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AUX PORTES DE LANVIL – Michael Roch

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Michael Roch

La mer était chargée de cadavres et, ce matin, elle leur crachait au visage. Elle éclaboussait son écume jaunie chaque fois qu’un corps mort, gonflé par le sel et le soleil, heurtait la cuve à bord de laquelle le jeune Joge-O et le Docteur Ignace survivaient, depuis la tempête. L’embarcation filait droit, poussée par les vents sans trop d’hésitation, et emmenait les deux rescapés vers la liberté, vers Lanvil. Penché par-dessus bord, Joge-O vomissait ses dernières tripes.

 « On approche, » fit savoir le Docteur Ignace au énième bruit mou d’un torse qui se déforme contre la cuve ouverte, « Lanvil approche. » Ils en croisaient depuis quelques jours, des écœurés, des sans-vies, des camouflés par la houle, mais, depuis l’aurore, c’est tout l’horizon qui semblait avoir tourné de l’œil et qui vomissait le surplus des Enfers. L’océan, comme un poumon cancéreux, ne respirait plus.

Ça le prenait de plus en plus, au docteur, de fixer le large avec hâte et envie. Il parlait souvent à mi-voix, lorsque les jours passés à étouffer s’adoucissaient et avant que la nuit tombe. En réalité, il priait silencieusement Lanvil d’apparaitre enfin, et de se dévoiler vague après vague.

Aux yeux de Joge-O, le docteur conservait cet optimisme aveugle. Il ne cherchait pas vraiment le point fantomatique de l’île dans le lointain, mais il auscultait la voilure et l’ombrage qu’elle donnait à leurs corps meurtris, comme s’il était le garant de leur solidité précaire.

Mais rien ne perçait le faux plat marin, ni devant, ni autour, ni au-delà. Le large paraissait vide depuis toujours, même si les holocartes et nanoboussoles indiquaient la présence du continent, là, derrière les dernières vagues. On dit, yé krik, que les portes de Lanvil sont des crocs dressés contre le reste du monde. On dit, yé krak, que le monde entier pourrait s’y fracasser, il n’y entrerait pas, dans Lanvil, s’il ne s’en montre pas digne, s’il ne sait pas se faire humble. On dit, yé mistikrik, qu’ils sont nombreux, les indignes et les orgueilleux, les rejetés de Lanvil, et Joge-O pensait, jusqu’à ce jour, que ce n’était qu’une légende. Yé mistikrak.

Il eut encore un haut-le-cœur et essuya d’une main tremblante la bile blanche qui lui coulait du nez. Ses genoux glissèrent sur le sang qui serpentait au fond de l’embarcation.

— Nous n’entrerons pas, fit-il enfin.

— Seulement si tu nous fais dessaler.

La cuve gîta dangereusement vers les cadavres qui flottaient tout autour d’eux. Les morts bavassaient d’un clapot bruyant. Ils bavassaient tellement qu’ils en étourdissaient Joge-O, Joge-O malade, Joge-O tanguant, Joge-O dérivant, chavirant presque de son corps à moitié nu, et de son ventre vidé de douleur.

Un étau de nausée se referma sur lui ; ce n’était pas le soleil qui l’empêchait de respirer, ni les embruns acides, mais la vision horrible de ces visages délavés, et pourtant si familiers, qui se pressaient les uns contre les autres et s’embrassaient dans une danse lente et gauche. Il en avait peur. Ils tournaient sur eux-mêmes et hurlaient sous les vagues le sort funeste que Joge-O supposait et qu’il ne pouvait plus taire.

— Nous n’y arriverons pas, répéta Joge-O.

Il était épouvanté par leurs saccades, par leurs sursauts, mais quelque part près de son cœur, sa frayeur tenait plus de la douleur. Une douleur qu’on lui avait mise là, entre la cinquième côte et le poumon gauche. Une douleur qui le reliait à ces cadavres, une peine antique, partagée, démultipliée par le nombre de corps flottés. Une brûlure interne aussi étendue que l’horizon, que même les paroles du Docteur Ignace n’auraient pu apaiser.

— On dit qu’il y a un gardien devant Lanvil, chuchota ce dernier, c’est lui qui décide qui entre et qui reste à la mer. C’est lui qu’il faut guetter.

Art by Sunny Efemena

— Il ne te laissera pas entrer.

Le Docteur Ignace grimaça, la vieille bâche s’était violemment dégrafée. Elle claqua dans le vent comme une voile déchirée et fit sauter la cuve vers l’avant. Le cylindre de verre qui leur servait de radeau écrasa un corps dans le creux de la vague. La cuve était vide, vide des canaux ombilicaux et des masques à oxygène, vide de son fluide vital et de ses greffons génonutritifs, vide de ses courroies de sécurités, de ses cordons d’alimentation, de ses pertes et de ses fuites vers la mort, vide de ses premiers occupants. Le caisson pouvait contenir jusqu’à cinq corps. Ils n’étaient plus que deux à s’accrocher aux flots comme l’espoir à la vie.

Le Docteur pensait à Lanvil, à elle seule, l’île coincée au fond de son esprit comme une plaie à vif, une cicatrice qu’il gardait béante depuis que le rivage de l’autre monde lui était apparu en songe. Il ne pensait pas à ce qu’elle lui avait coûté, à ce qu’il avait dû payer pour l’approcher, à tout ce qu’il avait perdu, en vérité : ses techniciens et l’équipage, l’équipage qui tenait le navire, le navire qui abritait le laboratoire, le laboratoire qui collectait les données, les données qui repeupleraient l’Humanité.

De l’autre côté du globe, au départ de l’Océan, il ne restait qu’un désert de bombes, des poussières de villes et des routes abandonnées. Il n’y avait plus d’Humanité, que des animaux apeurés se terrant dans des bunkers surpeuplés desquels ne sortaient que des informations immatérielles, sécurisées dans des enveloppes mécaniques. Dans le silence des nuits ultra-marines, le Docteur Ignace pleurait la fin de l’Occident, démoli par un immonde repli sur lui-même. Aux questions pourquoi, et comment, il se persuadait que les réponses et la salvation viendraient de l’antipode. Il lui fallait Lanvil. Il lui fallait ce qui lui échappait encore.

Le Docteur Ignace avait gardé la barbarie ordonnée de ses idées impérialistes, l’obsession pour l’épandage de valeurs objectives, expérimentées, contrôlées, théorisées, de valeurs humaines qui siéraient à la Terre entière, si elle daignait les écouter, si elle daignait se laisser coloniser. L’Humanité, pensait-il, l’Humanité périrait dans le froid, la vérole et la torpeur, ou alors vaincrait-elle, elle fracasserait les portes de Lanvil, enrichie des routes tracées par les explorateurs modernes. Car il en était un, d’explorateur, même dans l’état auquel il était réduit.

Il voyait en Lanvil le bout du chemin, le dernier espace libre, la continuité vierge de toute impureté, loin de toute déchéance, où il serait possible de reconstruire l’Homme et repartir de zéro, réparer les erreurs, bâtir un nouveau monde.

— Je lui parlerai de la vie, à ce gardien, et du bonheur des jours qui s’écoulent, de la lenteur épuisante de la rosée qui s’évapore, au petit matin, entre les herbes vertes des Alpilles. Je lui dirai que ce monde-là est beau et que la joie de vivre sous ces latitudes le touchera autant qu’elle m’a émue, s’il nous ouvre ses portes.

Mais Joge-O ne l’écoutait pas. Il regardait avec un sentiment étrange – une nostalgie ou une mélancolie qu’il éprouvait pour la première fois – la vague empoisonnée qui déferlait et heurtait le rebord de la cuve. Il aurait bien voulu leur tendre la main, aux morts sous les eaux, les cueillir, les attraper un par un, les sauver de ce bouillon salin, mais le Docteur le lui avait interdit, au tout début, lorsqu’il avait pris place dans le caisson déjà plein de corps : « ne touchez pas à ce qu’il y a au-dehors, vous devez rester purs. » Joge-O ne comprenait plus le sens de cette phrase.

— Tu sais qu’ils me ressemblent ?

— Qui donc ?

Joge-O s’attachait aux visages aplatis par la couverture de l’océan, dont les cheveux défrisaient lentement dans la poisse des chairs décomposées et dont le nez évasé avait été becté par un poisson de surface, les oreilles aussi. Les lèvres, elles, avaient fondu.

— Ils me ressemblent tous.

— Ça ne va pas mieux, hein.

Malgré sa ruine, le Docteur se souciait de son fils aîné, comme il aimait l’appeler, avant. Il avait toujours ce regard bienveillant par instant, qui s’effaçait parfois rattrapé par la réalité. Mais il l’aimait d’amour, sa progéniture, d’un amour vrai, paternel et condescendant. Il l’appelait son fils pour lui donner le caractère d’un individu, et il lui avait fait la promesse, lorsqu’ils arriveraient à Lanvil, de le libérer de tout fer, de tout lien. Il devait d’abord achever son éducation ; il aurait voulu le prendre dans ses bras, mais la situation lui échappait.

— Tu es unique, Joge-O.

— C’est un mensonge, rétorqua-t-il.

Joge-O le dévisagea de ses yeux noirs, d’un noir si puissant que le Docteur Ignace détourna son visage, gêné par la candeur artificielle qui se reflétait à leur surface. La voix du scientifique se teinta d’une peur inconfortable qu’il tenait cachée au fond de sa gorge sombre et fragile.

— Je veux dire : je t’ai créé unique. À Lanvil, ils seront des milliers à conter ton histoire, notre arrivée. On poussera des Yé krik ! On répondra Yé krak ! C’est comme ça que se transmettent les légendes, là-bas, de l’autre côté. La nuit, au pied de gigantesques feux, celui qui raconte réveille la cour d’un grand cri : Yé mistikrik ! Et si la cour ne dort pas, elle reprend : Yé mistikrak ! Tu verras. Je t’apprendrai, comme toujours. Je suis là pour ça.

— Tu ne m’as rien appris !

Joge-O se jeta sur lui. Il écartela de toutes ses forces les courroies qui ligotaient le scientifique. Elles cisaillaient son corps depuis plusieurs nuits. Sous la violence du geste, elles décharnèrent son torse et malmenèrent d’autant plus l’esquif.

Joge-O rattacha la voile. Il la coinça dans les câbles qui garrottaient le Docteur. Il serra sa poigne de rage, une rage meurtrière qui aurait tué le Docteur bien plus tôt qu’il n’aurait fallu. Plusieurs secondes, il haït son créateur, autoproclamé père et maître du bateau. Il le haït pour son savoir, parce qu’il tenait des rênes intangibles, parce qu’il les gardait acquises, comme un instrument de contrôle sur le corps de Joge-O. Le fils aurait voulu achever son marionnettiste, mais ce dernier était le seul à pouvoir le mener hors du dégout des flots, hors du cercueil qui leur servait de radeau. Sous la pression du vent d’Est contre la voile de fortune, la cuve fendit l’écume sirupeuse et retrouva son cap. Le Docteur Ignace suffoquait.

— Je t’ai donné toutes les clés…

— Pas toi. Ce sont mes frères qui m’ont appris à voir, à écouter, à ressentir…

— Et qui leur a enseigné tout ça ?

Joge-O considéra avec dégoût la jambe arrachée du Docteur Ignace, puis la lame dont il s’était servi pour la découper, et qu’il avait jetées à fond de cuve, le corps secoué par les premiers haut-le-cœur. Le moignon, comme le tranchant, suintait encore de nanobêtes sérosanguines qui s’écroulaient sur elles-mêmes au fur et à mesure qu’elles se reproduisaient et débordaient de leur propre organisme. Elles envahissaient la périphérie de leur espace vital et empoissaient d’une existence fausse chaque recoin inanimé de l’embarcation.

Les nanobêtes courraient le long de l’armature de verre, elles aussi avides d’endroits immaculés de leur souillure. Elles pullulaient de manière intelligente, construisant des ponts et des architectures éphémères. Elles s’assemblaient en un magma grouillant, et pourtant ordonné, jusqu’à ce que, d’une trop forte concentration, rayonne un éclat vif et irisé, lequel se répandait toujours plus, comme une huile connectée, emplie d’informations, de caractères et de valeurs.

La cuve se remplissait de ce sang aux couleurs insolites tandis que Joge-O compressait de son propre poids le corps du docteur. Il garda longtemps son œil vengeur et colérique fiché dans celui de son créateur qui, plein d’incompréhension, crucifié à la proue, sanglé par les câbles de nutrition du vieux caisson, souffrait de maintenir la voile plein Ouest, droit vers les connecteurs que ses puces géosensorielles traçaient comme un aimant, droit vers Lanvil et la délivrance.

Les yeux du Docteur Ignace se révulsèrent sous la douleur, mais il ne cria pas. Il gémit d’une plainte longue et sourde que reprirent en cœur les cadavres qui grognaient sous les vagues. Le vent s’intensifia, lui déroba son souffle, et Joge-O, qu’aucune émotion ne traversait plus, ne le réanima qu’après lui avoir détaché la main droite. Le Docteur pleurait.

— Tu parviendras à me manger tout entier…

— Je sais.

— Je t’ai tout donné, Joge-O, la vie, la conscience d’être-là, la vision de l’à-venir, la valeur de l’expérience. Chaque morceau qui te constitue a été modelé, compacté, connecté dans la matrice de ce caisson, grâce à moi, mes idées, mes recherches, mes projets. Et tu me manges ? Tu manges la main qui t’a nourri tant de jours ?

— Je ne voulais pas manger les autres.

Joge-O croqua dans la chair. Il arracha les ongles à coups de dents, décrocha les cartilages, répandant sous sa langue et derrière ses gencives, jusqu’au bord de sa glotte, la chaleur pervertie qui courrait dans le membre du docteur.

Il y avait là des souvenirs tactiles, des touchers particuliers, des gestes et des manières. Il y avait des directions, des tremblements, il y avait des odeurs et des formes, des souvenirs d’environnements, des objets en négatif. La main et ses connecteurs étaient teintés du passé du Docteur Ignace, toute l’histoire d’une vie active, et Joge-O s’en saturait autant qu’il s’en répugnait.

Il s’était dressé contre la main qui l’avait nourri, non pas pour la détruire, mais pour s’en nourrir d’autant plus, avaler son muscle, décrypter ses nerfs, assimiler leurs données. Il n’aimait pas ce goût. Il avait détesté celui de ses frères. Il n’aimait pas non plus se voir dans le regard cynique du docteur qui, stupéfait, oscillait entre incompréhension, rire moqueur et insultes.

Son fils était un sauvage, un cannibale, quand bien même il apprenait le monde. Quand bien même il apprenait vite, Joge-O. Quand bien même il lui permettrait d’entrer dans Lanvil, lui, le fils neuf, l’enfant créé de toutes pièces à l’image du nouveau monde. Son fils était un traitre, un Judas, un Brutus qui le dévorait sans honte, qui lui pompait son humanité pour s’en servir contre lui.

Joge-O recracha un métacarpe avec mépris. L’os tinta contre le verre de la cuve.

— Tu m’as forcé. Tu m’as forcé à manger Joge-I et Joge-β. Puis Joge-Δ, et Joge-θ.

— C’était pour que nous puissions passer les portes, tous les deux. Tu es un cadeau, Joge-O. Un cadeau que je fais au monde pour qu’il puisse enfin se réconcilier. Tu es l’unique sésame du futur d’une Humanité apaisée.

— Je ne suis pas unique. Regarde celui-là, qui flotte entre deux eaux, les dents rongées et le nez vide. Il a le même visage que moi. Tu sais que ce qu’il me dit ? Tu sais ce qu’ils hurlent, tous ?

De colère, Joge-O lui écharpa la joue. Il en arracha la chair et la becta avec, pour tout verdict, de lentes et insensibles déglutitions.

L’Océan se gonfla et s’ouvrit en deux, aussi large que la gueule d’un monstre marin aux couronnes de dents avariées. Les morts s’envolèrent, portés par la gronde des flots, et retombèrent aux alentours dans des gerbes de mousse. Des dizaines de mains émaciées agrippèrent la cuve de clonage. Plusieurs cadavres en gravirent les parois, s’affalèrent entre Joge-O et le docteur et les haranguèrent avec hargne, les langues pendantes à travers les joues creuses, les bras balancés à tout va dans un cahot de muscles rincés et blanchis.

Pourtant, ils ne parlaient qu’à Joge-O, qui se jeta à fond de cale. Ils ne hurlaient que pour lui, pendant que le docteur crevait, tétanisé de douleur dans les soubresauts du caisson, étranger à l’illusion qui berçait Joge-O. Ils étaient pourtant penchés sur lui, comme les mille visages de la mort, les doigts décharnés recourbés comme des faux, les mâchoires béantes et baveuses, les orbites vides et accusatrices. Le docteur ne les voyait pas, Joge-O perdait la tête.

Les cadavres mugissaient, invectivaient, gloussaient et se fendaient de questions. « Es-tu pur, Joge-O, es-tu humble ? Es-tu des nôtres, d’où viens-tu ? D’où viens-tu, comme ça, Joge-O ? Quelle famille, quel côté ? Quel sang inonde tes veines ? »

Ils croulèrent sur eux-mêmes, se brisèrent comme des vagues, rampèrent contre le corps de Joge-O qui fuyait comme une bête coincée dans sa tanière. « Ton nez n’est pas droit, ni plat. Ta peau n’est pas ferme, ni calleuse. Tes cheveux sont un chaos, un volcan. Il y a de la colère en toi, comprimée dans un trou béant d’ignorance. » Leurs voix redoublèrent d’animosité. Ils meuglèrent de jugement et d’âpreté, de mauvaise langue et de vomissures, rancuniers et défaits. Joge-O fondit en larmes illuminées de terreur.

L’un d’entre eux, plus froid que les autres, se colla dans son cou, embrassant son oreille, inondant ses maigres vêtements. C’était une femme, mais son visage était identique à celui de Joge-O. Cette vision le glaça. Un instant, dans leurs yeux vitrifiés par le soleil, entre leurs lèvres asséchées par le sel, entre leurs doigts étirés par l’émotion, dansèrent le même espoir, la même passion, la même envie : se reconnaître enfin et s’aimer encore, pour leurs traits, leurs couleurs et leurs gestes que l’océan dissimulait au reste du monde.

« Ton sang est humble, susurra-t-elle. Je vois sa nuance, celle que tu caches au fond de toi. Tout ce que tu émanes est bien plus douloureux que ce que nous transportons. Toi, le vivant, tu es sans terre, sans ancre, sans entraves. Tu es digne de toi-même, tu n’es pas comme nous. À l’arrivée, tu choisiras… »

Elle eut l’air triste – sans doute elle l’était vraiment – surtout au creux de ses joues, sous les paupières, derrière la mâchoire, là où la mélancolie affaisse les rides et les idéaux. Cela le glaça d’effroi. Joge-O la repoussa vivement. Elle retomba à l’eau comme une sirène de bois d’ébène ou de bois flotté, une oubliée des plages et des mangroves que Joge-O ne connaissait pas encore. Avec elle, glissa le reste des corps. Ils basculèrent en fleurs dans les remous, calmant les vagues et les passions, reprenant leur lente danse sous-marine.

Des heures durant, les morts chantèrent encore. Joge-O écouta leur litanie, ingéra leur fièvre, puis les ignora. Il retourna au Docteur Ignace. Il s’acharna à coups de dents sur son corps, à grands coups de lame entre ses membres, à contrecoups de salves d’informations, de tutoriels arythmiques, de percées névralgiques qui le pétrifiaient chaque fois que ses synapses arrivaient à saturation.

Il persistait pourtant et se remémorait la morte qui avait manqué de l’emporter par-dessus bord. Il se souvenait de l’angoisse qui s’était emparée de lui lorsqu’il avait plongé les yeux dans son regard vide de larmes, l’angoisse d’être rejeté à tout jamais. Il ne voulait pas de ça.

Il lui fallait remplir ses neurones vierges d’émotions, connecter ses axones aveugles de sensations, ravaler le monde ancien, tuer le père et se forger lui-même. Il lui fallait, à Joge-O, toute la ténacité de son esprit, l’endurance et l’obstination, pour croquer dans les interdits de son créateur, les ôter un à un et les reconstruire, alors que le docteur n’en finissait pas de mourir. Il lui fallut vaincre, et dépasser les sécurités de sa propre constitution pour voir, au final, sur le visage du Docteur Ignace, l’once d’une reconnaissance qu’il n’estimait plus. Joge-O se pencha sur lui. Le soleil était bas. Le ciel rougissait d’apaisement.

— Je sais les couleurs nauséeuses des nuages de poussière que tu draines derrière toi. Il n’y a rien dans ton cœur. Il n’y a rien d’autre qu’une peine immense, celle de ne pas te suffire, et l’immonde ignorance de la valeur de l’autre. Je ne suis pas là pour toi. Je ne suis pas ton sésame. J’existe pour moi-même, j’existe seulement pour moi.

La lèvre du docteur tremblait, blanche d’épuisement. Il luttait pour vivre encore, une journée de plus. Il crut voir un oiseau voler loin au-dessus des eaux, mais l’image se déroba dans le coin de sa vision.

— Est-ce lui ? demanda-t-il. Est-ce le gardien ?

Le clone ne répondit pas. Il lava son visage dans le sang qui roulait en vaguelettes au fond de la cuve. Il regarda les nuages qui approchaient dans le lointain et pensa à ses frères. Le regret de s’en être nourri s’était estompé. Le Docteur Ignace le trouva soudainement beau, droit et fier – entier. Il sourit.

— Tu existes, Joge-O…

— Je veux être plus que ça. Quand je te regarde, je m’aperçois que nous ne pouvons nous compléter l’un l’autre. Je veux rêver mes propres idéaux et bâtir ma réalité. J’ai déjà vu mille étoiles, depuis mon premier jour. Et je verrai sûrement mille autres merveilles. Mais tu ne m’apprendras rien de plus, car je vivrai à ta place.

Yé krik. Le Docteur Ignace mourut dans les vagues froides de l’océan, sans voir Lanvil ni son gardien, vidé de son cyborganisme, répudié par la vie.

Yé krak !

On dit que les portes de Lanvil sont des crocs dressés contre le reste du monde, quatre tours recrachées des fonds marins. On dit qu’elles sont frappées par le soleil levant, creusées par les assauts de l’écume acide, émaillées par la brume du désert que l’on sait au-delà des flots. On dit que tous les éléments pourraient se briser contre elles dans l’espoir de les réduire en poussière, ils n’y parviendraient pas. Est-ce que la cour dort ?

Non, la cour ne dort pas !

On dit qu’au-delà des portes de Lanvil s’étend le pays de nos désirs, aux couleurs de ce que l’on tient secret, au fond de nous. On dit que celui qui passe les portes atteint la félicité, la liberté, le bonheur éternel. Ce qu’on ne dit jamais, et Joge-O le sut dès lors qu’il les vît, les portes, c’est que leur territoire n’a pas de gardien, car nous sommes nos propres gardiens. Les morts le lui avaient dit. On dit que Joge-O arriva par une nuit comme celle-ci, dans une coquille de verre portée par quatre trépassés, quatre frères, qui flottaient sur les lames de l’Atlantique. On dit qu’il entra dans Lanvil. Yé mistikrik !

Yé mistikrak !

Michael Roch is a science fiction writer and scriptwriter born in 1987 in France. He is also the creator and director of the literature channel, La Brigade du Livre, on Youtube. He is part of the video creation label Pandora. Since 2015, he has conducted several creative writing workshops on the theme of Afrofuturism – a literary movement developing afrocentred counter-dystopias – in prison and university environment. His latest novel, The Yellow Book, at the crossroads of Lovecraftian influences and the Astroblackness movement, is published by MU Editions (2019). He now lives in Martinique (East Caribbean).

NOIRE MATIÈRE -Rachid Ouadah

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Le professeur Nairb Neerg prit une grande expiration puis contempla le parterre d’invités devant lui. Iels étaient venus de toute la galaxie. Certains avaient déplié l’espace, d’autres, notamment ceux qui ne pouvaient supporter les conditions atmosphériques d’Erret, étaient représentés par de simples hologrammes. Il pouvait percevoir les oscillations de tous. Il se surprit à penser qu’il aurait voulu être vieux à nouveau. Car les grandes découvertes se faisaient à un âge précoce. Alors que la jeunesse, après une cohorte de souffrances débilitantes, conduisait inévitablement à la mort. Combien de temps lui restait-il à vivre ? Encore un peu, peut-être pas assez pour résoudre l’énigme, mais juste ce qu’il fallait pour poser un jalon. Qu’importe son égo puisqu’il n’était lui-même qu’un maillon dans une chaîne qu’il espérait infinie. Il avait construit sur le travail de ses prédécesseurs. Et les suivants iront plus loin encore dans la quête de la vérité scientifique, se disait-il.

Il recracha son surplus de liquide cérébrospinal dans un verre qu’il déposa au plafond. Son amertume lui fit le plus grand bien.

« Et maintenant, je vais répondre à vos questions » lança-t-il à l’assemblée.

Nombreux furent les appendices — de toutes formes — à se lever. Cela lui sembla merveilleux.

Il désigna du doigt un Tacloc, la progéniture au stade larvaire encore collée à son cou translucide.

« Merci pour cette conférence professeur, c’était vraiment très intéressant. Cette “noire matière” comme vous l’appelez, se trouve-t-elle dans un endroit précis de l’univers ou bien est-elle répartie aléatoirement ? »

« Elle est partout dans l’univers observable. Sa répartition répond à une logique que nous ne comprenons pas encore. Pendant que nous parlons, il y a des particules de cette matière qui nous traversent. Ou bien c’est nous qui la traversons, c’est une question de point de vue. Et on ne peut pas interagir avec elles. Heureusement d’ailleurs, sinon elles ne feraient qu’un sarlach de votre busik. »

Des rires tous plus différents les uns des autres composèrent une joyeuse cacophonie. Il aimait injecter de l’humour dans ces rencontres parfois trop sérieuses. Cela facilitait la transmission des connaissances, que l’auditoire fût amateur comme aujourd’hui, ou chevronné.

Une autre créature signala sa volonté de prendre la parole en émettant une lumière bleutée.

« Professeur Neerg, puisqu’on ne peut pas interagir avec cette matière, comment savez-vous qu’elle existe ? »

« Par les effets qu’elle produit. Avec mes collègues de la communauté scientifique, nous avons découvert que cinq pour cent de l’univers observable est fait de cette matière inconnue. Comment ? Très simplement, si j’ose dire. Par le calcul. Les galaxies devraient s’éloigner plus vite les unes des autres, et pourtant il y a quelque chose qui lutte en sens inverse, qui les retient. Cette force qui nous était inconnue, nous lui avons donné un nom : gravité. Et elle est produite par la noire matière. »

            Cette rumeur qui parcourut la salle, c’était la soif d’apprendre. Comme lui, ils voulaient savoir. Il désigna un autre invité.

« Si on ne connaît pas la composition de cette matière, et si elle n’interagit pas avec nous, comment pouvez-vous dire qu’elle est noire ? »

« C’est une très bonne question. Nous aurions pu l’appeler Anael ou Aihpos, n’importe quel nom ferait l’affaire puisque nous ne savons encore rien de sa nature. Par consensus, nous avons choisi “noire”. Mais dans le réel, elle n’émet pas de rayonnement visible. Ni nos yeux, ni nos instruments ne peuvent la voir. Dans plusieurs cultures de la galaxie, le noir symbolise l’espoir. Et de l’espoir, on en a toujours besoin. »

            « Comment être sûr que vos “recherches” ne dérangent pas le Seigneur des Mondes en sa demeure ? »

            Beaucoup furent stupéfaits d’entendre cette combinaison de mots dans une même phrase, aujourd’hui, et en ce lieu. Nairb Neerg sentit des hésitations dans les cliquetis du questionnant, un jeune Ténébrion qui, de par le rythme de la phrase et sa mélopée, indiquait qu’il était originaire de l’hémisphère sud de sa planète. Soit l’un des derniers endroits de la galaxie où l’on entretenait encore la croyance en une entité créatrice. L’ouverture de Tenebrae au reste de la galaxie n’avait pas éteint ces superstitions, elle les avait même renforcées. Comme si les ténébrions avaient peur de la cognition, et de tout ce qui se trouvait au-delà de leur dogme. L’immensité du plein intersidéral devait les terrifier. Le professeur prit tout cela en compte avant de formuler une réponse.

            « J’aimerais croire en cette idée, le Seigneur des Mondes, je vous l’assure. Mais je suis un scientifique. Je nourris ma réflexion avec des faits observables et mesurables, avec des expériences reproductibles. Si le Seigneur des Mondes existait, je serais le premier à aller vers lui. Apportez-moi une preuve concrète et je vous suivrai dans votre raisonnement. Je veux croire qu’il y a quelque chose après la mort, et peut-être même quelque chose avant la vie. Mais regardez la réalité. Malgré notre science qui s’est enrichie comme jamais depuis l’ère galactique, il subsiste des maladies que nous ne savons pas guérir, des catastrophes que nous n’avons pas su éviter, comme la destruction de Relpek et ses trois milliards d’habitants, il y a mille cycles de cela. Si le Seigneur des Mondes existait, il serait tout-puissant et bon. Mais alors pourquoi n’intervient-il pas ? Pourquoi est-ce qu’il ne descend pas nous sauver ? Est-ce que cela veut dire qu’il n’est pas tout puissant ? Ou qu’il n’est pas bon ? »

L’assistance se mit à applaudir et à s’agiter. D’un geste il demanda le calme. Il n’aimait pas être applaudi, par pudeur. Et surtout, cela pouvait offenser le Ténébrion.

« Nous approchons de la fin de notre entrevue. Aussi frustrant que cela puisse paraître, je vais prendre les trois dernières questions. A vous… »

« Professeur Neerg » demanda un Grouli, « est-ce que ces cinq pour cent ne seraient pas la matière d’un monde-miroir, un anti-monde si vous préférez. Par exemple, vous avez parlé de cette force que vous appelez “gravité”. Ça veut dire que les objets s’attirent mutuellement, n’est-ce pas, au lieu de se repousser comme dans notre univers. Peut-être que le temps aussi s’y écoule à l’envers. Ce serait un monde où les lois de la physique seraient différentes, non ? »

« L’hypothèse est séduisante mais à l’heure actuelle, nous n’avons aucune donnée qui va dans ce sens. De plus, si la noire matière était un “monde-miroir” ou un univers-miroir comme vous dites, elle existerait en quantité au moins équivalente au reste de la matière normale. Et ce n’est pas le cas. Je tiens à le préciser : la noire matière n’est pas un autre univers, elle fait partie de l’univers. De plus, la force de gravité qui attire les particules de noire matière les unes vers les autres ne peut mener que vers un effondrement. Donc elles ne peuvent pas former des structures stables pouvant abriter la vie telle que nous la connaissons. Mais si l’on compare la somme d’informations accumulées, nous ne savons rien de… »

« Alors vous voulez remplacer le Seigneur des Mondes par votre ignorance ?! »

accusa le Ténébrion. 

Art by Sunny Efemena

Aussi brusquement qu’il avait pris la parole, il s’éleva au-dessus de l’assemblée en désignant Nairb Neerg de sa troisième mandibule, et il hurla : « Blasphémateur ! ».

            Comme s’il était préparé à ce qui allait se passer, l’esprit du professeur produisit une analyse froide de la situation à la vitesse la plus rapide que lui permettait sa biologie. Il perçut toute une gamme d’émotions dans les paroles du Ténébrion. De la colère, de la frustration, de la peur, et de la haine, beaucoup de haine.

Mais il ne savait pas qu’il allait mourir. 

            Le projectile, une corne de kératine pure expulsée de l’exosquelette du Ténébrion, le frappa en plein cœur, à gauche. Le choc le projeta en avant. Sous le coup de la panique, le public devint foule, et la foule devint désordre. Ceux qui pouvaient courir s’enfuirent vers l’unique sortie, ceux qui pouvaient voler se dispersèrent dans les airs. Il ne restait plus que les hologrammes comme témoins, trop fascinés pour disparaître comme les autres. Car personne n’avait assisté à un acte d’une telle violence depuis des cycles et des cycles.

Et par conséquent, personne ne savait comment réagir.

Enfin, l’assistant du professeur accourut. Mais il était trop tard. Le corps de Nairb Neerg commençait à flotter, et du liquide vital pénétrait dans sa blessure. La douleur était atroce. Une peur existentielle s’empara de lui, la peur de la mort. Et puis soudain, il n’eut plus mal. Le regret de ne pas avoir pu percer le secret de la noire matière de son vivant se fit moindre, puis disparut à son tour. Il ne restait plus qu’un sentiment étrange de plénitude. Le temps semblait s’être dilaté, comme s’il approchait de la vitesse des ténèbres. Il vit le monde autour de lui trembler, devenir flou et enfin disparaître vers une couleur qui n’avait rien à voir avec l’espoir. Il s’entendit formuler une dernière pensée :

« Ce n’est donc que cela… ».

*

* *

« C’est ça madame Feynman, vous êtes très courageuse. Poussez encore, respirez,

poussez, respirez… »

La Docteure Al Kubaysi avait elle aussi besoin de respirer dans cette chaleur étouffante. Elle n’était pas vraiment à sa place. La sage-femme dont elle avait pris la relève était retenue à un poste-frontière. En plus, la maternité fonctionnait en sous-effectif. « Ils préfèrent mettre de l’argent dans la guerre » se dit-elle. Ce matin, elle était à la fois gynécologue, obstétricienne, et pédiatre pour l’occasion.

Un bout de son hidjab commençait à tomber et n’allait pas tarder à gêner ses mouvements. Elle fit un signe de la tête à son assistante : « Mademoiselle Rubin, s’il vous plaît… ». La jeune interne essuya la sueur du front de la docteure et lui remit son voile en place.

L’enfant montrait enfin sa tête, et ça n’avait pris que trois heures de travail. Au même moment, une explosion retentit. Une roquette venait de tomber à proximité. Presque immédiatement après, le vrombissement d’un missile se fit entendre. Peut-être que la roquette avait tué des innocents. Peut-être que le missile allait frapper une école. Mais la docteure ne voulait pas penser à la mort pendant qu’elle aidait à donner la vie. La future mère s’était montrée d’un calme peu commun. Alors que le futur père s’était liquéfié à l’idée d’assister à la naissance de son premier enfant. Elle ne criait pas, elle respirait et poussait au rythme que lui dictaient la docteure et la nature.

C’est alors que le reste du corps du bébé glissa hors d’elle presque sans effort. Elle prononça une prière en hébreu. La docteure put se saisir du petit humain gluant de vernix. La mère avait spécifié ne pas vouloir connaître le sexe de l’enfant avant la naissance, il était temps de le lui dévoiler.

« Félicitations madame, c’est un beau garçon ! » fit la Docteure Al Kubaysi. Elle coupa le cordon ombilical et posa le clamp. Et avant que son cri primal ne fasse trembler les instruments et les murs de la salle imperceptiblement, avant de s’annoncer à ce monde, le nouveau-né prit une grande inspiration.

#

Rachid Ouadah:
Né en 1974 à Alger, j’ai vécu les premières années de ma vie en Algérie. Ni francophone ni arabophone, je suis venu en France à l’âge de 6 ans. J’ai dû m’adapter rapidement pour m’insérer dans le système éducatif français. Les lectures de l’imaginaire ont été une bouée de sauvetage, notamment La Grande Anthologie de La Science Fiction de Jacques Goimard et Demètre Ioakimidis. Le cinéma de genre a achevé ensuite de faire de moi un inconditionnel de la science-fiction et du fantastique. Aujourd’hui je travaille comme journaliste indépendant. J’anime notamment le site motionXmedia.

Issue 19 editorial

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Mazi Nwonwu
Mazi Nwonwu is the pen name of Chiagozie Fred Nwonwu, a Lagos-based journalist and writer. While journalism and its demands take up much of his time, when he can, Mazi Nwonwu writes speculative fiction, which he believes is a vehicle through which he can transport Africa’s diverse culture to the future. He is the co-founder of Omenana, an African-centrist speculative fiction magazine is a Senior Broadcast Journalist with BBC Igbo service. His work has appeared in Lagos 2060 (Nigeria’s first science fiction anthology), AfroSF (first PAN-African Science Fiction Anthology), Sentinel Nigeria, Saraba Magazine, ‘It Wasn’t Exactly Love’, an anthology on sex and sexuality publish by Farafina in 2015.

Omenana speculative fiction magazine issue 19 is live!

The words above may seem common enough for anyone who has not followed Omenana magazine’s journey since we launched in 2014.

It was a dream that became a reality and we are very happy to still be able to announce another edition of what has become a staple in Africa’s speculative fiction landscape.

We are also happy because publishing our third edition for 2021 in October means we can still publish a fourth for the year. Doing so allows us to reach an all-time high of four editions a year.

We are indeed clapping for ourselves and taking bows in recognition of this self-praise.

Don’t blame us, we are only reacting like the lizard in Igbo mythology that affirms the wondrous achievement of landing on all fours after jumping down from a great height.

Believe us, we have a lot to be proud about, chief of which is the fact that we are still here, offering opportunities to African writers of the speculative to showcase their work to a hopefully eager world.

This edition, like all the others before it, features great writing from writers from across the African continent and beyond. We have a handful of established names and several new names that we want you to pay close attention to because, like many of the new voices Omenana has introduced in the past, you will be seeing more of them.

We had planned for the 18th edition of Omenana magazine to be the last that will be offered free, but after much consideration, we have decided that reaching the African lover of speculative without any restriction is more important than monetary considerations. As such, this edition remains free to access, enjoy and share.

However, since we dearly want to continue renumerating our incredibly committed team and return to paying writers, you can support us via our Patreon page and allow us to do bigger things in 2021.

Also, this is the second edition in which we are offering French-language stories as part of our partnership with Omenana author Mame Diene. We had published French-language stories in the past, but this partnership has Mame sourcing for and editing these stories so that French-speaking speculative fiction writers can become a part of the Omenana conversation. We are hoping that this grows into a separate French-language magazine in the near future.

The stories in this edition are diverse, as is to be expected from a continent as diverse as Africa, and we do hope you enjoy them as much as we did selecting and editing them.

See you in December.

Mazi Nwonwu

Mazi Nwonwu
Mazi Nwonwu is the pen name of Chiagozie Fred Nwonwu, a Lagos-based journalist and writer. While journalism and its demands take up much of his time, when he can, Mazi Nwonwu writes speculative fiction, which he believes is a vehicle through which he can transport Africa’s diverse culture to the future. He is the co-founder of Omenana, an African-centrist speculative fiction magazine is a Senior Broadcast Journalist with BBC Igbo service. His work has appeared in Lagos 2060 (Nigeria’s first science fiction anthology), AfroSF (first PAN-African Science Fiction Anthology), Sentinel Nigeria, Saraba Magazine, ‘It Wasn’t Exactly Love’, an anthology on sex and sexuality publish by Farafina in 2015.

Omenana Speculative Fiction Magazine: Issue 18

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Omenana issue 18
Omenana issue 18 Cover art by Sunny Efemena. Cover Design by Godson ChukwuEmeka Okeiyi
Omenana issue 18
Omenana issue 18 Cover art by Sunny Efemena. Cover Design by Godson ChukwuEmeka Okeiyi
Editorial: It’s only just the beginning

Le pacte du fleuve – Moustapha Mbacké Diop

The Diviner – VH Ncube

Eating Kaolin – Dare Segun Falowo

Upgraded Versions of a Masquerade – Solomon Uhiara

Arriving from Always – Nerine Dorman

THE JINI – Wangari Wamae

Shandy – Gabrielle Emem Harry

SELF-DESTRUCT – Stephen Embleton

Germination – Tiah Beautement

The Third Option – Jen Thorpe

Machine Learning – Ayodele Arigbabu

Omenana is a tri-monthly magazine that is open to submission from speculative fiction writers from across Africa and the African Diaspora.

Omenana magazine issue 18 is produced by Mazi Nwonwu, Edited by Iquo DianaAbasi and Mame Diene (who sourced and produced the French Story in this edition).

You can support us by downloading our anthology here.

Editorial for Omenana 18

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Mame Diene

It’s only just the beginning…

A few years ago Alain Ducharme, Editing Director of La République du Centaure (a speculative fiction review based in Quebec) reached out to me by way of the African Speculative Fiction Society. He was interested in publishing francophone African speculative fiction authors and pay them up to 100 CAN$ per story.

We were both excited at the opportunity; I drafted a quick submissions call and circulated it on various African literary pages and Twitter.

The return was disappointing. Very few submissions and very few of them on a level with international standards in speculative writing.

I had high hopes for the call, as I was actively looking to identify francophone authors of the speculative, bring them into the ASFS fold and try to boost the signal, draw publishers’ interest etc.

It was wrongfully assumed, until recently, that Africans neither read nor write speculative fiction, until anthologies like AfroSF and magazines such as Omenana proved otherwise. It is much the same with Francophone authors, they exist but lack a scene to develop their skills and get their stories out in the world.

I flirted with the idea of launching a francophone magazine, and picked up a conversation with French-Caribbean author Ketty Steward and started kicking ideas around. Ketty had just edited issue 46 of Galaxies Magazine, a French speculative fiction magazine that was releasing an Africa special.

Why did we find so few francophone speculative fiction authors? Was it a matter of format? Were francophone African authors more novel than short story-oriented? Is it simply because there are so few platforms in the francophone space where the few paying reviews are in Canada?

I walked into a supermarket in Dakar one afternoon, looking for my daily fix of saucisson (easily available anywhere in Dakar), and saw a book called La Mystérieuse Disparition du Talibé by an author called Hamidou Bah, sitting on a shelf by the cash register.

Turns out Hamidou managed the store, wrote speculative novels published by Harmattan and while marketing his books online also used the supermarket to reach readers. By way of pork, I had finally uncovered an author, and a good one at that.

The African francophone scene lacked a platform the likes of Omenana. As such most authors turn towards more traditional, long form publishing, but there too it is limited as a couple of publishing houses appear to monopolize the African market. Authors carry the huge lift of self-promotion, touring a restricted literary scene with very few cons, and relying mostly on word of mouth for their art to reach readers.

Along with my wife, Woppa, we resuscitated the idea of launching a magazine, reached out to Mazi to understand how Omenana worked and got busy pulling things together. Meanwhile, we got pregnant and had to postpone grandiose plans of literary revolution, and thus suggested Mazi that we start by publishing francophone authors through Omenana, and draw talent in, starting with three stories.

I reached out to Alain and Ketty, and to my friends Youssef and Anne Rachedi who work in film in Algeria, put a team together to review the slush and select stories.

Instead of a slush, we got barely a trickle. The issues that Alain ran in two years ago resurfaced at the call. We received very few submissions. While many were very well written, and offered very interesting and culturally unique ideas, they were not ready for publication yet.

We were also pressed for time, with only a couple of weeks for substantive edits, otherwise a couple of more authors may have made the cut. Nevertheless, we surfaced three stories, by a sub-Saharan author, a North African author and a third from the Caribbean. All men. We received depressingly few submissions from women, despite Ketty’s early efforts to reach out to as many women as possible when the call broke.

Of the three we decided to hold one for a later edition. It is nuts, if I may so myself. So crazy in fact that we want to see more than the taste the story offers. We lost the second to simultaneous submissions, and will publish only one of the three tales: Le Pacte du Fleuve in this issue of Omenana.

The road is still long in other words but full of talent just waiting to be read. The writers are out there, and we will double our efforts to get at you if you don’t get at us first.

Meanwhile, enjoy the issue…

Mame Bougouma Diene


Ce n’est encore que le début…

Il y a quelques années, Alain Ducharme, Directeur Littéraire de La République du Centaure (une revue de fiction spéculative Québécoise) m’a contacté par voie de l’African Speculative Fiction Society. Il souhaitait publier des auteurs de fiction spéculative Africains francophones.

Nous étions enthousiastes en vue des possibilités; j’ai rédigé un appel à soumissions rapidement, et l’ai fait circuler sur diverses pages littéraires africaines et Twitter.

Le retour était décevant. Très peu de soumissions et très peu à un niveau comparable aux standards internationaux de l’écriture spéculative.

J’avais beaucoup d’espoir pour l’appel. Je cherchais activement à identifier des auteurs francophones du spéculatif, les rattacher à l’ASFS, faire leur promotion, attirer les éditeurs etc.

Il est imaginé à tort, que les Africains ne lisent ni n’écrivent de fiction spéculative, jusqu’à ce que des anthologies telles que AfroSF et des magazines tels que Omenana prouvent le contraire. Il en est de même pour les auteurs francophones, ils existent mais manquent d’une scène pour développer leur talent et faire circuler leurs histoires.

J’ai flirté avec l’idée de lancer un magazine francophone, et lancé la discussion avec l’auteure franco-caribéenne Ketty Steward. Ketty venait d’éditer le numéro 46 de Galaxies Magazine, un magazine de fiction spéculative français qui publiait un numéro spécial Afrique.

Pourquoi trouvions-nous si peu d’auteurs spéculatifs francophone? Etait-ce une question de format ? Les auteurs francophones étaient-ils plus attirés par le roman que la nouvelle ? Etait-ce tout simplement dû au nombre limitée de plateformes dans l’espace francophone où les quelques revues rémunérant les auteurs se trouvent au Canada ?

Je suis rentré dans un supermarché à Dakar un après midi, en quête de ma dose quotidienne de saucisson (que l’on trouve partout à Dakar), quand j’ai vu un livre appelé La Mystérieuse Disparition du Talibé par un auteur nommé Hamidou Bah sur une étagère derrière la caisse.

Il s’avère qu’Hamidou était le gérant du supermarché, écrivait des romans spéculatifs publiés par Harmattan et tandis qu’il marquetait ses livres en ligne, utilisait aussi sa boutique pour atteindre les lecteurs. En quête de porc j’avais enfin trouvé un auteur, et un de qualité en plus.

La scène spéculative francophone africaine manque de plateformes telles que Omenana. De fait la plupart des auteurs se tourneraient vers la forme longue plus traditionnelle, mais là également, de manière limitée, le marché africain semble être monopolisé par une poignée de maisons d’éditions. La lourde tâche revient aux auteurs de s’auto-promouvoir, sur une scène littéraire restreinte avec peu de salons, et dépendant surtout du bouche à oreille pour faire vivre leur art.

Avec ma femme, Woppa, nous avons ressuscité l’idée de lancer un magazine, avons approché Mazi afin de comprendre comment Omenana fonctionnait et commencer à joindre les deux bouts. Entre temps nous sommes tombés enceinte, avons dû mettre de côté nos plans grandiloquents de révolution littéraire, et donc suggérer à Mazi de commencer à publier des auteurs francophones dans Omenana, attirer du talent, commençant avec trois histoires.

J’ai approché Alain et Ketty ainsi que mes amis Youssef et Anne Rachedi qui travaillent dans le cinéma en Algérie, et mis en place une équipe pour revoir le flux de soumissions et choisir les histoires.

En lieu d’un flux, les histoires ont ruisselé. Les problèmes qu’Alain avait rencontré deux ans auparavant ont refait surface. Nous n’avons reçu que très peu de soumissions. Tandis que plusieurs étaient très bien écrites et présentaient des idées intéressantes et uniques culturellement, elles n’étaient toutefois pas prêtes à être publiées.

Nous n’avions aussi que peu de temps, avec seulement deux semaines pour faire des révisions substantives, sinon plus d’auteurs auraient certainement été retenus. Nous avons, cependant, retenu trois histoires, d’un auteur d’Afrique subsaharienne, un auteur nord-africain, et un troisième des caraïbes. Tous des hommes. Nous avons reçu atrocement peu de soumissions féminines, ce malgré les efforts de Ketty pour atteindre autant de femmes que possible au moment de l’appel.

Nous avons décidé de garder une des trois histoires pour un prochain numéro. C’est une histoire absolument dingue. Tellement dingue en fait que nous voulons voir un peu plus que l’avant-gout que la nouvelle nous offre. Nous avons perdu la deuxième histoire dû à une soumission simultanée, et ne publierons qu’une des trois histoires : Le Pacte du Fleuve, dans ce numéro d’Omenana.

La route est encore longue mais il y’a du talent qui n’attend que d’être lut. Les auteurs sont là, et nous allons redoubler d’effort pour vous trouver si vous ne nous trouvez pas d’abord.

En attendant, on espère que le numéro vous plaira…

Mame Bougouma Diene

The Third Option – Jen Thorpe

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Jen Thorpe
Jen Thorpe is a writer from South Africa. She has published two novels, most recently The Fall (2020), a speculative fiction take on the South African #FeesMustFall protests. It was longlisted for the Sunday Times CNA Fiction Prize in 2021. She also edits feminist essay collections, most recently Living While Feminist: Our Bodies, Our Truths (2020). Jen's writing has been published in Brittle Paper, Saraba Magazine, Itch, Poetry Potion, Jalada, Litro and is forthcoming in Fresh.Ink. Find out more via https://jen-thorpe.com

I met myself in the Mega City a week ago. It had never happened to me before, though I’d heard whispers of rumours that it had happened to friends of friends, people I hardly knew. I thought I had been more careful.

I was about to eat noodles and soup in a Chinese restaurant on Z street. My waitress – the one who’d taken the order from me – had changed shifts and I was looking at my phone, scrolling through the surgeries I’d need to do that afternoon, when the new one arrived with my food. I looked up as the bowl was put down, and my words left me.

Though it was inappropriate, she sat down opposite me. She must have been twenty or so years my junior, but the anti-ageing pills and technologies we have access to in the city made it hard to tell. It was like a mirror had just slid into the seat. For a moment we just looked at each other, examining our faces with the intensity and disinterest that you apply when you brush your teeth at night. I could see that the birthmark on my neck was there, but the scratch above my eyebrow from the bottle that fell off the fire escape and clipped me on the head last year was not. Of course, it couldn’t have been there, but it was impossible not to check. Were my ears that large? We both reached up to touch our left lobe at the same time. So, they were.

Her hands were like mine too. Long fingers. So strange to look at them out on the table like that, un-gloved, touching everything. Nail polish cerulean, a tattoo on the wrist. Louche and reckless.

‘Who are you?’ her voice sounded like mine, but the accent and rhythm was different. That’s how they spoke in the village. Slower. No rush. A lack of elocution.

I could have asked her the same question, but I didn’t, because, of course, I had some inkling of what had happened, an understanding of how this was happening, and it was one that I had no interest in sharing with her.

The woman claimed her name was Kethiwe. She’d run away from her family in the village and had come here to the Mega City to seek a new life. It was a story I’d heard hundreds of times before in the hospital from crack addicts, single moms, and injured workers. All of them gloveless. All of them so unaware of the full extent of what had been done to them. All of them thinking that by changing something, doing something different, working harder, they could alter their outcomes.

They didn’t understand that the urge to come here was pre-programmed, just like we needed it to be. How could they? Poor things.

I watched her mouth move, wondering if I too slanted my lips to the left. She had a chipped tooth, stains on some from smoking. She hadn’t been taking care of herself. Soon, she’d look older than me, with that type of behaviour. Words and complaints were gushing out of her like a torrent. She was drawing attention.

I held up a gloved hand in a stop sign.

‘Please. We can’t talk here. Finish your shift and I’ll wait for you outside. Get up now and carry on as if this never happened.’

I ate my noodle bowl, left my money on the table, and walked across the street to sit in the park where I could see the entrance to the restaurant. I called the hospital, cancelling the surgeries I’d scheduled. They would be fine without me for one afternoon.

As I sat, legs stretched out on the wooden bench, half an eye on the exit of the restaurant and half on the park, I thought about her story.

They all believed they came to find a better life. This was partly reinforced by the fact that none of them ever went home again. Evidence of success, some might say. Success of the system rather than any one of them.

The reality was that this meant one of two things. Either they found themselves and confronting this was too much for them, so they kept it a secret. Or they lived the life we’d designed for them and were too ashamed to admit that they were struggling, so said nothing, not wanting those they’d left behind to smirk and snigger at their failed dreams. A system designed for their servitude surely couldn’t breed enthusiasm or joy in the other village people if they knew the truth.

Or, I suppose, there was a third option. They didn’t make it.

While thinking, this bench that I’d sat in many times before after similar noodle lunches took on new interest. I imagined what it would be like to take off my gloves and run my fingers along its grainy wood, what a splinter might feel like, how the soil at my feet would crumble and stick to my hands. How wrinkles might feel, what I’d look like if I stopped taking the pills and going for my annual facial rejuvenation. What it might be like to visit the village, to have a chance at a different life. Foolish thoughts. The types that get you into trouble.

Look what happens when you’re curious, I said to myself. This. You’ve made a real mess of things.

There could be hundreds of me all over this city right now and it was my own fault. Or there could just be her. But this was unlikely. I would need to decide what to do, about her and all of them should I ever meet them. I would need to decide quickly. Uncertainty about the lesser versions of yourself never served anyone.

Time passed slowly, day dawdling into evening. Eventually, she exited the restaurant looking up and down the street, her face – my face – stricken with shock. I whistled and waved, and she looked over at me, beginning to cross the road without checking for traffic, jolting at the scooters that hooted and screeched at her. She made it across. I had the grace not to feel disappointed.

‘Sit down.’

‘I don’t want to sit down. I want to know what the hell is going on.’

‘Sit.’

She did. They always do. Bred for obedience, for compliance. I didn’t delay my explanation. It would have been cruel to prolong her suffering. Out with it. That’s the easiest way.

‘I work in a hospital. At this hospital and many others around the world, we don’t only heal people. We make them. When necessary.’

Her eyes searched mine for reason, for sense. I knew this must be a lot to take in and she probably wouldn’t have had the education I’d had, so I tried to keep it simple. I spoke slowly.

‘Sometimes, Kethiwe, the world just needs replaceable people. People who are like the connective tissue of a city – just beneath the surface. People to clean and tend children and sweep streets and pick up garbage … you understand?

‘Of course, nobody wants to be these people by choice. So, we solved that. We replace them by design. It’s easier if we control it.’

Her eyes grew wide. I looked down again at her hands and continued, wishing she’d at least painted over the chips in the polish.

‘We use a machine called 5f – five fingers. We use the pieces of you that you all, carelessly I must say, leave behind all over the place.’

I picked up her palm and held it close to her own face.

‘These fingerprints of yours – oily marks with traces of cells. That’s all we need now to make someone. It’s really quite advanced the way we designed the system. No excess, no waste.’

She pulled her hand away, and curled it into a fist like a fern unfolding in reverse.

‘Now, don’t feel angry. It isn’t as bad as it seems. Everyone here is happy, thriving even. They don’t have to do the things they don’t want to do, and we can all live peacefully. You get to perform a task that you are ideal for performing. We identify future gaps … I mean, when we need more of a certain kind of person in society – waitresses say – we make more. Nobody has to do anything they don’t anymore.’

While I gave her a moment for this to all sink in, my mind wandered back to the moment I suspected my mistake had happened. It was so many years ago now. I’d thought I was safe.

A baby was brought into the hospital, still young enough that the umbilical cord had not fallen off. He was alone, gloveless. Abandoned on a street corner. We see it happening all the time. People can’t control their desires but suddenly think they know what they want from their futures. Or they have the mistaken impression that they can redefine the way that life is going for them. All that hassle for a single moment of pleasure. Distasteful. It helps if you stay angry about how they behave. Reduces the urge for sympathy.

I’d seen hundreds like him before, but even I had to admit that he was beautiful. His eyes were still a little glassy, you know … searching for someone who would be there for him, for connection. Arms wriggling out for touch. Making groaning gurgling noises. Long black lashes.

He should have been taken straight to the lab to be put down and macerated for cells. That’s what we are supposed to do. Not sentimentalise. If he wasn’t wanted now, he wouldn’t be wanted in the future. That was the reasoning. No room for unnecessary. No room for extras.

But then he wrapped his little fingers around my gloved ones, and something happened. A moment of weakness. On the way to the lab I pulled over into a storage closet, took off my gloves, and held him. Felt the warmth of his soft skin on mine. Cradled him. I wanted to see what it might be like, you know. Like with the soil beneath the bench. I just wanted to try something different. To feel things.

Then the moment passed, and I took him to the lab and didn’t feel that sad about it, to be honest. He wasn’t really a person, not for long anyway. And he’d be put to good use, for all of us.

I must have left some of myself on him. My prints mixed in with his. Cells I didn’t think would matter. That’s the only way this made any sense. And now, I’d have to explain myself to the higher ups. Come forward and confess, be fired for my incompetence, and likely never be able to work again. My friends, colleagues, would shun me out of protocol though I knew many of them had probably taken the same risks. Or … the third option.

Kethiwe was still silent, mulling it over probably. I looked up at the trees of the park, heard the bird song. An Olive Thrush greeting the evening. She reached over to me and held my hand. I let her, safe beneath the gloves.

‘I met a man once at a bus stop’ she said, measuring her fingers against mine. ‘The bus that I took to come here. He walked up to me while I was waiting. He’d cut off his fingers with a machete. Said he didn’t want any part of this world. Warned me against it.

‘It didn’t make sense to me. He just seemed … mad. I mean, what type of person chops off their own fingers?’

A smart one, I thought. One who wouldn’t find themselves in the situation I was now in. Astute in a macabre sort of way. He’d never meet himself eating his usual lunch of noodles and soup and have to plot his own death.

Kethiwe let go of my fingers as if she could read my mind. ‘So, what now? What does this mean?’

‘Mean?’ It meant nothing, and it was a bit embarrassing that she couldn’t see that. This was a problem to be solved. One of three possible options. But still, she persisted, as though we could solve it together.

‘Don’t you see, you could be me, if the circumstances shifted slightly.’

I resented her tone. Felt something like anger, but suppressed it. ‘I could never be you, Kethiwe. That’s the point – there should never have even been you in the first place. It was a mistake, an accident. That’s all.’

‘But, it’s too late now. We’ll have to work something out.’

There was no we. I had my life in order. No extras. No excess. No waste. There was no room in my schedule for this type of unpredictability. I didn’t like the way she assumed that just because we looked the same there would be some common purpose. That we were alike in some way, and only circumstances made us different.

You could say that she brought it on herself.

‘Take a walk with me. I’ll show you where I live.’

‘Okay.’ She was uncertain. Her curiosity changing to concern.

I sweetened my tone. ‘There is a beautiful view from the bridge on the way. The water below roars and sends mist up into the air, scattering like glitter.’

They always love nature talk, the village people. I’d learnt from my hospital shifts that it made them feel at home. Pastoral pleasantries were part of my daily work. It felt underhanded, but I knew there was little point in letting that worry me. Not where we were heading.

She followed me up the street towards the cliff with the high bridge. It was odd to think of her taking in these surroundings with new eyes. For me this was a walk home I’d done on hundreds of days. So much of it was now unnoticed, taken for granted.

We walked over to the centre where I pointed out the fact that you could almost see the valley from here, and just beyond it the village that she was from. My pointed finger in my glove looked so safe, so perfect.

‘If you look down,’ I said, ‘you’ll see that the river actually flows in that direction. Towards the valley. So, they might connect at some point. Parts of this place feeding parts of that place. Connected.’

‘Like us’ she said, her voice soft, as she stood on tiptoes and looked over the railing. It wasn’t much of a push, just a gentle one.

Later, when I walked over the second half of the bridge alone, I made an effort to take in the view. To imagine what it looked like for that brief moment, through our eyes.

Jen Thorpe
Jen Thorpe is a writer from South Africa. She has published two novels, most recently The Fall (2020), a speculative fiction take on the South African #FeesMustFall protests. It was longlisted for the Sunday Times CNA Fiction Prize in 2021. She also edits feminist essay collections, most recently Living While Feminist: Our Bodies, Our Truths (2020). Jen’s writing has been published in Brittle Paper, Saraba Magazine, Itch, Poetry Potion, Jalada, Litro and is forthcoming in Fresh.Ink. Find out more via https://jen-thorpe.com

Germination – Tiah Beautement

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Tiah Marie Beautement
Tiah Marie Beautement is the award-winning author of two novels, including This Day (2014, Modjaji), and numerous short stories. She also teaches writing and freelances for a variety of publications, including the Sunday Times and FunDza Literacy Trust. She lives on the South African Garden Route with her family, two dogs, a cat, and a small flock of chickens. Diagnosed with Ehlers-Danlos syndrome and fibromyalgia, she is outspoken about living life with chronic conditions and disability. To stay as mentally and physically healthy as possible, she belly dances, horse rides, and zips along as a pillion on motorcycles.

My womb bled, leaving a weeping trail down my legs. Fatigue clung to my bones, clouding my head. In this numb, fogged brained state, I could not decide how I should feel about the latest expulsion of blood and bone. The years of my life taught me many lessons. But despite all that I had experienced, I’d yet to conclude which pain I preferred: to lose the seed of life before it could breathe, or hearing my offspring call me “mama” before the young soul faded away, never to be held again. Back into the stardust my children went, which we all sprang forth from, once upon a time, thanks to an event now known as The Big Bang.

Because living means dying a little each day. We feed each other with each other. Cells slough off the body during everyday moments: from a kiss to the cheek, along the sweat trickling from armpits, to departing on an exhaled breath. Pieces of every living creature float in the air alongside the remains of the dead. This collection of particles from the present and the past are drawn into our lungs, settling into the dust, clumping together in the soil, as we try to grow anew, all over again, wanting, craving, needing, to survive.

There were days when it felt as if all I did was nourish those that surround me, as other bodies took, took, took with their need, need, need. Somehow, I kept going, giving, giving, giving, feeling selfish each time I took a moment to myself, to reclaim myself.

And now my very self was bleeding once again, an expulsion of the dead.

I should have known this would occur the moment I realized I was late. Yet the years of my existence had caused me to wonder. Perhaps this was it, the change, I’d thought. Instead it was a seed, from a man I had met who claimed to be from Bolivia but was actually born in Belarus.

The story goes that one day, bored of his landlocked life, he followed the roads until he reached the Baltic Sea. There, he stepped into the water, allowing the currents to sweep him away, until he was spat out onto African soil. In his confusion, he claimed to be from a different land, until the sea gradually returned his memories with the rising tides. He’d remained on the southern shores of the mother continent, finding work on fishing vessels, taking from the water that had given him new life. And new life was planted inside me, again, and again, and again.

            Not a single one of these children managed to live long enough to take a single step.

*

My body had borne witness to forty-five summers. Over the years, I had picked myself up and tried to carry on, regardless of whether the seed flourished into a life with ten fingers and toes, or died in its watery home, lower half still curled like the tail of a seahorse. This time, however, I found myself studying the earth beneath my feet, gradually becoming stained by my blood. It was a rich soil, fed routinely daily with the compost from my kitchen, and the excrement of my chickens, in addition to the remains from those I had loved and lost.

In those moments, as my body bled, I opened myself to the exhaustion of the daily demands of carrying on under the weight of never-ending sorrows. A sense of bleak acceptance filtered through my lungs, entering the capillaries, where it worked its way through my tissues and finally settled into the marrow of my bones.

In reply, the ground sprouted teeth and fingers, and began tugging, dragging my being towards the place where I once planted sweet potatoes, beetroot, kale, and mealies. It was a land hungering to feed, to flourish, a land eager to accept the gift of myself. Its dark musky teeth and fingers extended, taking hold of my tired flesh, and drew me deeper and deeper, until I dwelt amongst the roots where it was warm, dark, and comforting. In this constricted lightness of being, my body began to spread, interacting with the remains of the blood and bones I’d made and lost.

Ashes to ashes, dust to dust.

What was lost is reborn, anew.

*

The first shoot came forth from my battered womb. An aloe ferox that lifted its rosette face towards the sunlight, exposing its sharp spines like tiny milk teeth. In winter it would bloom fiery red candles, beacons that lured the sunbirds, weavers, starlings, and baboons.

How great this plant helped me when I, in my young womanhood, found myself in the company of an entrepreneur who appeared to spend far more than he ever made. The gel from the thick green leaves was an antiseptic to my cuts, it soothed my bruises, and its bitter juice, mixed into the perfect recipe, could leave the man evacuating his bowels all night long, granting me a brief reprieve. I had spread its cream onto my growing belly, rubbing it in the places where my skin stretched so taut, it left blackish-blue claw marks, as if I’d tangled with a lion. Before we buried our first, I rubbed each tiny limb down with aloe, all the way to the miniscule fingers and toes, before swaddling the child one final time.

*

My hair was the next to sprout. In great abundance, each twist radiated outwards from my scalp, growing forth until together they created a forest of cannabis and varieties of wild dagga. From my mother I had learned the ways of the various strands and species – from the beautiful orange blossoms of the Klip Dagga to the roots of the cannabis­ – how one could ease a fever, another dampened a headache, and which aided in treating a snakebite, dysentery, or malaria. When my mother found the lump, we boiled entire plants down, until all that remained was a thick, sticky, black tar that left shadows of green on anything it touched.

Over the next six months the lump gradually reduced, until one day, even a modern medical scan could not find a trace of it. Five contented years followed, until the morning she found herself suffering from an unusual bout of indigestion. As we prepared the normal remedies, she felt a squeezing along her spine, reaching up and up, until it gripped her jaw. An ambulance was called, but the men would not listen to my pleas to rush her to the hospital. Instead, they gave my mother antacids and aspirin, while admonishing us for wasting their time. As they climbed back into their mechanical box, she collapsed, dead from a heart attack.

            Insulted by her ordinary death, her spirit threw off the stardust that contained her form, rising higher and higher as it transformed, until the sky was filled with fireflies. They flickered and danced throughout the night, in a magnificent display of beauty and tenacity. By morning, all that remained of her body was water, which began to pool and sink as the sun rose. It pushed the soil to the sides, drilling deeper and deeper until it joined the hidden spring that dwelled below our garden. The new well she created was as pure and sweet as her voice, which she had lifted into song while she worked each and every day.

*

            Sour figs sprouted from my breasts. Yellow and pink blooms that opened in the morning, and shut tight at night, resting before the sun returned. Its juices were mostly used to treat mouth, throat, and fungal infections. But it also helped soothe the skin, from sunburns to bee stings to insect bites.

Before I met the Bolivian from Belarus, who emerged from the Indian Ocean, I had been living with a woman who carried the scent of mango on her skin. Her hair was softer than the silver-green leaves of Impheho, which was now emerging from my right hand, like a bed for those who wandered without fixed homes. The mango-scented woman and I lived as lovers for three years, a reprieve to my bruised womb. Until the day her skirt caught fire while making a batch of umqombothi. She ran around screaming, like a hen who’d been liberated from her head. I had to tackle my love, rolling us over and over, until we ended up beside the pot of traditional beer, still bubbling away as if nothing was amiss. Perhaps my love would have survived the trauma had she been wearing cotton, but her clothes were of synthetic fibers, and had melted to her flesh. The traditional remedies could not combat such damage, and I had to take her to the hospital. She soon caught an infection, and her spirit left this world on the wings of a harrier.  

*

Devil’s claw proceeded to pull itself from my left hand, turning my fingers into large tuberous roots. The plant’s anti-inflammatory properties made it particularly useful, and my mother administered it to many. But no matter how I processed it – from powders, to tinctures, to teas – it could not ease the pains that dwelt in my heart. The first loss left a hole, and with each consecutive death, the hole in my heart expanded. By the time the soil took me, a trunk of a pepper-bark tree could have easily slid through my gaping chest. Yet, even here, in the ground, away from the noise and pressures of everyday life, my wounded organ continued to beat on, bringing nourishment to both the human flesh and the vegetation that now made up my body.

I felt the spirits of my lost seeds amongst the ashes of the soil around me. They whispered and giggled, like mischievous toddlers, as they packed seeds around my throat. Soon a pelargonium was shooting up, up, up until it reached a meter high. The pinkish blossoms, splashed with purple, reminded me of butterfly wings.

Pelargonium flowers are a common remedy for sore throat. Yet, one year my mother placed the beautiful flowers in a circle on my birthday cake. It was the first year I’d needed to wear a bra. I remember it clearly, as Uncle was there.

“Yes, Uncle,” I’d say, to whatever he asked.

This is how we were raised.

“Yes, Uncle,” if he wanted coffee. “Yes, Uncle,” if he needed another beer. “Yes, Uncle,” if he wanted the TV remote. “Yes, Uncle,” if he wanted me to remove my shirt. My skirt. My underwear. Then, “Yes, Uncle,” when he said not to tell.

That birthday, we ate the cake my mother made after dinner was done. Coated in pale yellow icing, composed of rich cream and lemon. A blossom, bright and cheery, sat on each piece. As I swallowed the flower, my throat opened, and the stories spilled out. Each word fell into Uncle’s windpipe, like bricks being laid across a brackish well. By the time my tales were done, Uncle had choked. Weeks later, after the burial, my mother emptied her bowels onto his grave.

*

Time wore on, and more plants sprouted from my being: a pineapple lily from a knee, rooibos from an elbow, damask rose from one cheek, cape rose geranium from the other, wild garlic from my groin, African ginger from my ears, buchu from one calf, and false buchu from the other.

The last to spring forth was the African potato, streaming out from my toes. Its yellow flowers had often brought hope to those with TB, HIV, cancer, and infertility. But hope does not always heal. I once had hope. Many, many, times. In each instance, the hope would rise like the sun, only to collapse like a dying star, due to the weight of its iron core, leaving the burning orb with no means to support its own mass.

            Gravity became too much for my burdened bones. Down here, in the soil, my entire self was accepted, with non-judgmental support. As my body continued to release blood and tears, the earth absorbed my disappointments, my pain, my history, and, like stardust, transformed it all into life. In this new state of vegetative being, I was left with a feeling of immense relief.

Ashes to ashes, dust to dust.

What was lost is reborn, anew.

End

Tiah Marie Beautement
Tiah Marie Beautement is the award-winning author of two novels, including This Day (2014, Modjaji), and numerous short stories. She also teaches writing and freelances for a variety of publications, including the Sunday Times and FunDza Literacy Trust. She lives on the South African Garden Route with her family, two dogs, a cat, and a small flock of chickens. Diagnosed with Ehlers-Danlos syndrome and fibromyalgia, she is outspoken about living life with chronic conditions and disability. To stay as mentally and physically healthy as possible, she belly dances, horse rides, and zips along as a pillion on motorcycles.

Self-Destruct – Stephen Embleton

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Stephen Embleton
Stephen was born and lives in KwaZulu-Natal, South Africa. His background is Graphic Design, Creative Direction and Film. His first short story was published in 2015 in the ‘Imagine Africa 500’ speculative fiction anthology. More short fiction followed in the “Beneath This Skin” 2016 Edition of Aké Review, “The Short Story is Dead, Long Live the Short Story! Vol.2”, the debut edition of Enkare Review 2017, The Bloody Parchment, AfroSFv3, and The Kalahari Review. He is a charter member of the African Speculative Fiction Society and its Nommo Awards initiative. He was featured in Part 11 of the 100 African Writers of SFF on Strange Horizons. His debut speculative fiction novel, Soul Searching, was published in 2020.

Summer had come and gone, and the extreme chill of winter had skipped right past autumn. Zen stood at his balcony window looking out at the grey city skyline.

He had used his last government voucher of the month two minutes ago to place a grocery order. He would have to apply to the local food bank to replenish some of the basics. If they had any left. But that was a task for later. Right now, he would wait to see what the day held for him, if anything.

Drone-delivered meant he hadn’t gone out or seen anyone for the past few months when stricter lockdown measures were implemented around the wider metro area. He didn’t mind though. It was better indoors away from the unbearable cold in the city since the seas encroached and brought the extremes. He didn’t have a sea view, even from this tower block on the top of the Ridge, but he knew the stadium arches would be peaking out of the rough Durban waters below the rising sun. Divers willing to risk the riptides and erratic currents coming from Mozambique had made sure the structure, submerged five years ago when the levels had risen by twenty meters, had remained untouched by demolition crews. A new reef, they had said.

But, like all outdoor movement, diving was prohibited during lockdown. Everything was prohibited if it meant going outside your home or living quarters. Home. Cell.

Two major viruses had made cities rally to get their people indoors, safe but with at least most able to work remotely and survive. Health issues had strained hospitals. Psychological issues had quadrupled. People had died from malnutrition, psychosis, and the viruses.

A strain of parvovirus B19 had triggered a deadly aplastic anaemia pandemic in the youth, with the first signs of red and purple spots, bruising and bleeding mostly ignored by the majority of governments of Oceania. The lack of blood bank supplies, let alone matching bone marrow transplants, made it near impossible to stem the red wave of infections.

Zen felt alone, not just because of the isolation but because of the contacts missing. People missing. From his life. It was difficult to imagine anything before this. Who was it he had been in contact with that he felt the loss now? His parents? His sister? He had been absent to those who should have been dear to him. He hadn’t really seen them when they were alive. Really seen them.

Did dead people see him?

Here Zen was: a survivor. But, for how much longer? And for how much longer could he, or anyone else, stand it?

He turned to look at the flat filtration unit moulded into the ceiling in the middle of the apartment, and then checked the air controller on his mobile app. A few paces into the room and he was standing under the gentle hum of the device imagining the fresh air circulating around him. The apartment block’s central purification, air-conditioning, ventilation – whatever you thought it was – had been upgraded along with the rest of the city. Roughshod work by whoever it was who got the cheap-ass tender. Thankfully, the metro grid powered the system because his pay-as-you-go electricity had been off since before May, with winter right on its heels. But at least his solar chargers lined up on the windowsill kept his devices powered, otherwise there would be no connectivity with the outside world and no possibility of being able to work. If work ever came.

How many “Free Power” online petitions had he signed in the past and still it wasn’t accessible to the masses? Wind turbines and wave farms lined the Indian Ocean horizon as far as the eye could see but surely getting a light on in the city was an expense not a luxury.

Mounting tensions festering in private chats had spilled out into the mainstream. Threats of protest actions seemed more than couch-jockeying and anonymous vitriol. He hoped it was. He needed it to be. Being out on the streets, screaming at the heavens, despite any apparent viruses was what was needed to vent and be seen. His skin warmed and tingled. It was the boiling rage and frustration. A nagging thought rose to the surface – or was it the virus?

His phone beeped. Delivery.

He didn’t need to find or put on his mask. Day-to-day, in the confines of his apartment like now, it was always around his neck, or, firmly in place around his nose and mouth. The mask was a part of him, like his underwear. Okay, maybe not his underwear, which he hadn’t worn for the past six months. For what? For whom?

He walked back to the balcony and slid open the glass door as the drone took off, over the hazy city, and back to its depot. The fresh smell of drone-sprayed alcohol on the outer cover of recyclable paper meant he was clear to handle the package.

He picked up the wrapped box, glanced around for any signs of human activity on the protruding balconies of his floor. Nothing.

Zen stepped back inside and closed the door; the sound of the air pressure resetting hissed in his ears as he mentally prepared himself to unbox his limited items.

He tripped over the dead, roving vacuum unit on the floor, and through the small, gloomy single bedroom cum lounge. The entire apartment, one rectangular space, consisted of a shower, toilet, and basin, behind a drywall to his right; while the kitchen at the far end, near the front door which remained unopened for the past months, made up the remaining three-square metre area.

He couldn’t remember when he last folded his bed up let alone changed the sheets. He walked past the only couch and scraped the metal kitchen chair away from the foldout table and sat down to check his mobile.

He snapped a photo of the box and typed. “Can’t take this much longer,” he posted on his social media.

No one really responded to, saw, or liked, any of his posts but he did them anyway. “Visibility” was the word. Visibility?

This past year was a lesson in invisibility on steroids. Like most of the citizens in his neighbourhood he usually tried to be as invisible as possible in public, but on social media it was all about being visible. Relevant.

Stay irrelevant IRL, but relevant online? Okay.

No work. No income. No socialising. He hadn’t called a mate in weeks. Okay, maybe months. Everyone was online rather. Posting, commenting, chatting, bitching, and complaining.

Zen tore at the box wrapper.

***

The afternoon sun was low, and the heat fading fast. It was like the windows and the walls barely had time to absorb anything of comfort.

His phone on the arm of the couch bleeped. He set aside his tablet and picked it up.

A like on his post. Buhle. Hadn’t heard from her in a while.

All his connections seemed to be coping with the isolation, no hassles with work, and relationships all tip-fucking-top. But here was Zenzele unable to cope in lockdown. He usually thrived on working all hours, getting shit done to deadline, work through the night and sleep in the day if need be. Catch friends later or the next weekend or the next pub-crawl. Take it day by day. Live in the moment.

Live in the moment!

Bleep. “You’ll get through this! Hang in there, mnganam!” Three thumbs-up emojis.

Whatever, Alex. The fuck do you know?

His phone vibrated: low battery.

Bleep. “There’s been riots in Wentworth the past week that haven’t been reported in the media.” A comment posted by a @FreeMzansi.

He hadn’t heard about that.  Not that he checked too much of the dodgy news on a regular basis. And he didn’t know any @FreeMzansis or any friends by that handle, but Zen had posted publicly. He checked their profile. A couple of photos of Durban, the ruins down the old Berea Road in black and white. Hashtagged Release Us. Reposts about human rights.

Then, another comment from @FreeMzansi appeared: “The virus is petering out and citizens are demanding to be released from lockdown.”

Zen hit reply. “Really?”

The response came quickly. “Yeah, Zenzele. Mainstream media’s not covering it. But it’s happening. It’s nearly over if it wasn’t already.”

“Cool,” he typed back.

“Time to get out there and get our country back to work.”

Zen looked up through the balcony windows, imagining being outside, freely walking the streets. Walking. Running.

Hell yes, please. He gave @FreeMzansi’s comment a thumbs up.

Sucked into the app, he scrolled through his timeline. The same old shit. People complaining about their rights being taken away. Conspiracy theories about the origins. Vaccine developments or lack thereof. Vaccine conspiracies.

“Do you know anyone who has actually died from going outside?” asked @FreeMzansi.

An odd question but Zen gave it a thought and then wrote, “One of my friend’s relatives.”

“So, no one you know directly?”

That’s pretty close to home. As close to home as you’d want.

“No,” Zen typed back. “But still…”

“It’s all bullshit.”

***

Laughter filtered around the apartment block. Vibrations through the concrete framework meant it was music thrumming somehow. Some thrived on the confines. They used their tech to connect and commune and entertain. He couldn’t face it. It was all bullshit.

Had they even felt loss? Or was this some warped way of dealing with it? Blocking it out with the noises of distraction?

Zen had spent the last few hours into the evening deep-diving on blogs and chat sites. His head was spinning. Connectivity on this scale gave everyone an opinion they thought was worth sharing. His eyes were dry and hot from too much staring, unblinking, at his tablet and mobile screens.

The noise from the other apartments was grating his nerves. Too many people in a small space. Another remote party. Is that what we are? A social species socialising separately?

Migrants had moved south, away from the stifling heat of the equatorial zones, and seemed to thrive in this city. The humidity of the summers was now unbearable, like a thick, heavy blanket you could never get away from. And that was indoors. You were lucky if you could afford the extra cost for stronger A/C cooling because blasting it harder simply disturbed the epidermis layers of dust in the apartment. And you knew it was only your own filth catching the morning sun because the air filtration system kept all the dust, viruses, and pollution particles out.

He tossed his tablet on the seat next to him and checked his mobile feed. A couple more likes. Emojis. Where was the communication?

He stared at a high-five emoji. The open palm symbol. A hand. A digital hand high-fiving in remote space. High-five me instead. Shake me. Rattle me. Slap me awake.

Touch me.

He checked his job sites. Nothing. No new posts or prospects. Nothing in his in-box other than the usual spam and daily astrology.

What the hell is the point?

He swiped through his timeline. Nothing of real interest. No one he knew was infected. No one he knew directly had died in the last twenty-four hours.

Bleep.

“We are organising a group to gather at the old Saint Augustine’s Hospital site,” wrote @FreeMzansi.

“For?” asked Zen.

“Unity. Showing the government we aren’t falling for their bullshit anymore.”

Zen stood and paced the small room. That was a bit nuts. Who the hell would go outside and risk infection?

“Nah. I’m good,” he wrote back.

“And what’s the worst that can happen?” came the response.

“People die,” Zen snorted as he typed.

“Is that the worst that can happen?”

What the hell? He dropped his mobile on the couch and stood at the balcony window. The lights of the city looked warm and inviting. People were out there. His people were out there.

His rapid breathing frosted his view. With his forefinger he drew a circle in the moisture, followed by two dots and a crescent underneath them. What is the worst that can happen?

I live another day. Like this.

Zen grabbed his jacket and scarf from under his bed, checked for his gloves in the front pocket and headed to the front door. It took some effort, but he scraped the door open, its hinges squealing their protests, stepped outside and closed the door behind him.

The apartment was quiet.

The mobile on the couch bleeped.

This account has been identified as a bot and suspended. For more information and safety tips, click here. #StaySafe. #StayHome.

Stephen Embleton
Stephen was born and lives in KwaZulu-Natal, South Africa. His background is Graphic Design, Creative Direction and Film. His first short story was published in 2015 in the ‘Imagine Africa 500’ speculative fiction anthology. More short fiction followed in the “Beneath This Skin” 2016 Edition of Aké Review, “The Short Story is Dead, Long Live the Short Story! Vol.2”, the debut edition of Enkare Review 2017, The Bloody Parchment, AfroSFv3, and The Kalahari Review. He is a charter member of the African Speculative Fiction Society and its Nommo Awards initiative. He was featured in Part 11 of the 100 African Writers of SFF on Strange Horizons. His debut speculative fiction novel, Soul Searching, was published in 2020.

Shandy – Gabrielle Emem Harry

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Gabriela Harry
Gabriela Harry is a 20-year-old Nigerian writer living in Calabar. Her work often explores the stories, experiences and perspectives of Nigerian, with a supernatural twist. Her short fiction piece, “A Foundational Problem”, was published in 2020 in Random Photo Journal.

Love is at the heart of every endeavour, in the heart of every supplicant. Isn’t that what the stories say? That’s what the ancestors always manage to weave into their long-winded speeches. They have eternity in the lines of their palms and they’re determined to make us waste as much of our soup-stain-on-a-wrist existences as they can before death licks us up and spits us back out as someone else’s insufferable ancestors.

The heart of this particular endeavour wasn’t love, which is strange since it was a wedding after all. The heart of this endeavour was stubbornness. Maybe even a bit of resentment. Definitely a lot of rebellion. And it’s been building in Ibi, thickening her skull for a moment such as this.

It’s been building up from the first time Ibi went to the tuck shop after afternoon prep to buy a bottle of LaCasera so cold it still had chunks of yellowish ice floating in the amber liquid. She’d stood behind the tuck shop, contemplating. She listened to students at the counter shove, complain, beg and haggle.

She’d stood staring into space for a while before sniffing twice like she always did after making a decision. She’d poured the LaCasera onto the rainy-season-green grass and mouthed the words her mother’s mother’s mother’s mother had passed to her through her daughter’s daughter’s daughter’s daughter.

She’d watched the drink slide off the grass and onto the dirt to mix into a fizzy, apple-scented mud. Then she’d waited, hoping some benevolent foremother would answer her call. They were generous sometimes, or maybe just bored. Kunle in SS1B had poured half a bottle of Sunday zobo to call on his great-great-grandfather before the 100-metre sprint during last year’s inter-house sports and he’d won the gold medal even though everyone knew Ebuka Okoro in SS3C was the fastest senior boy. A few teachers had wanted to disqualify him, but it was decided at the end of the day that he didn’t break any rules.

No one worried that other students would follow suit. Ancestors rarely bothered with the living outside of significant dates. They gave their blessings at weddings, were acknowledged at funerals as they welcomed the newly departed into their ranks and sometimes showed up at naming ceremonies of the reincarnated. Kunle was apparently the only child of an only child’s only child, and the fifth incarnation of a restless soul, a rare enough case to warrant the attention.

Ibi didn’t know if she was special enough to catch the eye of an ancestor, but she had submitted a striking blank sheet after her Junior WAEC Mathematics exam and nothing short of divine intervention was going to save her from her mother’s wrath if she didn’t get promoted. She was a first daughter’s first daughter, which was why she’d decided she’d have better luck with her maternal side, but she was fairly sure this was her soul’s first body, so she couldn’t count on any antecedent connections. She just had to hope her request was earnest enough, or that someone was generous or bored enough to answer.

“What is this?” the voice startled Ibi.

She looked up and immediately jolted her head back down and bent her knees in a way that she hoped was respectful enough.

“Revered mother, I welcome yo-”

“I said what is this o.”

“Oh…sorry ma I don’t know what—”

“Ma?  What is ma? Call me… wait whose child are you? And will you look up?”, she said sounding exasperated.

Ibi looked up, slightly embarrassed, and saw…something different from what she’d been expecting. The woman in front of her wasn’t an elderly crone bathed in the sacred ethereal light of the spirit realm. She looked no older than thirty, and she was wearing a white blouse over grey trousers

Ibi earnestly recited her lineage, taking care to include all the titles.

“Alright, I’ve heard. I know your grandmother’s full name. Am I not the one who named her?”

Ibi shifted nervously from one foot to the other. Things weren’t going the way she’d planned.

“Well, that makes me your great-grandmother. Just call me Mma Asa,” she waved her hand at the plastic bottle of LaCasera.

“I asked you what that was?”

“It’s… LaCasera?”

“Are you asking me?”

“No ma…Mma Asa. It’s LaCasera. It’s a soft drink.”

“Ehen? Talk true? I thought it was soup”, she snapped, reclining on the air as if it would hold her. And it did.

 “What year do you think I died? It tastes like Coca-Cola, but sweeter. Do they still make Coca-Cola? Give me some more, or you want me to stay here talking away all my spit while my mouth dries up?”

“Oh, sorry Mma”, Ibi stretched the bottle toward her awkwardly.

Mma Asa leaned forward in the air and rested her thumb on her nose the exact same way Ibi’s mother did when she was irritated.

“We used to be intelligent in this family. What kind of men have these girls been having children with?”

Ibi poured more of the LaCasera in the grass, wishing she’d thought this through a bit more.

Mma Asa licked her lips, crossing one suspended leg over the other and said: “Eh-hen, now why did you call me?”

“So… I had this exam -”

*

The thing about family is that sometimes, they overstay their welcome.

When they pasted the Junior WAEC results the next semester, Ibi and every inquiring eye saw her C in Mathematics. A miracle in black and white.

Over the years, the thing Ibi would come to regret the most was that she’d carried a lifelong aggravation on her head just to pass Junior WAEC, the most useless exam in existence. In hindsight, she realized that her mother would have gotten over it and put it behind her; eventually.

One thing Ibi was never going to be able to put behind her though, was Mma Asa. Through secondary school, university, the beginning of her career, and now as she was preparing to get married, Mma Asa had inserted herself in Ibi’s life. She made an appearance at any event that seemed even remotely pivotal.

Your ancestors were supposed to watch over you from afar… subtly guiding you down destined paths, diverting disaster, shaping the surface of the earth into something soft for those who walked the roads of life after them, whispering loving suggestions in dreams and tickling the stomachs of their children with premonition.

Mma Asa did not whisper gently, she snarked dryly with her mouth curved up on the left in an almost-laugh and turned down on the right as if dragged down by the weight of Ibi’s incompetence. She did not tickle, she pinched Ibi’s ears and twisted them toward the truth, no matter how harsh it was. And she did nothing from afar.

Ibi had never heard of an ancestor who appeared unsummoned and then went on to demand libation. She was like an uninvited guest you came back from work to meet in your parlour, if a guest could float imperiously above your couch peering at your ceiling fan and proclaiming it dusty (even though you’d started cleaning it regularly after she’d told you that one of your foremothers who’d had a birthmark on her left ankle like you had died of a strange cough). Ibi had to keep a supply of LaCasera in the fridge because Mma Asa got annoyed when she arrived (uninvited) and there was none to offer to her.

An aggravated ancestor meant misfortune. Ibi had learned the hard way when she’d woken up on the day of her university graduation with a pimple so large that her roommate exclaimed: “Who did you offend?”

Ibi did her best to keep her happy. It honestly wasn’t all bad. Having such an attentive ancestor got her a fair amount of unmerited favour and kept a lot of trouble away. Casual curses that would be inconvenient to the average person just bounced off of her. “It-won’t-be-well-with-you”s, “May-you-purge”s, “Someone-will-disgrace-you-too”s had no effect, and it was a good thing they didn’t because Ibi would have had an unmanageable amount of them without the shield Mma Asa provided. After all, she was her great-grandmother’s great-granddaughter. Brashness bred in the blood.

For the most part, they were a good fit. Mma Asa advised and nagged, and Ibi heeded her or ignored her and supplied her with LaCasera. Mma Asa told her stories from the spirit world and the 60s, and they laughed at how different life was from death, and lamented at how different the country was after over half a century. They were each just hardheaded enough to handle the other. Mma Asa held Ibi in her palm, keeping her safe, and Ibi held her close in return, even though neither one would admit it.

That is, until Uko. We know already that this story is not about love, but stubbornness. And what is stubbornness but pride? What is age, even immortality, without pride? Nothing. But what is youth, what is life, without pride? Nothing.

Uko was a suitable suitor. Suitably handsome, with a suitable job, suitably kind and most importantly suitably sensible. Sensible enough to expect nothing from Ibi that she wasn’t willing to give. He seemed to love her, and she liked him. And if you think of it, she didn’t like many people, so maybe she actually did love him. Just a bit.

He didn’t talk a lot. He wasn’t shy, he just didn’t have the strength for peoples’ rubbish. Ibi didn’t either, so she snapped at them. Uko didn’t snap though, he just ignored them. So, while people called Ibi a wicked-witch-bitch, they called Uko cool-calm-collected. They bonded over their mutual disdain for other people, their love of afang soup, and later to Ibi’s delighted surprise and surprising delight, the fact that they both had interfering ancestors with an inordinate interest in their lives.

The thing about family is that sometimes when you hold them close, you must hold their grudges too.

Weddings are one of the events where ancestors are required to be present. On the day of the official introduction, Mma Asa was surprisingly mellow. She watched Ibi get ready without her usual critical running commentary. Ibi assumed it was because she didn’t put much stock in marriage. She’d been married five times while she’d been alive, after all, and was convinced this wouldn’t be Ibi’s last wedding.

“Ibi.”

“Mma?” Ibi answered, adjusting an earring.

“After today… I don’t think you’ll be seeing me as often.”

Ibi was silent for a while, annoyed that she wasn’t as relieved as she should be.

“Why is that?”

“Look, this marriage thing bores me. I did it five times…and I’m not very good at it,” she trailed off at the end. She cleared her throat and continued, “Besides, I think I’ve managed to knock sense into your head already, not so?” she asked with her half-up-half-down smile.

Ibi turned back to the mirror, chewing on the thought of not having Mma Asa constantly scowling over her shoulder, and finding that it wasn’t as sweet as she’d have expected.

 “You have. But this marriage thing isn’t going to be my whole life. Uko won’t be my whole life. Things are different these days. There are other… important things in my life I’ll need you for. Plus, how will you live without LaCasera?”, Ibi cleared her throat.

“I’m not alive. But you are. I think I need to let you live your life”

“Alright” Ibi rolled her eyes, “Will you visit?”

Ibi thought she saw the right side of Mma Asa’s mouth turn up for the first time since she’d broken a boy’s nose in SS2 for slapping her. It was too quick to tell. She nodded slightly before floating up to the clock and saying, “Is it not time? Let’s get this over with.”

*

Ibi should have known things were going too well. She was called out to meet Uko’s family and she waited as Uko poured out libations for the representative of his ancestors. The acrid, heady scent of the Guinness led Ibi to expect a stern, lined face and a sombre disposition. She should have known to manage her expectations where the ancestors were concerned.

They heard her laugh before they saw her. She was a large woman, with a larger smile. She looked about the same age as Mma Asa. She carried her portly frame gracefully as she floated toward Ibi and embraced her.

“Ibi! Uko has told me everything about you!”, she enthused, patting Ibi’s cheek

It hadn’t occurred to Ibi to be worried that Uko’s guardian wouldn’t like her. She’d met his parents and they’d seemed slightly intimidated by her but resigned to the marriage. The fact that this woman seemed to like her was a pleasant surprise.

Ibi spilled the LaCasera (which had been poured into a cup for respectability’s sake) with an uncharacteristic smile that she partly blamed for what happened next. Mma Asa appeared with a look of boredom that swiftly turned to shock.

“Who is this?”, she asked disbelievingly.

“Uko what is this?”, asked the other ancestor, pleasant even in her perplexity.

Who was it? It was Uko’s great-great-grandmother, Mma Eme. What was it? It was coincidence, it was destiny, it was a reunion, it was almost war, but they were able to separate Mma Asa and Mma Eme before they could curse each other so thoroughly that any children Ibi and Uko might be destined to have would never agree to come to earth for fear of cataclysmal misfortune. Mma Eme had kept up surprisingly well with Mma Asa, given her initial jovial temperament.

Later that night, after the curtailed introduction, Uko and Ibi managed to piece together an understanding of what had happened from conversations with the ancestors and what they had overheard of the insults. It seemed the two women had known and hated each other in life. They were now forbidding the marriage.

Unfortunately for them, Ibi had decided to marry Uko. That meant that Ibi was going to marry Uko.

So, she was going to have to find a way.

*

“Please give me one LaCasera and one Guinness”, Ibi told the woman at the kiosk.

“No light since two days. E no go cold o,” the woman said, snapping her chewing gum and lazily adjusting the blue wrapper that held the baby on her back.

The woman came back with the drinks in a black bag which Ibi immediately snatched, handing her a five-hundred naira note.

“I no get change o,” the woman said, but Ibi was already halfway down the street.

She met Uko outside her house.

She opened the Guinness with her teeth before handing it to him because she’d forgotten to bring an opener. Uko always called her an agbero when she opened bottles like that. Mma Asa had taught her how to do it.

She poured the LaCasera as Uko poured the Guinness and they spoke the words that their parents’ parents’ parents had passed to them through their children. The LaCasera and Guinness mingled as they poured through the air and mixed in the earth where they landed. Ibi’s mother liked to drink Sprite mixed with Star beer at parties. She said it was called shandy. Ibi wondered absentmindedly if this was shandy too.

They appeared at the same time. Mma Eme wasn’t laughing this time. Mma Asa didn’t even look angry, just slightly sad. They both looked a bit sad.

“Uko,” Mma Eme said gently, “I know how much you want this, but I can’t agree to it. I can’t.”

“What did you even do to her?” Ibi asked Mma Asa.

“Why do you think I did something to her?”

“Didn’t you?”

“We both did unfortunate things,” Mma Eme conceded.

“We want the both of you to resolve this,” Uko said.

“What even happened?”

“I don’t exactly … remember. But it was bad.” Mma Eme said. She had the grace to look embarrassed.

Mma Asa, on the other hand, had no shame “We may not remember the details, but I remember swearing that if I ever reconciled with her in this life, untold misfortune would befall me and my descendants.”

“Hmm.” Uko said.

“I don’t know how you’re going to fix it, but I’m marrying him,” Ibi insisted, sniffing twice and turning away.

For the first time, Mma Asa was scared. She knew she could not talk Ibi out of this.

“But wait… you’re not alive,”, Ibi turned on her heels, facing the ancestors.

“Yes, Ibi. We know.” Mma Eme said kindly.

“No, I mean she’s not alive now and she said ‘in this life’. So, why can’t you reconcile now?”

“There is no reconciliation between the dead unless they are bound by blood.”

“They have to be related?” Uko asked.

“Yes.” Mma Asa replied.

“What about the living and the dead?” Ibi asked.

Mma Eme hesitated, “They would have to be bound by blood.”, she finally answered.

That revelation moved Ibi’s expression like a hand in a bowl of water from dread to resignation and although it didn’t show on the surface, joy.

*

One year later, in a haze of pain, Ibi thought something might have gone wrong. Uko handed the bundle to her and she saw nothing familiar in the child’s face. No nostrils flared in indignation, no eyes pinched, searching for a subject of critique. She was almost relieved, almost disappointed. But then the baby squeezed its face into something resembling a sweet smile on the right side and a bitter frown on the left, and Ibi sighed a satisfied, longsuffering sigh and drifted off to sleep.

Gabriela Harry
Gabriela Harry is a 20-year-old Nigerian writer living in Calabar. Her work often explores the stories, experiences and perspectives of Nigerian, with a supernatural twist. Her short fiction piece, “A Foundational Problem”, was published in 2020 in Random Photo Journal.

The Jini – Wangari Wamae

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Wangari Wamae
Wangari Wamae is a writer from Kenya who enjoys writing fantasy stories.From as early as she can remember, Wangari has been drawn to books as anescape from the humdrum of ordinary life. If lost, she could always be foundin the book section of the supermarket. She is drawn to writing as a way toshare the beauty of her imagination with readers. Wangari enjoys adventure and can often be found on a hiking trail every other weekend.

I was eight years old when I took my first trip down to the coast. Before then, I’d only ever seen a beach on television, and I was excited to swim in the warm salty water and build castles in the pristine sand. When we got to the beach, my mother turned to us and said, “Don’t pick up anything from the beach or from the ocean.”

I knew she was worried about us bringing home a jini. Back then, you couldn’t afford to dismiss anything as superstitious. We’d lived next to a mchawi in Nairobi. If we are being technical, she lived in the neighbouring plot but when you are that close to a powerful witch, do semantics really matter?

Whenever I imagined a jini, I always thought they could be found in a Coke bottle. Perhaps it was because the song ‘Genie in a bottle’ was all the rage back then. I’d heard that they were always a shadow, following you around and wreaking havoc in your life. You would have to return the accursed object back to the ocean if you ever wanted to be free of the spirit.

Sometimes, according to some victims’ recollections, a jini would take the form of a cat. I laugh as I remember the trip to MombasaI took last year with a few friends. We’d taken to calling the cat that hang around our short stay apartment Fatuma. I think we all had a sense of apprehension though, every time we stepped out at night and caught the cat staring at us with those piercing green eyes.

I am shaken from my reverie by the familiar jingle that comes before an announcement. The train is pulling up to the station and my weekend of debauchery is about to begin. I take hold of my duffle and exit the train, feeling the shift in my spirit as I make my way out of the station. Being down at the coast does that to you. Makes you forget your troubles like all you were ever born to do is have fun.

I make a beeline for the first taxi driver in sight, bidding my brain to summon my best Swahili accent. I do my best attempt at one as I haggle with the driver over the fare but I still sound like a Nairobian. It’s my vocabulary. Even with perfect mastery of the accent, you’ll sound foreign if you don’t know the right words to say.

I pay the taxi driver the fare as I alight at my accommodation. He doesn’t budge on the amount, but I don’t split hairs over it. I’m at the coast and I feel like a king. Mombasa will do that to you, even if you have just five thousand shillings in your pocket. It engulfs you in its warmth and charms you into parting with the little you have. You will return home broke, but very happy.

I take a nap and it’s early evening by the time I wake up. I freshen up and head out for a night on the town. The club is full of Nairobians. I observe them as I nurse my drink at the counter, careful not to drink too much too fast. They are loud and rowdy and scantily dressed. I silently pass judgment; I am not one of them. I shed my Nairobian status at the train station.

After a few hours I decide to head out to Bob’s. You’ve not partied in Mombasa if you’ve never been to Bob’s. It is your closer. After the club scene, you’d come down here with your friends, have beers and wait for sunrise. It has a chill vibe to it; a parking bay turned into a bar with large barrels for tables and no roof.

It is 3 a.m. It is early for Bob’s but I don’t mind. I can’t do the club scene without my friends. There is only a small crowd here when I arrive and from the look of them, they are local. I saunter over to the bar and order a beer.

I survey the crowd as I sip my beer and that’s when I spot her. She’s looking at me and when our eyes clash, she smiles. She is the most gorgeous woman I have ever seen: honey-coloured skin, brown curls cascading around her face, perfectly sculpted curves enveloped in an olive-green dress. Olive-green is a strange colour, but it must have been made just for her.

She walks up to me, her hips gently swaying beside her and it’s enough to send a jolt of electricity down my body. I put down my beer on the counter beside me and wipe my sweaty palms on my shorts.

“Hi! I am Binti,” she says, smiling sweetly with her head gently tipped to the side.

I shake her hand and introduce myself. She smells like coconut oil but not the regular, pungent kind. It smells like the expensive Kentaste brand; the one that smells like cookies. I buy her a drink and we make small talk for half an hour. I cannot believe my luck when she invites me to tumble with her. I down the rest of my beer in one gulp and lead her home.

The ride home is short and I spend the majority of it fighting the prickle of hair standing on the back of my neck. I cannot remember the last time I felt such unease but I dismiss it as performance anxiety.

On our arrival, I offer her a glass of water, which she accepts. As I busy myself grabbing the glasses, I chide myself for not having more distinguished refreshments. When I turn around to hand the glass to her, she is gone.

In place of the exotic beauty is a looming shadow, black as night, with white slits for eyes. For a moment that seems to stretch into eternity, I am frozen in place as those white slits pierce through my eyes as if looking to see into my soul. I will myself to move but I only manage to widen my eyes further.

It advances towards me and the glass I am holding slips from my hand and crashes to the floor. I let out a whimper as the shadow forms a long thin arm and makes a move to grab mine. I hardly process the cold clammy grip because at the same time, the shadow is forming a mouth. The mouth widens as it inches closer to my face, turning into a gaping hole that threatens to consume me whole. As my knees buckle and everything turns dark, the last thing I hear is a distant, blood-curdling scream.

I wake up to the sounds of waves and the caress of sunlight on my skin. Where am I? I half open my eyes and register the silhouette of palm leaves above me. Is that laughter I hear? I force my eyes open and the most unmanly scream leaves my mouth. I am stuck amidst the branches of a coconut tree and I am completely naked. My palms and feet are getting sweaty, as they do when I am nervous or afraid. And I am definitely afraid of heights.

I twist and turn as carefully as possible so I can assess how high up I am and also to hug the branch as tightly as I can. There is a crowd of beach boys below me. They are falling over themselves with laughter.

“Huyu kapatana na jini usiku!” One of them opines. They nearly choke as they laugh even harder, slapping knees and each other’s backs.

They help me down eventually, after helping me battle my intense fear of falling from the branches. One of them climbs the neighbouring tree to retrieve my clothes. A middle-aged man gives me a sympathetic look and tells me not to worry. At least I think that’s what he said.

I learn from the boys that I am in Kilifi. They tell me I am lucky I didn’t wake up in a cemetery like other unfortunate men. They do not hesitate to repeat the story of my misfortune to any passerby curious as to the cause of the commotion. My dignity must mean nothing to them.

I don’t even bother going to collect my things from the apartment I had let for the weekend. I am on the train back to Nairobi by the afternoon. The moment I woke up on that tree, a chill settled within me. Despite the warmth and the humidity, it hasn’t left me and I know it never will because I also feel it in my soul.

END

Wangari Wamae
Wangari Wamae is a writer from Kenya who enjoys writing fantasy stories. From as early as she can remember, Wangari has been drawn to books as an escape from the humdrum of ordinary life. If lost, she could always be found in the book section of the supermarket. She is drawn to writing as a way to share the beauty of her imagination with readers. Wangari enjoys adventure and can often be found on a hiking trail every other weekend.