that hoarse voice of his that always jangles my nerves, ‘are you scared of a harmless shadow?’

“I looked at him for a bit, thinking up the best retort to counter his wit. I will also have you know Alika is quick with his tongue — at least when it is not a maiden he is addressing — and I always must fight for words to keep him at bay.

“And who would not jump back from a shadow without substance?” I finally retorted.

“He looked at me for a long while, like the times he was preparing for our speech battles, which always lifted his spirits and left me drained. When I thought he was about to throw a hard counter at me, he shifted his weight and sat down heavily on a disused mortar.

“I noticed Alika’s spiritless countenance, and squatting on my heels beside him, I hailed him, ‘Brave warrior, what draws twilight’s shadow across your brave heart?’

“He looked down at me, a weary smile playing across his full lips, and swatting tiny blood-sucking insects that plague the Hills on his broad shoulders.

‘Obele,’ he called.

‘I am here, Alika. Speak your fill.’

‘Obele, you know the day of bonding is upon us?’

‘Yes, I am aware,’ I replied, dreading he had gotten wind of my assent with his younger sister. An awkward situation I had hoped would only come to light after the bonding when he was forbidden by law to hurt an in-law. ‘What about it?’

He looked at me and asked, ‘Do you not see any problem?’

‘No,’ I replied, with all the sincerity I could muster.

‘How then, Obele the bard, can you be my friend and not know that it is a few twilights to the night of bonding, and I, Alika, have no mate?’ he bellowed, standing to his full height, arms akimbo. ‘How then?’ he added for emphasis, his voice a whisper.

‘But Alika, you are the last man I expect to have that dilemma.

All the girls want to be with you, even the married ones look at you with longing and I am sure it is just the taboo that keeps them away from your hut. You can have anyone you want.’

‘Have you forgotten my difficulty?’ he asked, glaring at me manically.

‘Oh! The difficulty.’

‘Yes, that difficulty.’

“He glanced around to see if we were still alone. Spying my tutor’s foreign wife at the far end of the compound, he pulled me away towards the ill-used hunter’s path.

“We walked in silence for a long while. Well, long enough for my acute ears to lose the sounds of the village, until we arrived at the forked crossroads at the forest of Abam. Alika crossed over to the wayfarer’s seat, under the large wild looking Ugba tree that is rumoured to harbour the traveller’s goddess, Ijedimma. I felt a little slighted that Alika, a warrior, was this free with Ijedimma’s domicile. Being a bard, I considered myself more of a journeyman than a warrior, so I rushed to claim the place, beating him by a hair’s breadth.

“He looked at me with forced tolerance and dropped the customary kola nut at the sacred tree’s foot. Not being of a priestly line like him, I assumed a pious demeanour and nodded my head at the places and accepted the proffered kola nut. You know what kola does to a bard’s voice, but then a little piece hardly makes a difference and a friendly, if not patron goddess shared it. We did not sit there long before Alika told me he was taking the left fork of the road, which led to the Twin Forest.

“Intrigued, I asked him why he was going there. He looked at me with his big innocent eyes as if I had gone mad.

‘I am going to court Amaoge and I need you for moral support,’ he said casually.

‘Court Amaoge? Have you not been doing that a lot recently?’

‘What do you mean?’

‘Don’t play dumb, Alika; everyone knows you like her,’ I replied, clenching my fist to stop myself from laughing at the horrified expression on his face. ‘And those late-night vigils outside her homestead, the water fetching and barn making for her father. Everyone is doing something for some girl’s family these days. I even spent the whole of last market day tilling your mother’s vegetable patch for Chi… eh…’ I cut myself off, hoping he had not caught the significance of my blunder, but one look at his smiling face and I knew that the harm had already been done.

‘Relax, Obele, I know about you and my sister. I am not blind, too. You two have always liked each other. We all knew it would lead to this.’

“I felt my unease fade away like a whiff of summer smoke carried by the strong winds. I turned away from him, hiding the relief that flooded my face.

‘What do you want to do?’ I asked.

‘We will go to her uncle’s hunting lodge. I have a deer trap near the stream. I noticed fresh tracks there yesterday, and I am sure it would have snared something now,’ he said, pausing to look back to see if I was following him.

‘If that trap fails, we will check my fish trap in the stream. Hopefully, we’ll go with one or both. Now I want to give her the gifts before her uncle knows we are there, so I need you to distract him long enough for me to deposit it where she will find it later. Are you following? Now the tricky part is not giving her the gifts but holding my act long enough to ask her.’

‘Ask her what?’

‘Hey! Were you following anything I said? To ask her to be mine.’

‘Okay, I get it. But why don’t we just wait for her to come back home and give her these gifts at home?’

Art for Alika's dilemma in Omenana issue 29
Art by Sunny Efemema

‘No, it is better done in the forest. That way, if she rejects me, it will be known to only three people: me, you and her. Same goes for if I make a mess of it,’ he concluded smugly.

“I wanted to argue further, but I saw the sense in his reasoning and held my peace. I was dying to ask him why he decided on non-conventional gifts when everyone else just got ornaments. We took the left fork like he wanted and got to the stream at about midday. Now you know how dense the forest in the Seven Hills can be, especially at the peak of the rainy season when the elephant grass is most luxuriant. Well, the trap was hidden by such a growth and my untrained bush eyes did not even realise we were in its vicinity until Alika exclaimed in unabashed horror.

“Following his furious gaze, I looked again and saw what was aggravating him. In the grasses lay the despoiled carcass of a rather large deer. Its bowels had been ripped open and most of the meat chewed to the bone. What was left looked more like a bloodied mass of bone and cartilage attached to a strangely whole head, which still hung from the taut vine rope of Alika’s trap.

“As we looked on, a young lioness strolled out of the thick grass with her brood. She licked fresh blood from her jowls and growled contently as she strolled casually towards us. Some of her brood, wanting second helpings, trotted back to the carcass and tore off bits and pieces and fought over them.

“I know you want to ask what we did in the face of that blatant theft. Well, being of the Hills, we are kin to the lions. Aside from being the totems of the Seven Hills, they are also bound to us by the blood pact our ancestors had with theirs, so we expected them to protect our kill and not eat them for lunch. It took all my talking skill to persuade Alika from taking his revenge on the lioness there and then, an action that would have brought on us the wrath of the guardians of the caves that protect the Hills and its lions.

“So, reluctantly and with great disappointment, we left the trap and its ill-fated catch and made way to the stream where we hoped for better luck, leaving the young lioness rolling on the forest floor with her cubs. She clearly needed the meal more than us, but that would not stop us from taking the matter to the Guardians.

“The stream had no name, not having the luck of being affiliated to any god or spirit, but it originated from the smallest of the Seven Hills. Somehow, the water dodged the slopes that would have led to its capture by the other streams that flow into the great Mmamu River. Rather, it ended in the Twin Forests where it collects into a little lake called Beautiful, for its collection of rainbow butterflies and bright plumaged birds. At the centre, it is said to drain into an underground river, and anyone caught in its swirl is lost forever, but the shallows are perfectly safe and the fishes are large. It was at the shallows that Alika had set his trap, and as we approached, the splashing of a captured prey welcomed our wary eyes just as the water cooled our parched throats and soothed our insect gnawed upper bodies.

“We did not immediately go to the trap but sat by the shore eating a meagre ration of dried nchi meat and trading banters on our extensive adventures, believing our catch was waiting for us, and no harm would come to it. How wrong we were.

“It was I who went to pull the trap from the lake. Not having much trap fishing experience, I wadded into the water that came to my knee. I thought nothing was amiss when I saw the black polished diamond glitter of the prey’s skin. Grabbing the tapered neck of the fish trap, I lifted it onto my back without looking and headed back to shore. I noted the heaviness of my burden and smiled, knowing that it meant a big catch.

“I must have gotten very close to shore when Alika’s scream stopped me in my tracks. My heart wobbled and my knees knocked together as I looked up at him and around me, seeking the source of his distress. He was still where I left him, only he was dancing around horrified, pointing toward me, gesturing and shouting incoherently.

“I turned around, alarmed, but the water behind me was still and the forest beyond held no trouble. Turning back to him, I was about to tell him off for playing a joke on me when something slippery brushed my shoulder. No, mind you, I was not spooked by it, not yet; I was more worried about the smell of the fish that may cling to my new shawl. I lifted the trap off my back and manoeuvred it to my front, intending to rest it on the soft shore sand so that I could wash the fishy water off my shoulder before it sticks and starts smelling. You can imagine my horror at the sight of the biggest water snake I had ever seen, staring at me with vexed eyes.”

There was a collective gasp from the audience at this point. Apparently, everyone knew the potency of the water snake’s bite. Some even murmured that no one comes that close to a water snake and lives to tell the tale. If he heard these murmurs, Obele did not show. He only signalled to Okadi with his upheld flute that his gourd was empty before going right back to his tale.

“I do not know how I threw the trap away before its poised head struck or how I managed the strength to throw it as far as I did — a feat, I tell you, even Alika envied. But I remembered vividly that it was fully out of the broken trap and coming at me with blinding speed. I waited only long enough to note that I had underestimated its size, and then my heels were touching my head. I caught up and passed Alika, who was struggling to pull out our machetes from the solid grip of the clayey soil, and without looking back, shouted that it was a venom thrower. He overtook me before I got to the bush path. We ran like mad for several stone throws. The venom thrower, you see, is as aggressive as a woman in labour and will chase you for a great distance if it feels you have hurt it greatly. We had, by catching it in a trap, done more than hurt its bristly feelings. When we finally came to a heart shuddering halt and found out that it was no longer in pursuit, we picked a high branch to rest on, in case it was still bent on catching up with us.

“I do not remember who it was that suggested to use it in place of the fish as a gift for Amaoge, but we were both too scared and beat to go back to the lake just then. We were still resting on the branch when Amaoge and her uncle walked up to us from the direction we had come. It was my acute ears that heard rumour of their whispered conversation. I alerted Alika, and we climbed down from our branch and stood by the path awaiting their coming.

“Mazi Akani called out to us as they neared, and we walked down to meet them.

“Amaoge looked as stunning as ever, and even the jungle tattoos on her person and the large basket on her head took nothing away from her beauty. I almost envied Alika because of his choice.

“She smiled at me and gave Alika an appraising gaze. As usual, he averted his eyes, and she smiled secretly at me. By thunder, I thought, she really likes him. If he can see her as clearly as I can, we would not be thinking up all these schemes to win her love.

‘We caught us a large venom thrower,’ Mazi Akani announced. ‘It must have tired-out chasing after some prey and was resting when we came up to it. Amaoge here got it dead on the head with her bow from fifty paces out,’ he added.

“The pride in Mazi Akani’s voice was clear. I looked to a scowling Alika, who shook his head warningly at me as I made to offer information on the dead snake. I endured the secret humiliation of weighing the worth of venom thrower skin in the market for the happy old man who looked on, pride dancing in his deep-set eyes. I walked over to Mazi Akani and started a debate about whether the gash the arrow left on the snake’s forehead would demise its value if it was to be sold as a walking stick head.

“My congress with the old hunter gave Alika his time with Amaoge. Hell, they were walking behind me and Mazi Akani, so I saw and heard nothing. I only knew something good must have happened for my friend when Amaoge sauntered past us, a big smile on her face.

“We did not follow them all the way to the hunting lodge but said our goodbyes at the next turning. Twilight was turning to darkness, and I was itching to get home to my flute and leafy yam porridge. But no, Alika had not had enough adventure, not that day. He said he had promised Amaoge an elephant tusk and a plains ox for her bonding if she would take him. Now he is going to the eastern foothills to trap an elephant while I head home, get my gear and go to my grandmother’s people for an ox.

“I thought him mad; I raved and ranted, telling him that a woman who loved you would not make you go to such extremes. He only smiled, his eyes far away.

‘Obele,’ he said after he tired of my questions, ‘she accepted me before I made the promises, and I want her to have the greatest bonding gift ever seen in the seven hills. You are my friend and in-law… Okay, okay, would be in-law, get the ox for me and you will have my gratitude forever. There might even be an elephant tusk for Chiwendu. Think what that will mean.’

“That got me.

“What? I never said I was not weak in the knees where the fair sex is concerned.

“Well, I got home that day when the hyena’s laugh began in the valley and left with the first embers of that day’s sun. As for Alika, I do not know. I left him at the crossroads arranging poles he had cut in the forest, preparing for his long trek east where the wild elephants hold sway. By now, he probably is at the eastern foothills trapping an elephant while I am here with my mother’s people, drinking free wine and searching for someone willing to drive an ox into the Seven Hills.

“Knowing Alika and his hunting luck, he might even be back in the Seven Hills already, waiting for me. I am yet to get a cattle man brave enough to take the route to the hills this rainy season, even with my promise of protecting them from our guardians, as I do not possess the skills to herd that fierce species. Time is passing and I cannot go back empty-handed and my bond waits.”

There was a deep silence when Obele stopped talking. Even a silent fart would have been too loud in the ensuing silence. All eyes were on Obele, following his every move. Like a charmer who knew he had entranced a prey, Obele slowly pulled out his flute and lifted it to his lips. He blew a blast that seemed to convey all his frustrations, before finding a sorrowful tune. He stood up gingerly on his feet and danced a little jig even as he swayed from side to side, pushed by the music. Buoyed up by the drink, his dance became more dramatic, and his flute changed tune, becoming more soul-lifting as he moved from one end of the tavern to the other. Soon enough, the music swept everyone up.

The flute music drifted through the night air, again reaching the river harbour where an Orten, struggling to adjust the worn shoes of his fierce looking enyinya, paused for a long while to savour the sound of the flute. Then suddenly, he felt the need to seek the musician whose flute had stirred his soul.

The laugh of a lone hyena echoed in the distant marshes as he hurried towards the tavern, where the sound of a raunchy chorus flitted through the night air to spur him on. He knew he was going to meet fate, but what that fate had in store would be told in another tale.

Mazi Nwonwu is the pen name of Nigerian journalist and writer Chiagozie Fred Nwonwu. He is the co-founder and managing editor of Omenana Magazine, a leading platform for African-centric speculative fiction. He was part of the Lagos 2060 workshop, which produced Nigeria’s first science fiction anthology, and he contributed to AfroSF, Africa’s first pan-African science fiction anthology. His works have also appeared in publications such as Brittle Paper, Saraba Magazine, Sentinel Nigeria, Jalada, The African futurism  anthology and the anthology “It Wasn’t Exactly Love“. Through his speculative fiction, he aims to project Africa’s diverse culture into the future, offering a unique narrative that blends tradition with the futurescape he creates. His first collection of short stories, “How To Make A Space Masquerade”, was published by Narrative Landscape Press in 2024

Annunciation | Chikọdịlị Emelụmadụ

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Miriam opened her cupboard for some flour and froze. Before her, the biggest spider she had ever seen—multiple glass-bead eyes, and feathery, overlong, jointed limbs—paused in the sudden shaft of light. Miriam’s scream trembled in her throat, suspended between ripping out of her and being gulped fearfully into her stomach.

The spider moved first, its mandibles working. “Be not afraid,” it said, sure and strong. “I bring you great news…”

With a yelp, Miriam raised the wooden bowl in her hand and brought it down hard on the spider. The wet crunching noise it made reminded her of breaking eggs. She shuddered and ran to her front door, shouting for her neighbour.

“Another?” asked Tanit. Miriam nodded, grimacing as her neighbour peeled the angel’s carcass from the cupboard. Already it was beginning to disintegrate and vanish. Tanit stuffed it in a vial containing a purple liquid and stoppered it.

“It’s in a much better condition than the other two,” Miriam said. “You will need to up the payment.”

“You smashed it too hard,” Tanit countered. She counted coins grimly into Miriam’s outstretched palm. “Why do they keep coming to you anyway? What do they want?” Her look was shrewd, suspicious. Angels rarely appeared to people these days, and with the king searching for anyone who got a visitation… well.  

Miriam shrugged, avoiding her gaze. The coins went into a pouch at her waist. She soaked a rag and scrubbed at the shimmering blue-green stain with salt until it vanished. Tanit, realising she would get no answer, prepared to leave.

“Remember,” Miriam said, bolting upright. “No word about this. Herod’s men have not stopped looking for whoever gets a visitation. I am lucky to yet be hidden from his seers.”

“If he hears, it won’t be from me,” Tanit grinned and tucked her vial into her sleeves. “I find the fare in my inn much improved by celestial materials. Why risk pauperdom?”

The half-disintegrated angel glowed dimly through her sleeves, though Miriam imagined she only saw the spark because she knew what to seek. She wondered what this angel would do to Tanit’s dishes; the first had been a lobster sort of creature that shimmered with a white-hot light, and when Tanit made it into soup, it caused customers in her tavern to suddenly understand each other, no matter from what region of earth they hailed.

The second had been some sort of orb that hovered just out her reach, speaking softly, fast, filling her spirit with a mighty dread. Miriam had thrown a wet cloth over it and drowned it—surprisingly strong—in a barrel of wine, squeezing it hard between her palms to keep it submerged, it thrashed its death throes, eventually cracking against the wood of the barrel. Tanit had purchased the cheap wine, tutting under breath, amused all the same. It had caused her clientele to have glorious visions of the future. Miriam, despite Tanit’s urging, had tasted not one drop.

“So then,” Tanit said. She adjusted her shawl over her head and stepped into the sunlight.

Miriam crouched, examining her handiwork. She nodded to herself and humming, began to scoop flour into the bowl to make her daily bread.

Chikodili Emelumadu
Chikodili Emelumadu has been twice shortlisted for the Caine Prize for African Literature (2017 & 2020), twice nominated for the Nommo Awards (2021 & 2024), has been shortlisted for the Shirley Jackson Awards (2015) among others. Her short stories have been published in Apex, Omenana, Luna Station Quarterly, Eclectica, Granta, and has featured in many anthologies. In 2019, her work beat 3000 plus entries for the Curtis Brown First Novel Prize, netting her representation with the agency. Her novel Dazzling was published in 2023. Chat with her on X: @chemelumadu, and instagram: @chikodiliemelumadu. She hates bios and writing about herself in the third person.

Catfish Grief | Tiah Marie Beautement

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Art for Catfish Grief for Omenana issue 29
Art by Sunny Efemena

Lola felt like a stranger at her own husband’s funeral reception. Which, she reflected, was probably fair given the circumstances.

Can you even be considered a widow if you had intended to become unwed?

Pondering the question, she finished off her ginger wine while sitting in her husband’s favourite old leather armchair. The law apparently believed so, leaving her now the sole owner of the farmhouse she sat in, with a fifty-percent interest in the land it dwelled on and the fish it cultivated.

Staring into her empty glass, she inhaled the Afrikaans soaking the farmhouse, not understanding a word of it. Looking up into the crowd of mostly strangers, she found Musa staring right back. He who owned the other half of the land and the aquaculture business, complete with a farmhouse of his own.

He raised a bottle of ginger wine and she nodded.

Musa made his way through the crowd with skill a preacher would envy, just the right amounts of self-assurance and gravitas expected for a man who had just lost his business partner.

When he reached her, he topped up her glass, asking, ‘What do you think?’

‘I miss Tequila,’ she responded. ‘How André could ever prefer this to ice wine, I’ll never understand.’

Musa cracked a smile, ‘You’ve always had expensive taste.’

She thought of the bamboo floors in Musa’s home, but rather than bring up his amusing hypocrisy, she said, ‘So that old bottle of whiskey that I’d been saving for your Christmas present…’

‘Will be a pleasure to receive,’ he said, before his glance darted to the left.

Her eyes followed, spotting André’s sisters approaching. ‘Hostia,’ she cursed softly.

‘Go,’ Musa said. ‘I’ll talk to them.’ He said before taking one last swig for strength.

She gave him a grateful nod, before liberating him of the bottle of ginger wine and tucking it under her arm. Snatching up her cane, she fled, straight out the back door, only to be greeted with more people. Men were braaing, children shrieking as they ran around messing up their Sunday best, and women’s heads all gathered closer as they gossiped, as if Lola would have been able to understand them even if they spoke at full volume.

Except one. Elspeth, the local minister’s wife. She who had started the rumours that Lola was running a strip club in the city.

‘Ag, the woman is just old-fashioned,’ André had dismissed.

‘And doesn’t like Catholics,’ Lola had snapped.

André had shrugged. ‘Does it matter?’

That you never defend your wife? Sí, it does, Lola had thought. But she hadn’t said it. She wondered if things might have been different if she had.

‘Oh Lola, dear,’ Elspeth said, stretching out a hand, ‘this must be so difficult for you.’

Lola ignored the outreached arm. Everyone knew she didn’t shake hands, but oh, they still tried, preferring to believe she was a germaphobe rather than the truth: that it caused her immense pain and risked subluxations and dislocations. Never mind between the cane, the wine glass, and the bottle tucked under her arm, she didn’t have the limbs to spare.

‘Oh, you know what they say,’ Lola said sweetly, ‘Me cago en todo lo que se mueve,’ and kept on walking, ignoring the perplexed faces that she passed.

As she exited the garden, she wondered if André could hear her from where his spirit now dwelled, and if so, what he thought of her audaciousness, telling a minister’s wife that I shit on everything that moves. Once upon a time, he would have laughed. But with each added year to their marriage, the less amused he’d been of her salty mouth.

The warehouses loomed ahead. With nowhere else to go for privacy, she strode towards them. Stepping into the first one, the fug of catfish enveloped her like an unrelenting bear hug. The high ceilings helped with the air circulation, but nothing erased the heavy odour.

‘TC Boyle, you hijo de perra,’ she muttered, settling down on an abandoned feed crate.

The warehouse was far from luxurious, from a human perspective. It was metal walls, concrete flooring, dim green lighting, and rows and rows of large, blue tanks. Still, it was better than the people out there. Excluding Musa and his family. They were lovely, of course.

A drone buzzed by, with its camera’s large scanning eye hanging from its black belly. She raised her glass to it, ‘Cheers.’

The drone ignored her. She had no idea what it was doing.

Catfish were complicated, despite their simplicity. There were all sorts of things that needed to be monitored to keep them fat and happy: oxygen levels, the water’s pH, and how much feed was required. And while calling TC Boyle a son of a bitch might be deemed harsh, the fact she had to live with them really was all his fault.

‘Listen to this,’ André had said, holding up a copy of Boyle’s novel A Friend of the Earth, ‘in the future, we’re all going to be drinking sake and eating catfish.’

She had wrinkled her nose. ‘Catfish eat pigeons.’

‘Is your head really as soft as you look?’

My body is harder than your dick these days, she did not say. Because that had been during the period when she was trying to maintain peace and be understanding about his dwindling sex drive. Instead, she had gotten up, dug out the book Darwin Comes to Town and showed it to him. ‘See?’ she had said, ‘and this is non-fiction.’

Which André had taken the wrong way, assuming she was putting down his choice of reading material. ‘Maybe if you read more quality fiction,’ he sneered, ‘you’d have more imagination and appreciate the art.’

She’d snorted. As she was both a dancer and a successful club owner, his comment was so ridiculous it had not deserved a proper response. Besides, the world had enough problems, she didn’t need to surround herself with any more depressing tales. Romances had guaranteed happy endings, and non-fiction could provide interesting facts, like how catfish in France had adapted to hunting pigeons over a decade ago.

And that was about the only admirable thing she found about catfish. Because, while yes, André and TC Boyle had been right, catfish were now a major protein source during these complicated, but never boring, times, she detested the creatures.

At least I am not stuck drinking sake every night. Take that, TC Boyle.

‘But fishing is part of your heritage,’ André had said, in response to her lack of enthusiasm.

‘My abuelo fished on a boat,’ she’d replied.

‘Well,’ he’d said, ‘this is easier.’

‘There’s no beauty.’

He’d looked at her, agape, much like a cod, before saying, ‘Where was the beauty in your grandmother working in a fishing cannery until the day she died?’

‘Self-respect,’ she’d said, before storming out.

She could not believe he’d sunk so low as to insult her abuela. A job at a fishing cannery was not glamorous, to be sure, but the woman herself had been strong and generous, working until her late 70s, all while raising her errant daughter’s children, with never a complaint.

‘No, tell me, please, what have you got against catfish?’ André asked the day he and Musa broke ground for the first warehouse.

‘For starters,’ she had said, ‘a fish shouldn’t have a moustache.’

She had been trying to be funny. Then again, it wasn’t a lie. Moustaches were deceptive, desperate, or both. Yet she still smiled at the men in her club who had facial hair on their upper lips. But if a misguided soul ever asked her opinion on the matter, she gave it plainly, ‘Shave it off, señor, or grow it as part of a close-cropped beard.’

André had not been amused by her flippancy. Jabbing his finger at her, he spat, ‘This could be a real change for me. Making real money, hey,’ and the unspoken sat in the air between them hovered his next words: no longer having to borrow funds from you.

Not that she ever considered the money she put in their joint account a loan. He was her husband. She’d gladly shared what was hers. But he had not seen it that way.

She blamed his family, his outdated upbringing.

André, however, had blamed her.

Another drone came by. This one stopped, hovering near her face, lights flickering.

‘Musa?’ she asked, staring straight into the camera’s eye.

Because checking up on her via a drone was something Musa would do. The man would never crowd her space, or anyone else’s, which was probably why he was still happily married to the lovely Bongile. But even in this modern age, traditional roles ran deep, and he felt obliged to look after distressed women. Even those who were not his wife.

The drone did not respond. She took another sip from her glass––okay, okay, a glug, may her clients never know––and tried again. ‘Fernando?’

‘Sí,’ the drone said, over its tinny speaker.

She inwardly sighed. Fernando was not supposed to hijack other machines, but he possessed a rebellious side. His justification for the disrespect was always a matter of fact “For the greater good”.

Clearing her throat, she addressed Fernando through the drone, ‘I could not stand being in the house any longer.’

‘I am worried about you. Please, may I leave my room and meet you here?’

She shook her head. ‘The guests won’t like it.’

‘The guests don’t like you.’

‘Touché,’ she toasted. ‘And the feeling is mutual.’

The drone drew closer, leaving Lola feeling judged, which was probably an accurate assessment of the situation.

‘I will be discreet,’ Fernando said, and before she could reply, the drone drifted off, back to work with its mates above the rows of blue rectangular, tanks.

‘Obstinate android,’ she grumbled, knocking back more ginger wine.

This was the problem with allowing a machine to learn autonomously. With AGI, the android could disobey in ways a traditionally programmed intimacy and companion doll could not. But Fernando was such a dear; a gift from a wealthy Japanese client with access to the most advanced and exclusive technology. The man presented Fernando to her after she had spent the entire evening at the club sitting at the client’s upholstered booth, listening to him pour his heart out over his relationship troubles with his husband while they watched the dancers.

It had been no hardship, lending a listening ear, especially since on that particular evening she had not been able to perform due to yet another injury. So, she listened, full of empathy, observing that despite the different cultures, his relationship issues echoed so much of what she and André were grappling with. Before she wed, she had not understood that marriages didn’t always end due to betrayal. That there was an intangible essence in the relationship that could slowly dissolve, creating challenges in ways she’d never envisioned.

‘It’s as if we are communicating from different operating systems,’ the client had said.

Such an accurate analogy, even if she wasn’t the most clued-in person when it came to tech.

The encounter led to Fernando, named in honour of Fernando Bujones, a brilliant Latino dancer, although his discipline was ballet, not belly dancing.

‘You are not bringing a sex robot into my house!’ André had bellowed.

‘Shh,’ she had said, ‘you’ll hurt Fernando’s feelings. Besides, he’s mostly built for companionship, like having a friend that listens and gives advice.’

‘Ja right, you telling me he doesn’t know how to fuck?’

‘If you are curious, please, you are welcome to ask him, yourself.’

‘He’s a machine. A bunch of bolts, and microchips designed for a woman’s pleasure.

‘Sí,’ she had said, ‘but most importantly, he can dance.’ Which at the time, meant everything.

For that was one thing André had always refused to do, even at their wedding. It had been she who had danced, alone, for him and their guests.

Back then, she hadn’t minded. But as time moved on, she longed for a partner who would try to participate in something she enjoyed. After all, she had dug deep to muster interest in André’s endeavours, including trying to be a good sport about the catfish.

The warehouse’s heavy metal door slid open with a moan, cutting off her navel-gazing. Fernando’s tall, elegant form stepped into the dim light. He was an exquisite work of art, clearly designed by a man who appreciated the beauty of men. He had the body of a classical dancer, strong, with long lines, slim, toned hands, and high cheekbones. Usually, the only discernible difference between him and a living, breathing, Japanese man was his skin was too perfect; as if he was Photoshopped. But in the warehouse lighting, it gave him a greenish, almost alien pallor.

As Fernando approached, she admired the cut of his well-tailored suit. He could wear it despite the heat, thanks to not having to concern himself with sweat stains.

‘Vete a freír a espárragos,’ she told him, despite secretly being pleased to see him.

Fernando smiled at the insult. At first such phrases confused him. Now, he found it amusing that humans would say things such as, ‘Go fry an asparagus,’ yet mean ‘go fuck yourself’.

Fernando stopped beside her and pulled up another empty feed crate. He studied her face before setting a gentle, comforting hand on her exposed knee, where the hem of her plain black shift dress had ridden up.

‘You are unhappy,’ he stated in a calm, soft voice.

‘Sí, Fernando, I may not have wanted to be married to him any longer, but I certainly didn’t wish him dead. It was those catfish, full of cholesterol.’

He nodded, as if he understood, which maybe he did. He was certainly programmed to behave as such.

Fernando turned his intention to the rest of the warehouse. ‘I was not expecting to find you here, but then I thought about where you could go that other humans would not follow.’

‘Sí,’ she murmured, ‘you were exactly right.’

He gave her knee a reassuring squeeze, as he continued to watch the drones fly over the tanks. Minutes ticked by, as she sipped the ginger wine, in comforting silence. It wasn’t until she topped up her glass that she spoke again.

‘He never understood how much I hated catfish.’

Fernando turned his head to look at her with unhuman grace but said nothing. That was the quality that she most admired in him, how he seemed to instinctively know when no verbal response was required. He just listened.

‘They’re just so American. I did not travel over 9,000 miles, and whatever that is in kilometres-’

‘Fourteen thousand, four hundred, and eighty-four, point naught, nine, six,’ Fernando supplied.

‘Sí, gracias,’ she said, ‘just so I could live surrounded by catfish. I mean, why not pick trout?’

‘South Africa does have a native catfish breed, much like the United States had trout until the water became too warm.’

She glared at Fernando, who blinked back, entirely unaffected.

‘Now you sound like André. He was always going on about water temperatures, too, saying that the cooling required for trout was uneconomical.’

Fernando nodded. ‘I have spoken to Musa at length on the subject. He said that while catfish farming had initially failed in the country at the end of the last century, it was due to poor marketing.’

‘Now advertising,’ she sighed, ‘that I understand.’ She lifted her wine glass and Fernando raised a brow.

‘It’s my husband’s funeral,’ she snapped.

Art for Catfish Grief for Omenana issue 29
Art by Sunny Efemena

‘I am only concerned that you will be stiff and sore come morning.’ He sent a pointed look at her cane, resting at her feet, which were clad in ridiculous heels. That was the glorious thing about belly dancing, unlike other disciplines such as flamenco, you did it barefoot, and it was easier on the joints.

‘Sí, sí. But I am having a bad day and am not up for a lecture.’

Fernando fell silent, which André had never done when it came to her health.

‘If it hurts so much, stop,’ André would tell her.

‘Dancing is my life, my soul, my everything.’

‘But you are always in pain. Look at you, you’re relying on that cane more and more.’

Which was true. As she aged, the more she needed to utilise braces, kinesiology tape, and walking aids. Although how much she relied on them depended on the day. But what she could never make her husband understand was that rest didn’t make the pain vanish. In fact, it often made it worse, despite the need for it.

‘You must keep moving while you ensure to get plenty of rest,’ all the doctors and physios would tell her. ‘Ehlers-Danlos syndrome means your body needs more muscle tone, not less, with plenty of breaks in between.’

Belly dancing was low impact, graceful, and suited her curvy figure. It flattered her elegantly long neck, while hiding her stocky legs under fabulously flamboyant skirts. Her natural flexibility was a boon, and her ample bust was considered an asset, which was not the case in most other forms of dance. Without the art form in her life, she had nothing to elevate her above the daily toil of living in pain. When she danced, especially on stage, there was an incredible rush. As if, in those moments, she was living a life in an alternative universe, one where her body didn’t feel like a cage.

The warehouse’s door moaned open again , and Fernando rose to his feet with the elegance of a machine that would never know pain.

‘Only me,’ Musa said, stepping inside. ‘I merely wanted to let you know that the last of the guests have departed.’

‘Gracias,’ she said.

‘Bongile and I would like to have you both over for brunch tomorrow.’

Lola smiled, touched both by Musa and his wife’s generosity as well as their inclusion of Fernando. ‘Sí, gracias, we would like that very much.’

‘Yes, thank you,’ Fernando said.

‘Good, good,’ Musa said, opening the warehouse door. He paused, before stepping out, ‘Then come by around eleven.’

When all was silent again, Fernando reached out, offering his hand. ‘May I escort you back to the house?’

She nodded, and in the simmering heat of the late afternoon, they made their way back to the farmhouse.

It was empty, as Musa had promised. Clean and tidy, too. She wondered if André’s sisters had done it, or Bongile and her daughters. In any case, she doubted that the men had helped, because some things never change.

It was easier to focus on such cynical thoughts than to confront what she was ignoring.

Fernando, however, had no such qualms. He picked up the urn sitting on the dining table, and thoughtfully examined it. She never understood what went through his computer brain. Was he comparing it to various urns and burial customs throughout history? Taking its dimensions?

He turned his gaze towards her. ‘Have you decided what to do with the ashes?’

‘Musa claims André wanted to be spread across the land,’ she said, sliding into a dining room chair, ‘but his sisters want them, so I don’t know.’

Fernando set the urn down and moved behind her. The moment his hands began to rub her shoulders a tear escaped. It was so unexpected, she almost gasped.

‘What would you like to do with them?’ Fernando asked. His voice was soft, compassionate.

She bit her lip, then stopped, scolding herself for reverting to an old, teenage habit of hers she’d believed she had long ceased. ‘I have no idea.’

Fernando said nothing.

‘I never hated him, even at the absolute worst, there was still a part of me that cared. It was only that we needed different things from each other, things neither of us could give.’

‘You need to say good-bye.’

Another tear escaped. ‘Sí, I know, but I don’t know how.’

A minute passed in quiet, with only Fernando massaging her aching shoulders.

‘What do you believe André first loved about you?’

‘My dancing.’ She didn’t even have to consider the answer. ‘Which was why it always made me so mad when he wanted me to quit. If that’s what he enjoyed most about me, how could he ask me to stop being myself?’

‘Maybe there was something else about you that he loved more, that he was willing to see you never dance again.’

She had never thought of it like that and now it was too late to ask André if this was true.

With an inward sigh, she craned her neck to gaze up at Fernando’s face. He replied with a soft smile, as his thumb moved to trace her cheekbone.

Tender, perfect, it was tempting to simply continue to sit and enjoy his artful touch. Yet, he was correct, she needed to say goodbye to the man she’d once sworn “until death do us part.”

A vow they’d both kept, unintentionally.

Rising out of her chair, she took her cane and kicked off her ridiculous shoes. Moving to an open space of the room, she began to dance. Over the years, she had adapted; the cane had morphed from a prop to being like a limb. Her hips glided as they shimmied, her chest rose and popped, while her belly rolled.

There was no music. But there had not been on the day they met. André had wandered into the club, lost in the city, looking for directions, hours before they were officially open, but the doorman had stepped out for a quick smoke and the farmer had slipped in.

There André had been, in faded blue jeans, a khaki short-sleeve button down and Grasshopper boots, looking woefully out of place as he stood amongst the empty club’s opulent sophistication. But he’d stood in quiet awe as she practised on the stage without an audible note in the air. When she’d finished, he’d bowed.

No applause.

That small difference had meant something to her then.

As it did to this day.

For in that moment, it had felt as if someone was honouring her art, rather than her ability to entertain.

She could still recall the number she’d been practising, even though it had been over seventeen years ago. The choreography ran through her blood, and she gave it new life in the farmhouse, as she danced for her lover of the past and the one in the present. With each flick of the hip, a twist at the waist, a curve of the spine, a lift of the chin, she found the weight she’d been carrying in her bones lightened. It was as if her body knew what her heart had failed to achieve: how to move between a complicated grief and the need to celebrate that she was still alive.

Tiah Marie Beautement is a freelance writer and author of two novels, a slew of YA fiction, and numerous short stories, including the award-winning “Memento Mori.” After being diagnosed with Ehlers-Danlos syndrome and fibromyalgia she took up horse riding and sitting on the back of motorcycles as a thrilling distraction from chronic pain. In her spare time she reads while hanging out with her rescue pets and volunteers at the local animal shelter.  

Isn’t it Kinder | Lynn Nyaera Onywere

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Isn't it Kinder art for Omenana issue 29
Art by Sunny Efemena

Sue looked to the sky above her. From where she sat, at the tallest point at the edge of everything, the bright blue of the cloudless sky seemed close enough to touch. In class, she had been taught that out there in the big world; the sky was so far above everything that the entire sea reflected its colour. But here, thousands of feet under the sea, all they had was the image of what the sky may have looked like. She had always hated being the one to teach the younger children that. Hated being the one to tell them the truth about their home, the one to tell them that out there somewhere, there may be something more beautiful than this that they would never get to see.

Here, on this platform that she wasn’t supposed to know about, she pressed her back into the solid wall of the false sky and touched the layers and layers of metal and glass that protected them from horrors at the bottom of the sea. The wall was warm, though by all standards it wasn’t supposed to be. It was built to ensure they would be safe in the depths, built to survive millennia, if it had to. A commune. Now a mass grave.

The hands holding onto Sue’s arms were shaking, and she began to remember that there was someone with her. Sue turned to look at May. Her lips were moving and she was speaking, but all Sue could hear was muffled static, as if she was underwater- ha.

She looked at her best friend, really looked at her. At the nose piercing she got on a dare when they were fourteen, at the dark skin that never, ever broke out, which had made Sue hate her a little when they were fifteen, the mole by her left eye, the blue braids she put in when they were six and learned about the sea they lived in. Blue for unity, because when they looked up at the blue of this false sky, someone above was looking at a blue sea, if there was anyone left above. Even when they were older and learned that the sea around them was not just one shade of blue, she refused to take the braids out, only removing them to clean her hair and then putting them right back.

“We need to tell somebody,” Sue cut into whatever May was saying. “We need to tell everybody.”

“Sue, we can’t,” Her head was shaking even before May finished speaking, “Listen to me, please.”

May let go of her arm to toy with her braids, and Sue tracked the movement. The beads at the bottom of the braids clinked together.

The sound was as familiar as everything she knew, but she’d never known anything, had she?

“We can’t. We really, really can’t.” Her hands came around Sue’s shoulders again. But this time, they felt stifling, like a cage, like their home, their prison.

“Why can’t we tell anyone? People are going to die! You’re our leader, you’re in charge of everyone here including the council, if you say that people need to know, then they need to know.” Sue implored her friend, the woman who she and others like her trusted to speak for them on the council.

“That’s the point, Sue. People are going to die, one way or another. No one can leave, and no one can come to get us. You know there may not be anyone left above. There is nothing that can be done! Everyone who can check has checked.” May went quiet for a minute, loosening her hold on Sue’s arms.

“It’s kinder if people don’t know.”

Sue retorted, “Kinder how? Kinder to who? And how do you know nothing can be done? There has to be a way to fix this. People have been living here for 350 years. You can’t tell me no one has thought to fix whatever is wrong. Maybe if everyone knew, we could find a solution.”

“They tried Sue! The first signs that something was wrong happened nearly a century ago and even now, no one knows what’s wrong with the air! They tried to figure it out, they tried to fix it, then they decided someone smarter would come around to save us and they hid everything and they built this fucking platform so they could wash the sky of evidence of the bad air!”

“Then they should have tried harder!” Sue yelled.

“I know Sue!” May yelled right back, pressing down on Sue’s arms before letting go to run her hands through her hair. She pointed down to the council building, the great gray spire visible even from up on the walkway they sat on.

“I spent six hours stuck in that room hearing every single excuse they could come up with of why they didn’t tell people.” May let out a bitter laugh, shoulders slumping.

“Do you know what it all boiled down to? They didn’t want to cause unrest. Because if the council told the people, that would mean what happened above would happen here all over again. There’ll be unrest. People will die, and their deaths will accomplish nothing.” She let out another bitter laugh, then ran her hands through her braids.

“They ran down here and now we have nowhere left to run. There’s nowhere to go, and there’s nothing to do.” May’s voice cracked and tears started coming down her face, but she continued speaking.

“It has been 350 years, and it has been a hundred since they figured out we were on a clock too. There hasn’t been anyone who could fix it in all that time. And yes, they should have said so earlier. Everyone should have known earlier and maybe then we would have found something. But right now, there’s nothing.”

Sue could barely see May through her tears.

“But if we all gave it our time, someone would be able to figure… no, stop looking at me like that. People deserve to know. They deserve a chance to try.”

The beads in May’s braids clunked together as she shook her head. She was still crying.

“There’s nothing, Sue. I don’t think it’s anything anyone can fix. I’m sorry. There is no time, there is no future for any of us to try and save. The youngest all have problems with their breathing because there isn’t enough clean oxygen. It’s not normal for every child to spend their first month isolated on Oxygen. There won’t be enough good oxygen for any children under two in the next three months, or adults in the next six. We’ll all die within twelve months.”

 “There has to be a way,” May was shaking her head even before Sue finished speaking.

 “The only other way they found… was killing 75% of the population.”

“What?” Sue’s voice cracked at the thought, “May, you cannot…”

“They can’t. They won’t.” May said, “The entire council voted against it. But that’s mostly because it creates more problems than it solves. The air will still be bad. The cremators we have can only handle maybe fifteen bodies a day. We can’t handle over 5,000. And at least half of the population is needed to keep this place running.”

“Is that supposed to make it better?” Sue sneered.

“Nothing makes it better. But that is the truth of the situation. Now you see why we’re not telling people. You see what good the truth does, how much comfort it brings!”

“So you want to kill us all?” Sue asked and started to stand. May’s hand held her legs in place.

“I don’t WANT to kill anybody!”

Sue finally looked straight into May’s familiar eyes. In them, she could see frustration and, even worse, resignation.

“This isn’t my choice, or my fault, or my decision.” May said, voice flat. “Everyone else, the rest of the council, still thinks this place, our whole lives, has been some great experiment and they want us all to die for science. I don’t. But there’s nothing I can do. I checked, Sue.”

Sue tried to look away, but May didn’t let her. She held Sue’s face between her hands and spoke, voice still flat.

Art by Sunny Efemena

“The powers that be decided everyone will die at once, then maybe everything we are will be preserved in its natural state, instead of whatever the panic will turn us into. There’s nothing I can do or say that will change that. The council thinks that’s the best option. I don’t think it is, but the kindest option that’s left is to give everyone peace as they go. They’ll simply fall asleep and not wake up. I’m sorry.”

Sue held on to the hands on her face. May’s face was blurry through her tears, but it was still there. It was still May, the May who she knew and the May who she loved. And that voice, she thought she knew and understood helplessness, but what she heard in May’s voice was the real thing. The realization calmed the feeling that had been growing in Sue’s chest. Was it rage? Was it helplessness? Whatever it was that was growing within her left all at once.

May sat down beside her, back against the dome that was the only world they had ever known. Two days ago, was it only two days ago? They had been here debating adding rails to the walkway. May said it beat the point of having a camouflaged walkway if the rails disturbed the illusion of a horizon built into it. Sue said safety needed to come first.

The tears were still coming, but they sat quietly beside each other.

They were meant to be an experiment, weren’t they? But they grew and loved, generations were born and buried here. They had thrived. The research Sue and May had found years ago in the great library had surmised that their society wouldn’t even live long enough to endure a catastrophic failure. But they had.

“I shouldn’t have told you,” May said from beside her, “but it’s… how could I not say goodbye? It was selfish, but I needed to. I needed someone to know that there was nothing I could do.” May wrapped her arms around her knees, tucking them in close to her.

Sue grabbed May’s hand. She looked down at the view, at the life and civilization that was built for them, and that they had built. It stretched and stretched as far as the eyes could see. When they had run out of space to build, they started to build high, with designs of old civilizations that had died long before this place was even the seed of an idea in people’s minds.

It was with love that they had grown. May had assured her that the problem wasn’t because of their population growing, but even if it was, Sue didn’t think she would mind that fact. Life is meant to make more life, to grow. And it was kinder, wasn’t it? To fall asleep and not wake up rather than know everything they had built was always going to be destroyed.

She looked until she could not stand it when the night sky took over from the day sky. Somewhere above, above even the billions of tonnes of water that kept them from the rest of the world, the real sun was setting. The literature said it set at different times above, but here, the sun set at the same time year around, and everyone was home when it happened. It was a tenet set in stone here, once the sun set, you went home to your loved ones.

“May?”

“Yeah?”

“Tell me a story.”

All around, a quiet ringing started up. The signal something was wrong, and everyone should go inside and barricade their houses. Sue’s hand gripped May’s tighter. She hadn’t thought it would happen so soon.

May squeezed the hand, and though her breath was shaky, she spoke.

“About what?”

“The story you used to tell me. The happy one about the world.”

May laughed and squeezed Sue’s hand tighter. They were both crying, but May took a breath and began.

“Once upon a time, there was a great nothingness. But in that nothingness, in the dark, a tiny spark dared to live.”

Sue closed her eyes, though she knew she probably shouldn’t. And she listened to May tell her the story of how the earth, the real earth, began.

Lynn Nyaera Onywere is a Kenyan writer of both fiction and nonfiction. Her works have appeared in the James Currey Anthology, The Sociological Review, The Shallow Tales Review, Akéwì Magazine, as well as other publications. She has been on the Longlist for the 2024 Commonwealth Short Story prize and the 2023 and 2024 Kikwetu Longlist.

Omenana Speculative Fiction Magazine Issue 28

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Omenana issue 28 cover

A Decade On…

When we started this journey ten years ago, we had an idea that it would be daunting, but maybe we didn’t realise just how much it would change us and how much it would change the speculative fiction in Africa. The co-founders, Mazi Nwonwu and Chinelo Onwualu, knew they wanted to provide a platform for voices like theirs that were often not given a voice or whose voices were not understood, not appreciated by the big western media. They knew that our people have always told stories of the speculative ilk and they wanted the rest of the world to see us in our full glory, without pandering to some set rules. Omenana has been blessed to share many such stories with you all since 2014, and we have taken pride in watching many of those writers of African Speculative Fiction soar from the pages of Omenana to greatness—this has only brought us joy and pleasant surprise.

Omenana was an experiment that we didn’t know will last this long. Despite the struggle it has been to keep doing this for 10 years, we do believe our worst days are behind us and Omenana will continue to be what it set out to be: a platform for everyone who dares to tell stories that defies normalcy.

The stories we bring to you in this issue gave us a thrill to read and edit, and we hope that you find them exciting too. Did you ever hear that when something is too good to be true, then it probably is? When you read Obera, that saying will become apparent, and maybe like me it will make you wonder how any living creature is supposed to keep faithful watch over bird’s eggs in the height of famine.

Beneath the Water is an interesting take on relations between humans and mermaids/mermen, and it also queries environmental decay—especially as it concerns the different bodies of water on planet earth and human complicity.

We also bring you a bit of a ghost, metaphysical story with Koko’s Body. This piece is more gripping because it is told in the eyes and voice of a child.

New Beginning is our shortest piece this issue. Between trying to decide if we just walked into the exhuming of a murder victim or a hatching, this story brings new meaning to short and spicy! Read it, people!

A little bit of dystopia and a struggle to regain their submerged home is what drives the plot of Things We See Under Water. It does present a thought-provoking view of a futuristic Ijawland many decades away from now.

We are looking back at the last decade, and we are grateful to the many writers who have graced our pages since 2014, and to all our artists and editorial team over the years. Everyone remains a family and we hold all of you very dear to our hearts and love how well everyone has done over the years. While we look forward to doing more creative work in the coming years, we are also considering ways in which Omenana can better serve you, our readers.

We’ve also had the unshaking support of many people over years; however, we have to mention the fact that it would have been impossible for Omenana to remain a paying platform without the support of our Patreon patrons. You can join them by following this link to donate to Omenana and keep the dream of showcasing African and African diaspora speculative fiction to the world.

Mazi Nwonwu, Omenana’s Managing Editor, has also added “published author” to his list of achievements as his collection of speculative fiction stories was published by Narrative Landscape press in Nigeria. Book available here.

And to you, our dear readers, where would we be without all your support in the last ten years? The stories are waiting and ready. Thanks for reading and sharing as you always do!

Iquo DianaAbasi

In this edition:

New Beginnings | by Trisha Simone

Things We See Under Water | Prosper C. Ìféányí

Koko’s Body | Nkereuwem Albert

Pasi Pemvura | Valerie Chatindo

Obera | Florence Onyango

Obera | Florence Onyango

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The only son of thirteen children, Obera was raised oblivious to brutality despite his brawn. His only job was to be paraded around the market as the prize feather in his peacock mother’s plume. His mother was only satisfied when the swoons about his tawny eyes reached the ears of Ruoth’s daughter. Everything else was done for him by one of his sisters. Achiel thatched and cleaned his dala. Ariyo hunted and slaughtered the animals he then presented at village feasts as his triumphs. Adek chopped and collected firewood. Ang’wen cooked for him. Abich nursed him when he fell ill and Auchiel guarded him at all costs. 

Experiencing brutality earns you foresight. If Obera had any, he would have heeded Ja’Chien’s warning. On one of the days he strutted around the market, past Ja’Chien, who sat on a three-legged stool rumbling about omens — he should have stopped and listened. The plague struck first, swift and lethal like a bolt of light, leaving behind a carnage that included his entire family. The famine came next, an endless rumbling, that devoured everything, leaving only dust. 

Obera sat under the mango tree, waiting to die. The once-lush tree was now bare and decrepit, ready to crumble at a hair’s whisper of the wind. Obera leaned his spine-protruding back against the trunk, melting into it under the smoldering heat. As he gathered the strength to exhale for the last time, he waited to see his mother, just as his sisters Abriyo, Aboro, and Apar had before they passed away. Instead, he saw a mirage in the arid deadlands before him, which had once been an opulence of wheat and corn.

The mirage slithered towards him in a haze. Once in front of Obera, the haze cleared, and a majestic swan emerged from a pool of water. The swan approached him, spreading its left wing and brushing it over the water’s surface. It ruffled its dripping feathers over Obera’s cracked lips, then gestured to the pond.

“Drink.”

Obera scrambled to the water, plunging his whole face into it. The water was sweet, fresh, and cooling. He drank, relishing it as it cascaded down his scratched throat, into his belly, and through his veins. Obera trembled from the new surge of energy as he gathered more water into his cupped hands, slurping and gulping, desperate to quench his thirst as quickly as possible. When he had drunk enough water to bulge his stomach like a taut gourd, he fell back against the tree. 

“It’s only a matter of time before the sun claims every drop of my water.”

Obera opened his eyes and lazily gazed at the Swan. It had stretched its graceful neck to the sky, worry gleaming in its eyes. Obera kept his eyes steady on the swan, afraid that if he looked up, he would lose his illusion and everything would disappear, including the water that now made his blood wet again.

“Please, Jatelo. Look after my children. When the waters dry, they will be exposed to the kites lurking in the winds.” The swan opened its right-wing slightly to reveal eight large, smooth, silver eggs.

It began to dawn on Obera that this was not his imagination.

“Jatelo, please look after my children. Keep them safe in your homestead and when the rain arrives nine days from today and my waters are replenished, I shall come and collect them. If you do this for me, I will reward you greatly. I will give you riches beyond that of any other man on this land. Riches that will bring Ruoth’s daughter to your dala.”

Obera perked up at the mention of Ruoth’s daughter, whose beauty was so ethereal not even a plague and a famine could taint it. 

“It is a promise. Leave your children with me. I shall take care of them and protect them.”

If only Obera had paid attention to the old lady that sat on a mat in the market telling siganas to the children while she weaved baskets to sell, he would have known to never trust a swan with scarlet under-feathers.

A moonless nightfall settled over his dala like a velvet cloak. Obera went to where Ag’wen had built the kendo and carefully placed the swan eggs in it, covering them with the bits of thatched roof that had loosened and collapsed to the ground. When he was satisfied that the eggs were safe, he realized that he had nothing to eat. It was too dark to scavenge for termites and crickets. Usually, he did his scavenging at dawn before the scouring sun yawned. However, today he had not planned to make it through the day. He caressed his stomach once again. Thinking about the coming rain. Had the Swan said eight days or nine days? He crawled over to what was left of the Cyprus mat Achiko had weaved for him. He drifted to sleep with thoughts of boiled corn and grilled fish wafting through his mind.

The sound of crying stirred Obera awake. His hand reached for the spear under his mat, and as stealthily as he could, Obera slowly turned to the sound. It took a moment for his eyes to adjust and outline a form, a human form hunched over the kendo. He tightened his grip on the spear, carefully rising to his knees. 

“Mayo-weh, mayo-weh! What is this, my brother Obera? The kendo is cold.”

It was the voice of his sister Ang’wen. She was lighting a fire in the kendo. Obera tried to stand, but his knees buckled and he collapsed. “Ang’wen put out that fire at once!” he cried, his voice still hoarse with sleep and starvation. 

Agn’wen had already placed the pan over the heat. “You must eat, Obera. Look at you, you are nothing but bones and skin. How can I rest properly when you are not eating?”

Agn’wen took one of the eggs and before Obera could protest, she cracked it over the pan. 

“You must not Ang’wen I made a promise. You must not.”

It was a weak protest. The aroma was filling the little hut, igniting a ravenous growl from the pits of his belly. He crawled over to the pan, grabbing a handful of the sizzling scrambled egg, his calluses preventing the heat from scalding his fingers. 

The following morning, Obera woke up to find himself lying by the kendo with the taste of his broken promise still lingering on his tongue. Guilt washed over him. The eggs were unearthed and exposed. He counted and counted again, always arriving at seven remaining eggs.  He remembered the promise of riches. 

“Ang’wen, that foolish girl. Always trying to fatten you up like a cow for slaughter!”

Obera looked up to see the outline of his mother’s shadow filling the entryway into the hut. “Hae-hae!” she clapped her hands.

“Forbidden fruit is sweet on the eyes but bitter on the tongue, you will learn.”

“What should I do?” Obera pleaded with his mother. 

“Take the shards of eggshell and go to the riverbed. The river no longer flows but the spirits still dwell there. Look for where the potter dwells, dig a shallow hole, place the shards in the hole then cover it. You must offer his spirit-fermented nyuka. Once you cover up the eggshell, pour the nyuka over it. When the sun has set completely, you can dig up the egg.”

“Can the potter save the egg?” 

His mother kissed her teeth. “Don’t be foolish! What magic can take food you have already digested and return it as it was? It will be nothing but an empty shell.”

“But Mama, where will I get fermented nyuka?”

Obera found the clay pot covered with cow skins behind his father’s dala buried so deep that the soil was still cool beyond the blistering sun, exactly as his mother had told him. The nyuka was beyond fermented. It was rancid, but would a spirit get an upset stomach? Obera balanced the pot over his head as he had seen his sisters do, careful not to let even a drop of it fall on him despite his buckling knees. The riverbank was not far from Obera’s dala. As he made its way there, his mind drifted to the time when the palpating river flowed through it. How the spirits rising at sunset would ire the water, causing it to rage through the village, thrashing about. They were always warned never to go near the river when their shadow was stretched to its fullest or they’d be dragged in by the restless spirits.

Obera found the dwelling place of the potter’s spirit where his mother said it would be, where the sand shimmered like it was hiding crystals. Obera followed his mother’s instructions and waited for the sun to set to unearth the egg. He gasped with awe at the sight of the silver egg. Whole and smooth, just as it was. He gently lifted it, testing its weight on the palm of his hand. It felt full. Obera resisted the urge to crack the egg and see what was inside. He picked up his spear and the remaining pot of nyuka and made his way back home. 

That night Obera had a dream of a feast of all his favorites. Coconut fish stew, roasted sweet potato, boiled corn on the cob, sweet ripe guava and mango, roasted peanuts. When he woke up at the crack of dawn, he found himself lying by the kendo, next to a cracked egg. 

Every night for the next week Obera had the same dream. Every morning, he woke up beside a cracked egg. Every evening, he replaced the cracked egg with one the potter spirit made. Until all eight eggs had been replaced. 

On the ninth day, it rained. Then it poured. The river came back; the grass began to grow and the Swan arrived at Obera’s dala. The Swan seemed oblivious to Obera’s trembling hands and beads of sweat condensed on his forehead despite the cool winds that came with the rain. She unsuspectingly gathered her eggs under her wings and handed Obera eight quail-sized solid gold eggs.  

Obera became the wealthiest man in the land. Finally, he was invited to Ruoth’s dala.  

Obera was preparing for this visit when the Swan appeared, feathers ruffled with woe.

“My children!” It shrieked, tossing itself around the dala. It snapped its beak at anything it could find. His farming and hunting tools, his spear, his shield, his fence -leaving angry marks and cracks. It threw its neck at his growing corn, uprooting them. It kicked his hen pen, sending the chickens scurrying around the compound. “Where are my children?” The Swan demanded as it crushed their eggs under its talons. “You ate them! You ate my children.” Its voice was shrill with ire, its head lifted to the heavens to call on the gods of vengeance.

Art by Sunny Efemena

Obera stood still, too stunned to say or do anything as the Swan wept.

“One day you will know this pain,” the swan said, her hoarse voice barely above a whisper, and with that, the night swallowed the Swan.

Obera sent harvest and cattle to Ruoth’s house, staying behind himself with an excuse of ailment. He was unable to sit still, pacing up and down, wringing his hands, and mumbling to himself until Achiko materialized before him. He sighed with relief at the sight of his most levelheaded sister.

“Obera, you are stomping on my grave. I cannot even rest.” 

Obera relayed his predicament to her. Ochiko listened quietly, her calm demeanor sedating his nerves.

“This Swan appears to you when you are on the brink of dying of starvation. Smells like a mbuta.” 

“What should I do?” Obera pleaded.

“Go and see Ja’Chien. He’ll know what to do.”

Obera arrived at Ja’Chein’s dala at the first crow of the rooster.

“Ah, it is a chun-mar-kech,” Ja’Chien rubbed the stub on his jaw as he spoke, having recognized the sort of spirit that had sworn vengeance on Obera.

There was a glint in Ja’Chien’s eye as he asked Obera to describe every little detail about the Swan. After hearing the whole story the old man began to speak.

“They are evil tricksters. Attracted to hunger like flies to meat. They appear before you at your most desperate and trick you so they can devour your children. They give you wealth so you will marry and have children that they can then claim. They appear in many forms and if you take any food or drink from them, you will be cursed by a ravenous hunger that you will not be able to resist.”

Obera covered his face with trembling hands. “What have I done?”

“I know what’s worrying you. I know you were supposed to present yourself as a suitable suitor for Ruoth’s daughter, Asumu. Now you fear you cannot go through a marriage with her.”

Obera gave a weak nod in response. 

“Listen, why don’t you marry Awilo, Nyar-Omollo? The plague took her husband before she bore a child. Her husband’s father was your sister’s Adek’s father-in-law. If you took her in as your first wife, everyone will understand that as an act of duty and kindness. She will bear the children for you, and you can take Asumu as your second wife.”

Obera scoffed. “Ruoth would never allow his daughter, his only child, to be the second wife of a homestead.”

Ja’chien’s booming laughter rumbled over the dala. “Asumu cares about three things only. Her beauty, her pride, and her wealth. Do not worry, she will be more than willing.”

Awilo was a small woman who barely came up to Obera’s chest. She was not tall like Asumu who could lay her head on his shoulder. Everything was wrong with Awilo. Her eyes were uncomfortably large on her small face, and it reminded him of a Tarsier. Her soft, husky voice did not fit well with her petite frame. She smiled readily unlike Asumu. Awilo’s beauty was shy and would only reveal itself when she thought no one was watching. Her gaze when she daydreamed under the mango tree. The tilt of her head when she was unsure. The hum of her song when she was in a good mood. It began to seep into Obera, soaking him with her essence, and sinking him into a pool of love. 

“I’m with child,” Awilo whispered. It was a year after they had gotten married. The moon was high in the sky and Obera held her so close to him he felt the steady rhythm of her breath. He turned her to face him and kissed her softly.

“It will be a daughter,” he declared.

“It will be a son,” she countered as she placed her hand over her belly possessively.

“I had twelve sisters. It will be a girl,” he assured her, playfully shooing her hand off her belly and replacing it with his own.

“I had five brothers. It will be a boy.” Awilo looked up at her husband as she spoke, narrowing her eyes in feigned protest.

They laughed, then kissed, then laughed again. After all, did it really matter? Obera had every intention of giving his firstborn plenty of brothers and sisters.

Obera would not allow his wife to do anything but rest and eat. He followed her around the house, taking the sisal broom to clean, the jembe to go and farm, the firewood to get the kendo going and cook. Whatever she craved, he would go and hunt for it. Whatever she needed from the market, he would run and get it. His sisters no longer came to see him, but he knew they must be cackling at him from beyond. 

It was a boy. A boy with Awilo’s large eyes and Obera’s broad smile.

Awilo had placed the boy on a mat under the mango tree and went inside the hut. Obera, who had been harvesting, took a break to watch the child till his wife came back out. A shadow cast over Obera, He looked down to see the outline of a wingspan, and his eyes shot up to see a crimson bird rapidly descending towards his son. Obera ran with all his might, shouting desperately at the bird. The bird reached the child and swooped it up. And with their beloved son caged between its talons, the bird disappeared into the haze of the rising sun.

Their second child, a son, was taken at the market and their third child, a daughter was grabbed from Awilo’s arms.

“I am with child,” Awilo said, her voice dead from the exhaustion that comes after grief. Obera nudged her to turn and face him when she did not, he pulled her closer to him and kissed the back of her head. “Nothing will happen this time. I promise.”

“We cannot lose another child; it will break my wife.” Obera pleaded. He had come to see Ja’Chien, his third such visit. He had come after his first child was taken but Ja’Chein was traveling. When he came again after his second child was taken Ja’Chien was still away. 

Ja’Chein rubbed the stub on his jaw. He reached into his snake-skin bag and retrieved a wooden, carved doll.

“I have traveled very far and encountered many tribulations to get my hands on this. Obera, you must be ready to compensate me well for my troubles. It is a doll carved from a dead hollow tree, a tree that harbored the souls of innocence.”

Ja’Chien filled a clay pot with water and added three drops of Obera’s blood. He then placed the carved doll in the pot and covered it. 

Awilo gave birth to their fourth child, a daughter. Ja’Chien had sent a midwife to take care of Awilo. Awilo refused to have her daughter out of her sight for even a second. She didn’t trust anyone and made sure the child was always attached to her hip. 

The bird came for the child in the dead of the night. Awilo woke up to find the arms that had cradled her child the night before were now empty. Her scream was gut-wrenching. 

Obera rushed over to Ja’Chien’s house. On his way there he spotted The Chun-mar-ketch heaving and choking by the river. The spirit gargled, sputtered then fell to the ground dead. Obera watched as it disintegrated into the air, leaving behind the half-devoured wooden doll.

Ja’ Chien handed the child to Obera. A girl with Awilo’s round eyes and tender smile. He ran over to his dala. By the time Obera arrived, ready to show Awilo that he had kept his promise, that he had saved their child and their future children, he realized that his wife had long since breathed her last. 

Florence Onyango is a Kenyan writer based in Nairobi. Her short story Nyar Nam was published in the 2015 Short Story Day Water Anthology and Submersion was short-listed and published in Kikwetu Journal’s 8th issue 2022.

New Beginnings | by Trisha Simone

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Dormitories were only available to undergraduates, not Masters students. So, I rented a room from a fellow Jamaican immigrant.

An alcove studio with lots of natural light, in an old house close to Campus.

     The studio was fine — during the day. From daybreak until evening, children squealed, birds chirped, and car horns bleated outside the bay window. It was almost like my rural district back home. At night, however, sunshine peeled off the red brick like flayed skin, and the apartment’s vibrations were unmasked in the silent darkness.

     On one occasion, I heard, or imagined that I heard, moaning. More frequently, it was just irregular tapping or creaking. I blamed it on old pipes—or maybe rodents.

     But one cold morning between Halloween and Thanksgiving, I heard a wail. Naked, and on the way to the bathroom, I froze. Flicking on the violent fluorescent lights, racing around the tiny space, scanning every corner, I saw nothing. Not a living soul.

     Wide emptiness bulged against the walls of the pale room. I pushed the incident out of my mind, not wanting to be that little girl from twenty years ago who hid under the bed in fear of duppies and rolling calves.

     That night, as I did every night, I ate seasoned rice with a spoon and listened to my neighbor ranting. Through the flimsy wall, I heard Sean’s every epithet and every detail of his argument with an English professor. Patrick, Sean’s hot roommate, made perfunctory soothing remarks. In the pregnant pauses tucked between fits of yelling, a stomach gurgled. The low-pitched digestive noises were brief but loud. Clear. I caressed my abdomen but knew that the sound didn’t come from me. Nor had it come from Sean and Pat’s place. The direction was wrong; it had been closer.

     I pivoted and stood, seeing nothing. The air, as always, was heavy and wet, as if the bay drifted in around the silhouette of the old window. But there was no odor, no movement, and no further sounds. The silence mocked me, questioning my sanity. Noticing the time, I sighed and hurried to the library for study group.

     Later — my head swimming with water filtration techniques and blueprints of Angolan desalination infrastructure — I stared at the desolate white walls. A few framed posters were still in a box under the sofa bed. I hung images of Caribbean waterfalls, winged insects, and wild animals. These would be portals of escape, fuel for my daydreams.

     I ran my fingers over the pink-gray legs of an ostrich, but they refused to lie flat. A bulge in the paint prevented the thick paper from relaxing against the wall. I placed my hand on the irregularity and felt staccato flurries beating under my palm. 

Art for New Beginnings by Sunny Efemena

     Equal parts curious and afraid, I plucked utensils from a drawer—paring, steak, and butter knives. Sitting on a folding chair, I tapped, then waited, then got to work… Recruiting a cuticle clipper and screwdriver, I dug into the mound under the paint. By midnight, the wall was ruined. A jagged opening gaped like pursed lips.

     Glancing at the knoll of drywall chunks and paint scrapings, I rebuffed worries about my security deposit.

Coughing out dust, I slipped into a nightgown, and made tea, calling on the hibiscus to bring me calm. 

     Clack! A loud noise erupted from the hole. The plastic mug leaped from my hand and slid across the ceramic floor when I jumped.

Pulse throbbing, I grabbed the meat hammer and everything else that I could find to widen the opening in the wall. Probing with my right hand, I touched clumps of gypsum and plastic wood. As the perimeter of the hole splayed, my fingertips penetrated deeper and met something fibrous. I cried out, leaped away, and fell to the floor. It was hair!

 I screamed. Then the wall screamed. The sound was muffled but unmistakable. I sat for a few minutes. Then, trembling, my fingers pulled out wiry black strands. Twisting and probing, I encountered something firm and domed. A skull. Rocking and rotating the head gently, debris fell away.

     I unearthed eyes, nostrils, and mouth. Full lips parted, and a female voice spoke in English.

     “Thank you. I couldn’t get out.”

     I fell again, cutting my elbow on a sharp fragment from the destroyed wall. Seated and shaking, I reached up to brush the dust from her eyelashes and brows, avoiding the gaze of the dilated pupils and cocoa-colored irises.

     “I will get you out, and help you get justice,” I said. “Who killed you?! Who put you here?”

     Her black eyebrows, grey from the powder, raised. She coughed and looked at me. I gathered the courage to look into her eyes, drawing from my grandmother’s brave strength and my mother’s perpetual calm. 

Her voice was barely more than a whisper when she said, “I’m not dead.”

     “Of course you’re dead, I replied. “You’re a ghost.”

Brushing debris from her neck, I saw that her face was plain but vibrant, and young. She tried to shake her head in the confined space and dust fell around her.

 “No,” she said. “Not dead. Hatching!”

The author is a Jamaican of African descent, with primarily Nigerian ancestry. She works as a pediatrician, but has been writing since childhood. Recently, she has published work in Blink, The Ocotillo Review, The Saltbrush Review, and The Poetry of the Southwest.

Things We See Under Water | Prosper C. Ìféányí

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Beneath the waters art by Sunny Efemena
Art by Sunny Efemena

Bayelsa, Nigeria. 3060.

      The story you have asked me to tell you does not begin with bravery. It, in fact, begins with our naivety, and then loss. I am Navi, and this is my story as an Ijaw boy. In those days, the creeks of the Delta was our home. When we swam, our bodies waded through the water and sand; our faces whitening under the livid gloom of the sea. We children would hurl bushels of soap to ourselves in the water, and wait till the lather got into our noses, just so we would sneeze. That was before we helped ourselves to pieces of smoked fish on the raft after a long period of fishing and swimming. I used to think water was everything—our fortress, and our saviour, but today, water has become our doom.

      We saw the clouds break into a kraken-esque cast. Suddenly, water began pouring into places you wouldn’t even believe. The water rose to our heads and covered the entire mass of land. No, this was no flood, this wasn’t a cascading outburst, or a storm. This was a new phenomenon we were unaccustomed to. In a bid to save ourselves from the scourge, we hid under rocks, and thankfully, since we were Ijaw, we could swim our way to protection—away from floating cars and houses, because by now, the water had gotten to sky-level.

      Their coming was almost unheralded, the alien invaders of our land, who went by the name Cryonoid. A tribe of cryogenic people, who looked somewhat like half fish, half men. We had never seen anything like them before. Something like a wintry flake kept edging from the sun; but winter wasn’t supposed to happen in Nigeria. Some people said they fell from the sky, others said they came from underneath the earth, accursed creatures forgotten by the gods. Away from the speculations, what we understood from everything going on was that they were water creatures, who could only breathe and swim underwater, and their acqui-dome, which stood like an artificial moon, was responsible for the water all over our lands. Their plan was to inhabit our earth, but the only way they could do this was by thriving. So, they initiated a project called C.B or the Cryogenic Bath, where water would cover the expanse of the earth, up to sky level, to enable them to breathe, while causing us, Ijaw, to die. You may ask how I knew all of this, but it’s pretty easy when you know your mother has been taken by enemy pods and placed in their acqui-dome. That is why I am here. That is why we all are here, to get to the root of this invasion and rescue our families. They think we won’t fight. They think we don’t have the capacity to, but we will try.

*

      “…2-1-4  13-1-14!” Came the voices of the Cryonoid soldiers on their water-perambulators, submerged in the water. From where we hid, we could see them hitting a man and stuffing his mouth with their cryogenic-bugs. These bugs, when ingested, drained the blood of any human, which the Cryonoids in turn, ingested from the bugs as cold gas. This was an endless water cycle, which, for some reason, gave them strength and replenished their energy. After they were done, they tore the man’s limbs with their casers, their laser-shooting casers. This rare technology was carried out through crystal amplification by simulated emission of radiation. In short, it shot ice-crystals.

      “What did they say, Navi?” My cousin Taidos’ voice came from the hollow rock we hid in. The Cryonoids spoke a language which I understood to be codified, because they spoke in numeric codes in place of our regular alphabet. For example, the letter ‘A’ was number ‘1’, so when they said, “1-20-20-1-3-11!” I knew it meant “attack!”

“They said ‘bad man’ before they killed him,” I replied absent-mindedly.

“What shall we do?” Asked Pere, a rather stout boy who had the face of a chameleon.

“We stick to the plan. We capture one of them and steal their perambulator—we can’t swim high up the acqui-dome, we won’t last long, the turbulence and pressure will kill us if we do. That is our only chance,” I said.

      What eluded me wasn’t the thought of going up to the acqui-dome. Some people claimed that they had been there before, and that it was somewhat like a theophanic encounter with the gods, but I don’t believe them. What eluded me was how we were going to catch a water-perambulator, without alerting the other soldiers. The water-perambulators were faster than Teslas and worked with some sort of telepathic wave. Yes, the darned fish-creatures created a device which only they could control with their minds! I had seen them shoot water-bombs, which ravaged our houses, huts, and malls, through the nozzle of the device, but what was most incredible, and what was even more scary was that the device was fueled by their DNAs.

“Let’s go back to meet the others in the camp, Navi,” said Taidos, “my breathing weed is wilting away, slowly.”

      Although we could swim and move from one place to the other in the water, we couldn’t last very long, so my father and some elders put their heads together to create swimming masks from seaweeds. This could only last for approximately two hours, because the frigid nature of the water affected the weed in certain temperature.

“All right,” I said, resigned. “Let’s go.”

As we swam through the flowing seabed, we noticed something, or somebody, prop up from underneath a mass of sea shells.

“Boo!” He said, startling us a bit.

“What do you want Ekpeki?” we asked, as we stifled a laugh amidst our seriousness.

“Yes, what do you want, Fishman?” Added Pere.

“Take that back, now!” He said, pointing directly to Pere, revealing a set of scaly fingers in the clear reflection of light from the acqui-dome.

      We called him “Fishman” because he was considered a discordant and an outcast in our tribe. He was the one who first made the discovery of the “healing shit” as we called it, or “regenerative excreta.” This was the waste passed by the Cryonoids in the sea. Little did we know that this excrement had healing properties, it wasn’t until one day, when Ekpeki saw how one of the floating excrement lodged on the root of a wilting sea-weed, and within seconds, this weed blossomed and grew like it never even withered. Ekpeki, who was limp from an attack by the Cryonoids on his home, said he received some sort of entelechy, and this prompted him to apply the excrement on his broken leg. He was healed instantaneously. He came to the camp, happy and excited, and showed everyone the miracle of this mysterious shit he had discovered. The people in excitement felt they had an edge over the Cryonoids, and a meeting was held, saying that the next morning, each family should reconvene their injured, and sick, to the hollow rock where we hid, just so Ekpeki could apply his enigmatic herb for all to be healed. This miracle was short-lived, however. When Ekpeki awoke the next morning, his leg had turned power-white, like those of the Cryonoids, and he had developed dorsal fins and claw-like legs, just like the enemy. This caused a huge commotion within the tribe and led to his banishment.

“Take it back, I say!” He screamed under his voice, which let out a whaley-sirenic echo. 

“Or what?” Snapped Pere. “You will eat me?” He scoffed.

      Just as Ekpeki tried to charge towards him, something seized him from the water. Claw-like legs, gills, humanoid physique—it was a Cryonoid soldier. Quickly, I and the boys swam as fast as we could to safety, while Ekpeki struggled with the soldier. Little did he know that his sirenic scream aimed at Pere had created a psionic wave pattern which had signaled the nearest Cryonoid soldier into a mating call.

      Ekpeki refused to yield, and the soldier ejected his caser to full thrust and aimed it at him. The crystal blast caught Ekpeki in his leg, and the weight of the heavy ice tugged him deep into the seabed.

      We were about to leave the scene when I remembered that just as much as I hated Ekpeki and his stupid fish face; he was once one of us; we Ijaw folks were one, and I couldn’t leave him to that demise. I charged back to the scene, with Pere and Taidos calling after me. God knows I didn’t have the slightest clue of what I’d do when I got to the scene. There wasn’t really a manual on how to stop a humanoid-fish from maiming your friend. I just swam.

*

“Look! It left its water-perambulator!” Taidos Pointed to a mercurial object floating in clear fluid.

      This was our chance. If we had any clear shot at killing one of the Cryonoids, it had to be with their own weapon, since ours wasn’t nearly as sophisticated as theirs. Swiftly, I swam in the direction of the water-perambulator. All three of us gathered round the shining thing. It had silvery blades carved like talons, and two nozzles propped out like exhaust pipes just beneath its metallic sheet. We saw no engine. No gas pipe. No wires. No chips or screws, just a floorboard, lidded with protoplasmic blood DNAs. This was really advanced technology.

“I am going to try something stupid now,” I said.

The others looked at the disintegrating Ekpeki, and then reverted their gaze to me in a haste.

“What is it?”

      I placed my right hand on the pointy edge of the talon blade and swiped it gently. The cut was bloodletting, and in that pang of painful sensation, I attached my hand to the DNA scan and logged in my blood sample. Automatically granting me access to the device. While the other boys celebrated this win, the Cryonoid soldier discovered the override in his suit’s telepathic database, and quickly swam towards us—me, in particular. Not thinking clearly, the only thing which prodded my mind was to drive the talon blade, which tore my hand into our attacker’s body; and this I did. When we opened our eyes, we saw the silvery mercurial edge of a blade grow out of the body of the Cryonoid soldier. His blood, inky blue, suffused with the water, and we just couldn’t believe our eyes.

Beneath the waters art by Sunny Efemena
Art by Sunny Efemena

      We swam gently, pulling the currents of the water past us as we searched for the remains of Ekpeki in the ice-rubbles. But that was all there was to him; ice-rubbles flung and scattered about in the water.

“Quick, we must leave. It’s only a matter of time before the others notice that one of their comrades is missing,” suggested Pere.

“My weed is withered also. We must go, Navi,” said Taidos as he pulled me by the arm.

                                                                         *

      We were looking at caudal fins, dorsal fins, pectoral fins, pelvic fins, scales, maxilla, opercle, on the body of the dead Cryonoid we had taken with us back to the camp. The elders and my father had asked us to recount the story over and over to them, which we did with a hint of breathtaking drama and an obvious obfuscation of reality.

“Is this thing true?” Asked my father, still bewildered.

“Yes, father.” I said.

“Hmmm… Then we must prepare, because they will come for this one,” he said, pointing to the slab where we had laid the dead Cryonoid.

“Sir, we have discovered something about this specimen brought to us by your son and his friends,” said a group of the elderly scientists, who had critically examined the creature to determine what aided its whole existence.

“What is it?”

“Its eyes. They are limpid, even when there are no traces of life in its cell. This changes all we know about the creature.”

“Continue…” my father urged.

“We thought the water they brought with them was some kind of clear fluid which aided their sense of sight, even at night, whereas the water is just what oxygen is to us. Their eyes are microscopic, and they still work, even when dead. They are just dormant.”

“So, take away water and oxygen, and they are dead?”

“Not exactly. The acqui-dome is what powers them all, their technology, down to their eyes, even their bloodstream; if we can take down the acqui-dome, we can take down a whole lot of them, and even the water.”

“That’s why their cryogenic-bugs suck out blood from us?”

“Yes, the blood is evaporated, and then the gas is supplied to the acqui-dome, they need our blood to survive, and to even do anything. That’s why they attack and take some of us away.”

“That’s why they took my mother!” I bellowed.

“Son, we must calm down if we mean to get to the root cause of this,” said my father, holding me by the shoulder.

“To get our homes back, we Ijaws must work together in peace and unity. I heard what you tried to do for Ekpeki. That is the true spirit of the Ijaw,” my father continued. “Just as the Cryonoids strive to make our home their universe, we must strive and fight back for what is ours, as we now have an edge over them. With your expertise on how these fish-creatures operate, will you spearhead this fight, my boy?”

This sounded like a plan, and I could already map it out in my head. We had everything we wanted which could aid the reconquering of our homeland. With our discovery of how they breathed, and the DNA samples which helped power their perambulators, we stood a chance, and were one step ahead of getting back what was ours. First, we will find out what the talon blades were made of and then we will attempt to replicate the metal and fabricate it for battle. Next, we will channel every resource we can find in making the acqui-dome penetrable; the group of elderly scientists were examining the casers which the invaders possessed and were hoping to make a refined sample that could cut through their dome. Only when all of these have been executed can our victory be guaranteed.

“Yes, sir,” I said, taking a deep breath, while I envisioned the great task ahead as we both stared into the watery horizon.

Prosper C. Ìféányí writes from Lagos, Nigeria. A 2023 SprinNG Fellow and alum of Khoreo Magazine, his works are featured or forthcoming in Strange Horizons, The Offing, Obsidian Literature, Nat.Brut Magazine, Black Warrior Review, and elsewhere.

Koko’s Body | Albert Nkereuwem

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Art for Koko's body by Sunny Efemena

I was named after my great-grandmother Mma Agnes, a matriarch who predicted her death. “I will not die when the rains fall. Who will attend my funeral then?” She had said, “I will die in Harmattan. By then, the earth will be dry and there will be no rain.”

We are similar in many ways. 

I summon death with ease. I once stared at my childhood friend for longer than was comfortable and said “YOU! Why are you alive? You should be dead.” Three weeks later, Mary’s body was found dangling from the mango tree in front of her father’s compound. The squeezed handwritten note on her bed suggested that a voice told her to do it. She was ten. Nobody knew what I’d done, but I did – it scared me.

My mother fondly called me Kokomma, for the name I shared with her grandmother. I was born old – I was two before I was one. In my dreams, I saw all my lives, entangled so much that I could not differentiate them. I had an identical twin sister; everyone mistook me for her but never the other way around. It was like, at first glance, they’d assume I was her but quickly dismiss the thought because I didn’t quite measure up.

I was seven when she took me to the stream. Our parents had forbidden us from going there without adult supervision, but we were children; we found rebellion irresistible. Well, she did.

I followed her to the deep end. I didn’t want to, but she called me a sparrow. A frightened, spineless sparrow. I kept walking on the soft sand bed of the stream as the water climbed to my little waist, and then to my chest. I knew something was wrong when I wasn’t walking anymore. I was sinking. My sister was an excellent swimmer. She was watching me drown, smirking. The rage fueled my little body and I grabbed her neck. She was stronger and soon I was underwater. I held on to her hands, and her legs. Then there was nothing.

I would wake up from these dreams crying, my lungs on fire as I struggled to hold in the air that I knew was all around me. My parents only started to worry about me when I started talking in my sleep — no actual words, just the sounds of a drowning person. I would point at nothing, choke on my spit, and forget how to breathe. My mother had to watch me every night to make sure I did not die in my sleep. When it became too much, they took me to the Lord in prayer. Then it became worse; I started to call my father Aniekpeno, a name he had forgotten he had, so he sought help.

I do not have a twin sister. At least not one that survived. My mother was pregnant with twins. In the second trimester, one of the babies wrapped her umbilical cord around the other’s neck, choking her to death. “If I do not have a twin sister, why do I remember her?” I asked my mother, “Why do I remember the stream?”

The psychologist had no answers for me. He gave me pills though; clozapine, fluoxetine, and some vitamins to help my brain heal. The drugs meant I needed other drugs to help me sleep. When I stayed on my meds, they helped; the voices were still there but now I heard them as though they were on the other side of a wall. I wish I could see her face, the face of the person who’d made me will my friend’s death, who had made me do things to make the physical pain block out the emotional. 

“Agnes, you need to eat something,” my mother said, during dinner a week before my tenth birthday.”

Kill her, say it and it will be so.”

I did not want to kill my mother, so these urges were easy to ignore. I told her I’d try to eat and thanked her. As I climbed up the stairs to my room, I spoke to myself, “If you promise to leave my mother alone, I will find someone.”

Fine.” The voice says “Until then, tell me a story”

        My great-grandmother was a renowned storyteller. She would weave an incredible mental tapestry of kings, warriors, lovers, families, and gods. My father told me that once every week, Mma would invite her children and grandchildren to her home and tell them stories. Some weeks, she’d repeat the same stories, but they’d have a different feel to them. She’d focus on a minor character and give them depth. On other weeks, she’d repeat the story exactly as she told it before. Her children summed it up to old age, but I knew it was deliberate. We have that in common. We love stories. We love to hear them and tell them. We love to rehash our work and watch for a reaction. Who missed the changes? Who complained about the repetition? We like to know. The knowledge itself was powerful.

        I told the voice about my cousin Ijeoma, who was mean to me in school. “Koko, if shes mean, why do you call her your friend?” The voice had become gentler in the last three years. I feel like I’m getting better. My doctor thought so too, and he started tapering off my medication. “Who knows,” he’d said during our last session, in a few months you might not need them at all.”

“She’s my cousin na. She’s only mean because her father beats her mother,” I replied. “She told me and made me swear never to tell anyone.”

Im not anyone. Im you”

“So your name is Agnes?” I asked.

The voice paused before replying. “No, my name is Cecilia.” Suddenly I could see her – full-haired, with a face that looked exactly like the pictures of my great-grandmother when she was young.

I never met Mma Agnes, but I have known her my entire life. “I’ve seen her before,” I said when a picture was shown to me. Faded in the way that time and water fade images, the face of the figure in the picture was blurred, but I could see her. I know her. “No sweetie, she died around the time I became pregnant with you.” My mother had said.

I wanted to tell her I could see my great-grandmother’s life in its entirety as if I was watching it on a DVD player, but I did not want to scare my mother and end up in my doctor’s office again.

Do you want to name Ijeomas father? Hes a bad man.” 

I agreed.

A month later, he was found dead, his throat slit by an unknown assailant as he returned home. I asked Cece how she did it and she smiled at me, now visible through the wall, “I would explain, but I cannot,” she says. This month, I’m done with my medications finally. I sleep soundly and have a night devoid of dreams.

She was named after her great-grandmother, and for that, I want to erase Agnes the way victors erase history to suit them. She told stories to her family; I will tell stories to the world. She lived in a time cruel to women. I am here now, in a time that is insidious in its cruelty, but I will win. She predicted her death; I predict deaths more accurately than she ever did. 

She killed me when I was seven, and for eighty years I have roamed, waiting for the perfect vessel. I watched her live out her fulfilled life; be a matriarch to a whole generation, loved by her daughters and her daughter’s children. It was not until Kokomma was born; A child who killed her twin, that I could return to this plane. They named her Agnes, and by that singular act, I was sealed within her body.

        I understood what I needed to do; After trying to break Koko’s mind for many years, I spoke, luring her in, and earning her trust. I made peace and let her mind heal; the drugs helped her maintain control of her body, save when she gave a name.

Art for Koko's body by Sunny Efemena
Art by Sunny Efemena

As our wills aligned over the next few nights after the naming, I took over our body and executed. Finally, she was off her medication; her mind was weakened, and I was free. All of this; hanging Mary, haunting Koko, slitting Papa Ijeoma’s throat. All in a bid to get me here: a family funeral.

They buried Ijeoma’s father in December, and as the harmattan winds whipped around us, I held Koko’s mother’s clammy hands. The woman was crying, even more than the widow, but Ijeoma’s mother was most likely relieved that her husband was dead; She would never be beaten again. As they mourned and sang the hymns, I watched quietly, plotting.

The crowd headed back to the family house when the funeral was over. I slept in a room with Kokomma’s other female cousins. As night fell, I waited till the festivities were concluded and all of Agnes’ progeny were gathered and asleep in the house. Agnes and her husband had built the original house sixty years ago and, with its many rooms, it housed the whole family.

I padded silently to the kitchen and unscrewed all the gas cylinders, letting the gas flow through the house. The explosion would end the entire line in one go, Kokomma with them. Maybe finally I would find rest; I could leave this world knowing I had executed/carried out my revenge.

I stood in the middle of the parlour, waiting till I felt the gas had spread enough to blow the building up. I breathed in deeply, enjoying my last breaths; I was not long for this world.

“Sparrow? Is that you?” The voice was very tiny. A child. I looked for her; Adaobi, Ijeoma’s youngest sister, “You were always fiery, eyen. Dying was never going to stop you from getting back at me?”

“Who are you?” I asked, though I knew exactly who it was. The smile on the child’s face was ancient, knowing; it had no place in a six-year-old’s body. She walked towards me, dressed in a white nightgown with a pattern of pink flowers. Currently, a vessel for my twin’s soul. “What’s the journey you’ve had, little one,” she said. “We’re both halves of a whole. Did you not think I was still tethered to you all this time?.”

“Don’t talk to me like you know me. I don’t know you. You little… freak. You’re not a real person. You’re just an afterbirth.” I backed away from her. I could smell the gas; I could end this, but I found myself enthralled by her words. The child inched closer, though she made no moves to attack me.

“Neither are you. These bodies belong to innocents, eyen eka mmi.”

“You killed me!” I spat out.

She stopped moving, her face filled with sorrow. “I am truly sorry, Cece.” She reached out with the child’s tiny hands, her voice pleading, “I am sorry that you never got to live because of me. I really am…” she struggled to speak, tears forming in her eyes.

I stayed silent, unable to put my cluttered thoughts into words.

My sister, the storyteller, told me of the day I died, and the darkness that filled her world in the time that followed. “I did a terrible thing; I was a child, much like this little one, and I had to live with that guilt throughout my life. I am so sorry, Cece.” She gestured to the house, “The past is a bridge to nowhere, but these children? These bodies? They are the future. They had nothing to do with me and you; do not have them pay for my sin.”

Her words cut through decades of resentment, and with my vengeance within my reach, I instinctively knelt, allowing her to touch my face. “I couldn’t see you, but I could sense you always watching. I tried to live right. Put good in the world for all the beauty I took from it. I tried to atone for you, mama.”

I saw her, not as my anger tainted her, but as she was. Mma Agnes, who never hurt another soul after me, and fought the world’s cruelty with her words. My heart ached, but I knew Agnes was not lying to me. “Somehow,” she said, “we are both here, in this world, but we should not be here. Please come with me.” The little girl closed the space between us, trying to wrap her hands as far as they could go around me.

I let her.

I woke up the next day tired, even though I had been asleep for hours. At some point in the night, I had somehow changed and hugged Adaobi, my little cousin, and we slowly detangled, clearly confused – Ada had not fallen to sleep close to me.

I went to the living room for prayers and all who gathered prayed for Papa Ijeoma’s soul. After prayers, my mother told me to shower and pack my bags so we could go home; apparently, the gas had leaked all night, and the cylinders were empty.

“Thank God nobody lit matches to warm rice and stew oh,” Father said, as he and the other men inspected the village house. I headed to the children’s room, and when I removed my clothes to get in the bath, I felt a note in the pocket of my shorts.

Koko.

Theres so much Id say to you, but I have to go now. In my anger, I almost did an awful thing. Thankfully, Agnes came through and stopped me. Do not worry about me; Im okay.

You are my sister, baby girl. Thank you for sharing your body with me. I love you.

It was then I noticed the silence; Cecilia was not here anymore. I could still see the memories, and I still felt like I had lived a few lifetimes, but Cecilia’s voice was gone. That suddenly hollowed-out part of my mind hurt, like a part of me had been excised. I clutched my chest, suddenly aware that the clothes I just removed were the last we’d ever share.

“Cece.”

Albert Nkereuwem
Albert Nkereuwem is a Nigerian writer whose work explores varying themes through the lens of afro-mysticism, thriller, and fantasy. His story “The House of Old Marian”, published in Fiyah Magazine #30, won the 2023 Dream Foundry Prize for Emerging Writers.