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Origami Angels – Derek Lubangakene

5

By Derek Lubangakene

When I was eleven, my best friend could kill you with a handshake.

He almost killed me the first time we met. On that fateful day, I was out of class having been caught passing a chit in Mr. Mboyo’s maths test. Given the choice between touching my toes and receiving canes, or getting reported to my mum, the schoolmistress, I chose being reported. I knew my mum would be too busy to punish me if I kept out of sight. I might still get suspended, or have to dig an anthill, or sweep all the classrooms in our block, but all that was nothing compared to Mr. Mboyo caning you.

Mr. Mboyo, afraid of the endless drizzle outside, scribbled a chit and sent me to the admin block. On the way to mum’s office I branched off into the library a.k.a. the computer lab. The 6E kids, busy thumbing keyboards and squinting at computer screens, didn’t pay me any attention as I sneaked behind the wobbly chairs on my way to the stairs at the end of the narrow church-like room. It was a miracle I escaped Mrs. Nadya’s all-seeing gaze. I locked the creaky door behind me, and climbed to the roof.

No teachers ever came to the roof. It overlooked the school farm, and if the wind was strong, it smelled like manure. It was the last place my mum would send a prefect to search for me. You could spend the whole day there and no one would ever bother you. Problem was I was so restless, I always got bored.

I waited for the drizzle to thin before squatting near the edge of the flat roof and shredding Mr. Mboyo’s chit into the rain-swollen gutter.

“What are you doing there?”

Startled, I turned thinking it was a prefect, but it was only the new kid in 6E, Asaf. Everyone called him Safi, like the juice. Yes, he was that brown. Not me, though. I figured if I never called anyone by their nickname they’d have no reason to call me by mine. Dunk, short for Duncan. That’s what everyone called me except for Malik, my arch-nemesis. He called me Dung.

I stood up to sneer at Asaf, but I didn’t realise how much taller he was.

“Mind your business,” I said.

“You’re littering, aren’t you?”

“Well done, Inspector Gadget.” I poked at his Casio DB-55 databank watch, “Are you going to report me? If so, I’ll report you too.”

“What for? I’ve done nothing.”

“For smoking,” I said.

“But I’ve not been smoking,” he said, his voice breaking. Some prefects had keys to the library and often smoked on the roof after class. Prefects were usually older kids, kids who couldn’t come to school unless they’d shaved. Though Asaf wasn’t much older than me, he was tall enough that if I grassed him the teachers would believe me.

“Yes you have.”

“No, I haven’t.” He turned his pockets upside down, and as though synchronised, a paper boat fell from each pocket. He dashed down to pick them, but I got to them first, on account of being shorter. I backed away from him and admired the boats. Well, catamarans. I’d seen many boats, but never a catamaran. The stern was solid while the legs were lighter and made of a brownish paper.

“Did you make these?” I asked. Origami had only recently become fly. Every kid could make a paper frog or paper plane, but I couldn’t even fold a cone. I made my hate of paper-folding public, yet secretly longed to master the skill.

Asaf lunged to grab the catamarans from me. I spun to dodge him, but he hit my shoulder and I dropped both boats into the drain. Asaf chased after them, but the rushing rain chucked them over the roof before he could snatch them. Instead of helping, I stood frozen.

He rose; his eyes twinkling with unshed tears. I leaned over the edge of the roof and saw the boats in the drain below. They looked like butterflies crumpled by a clumsy, sweaty bully.

“I’m sorry, I didn’t—”

“Don’t tell me your sorrys. Just leave me alone.” Asaf headed for the stairs.

“Hey Asaf!” I called after him, but he didn’t stop.

I ran after him and grabbed his hand. The way he sent me flying over his shoulders and down the stairs was the baddest jujitsu I’d ever seen; he must have had a black belt in kung-fu. But this was more than kung-fu. An electric current tore through my body like that time I was shocked by the flat-iron. This felt like six flat-irons at the same time.

He ran down and knelt beside me on the landing, murmuring, “I’m sorry, I’m really sorry. I never meant—”

He gripped my right hand in his, making me shake even more, then my left hand and… I can’t explain it… it was like he absorbed whatever it was he’d zapped me with. I stopped shaking. I remembered to breathe seconds later.

“Please don’t report me. I’m sorry.” He got up and ran away.

The stagnant water on the stairwell soaked through my khakis, though I think I might have wet myself also. I lay there for a while, telling myself what had happened was only a weird, weird dream. I promised myself to steer clear of the new kid… but then I saw Asaf’s watch lying where he’d knelt.

*

I didn’t see him at the weekly P.E. class in the pitch behind the mess hall, or at Friday’s general assembly. I considered keeping the watch, but my curiosity wouldn’t let me. I had to find out how he’d zapped me.

A week later I saw him bobbing across the quadrangle. The bell for end of break had rang, everyone was rushing to class like scattered ants. Asaf stood out in the middle of all those people, like that scene with the lady in red in the Matrix movie. Asaf walked the same way she did, his head down, his movements measured as if he was trying not to be noticed.

I followed him and cornered him around the canteen.

“What’re you doing?” Asaf asked.

“Nothing,” I replied. He looked at me like he was considering zapping me with his eyes… I shifted my body sideways. Narrowed his target.

“Leave me alone then,” he sidestepped me.

I reached for his hand then thought the better of it. “I have your Casio. I picked it. I didn’t… here, take it.”

Asaf stared at me a moment, then held out his hand, palms flat and open. I placed the watch carefully, making sure I did not touch his hand. He pocketed the watch and turned to leave.

“I’ll be at the roof later. If you want to race paper boats,” I said.

“How? There’s no rain today.”

“I know. But I can fetch a bucket of water and—”

“I have extra classes.”

He bounced.

Later that day, right after the bell for the end of extra classes rang, he showed up. He hovered by the roof door as though considering a clean retreat if anything went wrong.

“You came.” I couldn’t hide my excitement.

He shrugged. He walked over and crouched beside me to look at the crumpled comic I was reading.

“You can read if you want,” I said.

Hmmn, superheroes? Only babies read superheroes.”

He unzipped his bag, pulled out a comic with a dark blue cover. On the front of it was a man who looked like the explorer Sir Samuel Baker holding a long rifle, an Indian man dressed in gold and green silk holding a sharp silver sword, an ape-man, a ghost wearing a suit, and a lady fanning herself.

“What’s that?”

“The League of Extraordinary Gentlemen.”

“Sounds like superheroes,” I said.

“No. They’re anti-heroes.”

“What are ant-heroes?” Apart from Asterix and TinTin, I never knew non-superhero comics existed.

“You have to read them to understand.”

In the following weeks he would introduce me to Sandman, Akira, Moonshadow, and the Watchmen. Asaf hated superheroes. He didn’t believe in miracles or superheroes, despite being an unlikely example of both.

*

I lived in the teachers’ quarters, a tiny yellow flat barely enough for me, my parents and my twin sisters, Apio and Achen. Asaf and I would spend evenings at my house, reading comics and playing my Nintendo 64 until my dad returned and demanded to watch the news.

Asaf’s house was farther away from school, in the shadowy valley below the Blood Bank. We called it the Valley of Death because every year some hopeless kid would wander into the thick forest there and meet Mzee Polycarp, the ageless farmer who carried a sickle to chop off the head of any lost kid. Or so we were told. It was a stupid myth, but we loved vague things like that. Asaf’s house wasn’t much bigger than mine, but it was just him and his father so there was more space. It was neat, with an underlying Dettol-like scent filling the living room. Asaf assured me it wasn’t iodine or antiseptic. It was fabric softener.

“Ha-ha. Do you have a lot of khakis and corduroys?” I asked the first time I visited.

“No. The humidity is low here.” Asaf explained. “Fabric softener prevents static from clinging onto me.”

Marcus, his photographer dad was a lanky, narrow-eyed man in overalls. He and Asaf looked more like siblings. If he’d been shorter and hatted, he’d be Mario from the Super Mario game. I liked him. The shelves in their living room had more books than the school’s scanty library. They spent their evenings cooped up around desk lamps reading. Comics for Asaf and boring novels for Marcus. Silence was welcome here. Being an only child suited Asaf as much as being a single parent suited Marcus.

I envied Asaf. He didn’t have to deal with my mean, cry-baby sisters.

On their birthday that year they threw a party and invited all the kids from the teachers’ quarters, including Malik. Mum and dad had a late staff meeting and couldn’t be there. On top of that, the electricity went off mid-way, when we’d just cut the cake. Malik used the darkness to pinch half the cake and though he denied this when we lit some candles, he forgot the crumbs were still around his mouth. We sat in a large circle on the carpet, telling stories while waiting for the light to come back, but after thirty minutes Malik and the rest of the kids returned to their flats. It remained just me, Asaf, whom I’d invited against my sister’s wishes, and my disappointed sisters.

The lights returned as soon as the others left, but it kept flickering and we couldn’t put on the TV or radio. This further annoyed my sisters as they were missing their favourite show, Sunset Beach. When the lights stabilised, we’d have to let my sisters watch whatever they wanted, since it was their birthday. It was only eight o’clock, Asaf’s father wouldn’t pick him until nine, and we would rather have died than watch Sunset Beach. So I begged Asaf to perform for them instead.

I made them sit on the sofa then I rubbed one of their birthday balloons in my hair until the static was strong enough. Then I handed it to Asaf. Without touching it, he grabbed the balloon from my hand and raised it towards the ceiling. It danced above us for a long while then floated down into the space between my sisters.

Asaf bowed, rose, stooped to wipe his nose with the bottom of his t-shirt, leaving a dot of blood.

“That’s a stupid magic trick,” my sister Achen said. “You used a string to pull up the balloon.”

I shoved the balloon in their faces. “Show me where the string is?”

They swiped their hands over it but found no thread.

“You cut the thread when you pulled it,” Apio said.

“I didn’t!” I flipped my palms over to show them my hands, “See—”

They shook their heads, refusing to believe me.

“You cheated!” Achen shouted.

“Yes. You got us. We cheated.” Asaf agreed, pulling me away as I tried to argue further. “Good trick though, yes?”

But they looked at him funnily. Like him agreeing with them was fishy.

“What’s that on your nose?” Apio asked.

Ewww! He’s bleeding,” Achen added.

Asaf wiped his nose again and turned to me. “I think the electricity is stable enough now?”

I nodded, finally catching up. Stupid me. I had forgotten the unwritten superhero rule—keep your superpowers secret. Asaf’s disguise was like Superman’s. He wanted to remain harmless like Clark Kent. Less trouble for him that way.

But like Clark Kent, Asaf’s secret couldn’t remain a secret forever. My sisters told the balloon story to Malik, one of the best science students of his class. At first, he dismissed it, saying it was only static electricity. I wasn’t there, but the way I heard it, my sisters were so firm on Asaf being some kind of Frankenstein that Malik decided he should investigate it himself.

It was all my fault, really. I never should’ve dissed Malik’s bussuu technique. Though he was reigning school champ, I had beaten him before, and felt confident challenging him. In bussuu, your goal is to slap your opponent’s hands until submission. Your opponent places their hands together, then you have to try and slap the back of their hands while they part their hands to make you miss. If you miss, it’s your turn to get slapped and vice versa. Malik’s technique involved pretending to sprinkle salt over your hands and slapping with both hands. Not illegal, but it gave him an advantage; he rarely missed.

And nothing would’ve gone wrong if I hadn’t got a knuckle-breaker from Mr. Mukisa for drawing on the edges of my science textbook earlier that day.

At lunch, Asaf and I showed up behind the canteens for the duel. Malik’s friends had spread word about the whole thing and the back of the canteen looked like a scene from the movie Fight Club. Even my sisters were there.

My hands hurt so much even Malik’s ‘salt sprinkling’ hurt. Malik bussued me, once, twice, three times. On the fourth turn, I threw my hands up.

“You win, Malik. You win!” I said.

“Are you sure? I can go slower, give you a fighting chance,” Malik circled me. Drawing cheers from the mob.

“No. I’m sure.”

“Wait,” Asaf stepped into the circle. “I’ll take his place.”

I tried to push Asaf back into the crowd, but he refused.

Aahhh, let him bussuu!” chorused the mob. These kids had skipped lunch to watch this. They wanted to see some epic bussuu, not my weaselly surrender.

Malik bussued Asaf at least two dozen times but Asaf refused to surrender. When Malik finally missed, I begged Asaf to let his turn go, knowing what would happen should he bussuu Malik. But Malik was confident Asaf would miss on his first try, he insisted that Asaf go ahead.

“Take off the gloves, though,” Malik said.

Asaf hesitated, but finally slipped them off, handing them to me.

Then Asaf bussuued Malik, and Malik flew five feet into the mob.

Asaf stared at his hands with a fixed, blank look, then at Malik who was lying on the ground, shaking.

I rushed to his side and pushed him. “Go! Go away before someone reports,” I whispered loudly. He snatched his gloves and ran towards the dining hall, the mob parting easily for him.

After school, I went to Asaf’s house, but he wasn’t there. Neither was his dad. I returned home to find my dad waiting for me, ready to tell me I couldn’t be friends with that ‘dangerous fellow’ anymore. He made me go down to Malik’s flat just one floor below ours, to apologise.

Malik appeared to take my apology graciously, but when his mum wasn’t looking, he ran his thumb across his throat like the wrestler The Undertaker would right before he annihilated you with his Tombstone Piledriver.

The next day in Ms. Hadiya’s Home Economics class, Asaf faked nausea and left early. Mrs. Hadiya tried to pair me with Jemima and Nambi, but they’d heard about the Malik incident and didn’t want to be paired with a trouble-magnet like me. Baking alone was torture. My cake came out runny. Like thick porridge.

At break, I went up to the library roof, where I found Asaf making an origami something.

I sat beside him, “Hmmn, what’s that supposed to be?”

Asaf shrugged.

“At least it’s not as ugly as the cake I baked. Thank you very much bytheway.”

“I’m worried for Malik. I don’t know what I should do,” Asaf said.

“He’s okay. He’s a tough bastard that one.”

Asaf screwed up his face. “Maybe I should go apologise.”

“For what? They’ll probably think you’re crazy and call your dad, and suspend you for lying. Just forget it. In fact, we should be feeling sorry for ourselves. Malik is going to repay this. Trust me.”

And repay he did. He began calling Asaf El Zappa, and it spread like flu. He drew cartoons of Asaf— hair radiating from his head in fluffy spokes, eyes bulged out, with sparking hulking hands—and plant them all over the notice boards and toilet cubicles. Once he painted a pair of hands on the monkey bars and refused to let any kids play there, saying they were Asaf’s and anyone who played there would get some of his residual current.

I tried to get Malik to stop. I lent him my Nintendo, but he burned the shape of a hand around one of the pads.

“Don’t blame me, I found it like that,” he said when he returned it to me. “That’s what you get for letting El Zappa play with your things.”

I should’ve grassed him then, but the pad still worked, and Asaf begged me to drop it. Though Asaf never spoke about it, I knew he was suffering. Something in him seemed to have evaporated.

One day, Asaf, frustrated that this wasn’t ending, tried to pluck the latest drawings from the notice board but the paper clung to his hand. His rage had created an adamantine bond with the paper, despite his gloves. He swung and swung and swung, but the paper held on like gum. Malik and friends gathered around laughing.

“Don’t mind them,” I put my hand over Asaf’s shoulder. “They’re just jealous.”

Asaf shrugged my hand away. “Why do you care?”

“You’re my friend, that’s what friends do.”

“I didn’t ask you to be my friend.”

“What do you mean?”

“Why do you want so much to be my friend, Duncan?”

“Because…”

My mind went static, like the chewed part of a VHS tape.

“Just leave me alone.” Asaf walked away, still flapping his hand.

The next day there was another drawing, and the day after that. But they were all the same. Asaf zapping this, zapping that. Me in the background looking confused. It soon got old. In the meantime, Asaf wouldn’t talk to me, though we still had Home Economics class together. He’d do the work and leave. I’d go up to the roof and wait and wait, and Asaf would never show up.

A week later, at inter-house football semis, Malik kicked the football straight into Asaf’s face. Asaf had been standing on the sidelines, not even part of the game. Seeing him fold onto the pitch, his nose bleeding I rushed onto the pitch and punched Malik who had started walking away like nothing was wrong. Malik punched back. We scrapped like ruthless tomcats—scratching, hissing, cussing. It took the ref, my dad, separating us before I let go of Malik’s collar.

Malik’s mum and my mum sat us down in my mum’s office and tried to resolve the situation, but neither of us would grass on the other. In the end, my mum confiscated my Nintendo, and made both Malik and I sweep all five sections of our class for two weeks.

We left our mums in the office and as soon as we were outside I turned towards the sick bay. Asaf had been taken there with a bleeding, possibly broken, nose.

The nurse had just discharged Asaf when I walked into the sick bay’s lemon-coloured waiting area. He walked with his head bent upwards, pressing a cloth to his nose.

“What do you want?” Asaf scowled upon seeing me.

“Are you alright?”

“My nose isn’t broken. My pride though, that’s another story.”

“Didn’t know you had any pride to break,” I said, smiling.

He smiled back, then winced as his nose still hurt.

“At least tell me that bastard got suspended.”

“No.”

“You made it worse didn’t you?”

“Not worse. Just not better.”

“You shouldn’t have got involved then.”

“I was helping you.”

“Duncan, your help always brings trouble. Just don’t help me anymore. I have a plan.”

*

Malik and I didn’t fight, or talk as we swept the five classrooms that evening. I kept glancing at the doorway expecting Asaf to show up. But he didn’t. Nor did he come to school the next two days. At General Assembly that Friday, my mum announced Asaf was sick and wouldn’t be in school until Tuesday the next week. I grilled her about it at home but she knew only what she’d said, what Marcus had told her over the phone.

In Asaf’s absence, the drawings finally stopped.

Asaf showed up not Tuesday, but Wednesday. In Home Economics class we baked mermaid-shaped cookies. Ours had the best shape and Mrs. Hadiya made everyone clap for us.

“Keep it up and I’ll enter your names for the PTA gala competition,” she said.

“This is even better than my plan,” Asaf whispered.

“What plan?”

“My– our plan to defeat our nemesis.”

Malik had registered for the competition weeks ago. He was so sure of himself he didn’t mind showing everyone the scooter he’d be competing with. He’d made it from scrap. He’d come second in the previous year’s gala and won a Sony Discman. I was third and won a certificate. I hadn’t bothered to register for the gala this year. I didn’t have the energy to compete with Malik, even though the prize would be bigger. A BMX bike. I had already given up.

But Asaf wasn’t going to give up. We took Mrs. Hadiya’s advice and registered a joint project for the gala.

“What happens if we win?” I asked. Wondering how we’d share the prize bike.

“Beating Malik is the only prize I want,” Asaf replied.

“How are going to beat him?”

“Origami. It’s the one thing he can’t do.”

And so started our quest to make the perfect origami.

*

We spent our afternoons seated on the roof, despite the scanty shade, fiddling with papers, only stopping when the sky turned from the colour of a fresh wound to a blackened scab.

Asaf and I spent forever sketching, mapping and fidgeting with foil-backed paper and tissue foil. We perfected valley folds, reverse folds, squash folds, crimp heads, fold flaps, pleats. Asaf was obsessed with the idea of perfection, so we worked on each piece until it was as close to perfect as possible. Perfect catamarans, a perfect Titanic, perfect dragonflies. But nothing was quite good enough for Asaf.

Finally, while seated on the roof one late afternoon, a butterfly floated above us. It was unusual for a butterfly to soar that high. In that Asaf found the idea for his perfect origami. A floating angel. Making angels in origami was easy, but an angel that floated on its own – that was insane.

“How are you going to flap its wings? With strings?” I mocked.

He paused from his sketching, said, “You can either help me create something amazing or spend the rest of your life getting laughed at by Malik.”

I felt small with that statement, but he was right. Malik and I could trade blows every day of term but making this perfect origami would show the whole school what a talentless bully he really was; it would surely annihilate him. I agreed to help, but the way Asaf worked, I couldn’t keep up. He was like a mad scientist, like he had a deadline to beat, even though the PTA gala was six weeks away. Though his nose-bleeds and dizzy spells worsened, he wouldn’t stop. He worked harder after each failure.

“You don’t even believe in miracles, why are you trying to be God?”

It was one of those times I asked Asaf a question and immediately regretted it.

“My dad believes he will be God once he takes that perfect photograph. I am not trying to be God; I’m just trying to be better than my dad.

“Besides, you have to break an egg to make an omelette,” he said, quoting Ms. Hadiya.

“Not if you end up breaking the hen that lays the egg,” I said.

We spent a lot of time test-flying origami angels, and watching them crash. We modelled a mini-engine from the motor of a handy fan. But the angels couldn’t hold the weight of the motor or its batteries.

It was hopeless. As the days progressed the light in his eyes dimmed, he looked pale, like something ate at his stomach. Every time I asked if he was okay, he’d shrug and say: “Okay enough.”

In the meantime, Malik spent every break showing off his scooter. Asaf and I would watch from the roof as he charged kids five hundred shillings to ride it from the monkey bars until the end of the parking lot. The line was so long some kids would always end up fighting. I liked this, wishing some kid would mistakenly break the scooter. That never happened though.

One afternoon, after spending hours folding and fiddling with paper by the edge of the roof, Asaf started feeling dizzy. As we rose to go sit under the shade, Asaf lost his balance and fell backwards into the overflowing rubbish bins below. I knelt over the edge and saw him in the rubbish, unmoving. I called out his name but he didn’t respond. I rushed down and dragged him out of the rubbish then lay him on the veranda. Like in the movies, I slapped his face until he awoke.

“Are you okay?” I asked.

“What happened? Where am I?” he asked, touching his cheek.

I explained what had happened.

“Stop lying,” he said. “I don’t even feel anything.”

His nose was bleeding though. And it wouldn’t stop. Usually it was just one or two drops which he’d wipe easily. This one kept on coming. Drop after drop after drop.

I braced him on my shoulders and we shuffled to the sick bay. The nurse made Asaf hang his head back and raise his feet, But the bleeding continued. After several minutes of this, she called my mum and they organised the school van to drive Asaf to St. Claire’s Hospital. Before we left, my mum called Asaf’s father and asked him to meet us there.

Marcus arrived like ten minutes after we got to St. Claire’s and a nurse took him in to see Asaf. My mum and I waited in the waiting area for another two hours before Marcus returned. He walked into the waiting area like a zombie. I’d never seen sadness like that. Not even in movies. He looked like his face was going to melt right off his skin. He didn’t even notice us.

I tapped Marcus’ arm. “Is he going to be alright?”

Marcus stared at me like didn’t know who I was. Then he shook his head. “A candle that burns twice as bright…”

Marcus sat in between us and buried his face in his palms. He didn’t cry or say anything after that. My mum put a hand on his shoulder and kept it there a long while. I wanted to do the same, but it seemed such an adult thing to do. I waited until both my mum and Marcus fell asleep, then I sneaked around the corridor opening the doors to different rooms until I found Asaf’s.

Asaf lay propped up on his bed, staring at the machines beside him. When he saw me come in, he smiled a weak, tired smile.

I walked over and put my hand on his shoulder.

“You’re going to get better, yes?”

He nodded, but wasn’t convincing,

I squeezed his shoulder, “This is bad, isn’t it—”

“Not as bad as you think…” Again, that weak, tired smile.

I pulled the visitor’s chair closer and sat down.

Despite looking and feeling so weak, Asaf wouldn’t give up on his origami angel; he believed we’d finish it in time for the PTA gala. He talked about what was missing and what we needed to do to make it work. He went on and on, not once would he talk about his sickness.

Over the next few days, we worked from his bed; he would prop a million pillows behind his back and use the floor as our scrapyard. Because he couldn’t work as hard as he had before, I had to be more involved. Problem was, he was the one with the master plan, and the coordinated fingers to make all that paper folding work. My crab hands were as useless as a pistol to Superman.

As Asaf’s health didn’t seem to be improving, mum volunteered to bring some kids from school to cheer him up. A bad idea. But once mum has got something into her head, good luck stopping her. The kids, including Malik and my sisters, came to the hospital with get-well-soon cards and balloons. Malik apologised and offered Asaf a go-around on his scooter. Asaf, in turn, made some balloons levitate and they all clapped and cheered. But after they had all gone he turned on me.

“Why did you invite that bastard here?” Asaf shouted.

“Who? Malik? He’s okay. He came as a—”

“I don’t care what he is. He came here to spy on our project, can’t you see that?”

“Can you shut up about the stupid origami for once. It’s not everything, you know.”

“How can you say that? Of course it’s everything. It’s our chance to beat that bastard and shut him up forever.”

“That’s not important anymore. I just want to see you better. That’s all I want.”

“You don’t believe I can do this, do you?”

“What? Asaf, come on—”

“Answer me!”

“No, I don’t. Not if doing it will also mean killing you. Malik can win the bike; I don’t care—”

“Get out.”

“Come on, Asaf.”

“Leave me alone! Go and never come back, traitor!”

*

For the PTA gala, I made a collection of origami Mortal Kombat characters, I even painted them… no one was impressed, least of all myself. Malik won first place. I didn’t even win a certificate.

Though I had stopped going to see Asaf, I thought of him often. So when father came home one afternoon and said he’d received a call from Asaf’s nurse in the hospital saying he’d requested to see me, I expected the worst.

I raced to St. Claire’s, panicking. I found him laying on his bed watching TV. Asaf had always been a skinny, half-starved looking boy, but with all the pillows propped around him, he suddenly looked fattish and bloated.

He saw me, smiled and waved me closer. “I think I’ve cracked the origami angel.”

“I don’t believe you.”

He whispered, “Take me to the roof and I’ll show you.”

The nurses were used to me staying over late, so they didn’t mind me sleeping over. When it got dark and the hospital slept, we placed some pillows under his sheets and snuck out using the service entrance. It was a long climb, but arm in arm we made it to the cold, dark roof. We sat on the edge and listened to the silence for a long while. When he was ready, Asaf got to his feet and stood, swaying in the dark, staring at the empty sky. He pulled out the origami angel from his pyjamas, and cupped it with both hands.

Asaf opened his palms and conducted its levitation using his left hand, like a puppeteer.

And it flew. It actually flew. It wobbled and kicked its little invisible legs, but up it went. It flew higher and higher, flapping its long majestic wings. Each inch it floated strained him like kryptonite, but he kept the bond with the angel strong.

It was beautiful and scary. I wished it wouldn’t end.

Finally, Asaf let it go. We sat down, and watched the pale stars as if our angel had drifted that far and was looking over us, though we knew it had fallen somewhere down in the parking below. We didn’t speak. Had we created the perfect origami? Had we tried to become God and passed? I don’t know. But what we’d done was unreal. Magical. Something beyond us.

We returned to his room. Though he was weak, Asaf was overjoyed. He wouldn’t stop smiling. He held my hand and didn’t let go. I slept in the visitor’s chair.

The morning after, I walked out into the parking lot and spent the whole day searching for the angel, but I couldn’t find it.

Asaf—Killer-Handshake, Dark Thunder, the Boy God—my best friend, didn’t make it past Christmas that year.

I choose to believe our origami angel floated up to heaven and didn’t come back. The same way I believe that somewhere in the skies above Asaf is forever looking down on me. Forever reminding me I don’t need superpowers to make the impossible happen. I just have to believe, like I had believed in him.

Derek Lubangakene is a fiction writer and screenwriter living in Kampala, Uganda.
He is a contributing editor at Deyuafrican.com, an online repository for contemporary African writing.
His work has appeared in River River Literary Journal, Prairie Schooner, The Missing Slate, The Kalahari Review, Lawino Magazine, and the Imagine Africa 500 Anthology, among others. He is currently working on his first novel.

The Third Set of Stitches – Ray Mwihaki

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By Ray Mwihaki

It rained worms in the fifth year after the springs coughed their last. That morning, the entire village of Kiawamagira – women, children, men, and shapeshifters – prepared to go up the hill to the last mugumo tree to pray to the God of Kuyu and Umi. Each season, we would make a sacrifice at the tree to try to entice the clouds to come over the village in the valley. But season after season, the rains would pass our village by.

It was not wet but it was not dry either. The pipes that joined Kiawamagira to the water board grid 286 years after Nairobi had been connected, still coughed water and were the pride of every home. But for a failing farming community like ours, the water was no salvation. The yellowing plants mocked us. The sight of thinning cattle taunted us. And no matter how much we boiled the pipe-borne water, our teeth continued to turn brown.

We had come to believe that the failing rains were the reason the soil had started to kill most of what we tried to plant, the reason the village could not grow and the reason we could not leave. The ones who tried to leave would be struck by great misfortune and would have to return and live in squalor.

And the ones who were enchanted by the beauty of the valley and came to live there? Their fate would be sealed once they broke the ground they settled on. They would become one with the valley and all their deeds and misdeeds would carry the curse of Kiawamagira.

But Maahinda, the eldest son of the village, had promised that all this would soon be over. We just had to wait for a sign, go up the hill to where the decree was made by his grandfather, my great-grandfather, and unravel the net that his words had woven around us.

On that morning, the morning of the cursed shower, we buried our cell phones in a pit near the old spring, shaved our heads, and bound our necks with belts. We dug up the remains of our father’s fathers and stitched a bit of what was left on the collars of our everyday shirts.

I felt a shiver as daddy roughly stitched a patch of my great-grandfather’s rotting tweed jacket onto my tattered brownie uniform. I stared into daddy’s eyes and imagined what my great-grandfather must have looked like. I knew he must have been tall, but I doubted I would see the red rage that stared at me from the depths of daddy’s eyes.

That evening, there was a feast in every home, including ours. Mami had slaughtered and grilled our fattest bull. She spiced the carcass with lemon and garlic, and a bitter herb that was meant to keep us from getting too full too quickly.

“Where did you find spinach, Mami?” I asked. She always told me a story as I ate my dinner. It brought colour to the meal and I could almost taste what food must have tasted like when Kiawamagira was green and rivers flowed through it. I would feel the warmth of the bonfire that led lost travelers home. Though I had never seen strangers welcomed the way they were in Mami’s stories, I hoped I would see it someday.

“Eat your vegetables, Kui,” Mami whispered as she threw a worried glance in the direction of daddy who sat in a corner of the room, “and be grateful to Umi that you have green on your plate. Do you know how many people are starving in this village? Some only have the marrow from their cows to eat.”

“The girl asked a simple question.” Daddy’s rugged voice rose from the shadows cast by the peeling Cowboy cartons nailed to the mabati. “Tell me. Me, I want to know if you have been singing that silly song to the food. Poisoning me. Poisoning the girl with your tall tales.”

“Your daughter needs to know the laws of this land. If singing your father’s decree will keep us from starving and save this village for Kui’s children, I shall sing at the top of my lungs!”

 “Where do you think telling her these things will get her?”

“They will keep her alive. They will teach her how to save this village. She is the only child left in your forefather’s lineage. You and I both know the long and short of those tales. We were there when it all began. She needs to know where we started to go wrong.”

“Nonsense! We are in the modern age! We have piped water and people wanting to buy our land. Don’t start to reason with your heart like Baba Njoki and his people. He wanted to give strangers our land. He wanted us to share the little that we have. Use your head! We need money to survive. We can’t go giving away our birthright to every beggar who comes our way!”

“We have always had plenty. We could always share. Even now when the curse…”

“The curse, eh?” Daddy sneered. “What about it, woman?”

“I am afraid.”

“Of what? A tree and a few words? What can it do?”

“Kill us. Like it killed Baba Njoki. Hanging by his belt, suspended on nothing but air.”

The laughter that released itself from my father’s throat cut the silence of the night like dawn cuts the darkness.

“The tree did nothing to him! You don’t even know the half of it. Baba Njoki was weak.”

“You also died that day. You are not the man I knew.”

“Eh, do I look dead to you?” He thumped his chest. “I am strong. I came back stronger the day Baba Njoki hanged.”

“Na uria nda gaya,

Mundu ona uriko

Ndakanagerie

Gutunyana kana kuuragana…”

“Weh, you girl! Don’t sing that song in this house!” Daddy kicked the table so hard the food flew and landed close to my chair. I slid under the table, grabbed a piece of meat from the floor and tore into it.

***

“As I have divided

Let no one

Try

To steal, to kill,

The matter is sealed

Before the god of Uyu and Umi

If anyone comes

To seek a home or food

Give, share

You with plenty

And this clan shall thrive…”

“…Whoever goes against this word, shall die

Even if they repent

For wherever there is no light,

No growth shall be

Kill him

Let their lineage disappear

And, Kiawamagira thrive and live forever!

That is my decree

And so shall it be, by God.”

Mami’s voice danced with the sound of the howling trees, lulling me in spite of the cutting words of caution that the song carried. She had sung my great-grandfather’s decree every night for as long as I could remember. Sometimes, she would tell me the story of the first trip they made up the hill to the mugumo tree.

“Where your guka’s father was, God was,” she whispered as she tucked the blanket under my shoulder.  “That time, Kui, that first time we went up with him, we were sure one of us would die. I had heard the stories from before we came here. Stories of how the mugumo tree would kill anyone who had stolen or murdered, or refused to share their bountiful produce. But that year, we all came back alive. Until the time we went up without him.”

I had found love for my great-grandfather in the way she mimicked his voice. Her big brown eyes glowed against the flame of the pressure lamp. Her cheeks filled up as her lips curved into a smile.

“Is that when he left us?” I asked

She nodded. “And the rains left us too…”

“And the springs dried. And It came to take the small and beautiful. Now we wait for our forefathers to call for us, we wait to hear our punishment,” I concluded, knowing the tale all too well.

“That’s also the year you were born. Five years ago tomorrow.”

I drifted off to sleep with the image of a lush, green valley spotted with grazing cattle and fruits of every kind. I imagined my great-grandfather standing tall in the beautiful wilderness that had been his inheritance and the stories that must have nestled his dimples, the same ones that he had left behind on our faces.

***

Early the next morning, before the first light, we made our way to the old mugumo tree that rose majestically at the centre of Maahinda’s farm, at the highest point of the village where Kiawamagira’s 8-mile road kissed the railway. Its leaves hummed the song of lost causes and its trunk cast a shadow across our path as we walked up the hill. Maahinda, my father, and the three village elders marched ahead, leaving a space where Baba Njoki should have been. Their wives and children followed, and the rest of the village trailed behind.

The branches shook violently against the wind as Maahinda touched his head to the last cut he had made on its bark. One by one, all the elders lay their heads against the foot of the tree and we circled around them.

We waited for the belts around our necks to be pulled taut against our delicate skin. We waited for branches to fall and seal the fate of entire families. We waited for our fathers’ forefathers to wake. We waited for God to speak. We waited, until a rag doll with twelve red stitches, some sewn between its legs, others around its chest and some still on its head, fell on my head.

“The word has been spoken,” Maahinda announced. “Go back to your homes. Kui shall save us all.”

I stood transfixed under the mugumo tree, staring at the rag doll, wondering if I should pick it up and sing to it the songs Mami sang to me. I crouched beside it and gently caressed it. I felt a sharp pinch between my legs when I touched the set of stitches between its legs. Everything went quiet. Until the edge of Mama Njoki’s Women’s Guild wrapper touched my arm and suddenly, I was up in the branches of the mugumo tree, soaking wet. I saw my father, Maahinda, and Baba Njoki sitting by a stream that stemmed from the tree. I tried to scream for them to let me down but, like the rag doll, I had no mouth.

***

 “I have no children left, my brothers,” Maahinda began. “No wife, no parents, only you and this land, the pride of our grandfather who has joined our ancestors. It is our time now. Let’s get our land back from the squatters and these women who bear you no men.”

My father’s face lit up. “Heh, imagine the money we can get, Baba Njoki. We won’t need to rely on the rain for food. We can buy it from the peasants!”

Baba Njoki glared at the two men. “These people have done nothing to us, Maahinda. As for wives and children, we are blessed by God and truly, I have no interest in taking any more than I already have.”

“Baba Njoki, everyone knows that Njoki isn’t yours.” Maahinda sneered. “She came with that woman who hasn’t given you a child in all the years you have been married. Now you want them to inherit what was meant to be for our lineage without paying a cent?”

“When I married her, Njoki became my daughter – my flesh and blood.”

“Eh, so you think I cannot make a wife out of her?” My father laughed. “You can’t tell me you don’t see how her hips are filling up and those nyonyos poking through her shirt. If I could even have one day with her, I would save the juices of her youth and sip from them forever. “

“Over my dead body!”

“That can be arranged,” Maahinda retorted. “Baba Njoki, you need to accept that Njoki is not our blood. She is fair game. If you shall not let us take back the land we have shared with the squatters, then at least let your brother have some fun with her.”

“The words of our grandfather are more important than a few extra coins. I shall not be party to this!” Baba Njoki rose from the rock he was sitting on and headed down the hill.

Maahinda turned to my father. “What if I told you that if you strike the mugumo tree with this axe, you can have Njoki after the ceremony tomorrow?”

 “Give me the axe,” said father.

When I came back to my body, it had been a day since the ritual. Mama Njoki was between my raised legs. Her face was pale and her eyes but a slit.

I wailed for my mother and pleaded with her to stop, but she did not look up from the tender bit of my flesh that she was sewing. As she made each agonizing stitch, the clouds drew closer. And with each feeble wail I let out, they grew heavier. When she was done, she let out a scream that shook the earth under me and rolled me down the hill, limp.

* * *

They walked in excited steps on the beaten path, careful not to step in the puddles of water. Aimless banter flying from one’s lips to the other’s ears. They filled the silence the birds had left with the laughter and the eagerness of youth. They sat down by the seasonal stream, next to the lone mabati house, their Palito radio squeaking some reggae tune. Muthoni tried to sing along but seemed to be singing a different song altogether. Njambi stood and shook her behind, grabbing her hair in reckless abandon.

I watched them from the hole in the mabati wall. I knew It was coming. I could smell it. The same scent had hung in the air when Mama Njoki was between my legs those many years ago. It was also the same scent in my dreams.

Everything I had seen in my dreams was happening in real life: for days the sun had scorched the plants, then the rains had flooded the road, killing two cows and leaving pools of murky water everywhere. Now, it was time for It to come for the young and vibrant. The ones whose youth spoke to the earth and calmed the storm that threatened to rise. They were the perfect target. At the wrong place, at exactly the right time. They fit the last piece of the puzzle perfectly. I felt the butterflies fluttering in my belly.

“One…”

I heard a growl above the music and laughter, I was sure of it. I subconsciously touched the scar where my left ear had been; I could feel warm fluid ooze out of it. It was close.

“Two…”

Every five years, It came to take a share of the succulent, unadulterated beauty of the village. And each time, I would get twelve stitches. I no longer remember the pain, but the visions that came in those moments remained. Now, I was one scar shy of saving the village, of “Welcoming the new age of development,” as Maahinda said.

“Three…”

We had all come to terms with it. After all, it was a small sacrifice for the bountiful harvests that came right after. We knew when It would come calling and made sure to stay off Its path. Someone had failed to warn these two, or maybe they had chosen to ignore the warning. They were playing peak-a-boo with the devil and the ‘boo’ was not too far off…

I always wanted to be as beautiful as Muthoni and as flexible as Njambi. I imagined myself in Muthoni’s curvy ebony body, her luscious lips on my round brown face, and her leggy form gyrating to the tunes of a famous artiste. But I knew it would never be. I thought to warn them, but I needed to see It. To see that it wasn’t just a dream, something that shook the core of my being in fear. I needed proof.

“Four…”

Its scent hung heavy in the air, putrid like the rotting carcass of a dead dog by the roadside. The butterflies in my belly fluttered with intent, as if they wanted to escape through my throat and witness it for themselves. They choked me. My eyes glistened.

I blinked.

“Five…”

I stood there watching Its shadow come over the girls like a blanket. It was dark, human-like. It moved purposefully above the unsuspecting beauties. Grunting and puffing above the reggae tunes being coughed out by the Palito. Then the screams began and I could no longer hold the butterflies back. I released the cloud of flying colour and grace just as It descended.

In my head, an assault of images from the day after I was chosen descended like boulders.

A woman in a Women’s Guild headwrap ripped out souls from the wombs of women whose husbands had licked her juices. I saw my father dance with the young beauties of the village, drawing their spirits out as they gyrated to the rhythm of the crickets by the stream. He pulped those spirits and drank their youth. 

Njoki. Njoki had tried to escape his snare but his cloud had descended upon her with the same fury I always saw in his eyes. The glee on his face as he buried Njoki’s pulp in the pavement outside Number 28, Kijabe Street, burned like an eclipse in my psyche.

I blinked.

They were gone. The girls, the images, the butterflies. The stream had turned pink. It was beautiful. I stepped out to take in the newly cleansed village, and there my father was.

It.

****

“Mami, let’s get away from here.”

Mami got into bed with me, as she did every night after It had come. “And go where?”

“Let’s go to the city.”

“What would we be doing in Nairobi?”

“Don’t you ever want to see the development that Uncle Maahinda and da-” I sighed, unable to speak his name. Dusk had turned to night since It had come, and rage continued to eat a hole in my gut. I could not eat, no matter how much my mother pleaded with me. I could not believe that a great man like my great-grandfather could have borne the same blood as Maahinda and my father. “I’d like to see what they are on about.”

“Kui, this is the only home I have ever known and you know what happens to people who leave. It’s too big a risk.”

“Mami, remember the day I was chosen?”

She blew out the candle. “How could I forget, Kui?” I heard the tremor in her voice. “Every time after that, you have had to pay the price for our rain.”

“I have had it better than those It has taken.”

The room fell silent. My mother’s body stiffened. Her sobs shook the bed.

“I shall not be here when Mama Njoki comes calling again.” I continued.

Mami fiddled with the leso that she had wrapped around her waist, knocking into me as she did it. I cried out in pain.

“Shh… take this. This will get you to the city.” Mami pulled my hand towards her and pressed a bundle wrapped in a handkerchief into it. “Leave now and wait by the railway. There’s a train that comes by at midnight. It shall get you to the city in an hour.”

“What of you?”

“I will be here waiting for you.” She got out of bed, found the matches on a stool beside it and lit the candle. “I always knew that you would leave, just as I know that you will come back.”

She left my room, unlocked the wooden door to the house, and slipped into the darkness of the room where It slept.

***

It was not difficult to find Kijabe Street. All I had to do was go west along Nairobi River, which reeked of sewerage and despair. I could see why Maahinda was enchanted by the city’s development. Here, glass buildings lined every street almost kissing the sky, roads were paved, and it smelt like affluence. Yellow lamps lit the streets, lulling the street urchins to sleep with their white noise. No dust, no flies or donkeys braying.  On Kijabe Street, the last row of houses closest to the river were made of pre-colonial stone.

I stood glued to the pavement outside Number 28. I could feel Njoki’s cries below me.

“You came,” her voice floated in the wind.

“Show yourself.”

“Free me, and I will.”

“How?”

“You know the song that heals the land. Sing it to the land, loud, and I shall be found.”

I could no longer stand to listen to the song that had doomed us all. But somehow, it escaped my lips.

“Na uria nda gaya,

Mundu ona uriko

Ndakanagerie…”

The pavement began to heat up and the wind stood still.  The words cut my tongue like razors as they left my lips.

 “Gutunyana kana kuuragana

Uhoro ucio ni nda tiriha

Mbere ya ngai wa Kuyu na Umi

Mundu ona uriko

Oka gucaria ha guikara kana irio

No muhaka, mumuhee

Inyui mwi na nyingi

Niguo ruriri rwitu rwarame…”

I could feel Njoki’s spirit reintegrate under my feet as each drop of blood fell from my lips to the ground.

“Oria ugacejia uria ndaiga, niagukua

Ona e cokerera,

Haria hatari utheri,

Gutingetherema.

Ni oragwo,

Ruriri rwake ruthire

Kiawamagira guthere na guture tene na tene!

O oguo niguo ndaiga

Thai thathaiya ngai, thai.”

My feet were burning but I could not move. Njoki tore through the ground, throwing me so far in the air; my head hit the street lamps seven feet above me. I landed right at her feet, beside the hole she had emerged from.  Every inch of my body moaned. The rubble cut through my dress and into my flesh. I winced as I touched a wound on my calf. I yearned for Mami’s tumbukiza, the steaming broth with chunks of meat and vegetables that seemed to heal all wounds.

Njoki smiled at me. “I have been waiting for you, Kui. Shall we go home?”

“In a minute.” I whispered.

***

The rain had started to fall in Kiawamagira. People woke up to flowing rivers and streams bubbling. Rain mites flew over the village and danced with the butterflies. Mama Njoki let out a wail that drew thunder and lightning to the village. My father was struck and so was Maahinda.

My mother danced in the rain, trying to catch butterflies.

 “Kui, you have made me proud,” she whispered.

Ray
Ray Mwihaki, also known as Rachel, is a creative humanoid creature who lives on the outskirts of Nairobi. She spends her time reading children’s books and other books, writing and making crafts, dreaming and cooking. Her work is driven by passion and the quest for a quiet, sane life. Her stories and poetry have been published in small publications, her plays have been staged and her films have been watched by few. She hopes that will change.

The Switch – Rèlme Divingu

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By Rèlme Divingu

Translated from the French to English by the author with the help of the “Harrap’s Shorter” Dictionary.

I

Early in the morning, Ndossy left home to go to the factory, as usual. She worked as a repairwoman of domestic robots for the ODJULU Society, a multinational company that had a monopoly on the African android market. However, instead of taking the aerial train, she took an aerocraft that led her up to the MUZY society inside the district of Inguela in Western Africa, two districts further.

The aerocraft landed on an army base. Straight away, she was hit by the terrible heat of the Sahara Desert. As it left the base, the aerocraft generated an eddy of sand that forced Ndossy to wrap her head up in a scarf. The border post was defended by EKA-120 robots. They looked like short-legged pressure cookers and Ndossy had to present her numeric membership card of the African Reformed Coalition to them. They scanned the card and let her cross. A few seconds later, she heard a shot behind her; they had fired on a young illegal immigrant who had tried to flee, killing him in cold blood. Those military robots were real beasts!

The district of Inguela was known for its severe security and immigration laws. It was the reason why the majority of prosperous people on the continent lived here. And where there was money, you were absolutely sure to find a MUZY branch, one of the entities entitled to accomplish “the Switch.” Invented by researchers from the African Institute of Technology (A.I.T), the Switch had revolutionized medicine and science. One could now extend one’s existence merely by jumping from one body to another. It was considered by many people as a great step towards eternal life, even if death wasn’t completely eradicated. Today, only people of the poor and middle class could die. The wealthy didn’t know death anymore. They had just to buy a new body and transfer their mind onto it. It was immortality, on condition that you paid top price for it.

Many inhabitants of neighbouring districts came here to find casual jobs, hoping for future success. But since the invention of the Switch, body donors were the only jobs available in the buried district—Inguela’s nickname. Save for the access points for the lifts necessary to join the surface, the district was entirely underground.

Ndossy dived into one of these lifts. As large as a shipping container, they normally accepted around thirty people, but during morning rush hour, when employees came from other districts to work in the factories and offices, they contained double that. Ndossy was compressed between the dripping armpits of two office workers gripping the overhead security handles. The lift went down at a speed of a hundred miles per hour causing some people to feel sick and others to pass out. Fortunately, that wasn’t the case for Ndossy.

The lift’s door opened on an amazingly lit platform; it felt like daylight! The temperature was chillier than on the surface. Around her, the office workers rushed into rail-cabs and disappeared into the district. Ndossy made her way to the railway’s 3D holographic map and looked for the location of the MUZY society. Right after she found it, she leapt into the next rail-cab.

When she got out, she saw the four letters of the society’s name were displayed on the pediment above the entrance to the building. They sparkled in flaming red and underneath them was the slogan of the society: Do not die. Live! Ndossy went up the front steps. Just as she entered the building, a number appeared on the inlaid screen in her forearm. She had been identified by security cameras as one of the people who had an appointment that day. Ndossy’s appointment number was 285. She had thought she would get a better position, seeing that she had arrived so early. But she hadn’t taken into account that some people had been waiting all night long.

She called a seat and a gigantic robotic arm lowered down to her. Ndossy sat down inside its cocooned seat which instantly got back into its place in the air, among hundreds of others. She put on the virtual reality glasses inside the cocoon and chose one of the various entertaining activities proposed to pass time. Three hours later, in a small room with spotless white walls and only two salmon pink leather armchairs, an adviser met her.

The adviser was a middle-aged woman with cute little wrinkles in the corner of eyes. Her smile was pleasant and seemed genuine. Her face reminded Ndossy of her late mother and made her feel safe. Ndossy didn’t know that other advisers were presenting the same physical aspect. Computing calculations based on deep-learning had shown that body donors felt more capable of stepping over the red line when they were welcomed by a middle-aged woman who acted in a motherly way.

The adviser gently asked Ndossy to have a seat in the chair facing her.

“I hope you have not had to wait too long?” The adviser asked.

“No, I enjoyed climbing Mount Kilimanjaro.”

“Oh yes, the new programs in our virtual reality glasses allow this kind of activity. And so?”

“Excuse me?”

“Did you reach the summit?”

“Nobody can climb the Kilimanjaro in three hours!”

“You’re right. But what you are going to do is like climbing a mountain, isn’t it?”

Ndossy lowered her eyes. This woman had certainly had this discussion with hundreds of other candidates before. She evaded the question.

“How does it go?” Ndossy asked.

“Technically, the Switch consists of a quantum cloning of the brain. All cerebral functions and memories of the dying person are duplicated and transferred onto a body donor via a machine. Have you spoken of it with your close relatives? I read in your record that you are married and the mother of a five-year-old child.”

“My son is seriously ill. He needs a new body. Unfortunately my husband and I haven’t got enough money for it. I want to do a swap. My body in exchange for a new one for my son.”

“If you make an exchange, your relatives won’t receive any financial compensation.”

“I just want my son to live.”

“You know that laws surrounding children’s Switch are very strict. No human being is entitled to donate his body before they come of age, therefore, children are involuntary donors. Parents can decide if they want to donate the body of their child only after their child’s death. And any compensation you would receive will go to your children. Unlike some unscrupulous firms, we are very careful of the origin of our bodies.”

“You allude to the trafficking of human bodies?”

“Indeed. Unfortunately, the invention of the Switch caused the emergence of this new kind of criminality. But you can be sure that the body into which the mind of your child will be put won’t come from one of these Mafia-like networks.”

“How can I be sure?”

“You said it yourself: nobody can climb Kilimanjaro in three hours!”

How many people had been welcomed by this woman? How many times had she made this smooth speech? Among the 284 persons that had preceded her, how many had chosen the Kilimanjaro program in their waiting cocoon? Were they all passed into this office? Was everything measured and analyzed? Was there no place for chance? Was there no place for life?

“I will send you a tactile contract on your forearm screen. After you read it, if you still want to give your body, scan the fingerprint of your forefinger on it to confirm. You have two weeks to make up your mind.” The adviser said.

“And what about my son?” Ndossy asked.

“Don’t worry, your son will be in good hands. You will even be able to give him a goodbye kiss.”

Ndossy came out of the office deeply moved. Had this woman only just realized that this was a life and death issue? Kimeka, her husband, didn’t know the choice she was thinking of making. Would he be capable of forgiving her? Going down the front steps, Ndossy couldn’t help looking over her shoulder. The four letters above the entrance shone with a bloody glow that gave her the creeps. She took an aerocraft and set off back to her district of Gabonika in East Africa.

II

Eli was playing in the disinfected room specially built for him inside the flat. He was running after the hologram of a fox terrier. Ndossy would have liked to offer him a real dog made of flesh and blood, but it was out of the question. Eli was suffering from a rare genetic disease that affected his immune system. Even a mere cold could be fatal. The deficiency had been diagnosed not long after his birth. In his case, genetic therapy wasn’t possible. Ever since then he lived, or rather tried to live, inside this glass cocoon that separated him from the world. Despite great breakthroughs in the field, it was still impossible for medicine to give one something that nature had deprived. Ndossy watched him through the bay window. Their gazes met and Eli beamed at her. A tear slid down her cheek. She had two weeks to make up her mind.

Kimeka came back home an hour later. Like Ndossy before him, he stopped in front of the glass fence. No human being should have to live like that, to be in jail when you were guilty of nothing, he thought. What did he do wrong for his son to be in such a terrible condition? Was it the consequence of an ancestral curse? No, Ndossy and he were not responsible. They didn’t have to feel guilty. It was nature that was at fault. It was chance that was to blame. Kimeka checked his forearm screen and read the slogan displayed there.

At that very moment, Ndossy, who was in their bedroom, came and locked him in a tender embrace. He shut the screen down.

“What were you reading?” Ndossy asked.

“An advertisement.”

“Again! We asked our network access provider to stop them!”

“You know, it’s always possible for these firms to break firewalls.”

“And what was it this time? Another one prompting us to join Mars, I bet,” Ndossy said offended.

“Yes.”

“That’s unbearable! When will they understand that we feel good on Earth and we don’t want to leave?”

“We are engineers. We seem right for the job. How was your day?” Kimeka asked to change the topic.

“The same work, you know how it is,” Ndossy answered quickly.

They kissed.

Their son stopped his play and began hugging the Proxy-220 robot that took care of him every day.

“Look, he is imitating us,” Ndossy said. “I would so much like to take him in myarms.”

“If only we could offer him a new body,” Kimeka muttered.

Ndossy gave a start. Her husband had had the same idea! Did he, like her, make an appointment with an adviser of the MUZY society? Ndossy thought to reveal to her husband what she had done during the day, but she felt incapable of it. She put her head upon his shoulder and looked at her son through the glass and sighed.

Suddenly, the flat’s lights flickered. It was the signal of someone’s presence in the doorway. On their forearm screens displayed the face of a grey-haired woman with beautiful bright brown eyes – the MUZY adviser. Ndossy almost fainted. What did that mean? The woman wasn’t supposed to appear for another fifteen days! She hadn’t given her agreement yet! Unless…

“I am sorry to disturb you this evening. My name is Clementine Mbenga. I am a consumer adviser for the MUZY society.” The woman on the screen announced.

Kimeka took his wife’s face in his hands and kissed her forehead. He turned to look at his son.

“I know I should have spoken of it with you, but just try to understand it’s not an easy thing to say to your wife. I hope you will forgive me.”

Kimeka was still gazing at his son, his eyes misty with tears, when the MUZY agents came into the flat.

“No! Please! Don’t do this!” Ndossy shouted gripping her husband’s garments as they began taking him away. She couldn’t find any more words and just knelt down crying all the tears of her soul.

Entering the living room, the old woman ignored Ndossy and acted as if she hadn’t met her just that morning.

“Here is the child! Please, bring the Incubator,” The adviser said.

The MUZY’s agents put Eli into a hermetic box and disappeared with him. Ndossy hadn’t been allowed to follow them. For the second time that day the two women were face-to-face.

“Why did not you tell me?” Ndossy asked, her eyes filled with anger.

“We didn’t know if your husband would confirm his application. His two weeks were almost up. We didn’t want to deny your son a second chance,” Mrs. Mbenga answered. “Don’t worry, soon, you will be able to take him in your hands as you were longing to.”

“The child you’ll give me back won’t be my son anymore,” Ndossy said, drying her tears.

“The body is just a shell in which your son dwells. His personality will remain the same. Trust me, the child will still be yours.”

“And about my husband?”

“Unfortunately, I can’t give you any information about him. But I assure you his body will be animated by life again.”

“The life of another man!”

“Like the life of your son will animate the body of another child.”

The old adviser left, abandoning Ndossy to an acute pain.

Six days later, Ndossy received an invitation from the MUZY Society. The Switch of her son had been achieved.

The reunion was held in Mrs. Mbenga’s office. When Ndossy saw her son, a strange sensation crossed her mind. She felt as if she was taking a leap into the dark. The moment the boy saw her, he rushed into her arms.

“Eli? Is it you?” Ndossy asked, hesitant to embrace the child.

“Yes mom, why do you ask me that?”

“No reason, my angel, no reason.”

Turning her head toward Mrs. Mbenga, she said: “Thank you.”

The adviser nodded back in a friendly way.

Who were the real parents of this child? How did he die? What was his life before the Switch? Actually, Ndossy didn’t want to know. She had booked ahead two space-travel tickets for planet Mars.

END

Rèlme Divingu
Rèlme Divingu’s real name is Marc Divingou Moussounda, he is 31 years old. He is Gabonese and currently lives in the city of Tchibanga. He works as a psychologist in a HIV care center. He has published some of his sci-fi short stories on Wattpad (English) and Atavist (French) under the username “Relme Han”. He likes everything related to the arts and technology innovation.

Omenana Speculative Fiction Magazine Issue 10

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Support us by downloading the Epub version of this edition of Omenana from Okada Books for N300 here

In this Edition:

Editorial

Artist Spotlight: The World According to Olisa Onwualu

Eugene Odogwu – Baby Bones

Ronke Adeleke – Blood Ties

Mico-Pisanti – My Brother’s Keeper

Hannah Onoguwe – Old Photograph

Nerine Dorman: On The Other Side of the Sea

Lillian Akampurira Aujo – The Name Giver

Ekari Mbvundula – Undying Love

The Name Giver – Lillian Akampurira Aujo

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By Lillian Akampurira Aujo

Mother’s head is shaved. In my early days I longed for the day I would see her face. Now that I can see it, I want to pat my fingers to her lips, and imprint her prayers on my heart before they are swallowed by the passing of events. But I have neither bone nor skin to touch and feel with.

Her eyes are the shape of pain and tears. Every now and then she looks away from the mourners – and straight to me as if she can see where I am. But I know she can’t see the cold breeze that I have become, or that I am trying to glean some warmth from her. Her rueful eyes tell me she thinks I am gone for good.

 

A white-haired woman with mother’s nose and mouth brings her matooke, liver, offal, and millet porridge.  But none of it stays down. It is as if I am still in her belly, churning out whatever I don’t want. For days she eats nothing. The bones at the base of her neck threaten to pierce her red brick skin. Her eyes turn yellow and burrow into her face. Her lips grow deep red cracks that could soak up a river. I can almost see her sinking into the ground.

          She shambles away from the group and into the kitchen. I will her to open the fridge. I will her to remember pineapple-sweetness. She strides over and opens it. She reaches in for a white bowl with sliced pieces of pineapple. She eats one, then another, until the bowel is empty. I sigh. At least she can still hear me. She turns to stare at me as if she knows I am there.

When she tires of sitting and staring into me, mother goes to her bedroom and lies on a bed the colour of the sky. She closes her eyes but her eyelids keep fluttering. She tosses, turns, and says a prayer as the thoughts in her head fight each other. She thinks of a man. He is large, very tall. He has a spiky moustache. His eyes, the colour of fire, threaten to burn her.

“It isn’t mine! Get rid of it!” He spits at her in her dreams.

“Who else could have made me pregnant?”  Mother’s voice rises.

He slaps her and shoots his knee into her belly. Her face contorts in pain as she lands on her side. I see myself being thrown about, failing to keep from bruising her from within.

When she gets up there is blood on her cream dress. The big man dashes out the door. She cries out, both hands around her belly. She rushes to a small white bathroom and runs the shower. A red stream that is really parts of me flows through the drain. She pats herself dry, wedges a wad of toilet tissue between her legs, and throws on white knickers and a red dress. She rushes out of the room through the same door the big man went through.

Looking at her memories now, I see that that’s when my journey started.

*

Day and night I stay with her. While everyone else sheds clothing she piles on more. She trembles and shivers like there is no sun in the sky. I know this is because of me – the cold breeze that I am keeps her freezing, but I cannot bear to be far from her.

One time she wanders off and enters a church. It is almost nightfall. She sits on the front pew, mumbling things even I cannot hear. Then she starts sobbing and it sounds like there could be three other women inside her, all sobbing.  I move closer to her. She holds her black sweater tighter around her body. The sobbing becomes like the pattering of rain after a downpour. She rocks back and forth like a pawpaw tree in a storm. Looking at her it seems she will buckle under the grief she is wearing.

The next day they are to bury me, or rather what is left of me. I am only lumps of blood caking the sheets; nothing of my earlier self is visible. Only the cord, sac and afterbirth lie in a small basin like goat’s entrails after the slaughter.

I watch as people, an army of sugar ants, weave through the banana plantation to my shallow grave. I comb through the banana plantation thinking of a way to get back into my body. My mother’s silent tears weigh on the wind around me. I crash into the afterbirth, just as they are emptying the small basin into the gaping hole. This is how I get a body the colour of rust. The one I find myself with, in the new world

*

When my eyes get used to the lack of light, I notice there are spots of shadows darker than their surroundings. They vibrate and stretch towards each other. Sometimes they turn mid way, almost as if what they left behind was calling to them. One comes full speed at me and I duck. It occurs to me then that while I have a soul inside a body, these ones have neither; they are only appendages. I watch as one stumbles into another and they both stop vibrating. Their mourning also ebbs. I watch several mergings before I know how to do it myself.

I work as fast as I can, lumping these dense shades together. I do the same with the light ones. I can feel which ones are peaceful, or happy, or angry.  Putting together an angry soul saps energy out of me. I still need food, but the memory of pineapple-sweetness bears no appeal for me. After a time, I feel faint. My colour fades to a see-through brown. I know the other souls could take over me. So I will myself to enter the world I left behind.

 *

 I breeze into the convent. The air is suffused with the scent of night rose. I kiss the white and purple petals and inhale. I tuck the memory into myself. I spiral into the upturned bell of an orange canna lily – there’s something quaint about being in a cupped space – it tickles too, I giggle. I run through the whorls of a red African hibiscus, like a pebble rippling the surface of a placid well. When the last wave stills, I float from the flower garden and into the chapel. Its double doors flung open are the arms of a homely woman waiting to embrace me. I fall into her bosom.

The nuns kneeling down, with their heads bowed, their white veils – creaseless – folded along the same lines, are like white knights on a giant chessboard. Parts of me think if I moved just one of them the rest would tumble. Other parts think that their prayers – strings – would suspend them in midair, like puppets dangling in a ventriloquist’s hand, and the show would go on. The priest, his litany as fluid as a river, intones.

My soul snags earnest prayers from the altar. I wonder if God would have heard them had I not eaten them. I wonder if He has a chest of unanswered prayers, if He rummages through it sometimes, to answer prayers on a whim. Mine would be to have an eternal hail of prayers, to keep me from dying a second time. I roll myself in the swirls of incense and seep out through the latticed ventilators. There’s a lot to be gained in being a breeze.

*

Jazzy teaches me that there’s more than one meaning to light. She is the next one after me that knows things. The day she joins my new world, the light keeps swelling in whiteness like it could shatter us to beyond existence. The tremor that runs through me is like thunder splitting the sky. Still, I hold out my hands of rust.

I step out of my skin of shadows and into the spot of light. Whatever falls will land squarely in my hands. There’s a pop, a whoosh, then a heaviness in my arms, and above me the light is sealing off, screwing up like the surface of a flat navel.

Flesh as pink as a tongue is squirming in my hold. I can tell it’s a she because of the softness of her yolk-yellow soul. She shakes faster and faster. I struggle to hold her together, so that nothing of her wastes in spillage. She turns, seeking out my eyes. Usually, baby souls don’t know what they are searching for when they look for your eyes. But this one wears the sense of inborn enlightenment, of knowing I have a soul and where to look for it.

She is entering into me now, touching my soul with the nimble fingers of her own yolk-yellow one. My early days unravel before her. This is how I know she is the soul catcher.

When she closes her eyes I feel her back peddling out of my soul.

“None of the others can do that.”

“Do what?”

“See me, touch me like that.”

“There are others here–?” Her words hang in the semi-light, not quite a question, a statement or an answer, but like she is confirming something she was already wondering about.

“Yes, many others, but I couldn’t catch them.”

“Yet you managed to catch me.”

“You made it easy. You’re almost whole. You smell of fresh iron.” I don’t add that the rest are fragments, dismembered souls mingling with bodies that are not their own, all fused together by the smell of old rust.

“What’s that sound?” She asks, as if she can see the thoughts I haven’t spoken.

“It’s the mourning wind. Heavy with the bewilderment of lost, mixed-up souls. What else can such a wind do?”

“It could sing. Form a choir. An orchestra even.”

“A choir of moaning wind … What are you? A jazz maestro? ”

“You tell me. Aren’t you the name giver?”

I sweep in through her eyes and into her yolk-yellow soul.

*

In Jazzy’s early days there is a man perched on a wooden chair with a guitar in his lap. Her mother, glowing and round-bellied, is facing him. He is strumming and singing, and her mother is smiling and swaying with her eyes closed. In her warm darkness Jazzy is moulded into a complete circle surrounded by love. The mother smiles and closes her eyes as the man sings.

My princess is coming

I am a simple man, I don’t deny

Kings so far high know not that I walk this earth

But even a simple man can father a princess

If love is true, who am I to say this isn’t possible?

My princess is coming

When the song ends both their eyes are wells of happy tears. He leans the guitar in a corner of the room and she takes its place in his hands.

The next day, there’s a blotch of red on the mother’s side of the bed and on her white nightgown. Her hands fly to her stomach and she lets out a muffled cry. Her hollowed out eyes meet the man’s, which are now filled with fear as dark as a rain cloud. That is when Jazzy begins to see the white light.

A man in a white coat runs his hands over her mother’s belly. He squeezes jelly on it, and spreads it with the white probe. After some time he shakes his head.

There are wails, like the sort that the mourning wind makes in our world. This is how Jazzy leaves them and comes falling through the navel of light into my arms.

*

“I can’t remember a time when they didn’t sing to me,” Jazzy says.

“Remembering will keep us alive, I suppose –”

“Sometimes I see mother standing in front of many children. She is telling them stories from a book. They are smiling and asking her questions. Sometimes I see her reading those books in the night. Her heart beats faster as she turns the pages. I get curious with her. I follow the word her eyes have left. She loves the stories. I love the stories with her.”

“What kind of stories are they?”

“All sorts, I suppose. Happy, sad, good, bad …”

“Do you remember all of them?”

“Not all at once. They come to me as they please.”

“Do you think we shall ever return?”

“Hope is still hope. But at times I wonder what hope there is in returning to a first dying.” Jazzy looks into my eyes and this time I don’t begrudge her entering my soul.

“Going back is a sweet pain. Who knows, maybe with time we shall find a way not to.” I turn to Jazzy as she retreats from my soul.

“What do you mean? I thought you only go back when you remember.”

“Not only then, I also go back when the prayers run out. They are what we feed on.”

“What happens if we don’t feed?”

“We waste away, piece by piece. Catching souls one can only save so much – when souls waste away they begin to wail. Their wails join the mourning wind and the mourning wind eats out what’s left. Then we are no more.”

“How do you know that?”

“I just know it. Some things you get to know with time. ”

“We must need many prayers then. Where do you find them?”

“The convents are the best, I breeze in empty but breeze out full. Who knows? Maybe one day we shall eat enough prayers to reach God. Or maybe we have already reached Him. Or maybe this is where the nuns pray us to.”

“Do you think it’s the same place our mothers pray us to?”

Her words shoot a star in me. But the feeling is so brief that I think I imagined it.

I feed Jazzy her first prayer. She takes it in morsel by morsel as if she is intoning a few words herself. No new soul before Jazzy has eaten a prayer like a ritual. This is the thing that I love best about Jazzy.

After she’s eaten, I lead her through the semi-darkness, and where the shadows are deeper, we pause. Her soul becomes a magnet that draws the other souls out. They attach to hers, diluting the yolk-yellow. When their mould is complete, she shrinks them off, like the wings of a dandelion fruit dropping a seed. For a moment I think she will dissolve into the gloom about us, but her colour deepens and blows out her body; I know what to do with wasting souls, I think, but I wouldn’t know how to deal with shrunken souls.

Then we watch as their bodies materialise from the semi darkness, as the souls find their way into the bodies. When that is done I bore into their early days and I know how to name them.

*

Our time is marked by the umbilical-light splitting open and sealing off, by new souls dropping into our semi-darkness. Jazzy knows when to be light, dark, or deep to catch a soul.

It depends on how strong or weak, how angry or happy, or sad the souls are. I notice the paling before she knows what is happening to her.

“What’s happening to my colour?”

“Don’t worry, do you feel okay?”

“I think I am going to die. Again,” she adds in a wry voice.

“You aren’t dying. Just getting weaker. You need to feed.”

“But you haven’t gone to the convent in a while.”

“True, but I saved some prayers for you.”

I blow out some fervent prayers into my hands. I offer them to her. She slurps them up, and we return to the business of catching and naming souls.

*

The name giver Omenana issue 10

We stop in front of a shadow that feels like fire. Jazzy’s soul begins to sear and my eyes tear. We try to turn but the hot shadow finds our eyes. We try to shut it out but we find our souls have been bored into by two others, both the colour of a raging forest fire. The two souls fade their burning as they let us into their early days.

“Agony is a joke if you are jerked out.”

“Poked out.”

“A forked hand reaching in.”

“Pulling.”

“Cold metal searing warm darkness.”

“Burning.”

“Being ripped apart.”

“Pieces.”

“Like they need to feed you to many dogs.”

“Human flesh feeds them – satisfies their cravings – we lay there in the cold – watching the fangs tear us to pieces – they tore off my hand – my head – my arms – they dug out my eyes – my tongue – they mangled my heart – his heart – our souls – we refused to be swallowed – we collected all the pieces.”

“I put him back together – he put me back together.”

“As best as we could – as best as we could.”

“Then we went back and burnt them – then we went back and burnt them.”

“Then we saw the light – then we saw the light.”

“Now who are you cold and mellow one – now who are you cold and mellow one?”

They let go of us suddenly. We recoil in the darkness. When our souls return to our bodies, we face two creatures. Their fire red souls, different shades, are patched onto each other. Each has a white eye and a black eye. One has a hand with two thumbs sticking out of his ear and one hand with three middle fingers. The other has two index fingers on one hand attached to his stomach and one hand with four and half fingers. I have never seen souls so ugly.

They look the way I imagined Frankenstein to have looked. Mother read the book a lot in my early days. That’s how I name them Jagenstein and Pokenstein.

*

Jagenstein and Pokenstein are like constantly brewing storms. Their souls fight to put themselves back together. Their bodies fight to rearrange each other. When they have almost got it right, they start all over again. Sometimes Jazzy has to scoop up their pieces and separate them after they have muddled into each other. From this we learn that Jazzy’s other undoing is separating angry souls. She pales faster and shrinks until I shove prayers into her mouth. In such moments, she needs more and more to stay alive.

Between the two of them, Jagenstein and Pokenstein consume more prayers than fifty souls would. My visits to the convent increase. Shuffling from body to breeze and back taxes my soul. If I didn’t have Jazzy, I would have wasted away.

“I wish we could let these ones go,” I sigh.

“We could, right?”

“Yes, but I have a feeling they would take the rest of us with them.”

“I know; the anger they harbour is more than all our lifetimes.”

“And our deaths,” I add.

“I guess they are right to be angry. I mean, they didn’t … come here like us.” Jazzy falters.

“You mean ‘die like us’? You can say it, it’s not like something worse will happen to us.”

“You know what I mean, their mothers didn’t want them; they got rid of them.”

“Does it matter? We all ended up in the same place.”

“Our mothers wanted us. Maybe that’s why we are whole.”

“Whole! She says ‘whole’! Like we can breathe, eat normal food. Feel our mother’s warmth!”

“At least we can think. Can you imagine dying in eternal ignorance?”

“I would be too ignorant to care that I am ignorant. So it wouldn’t matter.”

I leave Jazzy staring after me. I wish I could escape this gloom.

When I feel calmer I look for her again. I find her slumped in another dark corner, beginning to pale. I gather her in my arms, and we return to the other world to gather prayers.

*

We blow wider. We blow further. We comb through stadiums of overnight congregations. We sift through the noises to find the prayers. We lay traps in hearts and minds, as we convince bereaved mothers to sit in sofas, and wring their hearts to people they pay by the hour. The sessions usually end in prayer, and we scoop up verse after verse as they are mumbled from trembling lips.

We enter homes, we look through doors and closets and cupboards, we go up to ceilings to see what prayers might have hidden there. We tuck them into ourselves and thank God we don’t have to knock on doors to be let in. There’s a lot to be gained in being a breeze.

We check under pillows, fluff out dreams to shake the prayers loose, we scoop up even the ones left in the drool; sometimes prayers are mumbled in sleep. We enter cisterns, we snake down drains to retrieve those flushed away.

We catch tunes too. Jazzy also feeds on music. She won’t complain if we go back tuneless but after a day her guava pink skin will tinge into a dirty brown. So we have learnt to intercept radio waves to catch the one station that plays soul music. If it is Thursday we go to a club where her favourite band plays. The singer is a woman with lots of honey and a little gravel in her voice. When we take her tunes Jazzy becomes pink to the point of a newborn baby. She laughs like wind chimes then, and even Jagenstein and Pokenstein try to smile.

*

It is a day like any other for prayer gathering. Jazzy and I start at the convent. The habited nuns are having communion. We are floating in the centre aisle. The last takes her bread. She turns to return to her seat. Her face is dark. But her mouth and chin are the colour of naked flesh, of healing burns. Jazzy and I see the priest’s hands at the same time. They are the same colour. “Then we went back and burnt them – then we went back and burnt them,” Jazzy and I remember our first encounter with Jagenstein and Pokenstein and their raging anger. We stare at the altar and wonder where God is, if He catches our prayers, if their parents’ burns are enough punishment. We return to our new world, not with prayers, but with a kind of fire in our eyes.

 

End

Lillian Akampurira Aujo is a Ugandan writer.
In 2009, she was awarded the BN Award with her poem ‘Soft Tonight’. In 2015 she was awarded the Jalada Prize for Literature with
her story ‘Where Pumpkin Leaves Dwell’. Her other fiction and poetry have been published by Jalada/ Trasition, Prairie Schooner,
Caine Prize, Sooo Many Stories, Femrite, and Bahati books. 

Old Photographs – Hannah Onoguwe

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By Hannah Onoguwe

The chair shifts and I recall it is the one with an unstable leg. But it is too late to get another. No time. My nose brushes against the dusty wooden surface of the wardrobe as I reach again for the edge of the carton in front of me. There are about a half-dozen of them up here. Which one will have the picture frame? I feel the tickle of dust and I attempt to snort air out of my nostrils, but still I erupt in a sneeze. The chair lurches and I freeze, heart wobbling along with the furniture, until it comes to rest. Whew.

A horn sounds at the gate, two short blasts and a longer one. And I hear Tempest, the gateman, shout from the back of the house, followed by the sound of his thundering feet. Kai! Of course today Port Harcourt traffic has to disappoint by being free-flowing. I shove the carton back into the corner and almost lose a leg getting down from the chair. I drag the chair out of the spare room and back to the dining table, use a napkin to wipe the sweat from my face and the dust from my arms, and I have just parked myself in front of the TV when the front door opens. Through it, I see Tempest leaving the compound, likely on an errand for Mom.

“Welcome, Mom.” I am out of breath, does she notice?

Lugging in a bag emblazoned with the Everyday Supermarket logo, she only hums a reply. Her eyes sting with their glare.

“Queen Wakama,” she says derisively.

I jump up to collect the bag, mumbling, “Sorry.” A well-trained Nigerian child should have met her outside to help carry stuff inside. Instead here I was in front of the TV, seemingly unbothered. Mom is not to know that this is as a result of what I’ve been up to. I hope she never does.

As she rustles past me, the flowing sleeves of her bright green ankara dress brush my cheek. The fabric holds the sweet scent of her mango-based eau de toilette, a scent she’s caught me trying on many times.

Later, I help her with dinner. I start peeling the yam, but after a minute of watching me impatiently, she collects the knife and drags the tuber towards her, murmuring something about us being here all night. So instead I wash the green vegetables which will go into the pottage last, and for that she is willing to relinquish control. Through it all I am weighing her mood and what her reaction might be to what I want to say. Since the answer is uncertain, in the end I just spit it out.

“Mom, they gave us an assignment in school.”

Just turning back from balancing the jerry can of palm oil near the burner so it can melt, she shoots me a so what look.

I swallow. “We’re to write an essay–”

“Wakama, is this the first time you’re writing an essay?”

“–on our fathers.”

She grows so still that for a moment she looks like a mannequin.

“So I need to get some information on—”

Mom’s raised palm dries up the words in my throat. When her nose flares in that particular way, it’s never good. But does this woman really expect me to suppress all curiosity about him?

“Are you speaking the truth?”

“Yes, Mom, I—”

“Don’t ‘yes-mom’ me. We talked about this when you were little, and I thought it was over.”

I gape. “I don’t even remember that conversation!”

“No matter, it took place.”

“But it’s for school.” My voice is beginning to thin out and it’s annoying, as I have promised myself I will stop whining. It is unbecoming of someone who will soon be a teenager. That’s what my best friend Powei says.

“Well,” she says, lifting the cover of the pot forcefully, “those teachers are aware that there are single parent families without a father in the picture, so what do they mean?”

“But…if I just had a picture of him, that might help.”

Mom spins around, a fork clenched in her fist like a weapon. “There is nothing, you hear me?” As I flinch, she shakes her head sharply. “Wakama. Growing up without a father is not the worst thing in the world. I mean, have you ever wanted for anything?”

My father, I nearly throw back, but shake my head slowly, looking at my feet in their bright orange flip-flops.

“And that is more than many others have,” she says in a self-defeated, perplexed manner, hurt radiating from every pore.

OMG, not again! She’s an expert at this, making me feel like the most ungrateful child in the world.

The tension in the room vies with the hum from the refrigerator and I keep my gaze respectfully trained on the pulse beating in her neck.

“I’m sorry,” I mutter finally. Reluctantly.

She lets the moment swell, to give the apology room to breathe, to ferment and mire me in penitence. Then she yanks on my arm and pulls me to her, smearing my cheek with a film of sweat and at least one layer of Mac foundation.

“Oh, my child. You’re something else. It’s alright, now,” she says soothingly, even though it isn’t. Air whooshes out of her nose in an exhale, her usual end to a heavy conversation. “How about beginning your essay with: ‘My mother embodies all the characteristics of a good father and more’?” she says. When I draw back to look at her quizzically, she lets out a trill of laughter. “That should give you extra marks for creativity.”

***

This time I wait until Mom has gone for a verification exercise at her office. They were told to bring all the certificates they had accrued before and after getting the job, as well as documents like their acceptance letters, pay slips and the like. She’d grumbled all night as she brought down cartons and suitcases, because even though most of her documents and certificates were in a certain folder, there had been a stray few she’d had to chase down like hidden treasure. I am searching for my father’s picture within the first hour of her departure.

I had seen it before, a glimpse at least, if not a proper look. I was much younger when I had chanced upon it in a cupboard somewhere. I had a vague impression of a light-skinned man with a thin line of hair on his upper lip. I had turned the frame over, feeling its edges, my fingertips travelling over smooth wood to something I could peel. Then Mom had appeared screeching and snatched it out of my hands. I don’t remember anything she said, but I will never forget that she was almost crying as she smacked my hands repeatedly and, when I burst into tears, she held me tightly to her chest. Even after we moved house I never laid eyes on it again. But seeing her rooting through things looking to complete the requirements for her verification at the Civil Service Commission, it crossed my mind that I might have been looking in the wrong places.

The first suitcase yields nothing besides the smell of unaired clothes, uncut wax materials still in their bundles, a necklace with missing stones wrapped in tissue, coral beads in a small drawstring pouch. I scrunch up my nose at some string and lace lingerie and two ancient wigs that remind me of the goats our principal keeps in his compound.

The second suitcase appears to be much the same, except there are also some books with yellowed pages authored by Barbara Taylor Bradford, Bessie Head, James Hadley Chase, and Cyprian Ekwensi. There’s also a copy of Every Woman which I thumb through. My stomach clenches at the intriguing sex illustrations so I keep the book aside for further investigation. An unopened pack of long expired tampons, plastic bags folded with lace-heirloom-care bearing M&S logos, Dubai something-something, Sahaad Stores in Abuja.

When my fingers touch wood, I think maybe it’s a broken animal carving from Jos. I remember seeing one or two a couple of years ago. But my heart cheers. It’s the picture I’m looking for. It looks both familiar and not, like an image from a half-forgotten dream, and I hold my breath as I turn it over, savouring the satisfaction of discovery. The back is covered with rubber tape, but my searching fingers register something hard and knobby underneath the tape. Strangely, though, the many repeated layers of tape are fresh, their edges still adhesive, as if someone—my mother, obviously—had only recently replaced the tape that was there before.

Excitement clogs my throat even as the illicitness of what I’m doing vibrates through my limbs, so that the fingers that clutch the picture hesitate to go further. What if Mom just shows up out of nowhere, saying they had finished early or that it’s been postponed or…something? No. I let out a breath and steel myself. I just have to hurry. When next will I have another such opportunity? Left to her, never.

After putting the suitcases away exactly the way I found them, I leave her room for mine and settle on the chair in front of my dresser. I wipe the surface of the frame with a shirt destined for the laundry basket and look at it fully for the first time since retrieving it from the suitcase. My heart thrums. This is he. Light-skinned as I remember from my last viewing, but only now can I see the wave in his hair, the wide nose, eyes that are kind of like mine. He has one leg propped on the low rung of a wooden chair, his forearms crossed over his knee, and he looks straight at the camera, intelligence and knowledge in his gaze, confidence in his stance. Why did he leave us?

Well, if I can’t get answers to that, I can at least get something from the picture which I can use for my essay. I’ll have to make stuff up, but what do I do if Mom asks to see it out of the blue? Maybe I can tell her the assignment is to be used for some kind of African exhibition, some study by foreign researchers, and we aren’t getting any copies? Yeah, right, Wakama. I can almost hear Powei’s disbelieving laughter. You don’t lie enough, she always says, that’s why when you do, it always sounds like an alien abduction theory.

I take time to remove the strips of rubber tape, laying them sticky-side up so I can replace them when I’m done. Then I turn the frame over in my hands repeatedly, but see no opening through which I can slide the picture out. Not your regular picture frame, then. The picture itself might hold some clue, then – his name or address, the date it was taken. Something. The small knob I had felt through the rubber tape glints and winks intermittently like Christmas lights. Strange. I glance out the window. There’s a bit of sunlight coming in, but it can’t be responsible for the shine. I touch it. It feels kind of warm. Maybe it’s custom-made and if I turn it a certain way, the picture will come loose. I try to lift it, but it doesn’t budge. So I twist it and it turns. Bingo. I twist it again and again but although it seems to be loosening, it doesn’t come off. I quicken my movements.

“Look at you, all grown up.”

I scream and leap to my feet, the picture frame clattering to the floor. I was so focused on my fingers that I hadn’t noticed anyone enter the room. The back of my knees hit the edge of the bed as I turn towards the source. Mom can’t be back so soon, can she? Why didn’t I hear the car?

But of course it isn’t her. It’s him. Standing a few feet away and occupying the space between the bed and the wardrobe. I appraise him in quick glances, disbelieving my eyes. There are new lines in his face, some grey in his wavy hair, and his moustache is thicker. His clothes are wrinkled, somewhat outdated. A faint smell of mothballs tickles my nose. He looks round the room with a furrow on his forehead and a twist to his mouth as if he doesn’t particularly like the décor.

He waves a dismissive hand at the stuffed Kermit the Frog on the bed. “You’re older than this, my dear, aren’t you?” Then he looks at me with a smile, a gentle one although there is something in his eyes that keeps my throat tight. He cocks his head. “Wakama, isn’t it?”

“Wha-wha—” I scramble onto the bed to put some distance between us, my heart and lungs fractured. Am I dreaming? “Where did you come from?”

“Where do you think?”

Not through the door, which is shut. Besides, I would have heard it open – or footsteps at least. I look wildly around, and my gaze halts on the frame now lying face down on the floor where I had flung it in my fright. The knob is still glinting and winking at me. As if to say, mockingly, Here’s your clue. All that twisting…OMG. My gaze lifts in degrees to clash with his, this stranger who is no stranger.

He nods somewhat indulgently. “I see you’ve got the gist of it.” He gestures to the chair. “May I?”

I don’t reply, wondering if he can actually sit. Isn’t he some sort of spirit? He takes my silence as consent and settles on the chair with a sigh, looking quite solid as he bends to picks up the frame. He stares at it a long moment, mouth hard, and then places it on the dresser. His stillness raises the hair on my nape, but when he looks at me again, it is with that same benign, but somehow scary, smile. What is happening? Is it permanent? Is he here to stay? My desires are mixed on this. What will Mom think?

“Hmm. You’re getting quite tall.”

He looks me over, his eyes running leisurely over my plaited hair and bare shoulders in my patchwork dress and lingering on my bare feet. For a moment, I want to dive into the wardrobe to escape his scrutiny.

His words register belatedly and I feel compelled to say something to make him stop staring. “I must get it from you,” I say haltingly.

“Is that so?” And now his smile is more a snarl. Likely seeing the alarm in my demeanour, his face softens and he gestures to the copy of Every Woman I had put on the bed. “Interesting book?”

I feel myself go hot and wish I hadn’t picked the book up.

“Do you enjoy such books, such pictures?” I am unable to look away from the mesmerizing hold of his gaze, and my skin prickles unpleasantly as his voice drops. “Do they serve as good company at night, when you are all alone and your fingers creep underneath your nightgown and in between your legs—”

“Shut up!” I don’t know when the words escape, my heart shivering in my chest. What kind of man is this?

He only looks amused. “Now, now. Is that any way to talk to your father?”

“You’re not my father!” Fear grows into a barbed, sour thing on my tongue and I hop off of the bed to the other side so that it is between us. He only watches me, hands on his knees.

His gaze sharpens. “Did Oko confess that to you?”

It takes a while before I understand he is referring to my mother and I shake my head sharply. I don’t want to hear this. I don’t want to hear anything more. “Please leave.”

“What?”

“I said, please—”

“Oh, I heard you the first time,” he says with a chuckle. “But what do you suggest?”

I stare.

“Where do you suggest I go to? Owerri? Enugu? Maybe Lagos?”

His voice is so reasonable I want to shit myself. “Wherever…you’ve been all this while.”

He rises and although he doesn’t advance further, I take a step back.

“You know that’s not possible.”

There is a long silence, and my eyes skid off his to the window beyond his shoulder. Through it I can hear the hoot of a lorry from the nearby expressway, the buzz of the generator at the business centre down the street, and Tempest speaking on the phone in his lilting pidgin interspersed with cackling laughter. I feel removed from all of that, shut up in this space with this man. My dreams of the tears and explanations that would come when I eventually met him seem ridiculous now. Why hadn’t I listened to Mom?  This is no father ready to affirm his love, but a cold stranger devoid of feeling.

I want to run out the door and hope he disappears, an awful dream, but deep down I know that won’t happen. And I’m not sure how he will react to a sudden move like that. If my mother had really trapped him in that picture frame, how had she done it? All by herself, or had someone helped? More importantly, how can I put him back? I wish Mom would return now; she would know what to do.

“How…” False start. I try again. If I am calm enough, maybe he will inadvertently tell me what I need to know. “How did you get in there in the first place?”

“How do you think?” And from the lift of his eyebrows, I fear he is one step ahead of me.

Then I hear it. First the low distinctive hum of the Honda and then, like the sound of the final trumpet, the horn at the gate, two short blasts, another longer one. She’s home! I see a flash of panic light up my father’s eyes, but it is swiftly chased away by something that resembles regret.

“Mom’s home. You have to go.”

“I wish we’d had longer to talk.”

Me too would be the polite response, but I can’t voice the lie. “Maybe next time.” But never again, I promise myself. Never, ever, ever…

He nods slowly, his gaze unwavering, then holds out his arms. “A hug for your old man?”

The very idea makes my flesh prickle and I shake my head. “I don’t think so.” I hear the drawn-out whine of the gate and faint voices, likely an exchange between Tempest and my mother. Suddenly those suggestive words my father had spoken to me flash across my mind. They had been a violation. Of something fledgling and precious and unaware.

“No,” I say firmly.

“Please.” I swear his eyes shine with tears. “Whatever my failings, you’re my daughter. One embrace, to tide me until the next time we see each other – if we ever do,” he adds on a low note.

My heart is too pure for this world. That’s what Powei tells me. But the thought of the man who sired me begging for one hug from me, his daughter, knocks down some of my defences. Mom is almost inside the house so he will want to be gone before she sees him. I give a jerky nod and with a small smile he lopes round the edge of the bed.

From then on it is just impressions: the calculating gleam in his eye, the dull shine off the edge of the picture frame in his hand—when had he picked it up from the dresser?—the sound of the front door and Mom calling out, “Wakama!” And like a slap, it dawns on me: No, I don’t want this man to hug me after all, and I don’t care if Mom knows what I’ve been up to, I just want her here.

“Mommy!” And even I can hear the fear, urgency and tears crammed in that one word.

I try to rush towards the door, but I’m out of room to manoeuvre and with bared teeth he is upon me, his long arms clasping me tightly, his fingers furiously twisting the knob of the picture frame. And the words that fall in a dark stream from his lips will be forever stained in my memory:

“As pictures do, as pictures fall

They do not speak or move at all

They watch us voiceless from the wall

So too will your soul hear this call.”

He finishes as Mom bursts into the room. He says, “Welcome home, Oko. I could never forget those words,” and she screams and screams as I black out.

When I come to, I feel like industrial wax has been poured over my limbs. Even my brain, for all that I’m still able to think, seems immobilized. I don’t know how the picture frame has been placed, but I can see them clearly. My mother, shocked gaze looking right at me, is on the floor, her back against the wall and my father standing above her.

“Fascinating piece of work, this picture frame, isn’t it? Where does it get these shots from? I mean, she looks so peaceful and happy in her Sunday best, wouldn’t you say?”

My mother is silent.

“Hmm. You never did convince me that she was mine, my darling. Is she? Was she? Although I’m not sure if it matters now. I’ve missed you. God. Your skin…”

“Don’t touch me!”

And then Tempest’s voice from outside the room, some paces away from the sound of it. “Madam, madam!”

Mom clears her throat and her voice, when it comes, is sudden and startling. “Tempest, come o! Thief!”

I can picture the man’s temporary hesitation at the urgency in her voice before I hear his feet begin pounding towards us. My father appears frozen for a moment in shock, likely having expected Mom to get rid of Tempest. Then an ugly expression suffuses his face and he lunges at her. But Mom is on her belly, slithering on the floor and between his legs like palm oil poured from the bottle so that his hands grasp only air. He twists around to look at the woman undulating across the floor towards me, and the bafflement on his face mirrors mine.

Then Tempest slams open the door, transfixed at the sight that meets his eyes. My father’s expression is clear: who to tackle first? But that split second of indecision is all Mom needs to grab me. It’s the picture frame, I know, but I can actually feel her arms around me as she holds it to her chest.

“Kill him!” Mom says to Tempest, but the words come too late as my father’s blow connects with Tempest’s face and he crumples to the floor. She lets out a hiss of frustration as my father spins on his heel and bounds over.

“Ebiye,” she says in an oddly resonating voice whose authority causes a ripple in the room. My father stops in his tracks, looking confused. And then he cocks his head, and the chuckle that shakes his body grows to a full-blown laugh. “Shit, I’m out of practice,” Mom mutters under her breath, just before he takes one long stride over to her and strikes her with an open palm. As she loses her grip on me, I am flung into the air and skid over the side of the bed to land on the floor. Even with the bed somewhat breaking my fall I swear all my bones are fractured.

“You actually want me dead?” I hear my father hiss.

“Well, not before, because I actually thought you had some humanity left in your veins,” Mom says in a strained voice, and although I can’t see anything, I hear the rustle of clothes and a faint grunt, and I guess she is getting to her feet.

Then I am airborne again, and I come face-to-face with my father. He is sweating, his face grim as he stares at the picture frame. “If anyone is going to go, guess who it’s going to be, Oko.” And if I was scared of him before, it’s nothing to how I feel at the malevolence in his eyes.

Suddenly there’s a crash and I hear the splinter of glass—my mirror? My father blurts, “Why did you—?” and then with a guttural cry, his face is pulled backwards and I hear a thump as he falls. I’m unlucky again as the picture frame slips out of his hands and I crash to the floor for the second time, agony reverberating throughout my body.

“Thank you, Tempest,” Mom says quietly. And then I feel her fingers on my face, and they are the most beautiful thing ever. Then she rises, takes a shard of glass from the floor and lances her finger, smears my face and then my father’s with her blood.

As pictures go, as pictures fall

Ebiye, you shall heed my call

Your soul must return, still in thrall

To free my daughter’s from your pall.

This time I’m expecting it. And although what will happen afterwards is unclear, I welcome the darkness with relief.

When I awake I can feel the softness of a bed beneath me. I feel fossilized and as the drama resulting from the picture frame hits me in flashes, my heart twists with fear: am I still trapped in it? Experimentally I wiggle my toes and they comply. A sound must have escaped me because I hear Mom’s voice from beside me.

“Don’t move.”

I force heavy lids open to see her leaning over me, forehead furrowed. Then I peep downwards and see that my legs are draped with a duvet. If Mom is here with me, if I can see myself, then we must be all right. Mom touches the back of her hand to my forehead, my cheek, my neck.

“Here, take a sip.” I steel myself for something vile like juice from strained bitter leaves, but when the cold sweetness of Coke touches my lips, I gulp it down gratefully. It’s so uncharacteristic of Mom that I want to laugh, but my lips are sluggish.

“Rest,” she says. She sets the glass on the table with a thunk, and I see the plaster swathing her thumb. In a few minutes I am close to sleep again, but Mom’s voice penetrates. “I’m sorry, Wakama.”

Why is she apologising? Her eyes are red-rimmed with concern but are also brittle in a way that makes me wary. She must be mad at me. If I had been less curious, none of this would have happened. And then my thoughts splinter: What exactly is Mom? How the heck could she rattle off all those incantations? My mind finds it even harder to grasp the memory of her moving so swiftly over the floor on her belly. Maybe one day I can summon the courage to ask. Will Powei believe me when I tell her all this? Okay, maybe I won’t tell her after all. It’s too complicated, really.

“I’m sorry, too, Mom.”

And as I drift off, I realize there’s a lingering smell of smoke in the room.

END

Hannah Onoguwe
Hannah Onoguwe has been published by Adanna, BLACKBERRY: a magazine, The Stockholm Review, Litro, The Missing Slate, The Kalahari Review, Cassava Republic, Persistent Visions, and is forthcoming in the Drum Lit Magazine. She was also a contributing author to the speculative fiction anthology, Imagine Africa 500.

On the Other Side of the Sea – Nerine Dorman

2

By Nerine Dorman

Annetjie and I take turns carrying the bag of Ma’s ashes. The bag isn’t very heavy, but our arms are tired and our feet stumble over every rock and ditch. The sky is empty, like our tummies, and sometimes when I look up, I am dizzy like I will stumble and fall up, and up, and up, and never stop falling, empty like the wind. Annetjie says I’m stupid, and that won’t happen. Our world is a ball that keeps turning like when you have a bucket of water and you’re turning it round and round and round so the water doesn’t fall out.

But I’m so thirsty, and I don’t want to think about water.

There is not much shade and my skin is angry like I’ve been stung all over by wasps. I wanted to stay by the little river where the poplar trees are. I caught a tadpole there and the mud felt good on my legs where the thorns bite me. But we must go, go, go. West to the sea, says Annetjie. Where the harbour lies. Before she went to the angels, Ma told us we must go west along the Big Road, away from the city. We must not talk to strangers. We must hide when we hear them because they will hurt us, because we are small. Then, when we get to the sea there will be the boat that will take us home across the ocean to where Auntie Ida lives with Uncle Ben. We must tell the people we are Ma’s daughters. We must not say anything about Pa because he is a bad man, and people will want to hurt us too.

When I think about Pa my throat is tight and I want to cry, but Annetjie says I mustn’t waste my tears on him. I need my tears inside me because we are so thirsty, and we don’t know when we’ll find something to drink again. Annetjie says I must stop asking if we’re nearly there yet because we’ll get there when we get there. Annetjie says they will have raspberry ice lollies on the boat, and if I’m a good girl and walk all the way, then I’ll have as many raspberry ice lollies as I want to stain my lips red.

Thinking about the ice lollies makes my tongue thick and heavy, and it sticks to the roof of my mouth. I part my lips, about to ask Annetjie about the boat and the nice people there, but she’s stopped on the rise, her hand shading her eyes.

“Are we—”

“Hush.” She yanks my hair so hard that I bite back a yelp.

We’ve been walking forever through old farmlands. Last year when Ma was only a little bit sick and there was still petrol for Pa’s car, we came driving here and the fields were all canary yellow and green grass. The wind smelled like cow poo when we passed the farmsteads, and the aunties’ washing made flags in the wind. Now everything is dust and stalks grazed down to the roots. Every now and then we pass bones. Not all the bones belong to sheep or goats and Annetjie says, “Don’t look,” then I scrunch my eyes tight until Annetjie lets out a breath so I know it’s okay to open my eyes again.

Annetjie stands like a soldier, and when I reach her I can also see the dark green trees through the shimmer haze—a village of mud huts and roofs like pointed hats. Aunties are working in the maize field and little chickens chase each other in circles.

My tummy rumbles, and I can taste the mielies already, the fat kernels dripping with butter and crunchy salt that pops between my teeth. Maybe the aunties will give us fresh, cold milk to drink too.

Annetjie pulls on my arm, drags me along, away from the village. “We must go around.”

“What?” I cry. “Why?”

“Those people will also throw stones at us,” Annetjie says. “Remember like last time?”

I stumble after her, my disappointment crawling up out of my stomach.

“We don’t want you to get hurt again.”

When we ran forever ago, the children threw stones at us and called us dumb umlungu. Annetjie won’t tell me what umlungu means but I think it has something to do with Pa because the bad people were calling him that when they came to fetch him. The cut on my forehead is still angry and hurts a lot, and often Annetjie stares at me with a frown.

“We must hurry,” she says. “I don’t know if there is another boat soon.”

“Where are you two girls going?” a woman asks.

We both squeak with fright because we didn’t see the big brown auntie walking towards us. She must’ve been coming round the koppie, and she’s carrying a big bundle of sticks on her head.

Annetjie pulls me behind her, her grip on my wrist so hard I have to bite the inside of my cheek to stop myself from whimpering. Annetjie always says you must never cry in front of strangers.

“None of you business,” Annetjie snaps at the auntie.

The woman’s smile is big and white, her skin shiny and dark, and if Annetjie’s sharp response bothers her at all, she doesn’t let on. “Two little girls, sunburnt and with ragged dresses… Mmm? Where are your parents?” She sets down her load with a sigh.

“We’re fetching medicine for our ma,” Annetjie replies.

I clutch Ma’s ashes to my chest. “But—”

Annetjie pinches the skin of my wrist hard enough for me to swallow a whimper.

But Ma is with the angels. My throat grows thick. Why is Annetjie lying to the auntie?

The auntie nods, as if Annetjie’s words are heavy stones.

“Would you like some pap, girls?” She dips her head towards me. “And that is a nasty cut on your sister’s brow. I have some medicine I can put on it to make it better.”

“We really need to be going.” Annetjie tugs on me hard enough for me to stumble.

The auntie clucks her tongue, shakes her head, the openness fled from her features.

“You’re not fooling me, little girl. Your sister is hurt, and you are both running from trouble. I shouldn’t bother with you if you’re ungrateful little dogs, even with all the troubles. Come with me. Go. It doesn’t matter.”

She lifts her bundle of sticks and just like that, the nice auntie turns her back on us and continues on her way to her village.

My tummy turns in on itself and growls, and after all the walking that we’ve done today, and the day before, and the days before that makes my knees fold. I sink onto the ground clutching Ma’s ashes, and I let the tears go. I cry great, heaving sobs that rattle my chest and squeeze my throat.

I can’t tell Annetjie that this kind auntie reminds me of the aunties back home who used to bath me, brush my hair and tell me what a pretty little doll I am. If I do, Annetjie will pinch me and yell at me that we can’t talk to those people because of what they did to Pa.

The auntie mutters to herself in her own language then says to my sister, “Come, girlie, no one will hurt you. We are good people here. Come have some food. Let me look at your sister’s wound.”

A moment hangs, and the shimmery voices of the boomsingertjies scree-scree-scree in the scraggly gum trees nearby. My tears sting my cracked lips, and I suck in enough breath to hold back the next sob. I mustn’t cry. I must be a big girl like Annetjie. But it’s so hard, and I can’t anymore. I’m empty like the sky and the world is so big and we’re going to walk forever and ever and never reach the sea.

And I want a raspberry ice lolly.

I can almost taste the sugar sweetness, feel the tart little ice crystals between my teeth before they melt.

Annetjie pulls me up onto my feet, takes Ma’s bag. Her hand is firm in mine, the skin rough, but she doesn’t let go. We drunk-stumble after the auntie. Everything hurts—my head, the throbbing of my skin where the thrown stone cut me. My feet. My legs. The sides of my lips where my tears sting. My arms are empty without the bag of Ma’s ashes so I take the bag back from Annetjie.

The village is another world—orderly rows of vegetables, furrows gurgling with crystal clear water. The goats are white with brown patches, their slit eyes like dragons’ as they glare at us then bleat at our passing. The auntie—she says her name is Miriam Arendse (like the bird, and I try to imagine her with a wicked, hooked beak but can’t)—guides us past the rusted corrugated sheets of the palisade that bristles with wicked tangles of razorwire.

Even here. There is always danger.

She says this place is not like the city, and they’re not hungry, like the people we have left behind. The women here are big and round and soft. The men don’t look like walking skeletons with skulls for eyes. Children are playing with skipping ropes and a ball made from patches of leather. They stop and stare at us as we pass, and I stare right back at them. Annetjie looks straight ahead of her as if none of this is real.

Auntie Miriam has a house by the kraal where a big white-and-black cow whisks at flies. The auntie’s home is a pretty little cottage made from mud with a thatch roof. Inside smells like the Cobra polish the aunties back home used, and there is a brass praying hands picture hanging over the small dining table with the whitest crochet tablecloth I’ve ever seen.

“Will you tell me your names?” she asks as she stirs up the embers in the hearth.

“We don’t tell our names to strangers!” snaps Annetjie, who stands by the door not quite willing to step over the threshold like I have.

Auntie Miriam clucks a little, like a hen, and does that pursing of the lips, but that is all; she doesn’t ask our names again and I can see she has some angry words hiding on her tongue. But she dishes us cold krummelpap with a red sauce. I never liked krummelpap back in the Before—Pa always says that was what kaffirs ate. All I know is that the K-word is bad (Ma always said). But I don’t mind the krummelpap now because my stomach is all hollow.

“Don’t eat so fast,” Auntie Miriam says to us. “You will make yourself sick.”

Annetjie glares at her and shovels the food into her mouth. She isn’t even using the spoon. I can’t see her chewing. She makes me think of a dog that is defending its bone from the other dogs. If she starts growling, I won’t be surprised.

“You don’t have manners, girl,” she says to my sister. “Is that what they teach you in the city?”

“We don’t come from the city,” my sister retorts.

“Of course you don’t.” Auntie Miriam gives a soft snort of laughter, as if dealing with rude girls is something that doesn’t bother her.

I keep my head down, take smaller bites. Auntie Miriam is right about me getting a sore tummy if I eat too fast. I chew each mouthful slowly until the krummelpap slides down my throat all smooth even if it tastes like snot. And I use the spoon. It is dented and scratched, and there is an H engraving on the handle. Our family had an L, for Lategan, but I keep that to myself because of Pa.

I am a good girl. I want to make Auntie Miriam happy because she is being nice to us. The aunties back home always said: ‘Don’t make your mother cry up in Heaven.’

“Where are you children going all on your own?” Auntie Miriam asks.

“I…” Annetjie looks down at her empty plate, her shoulders slumped. She doesn’t have anymore bite in her.

Auntie Miriam seems satisfied. “You know…” She fetches a jar from the shelf the measures out a handful of dried leaves. “You can tell me later, how about that?”

Annetjie mumbles a response, but from the way she keeps her hair in her face, I can tell that she doesn’t want us to see that she’s crying.

Auntie Miriam grinds the leaves with pestle and mortar. The sound is a dry chrrrrr-chrrrr.

“I could use the help here,” she says, not quite looking at us. “Ever since my Jakob went to join the Prophet’s Army with my sons, I’ve had too many tasks for one old lady. And Dominee September runs a school here. It is a better place here for children than out in the veld.”

Annetjie screws up her face. “We must go fetch medicine for our ma.”

“I don’t think you have a ma or a pa to fetch medicine for,” Auntie Miriam says. She holds Annetjie’s gaze so she can’t look away.

Annetjie wipes at her nose with the back of her wrist, smearing dirt across her face.

After we have eaten, Auntie Miriam looks at my cut. She shakes her head and clucks her tongue. “What happened here, girlie?”

“Some bad children threw rocks.”

“Lindi!” Annetjie says then claps her hand in front of her mouth because she is always telling me we mustn’t share our names with strangers.

But the auntie isn’t a stranger anymore, is she? Why is she being so nice to us? What does she want?

Yet she doesn’t ask why the bad children threw rocks, and I don’t tell. The green paste she puts on my head stings like a hundred bees and I don’t want to cry but I do. Auntie fetches a bowl of warm water and washes my face and my hands. The lullaby she sings is one Auntie Tessa always used to:

 

Siembamba, mama se kindjie,

Siembamba, mama se kindjie

draai sy nek om, gooi hom in die sloot;

trap op sy kop dan is hy dood

 

Ma didn’t like Auntie Tess singing that song, she said it was horrible. But the way Auntie Miriam sings it I know she doesn’t mean the words. Later, we have warm rooibos tea with honey, and Auntie Miriam puts a big black kettle on the stove. We must both bath properly, she says, and while we are busy with the soap and warm water in a bucket, she scrubs at our dresses. We are given two old shirts to wear for nighties. They smell of camphor and make me think of Ma’s cupboard with the coats.

“Tomorrow you will be nice and clean, and we can go see the dominee,” Auntie Miriam says.

By now, Annetjie’s eyes are heavy and she yawns. I yawn too until my jaw clicks, and the auntie smiles.

I help her fold blankets into pallets for us to sleep.

Annetjie wakes me and it’s dark. Long fingers of moonlight slice past the curtains and make Annetjie’s face into a skull.

“Be quiet,” she whispers. “We must go now.”

Where? I want to ask, but when she looks at me so fiercely, I know I must be obedient. She rolls up the two blankets, and gives them to me to hold, along with Ma’s ashes. Our dresses are still damp, but we put them on, and leave the shirts in a pile on the floor. In the kitchen, Annetjie fills a dishcloth with rusks that she removes from a tin on the cabinet.

“What are you doing?” I whisper at her. The door to Auntie Miriam’s bedroom is closed, but what will she think if she sees us fiddling with her things?

“Shhh.” Annetjie glares at me and I shut my mouth.

She takes dried peaches too, and a knife, then motions for me to tiptoe after her. The back door’s latch slides open with only a tiny squeak, and we step into the dusty moonlight. The cold slices right through my thin dress, but I must be a big girl for Ma, and not shiver like a ninny.

I want to ask Annetjie why we’re going in the middle of the night because Auntie Miriam is nice, and we’ll make her sad by doing running away, but the moment I open my mouth, Annetjie presses her finger against her lips.

Quiet little ghosts, we slip from shadow to shadow between the mud brick homes with their pointy roofs. A man with a big knobkerrie walks is walking along the wall. He has a blanket wrapped around his shoulders, but he doesn’t see us when we hide behind a chicken coop. Our breathing is loud, and he passes by so close I can hear the leather creak-creak-creak of his sandals. He still doesn’t see us.

We don’t go out by the gate. Annetjie has found a spot down the side of the wall where a sheet of corrugated metal has come loose enough for us to push through. I don’t cry out when a jagged edge cuts my arm. I’m a big girl.

The blood tickles down my arm and quickly cools as we pad down a goat path, into the riverbed and along the watercourse.

“If we stay with the river, we’ll get to the sea,” Annetjie says. “I don’t think we must stay near the road because there will be more bad people.”

“Did Auntie Miriam say so?”

“Stop this about that woman. She wants us for the child labour.”

I don’t know what she means by those words. They are English words from big school, yet somehow I don’t think the child labour with Auntie Miriam will be so bad. Her arms are soft and she is gentle. Her eyes smile with sadness.

We walk and we walk, and the stars in the heavens turn. The moon sinks big and orange, and Annetjie says we must follow the moon because that’s where the sea is. I tell her that the moon looks like a skull but she smacks me on my sore arm.

My legs and my feet are so sore I’ve stopped feeling them. Every step makes me bite the inside of my cheek but I keep walking. I watch where Annetjie goes. I stop when she does, but we don’t rest long enough to get cold.

When the sky turns the same colour as Ma’s ashes, we halt by the ruins of an old house. The wind slaps at the loose tin and rattles a gutter so that it goes brrrrrrr. Annetjie lets me have a rusk. It’s very hard and I have to suck at it to soften it before I can crumble bits off into my mouth. My tummy stabs me and I lick up every crumb off my fingers and the front of my dress.

I fall asleep right where I’m leaning against my sister. I think maybe she falls asleep too, because when she wakes me, the sun is already sinking to the west. Always to the west.

“C’mon, Lindi, we must go,” Annetjie say as she gives me water from a little flask.

The drink tastes funny, like there was medicine in the container before Annetjie filled it with water. My mouth is so dry and terrible, but Annetjie only lets me have two mouthfuls. Everything hurts, my feet, my legs, my arm where I tore myself on the metal. My head feels as if the children are throwing me with rocks again.

“They can’t throw you with rocks, silly,” Annetjie says as we start walking again. “They throw rocks at you. You must learn to talk properly. You’re not a little girl anymore. You’re not allowed to cry.”

I hold onto Ma’s ashes so hard I can feel little bits of bone poking into my arm. I know there are little bits of bone because I looked when we first took the ashes. The man in the black suit had brought Ma in a little wooden box he left on the dining room table. The aunties were in the kitchen busy making tea, and Pa was in the fancy lounge talking to the dominee about the service. Annetjie was practising the piano. There was no one to stop me from looking.

I don’t know what I was expecting. At that stage when I thought of ashes, I’d imagined the fine stuff that drifts in the air from when you burn paper. Not the gritty stuff like sand. With the bits of bone. I’d held one shard, about the size of the flat of my hand. It was rough and blackened, and it was difficult for me to imagine that this had once been Ma.

That shard is still in the bag. Annetjie says that when we get to the sea we can throw Ma in the ocean where she can be free with the wind and the fish and the dolphins. But I want to keep that one piece of bone because then I can have something of Ma always.

She always called me “my poppie” and would tug her fingers through my hair until I got sleepy. Pa always said I mustn’t bother Ma when she was sick, but I’d sneak into her room. She was very sick near the end, and Pa wouldn’t let her take all her medicine. But Ma said the medicine would let her get to the angels, and can I be a good girl and fetch her medicine where I saw Pa had hid it.

I am a good girl. I don’t cry.

The wind always blows here. The trees are bent-over old men and have no leaves on their one side. We have to squint and there’s sand in my mouth. My lips are paper and taste of old blood. We don’t walk fast because there are thorns. Ugly thorns. They are on flat discs with nasty bits that stick up and burn with pain when they get in my feet. I learn quickly where to step to avoid them.

Still, I won’t cry, even when I see Annetjie is trying to pretend like she’s not wiping tears from the corners of her eyes.

“I’m so tired, Lindi,” she whispers through her cracked lips.

I slip my hand into hers and lead her along the goat paths through the hissing grasses. The wind lashes about us as if he’s an angry man with a stick looking for mice.

The houses we pass are dead, every last bit of roofs and windows taken away so that only their empty eyes watch us pass. Their mouths are filled with broken teeth, like Pa’s when the bad people were finished with him.

The sun roars overhead, baking the ground until the air shimmers with false water always ahead of us. No matter how much we walk, we never reach them.

“It’s not water,” Annetjie tells me. “It’s a mirage. It’s the hot air. Don’t look at it.”

“I know,” I say, but deep in my heart I wish it is water. I am so thirsty, and we finished our water a long, long time ago.

Ma’s ashes are so heavy, like my feet. I don’t feel the thorns much anymore.

Maybe the wind will blow all of me away with the next gust. My hair has come loose from the braids Auntie Miriam made, and gets stuck in my eyes, my mouth with the sand and the taste of salt. My tongue is a worm in my mouth and my head throbs every time I breathe.

Annetjie and I lie down under a bush. I want to ask her about snakes but I’m so tired, the words turn to mud, and I fade into my dreams where Ma is smiling, and she enfolds me in her arms and tells me that nothing, no one can ever take her love away.

We wake when it is evening and the shadows are long. There’s a soft rumbling in the distance, almost like grumbly thunder but growling a bit louder then softer, coming closer then going away. The sea.

Once upon a time, Ma took us to the beach and she bought me ice cream that melted into the cone and over my hands. Everything was sand and stickiness, and when I licked my hand, I tasted sunscreen and sweetness. But that was a long, long time ago.

Ma sat under a striped umbrella and rubbed coconut oil into her legs, brown and smooth. When I grow up I want legs like Ma’s.

Only my legs are knobbly, red and full of sores, bites and scratches. My skin is a bag for the bones that carry me. I’ve seen what’s underneath. I will have a skull too, with round, gaping eye sockets and a grin that smiles with too many teeth. I’m not scared of being dead. I was dead before I was born. I’ll be dead again one day.

But the idea that I will stop being, wink out, scares me. It’s stepping off a cliff and falling forever into nothing. So we walk. Every day. Farther and farther. Because, it’s better than waiting for the bad people to come find us. Better than lying under a bush and waiting to sleep forever.

There is no harbour when we get there. Not anymore. I don’t think it has been here for a very long time. The buildings are dead, walls blackened and tumbled over. The only boats are half-sunken wrecks where black seals bask in the sun. Flippers flapping, sniffy, whiskery noses pointing at the sun.

We stand on the concrete quay that points a finger into the ocean. The sea is grey and green and sucks at the cement dolosse as if they’re sweets. A riot of gannets clouds the air with their never-ending ghharaa-ghharaa-gharaaa. Sharp wings slicing and their wise, mad eyes spearing fish out of the ocean. They fall like blades then shoot up again. Razor wings. Razor beaks. Oh, for razor wings to carry me away across the ocean.

I drink a mouthful of salt water. The sea tastes like tears. It is cold and turns my stomach, and I spit it out again. Yuck. My throat aches, and my arm where I cut it on the metal is all swollen, puffy and gross. White stuff leaks out when I prod at the sore.

Annetjie is a statue, arms held stiffly by her sides, and hands clenched.

I breathe deeply of the cool sea air and poke about in the shallows on the slipway where anemones make flowers in blues and reds. The water is ice and feels good on my feet.

“Annetjie,” I say. “When can we go back?” We’ve finished the last of the food and water, and even Auntie Miriam’s krummelpap is better than eating dreams. Even if the dreams taste of raspberry ice lollies. I don’t think there ever will be raspberry ice lollies ever again. I can still pretend to taste them.

“There is no boat,” she whispers.

I walk to the end of the guano-spattered quay. The concrete is rough under my feet and I stand and stare for a long while as the sun slowly arcs across the sky to where it turns big and red and sinks into the ocean.

The breakers explode against the dolosse, sending up plumes of white froth that spatter me with moisture. Ma’s ashes hiss into the churning water where they vanish into nothing. I only remember about the shard of bone when it’s too late, and it plops into the water with the rest of Ma.

“There is no boat,” I tell Annetjie when I return to her.

She is crouched where she stood all afternoon, huddled over like an ant heap. She doesn’t move, doesn’t breathe.

“Come. Auntie Miriam has krummelpap.”

Nerine Dorman
Nerine Dorman is a creative based in Cape Town, South Africa, who specialises in graphic design, fiction editing and writing. She is a member of the experimental folk band A Murder and her interests include illustration, video games and gardening. She is a founder member of the author co-operative Skolion and is the curator and editor of the South African Horrorfest’s annual Bloody Parchment literary event and short fiction competition.

MY BROTHER’S KEEPER – Mico Pisanti

0

By Mico Pisanti

I

They started with the Somali shops.

That was the previous night.  During the daylight, no one dared to hear anything. No one saw anything. Only the smouldering remains of the gutted shops, the products pilfered through the gaping windows, the meagre security bars of gates guarding doorways tossed aside, and the crying families on the dusty roads of Diepsloot Township told the story.

It was 2008 all over again. Same reasons, same faceless mob, same targets. The foreigners. The job stealers. The Pakistanis. The Malawians. The Zimbaweans. The Tanzanians.

The police arrived – always after the fact. And only after sunrise. Their claim was that it was impossible to police when load shedding power outages turned the township into a dark pit of lawlessness. To us it rang of hollow excuses. A lack of will.

My name is Godfrey Chami and I am afraid they are coming for us tonight.

II

Our shop was the envy of street number 4. We didn’t have street names in Diepsloot, but it didn’t matter; everyone knew us and where to find us. They’d even done a TV story on our family. Tightly knit. Making South Africa our new home. Best prices. From washing powder to Nikes (we had a Chinese supplier), we knocked out the competition – the local spazza shops that were the staple on every corner of every shanty town in South Africa.

My father was a very religious man. He was Muslim. My mother was Catholic. How this worked, I still do not know. He attended mosque and she church. Her church was actually a hall near the police station where a spark of electricity was to be found.

Don’t get me wrong. We did get electricity, it was all illegal connections courtesy of our neighbour, Mr Maobi, and a daisy chain of extension cords that ran from his window into our kitchen. But when the country is caught in rolling blackouts every day, it doesn’t matter if you’re legal or illegal, you are all in darkness. Another reason for having no electricity was the rats. Rats chew everything, and in Diepsloot – like in most townships – the rats were legion.

So, my parents came from different religions, but my grandmamma, Bibi Zihada, who also left Tanzania with us years back, is of an older faith. My parents didn’t approve of her talking about the old ways to us, but I knew it dealt with all sorts of magical concoctions, and herbs and ancestors. I would see people, even South Africans, coming to her for advice or for potions. The problems they brought seemed to be the universal. Love, Money, Jealousy. Revenge.

On most days I attended school. My little sister, Neema, and my younger brother, Joseph, also attended, but school was something that only happened some of the time. Like, say, the electricity. So I also worked in the shop, which was our pride and joy. We lived in a hastily built shack of corrugated steel and our Bibi Zihada lived in a small brick room behind us. When it rained it leaked everywhere. This was only temporary, my father assured us. He was planning to move us into a house of brick with a decent roof. We were the three little pigs looking for an upgrade.

Of late my mother has been talking about a priest at her gatherings who is passionate about our cause, about foreigners’ rights. Father Emmanuel Andengenye. A clever man, by my mother’s reckoning. Far too good looking to be a priest, by my father’s reckoning. Her devoted visits have caused a few arguments behind the curtain which divided my parents’ bedroom from our three beds.

“That man has no sense. If he did he wouldn’t be making such speeches. Not when there are ears everywhere,” my father would protest. “We don’t have rights. Accept it. All we can do is keep our heads down and stay out of the way. And that includes not looking for these rights.

But my mother was a headstrong lady. “What about those boys that stand on the street corner? Those boys should be in school. I walk past them every day, and the…the filth they say to me! Such disrespect! Things I wouldn’t even think a fifteen-year-old should know. Godfrey is their age and he doesn’t know these things.”

“They’re just being boys.”

“They are being rude. They have no respect for us. Nobody does. The police are the same.”

“They are our customers, Grace. They keep us from starvation.”

“So we should have full bellies and no rights?”

“It’s better than empty bellies.”

“…and no rights?”

“Yes! Of course!”

A tense silence.

“Everybody thinks 2008 is behind us. But it is not. It never left. Nothing was resolved. It is building up again. Can’t you sense it?”

“Is that you speaking or Father Emmanuel?”

Tcht!” It was my mother’s favourite expression for anything that was so frustrating it was beyond words. “Now you’re just jealous. I am serious. I don’t feel safe at the shop.”

A harsh whisper. “Keep your voice down, woman. The children.”

Her return whisper, just as fierce. “Do you not care for your family? I am scared, Ahmed. I don’t like how those…those Zulu and Xhosa men look at me. Like I am something they can just take. They all look empty and hungry.”

Placating murmur. “They are not all like that, Grace.”

“Well, if that is so, then why aren’t they stopping those who want to harm us?”

“I do not know.”

More tense silence. But at least I could feel the anger wasn’t being directed at each other anymore. This was good. The worst thing for me was hearing my parents argue.

My father chuckled. “You know what Bibi said the other day?”

Silence.

“Grace?”

My mother sighs. “What did she say, Ahmed?”

“She said what we need is a little bit of that old magic.”

Silence.

Then. “Funny enough, Father Emmanuel was saying the same thing.”

III

One church evening, my mother took Bibi and I to the little hall to pray for our safety. Father Emmanuel was there, greeting everyone at the door. A powerfully built man with clean white teeth that gleamed. His face made me think of those actors on soap operas. He shook and greeted his congregation as we filed into the sparsely decorated hall. Plastic school chairs and a bare dusty stage. It soon occurred to me that we weren’t all foreigners. Yes there were Tanzanians. Zimbabweans, Nigerians, but there were also a few South Africans in the mix.

The father stood up on stage and closed his eyes. He lifted his arms outwards, his black robes hanging like spread wings and he pronounced with ringing clarity: “I am Emmanuel. I am the Nameless Angel.”

“Amen,” the crowd pronounced.

“So good looking. Like your Babu when he was young,” Bibi murmured to my mother. “I can see why you come here so regularly.”

“Shh, Bibi.”

Over the next hour an impassioned Father Emmanuel told us all to fear no evil, for God walked amongst us. That angels were everywhere and that we should have faith. The sweat on his brow was impressive. His movements across the stage left footprints in the dust that made me think of the televangelists I’d seen on the pirated DVDs we sold in the shop. But we never got to see the end of the sermon because something crashed through one of the high windows like a flaming arrow. A skinny old woman in full church attire of hat, handbag and blow-away dandelion hair, screeched and began batting at her flaming head. Others around her threw their jackets over her head to smother the fires. Chairs were already flying every which way, scraping along the wooden floor, as people moved towards the side doors.

“Get Bibi out of here!” My mother screamed, and I hoisted my grandmother, bird-like and brittle, around her waist and carried her over my shoulder like a barrel. I didn’t think twice as I saw more flaming rockets flying through the windows, causing little devils of fire to caper and dance on the floor.

I glanced at the priest. He stood very still. His eyes wide, his chest heaving. He stood like a holy relic. Slowly he lifted his arms, those wings of righteousness, and over the chaos of screams and running, and thudding feet, he boomed: “For the LORD will pass through the land…”

The smell of paraffin and petrol was strong in the air, stinging eyes. Someone was struggling to get the doors open. People were slipping in the glass from the shattered bottle bombs. I put down my grandmother and my mom looked back at the boiling crowd behind us.

“I need to help,” she said. “Get Bibi to safety! Go!” She was a face in a crowd, squeezed between two bodies, then she was gone.

My heart was thudding with real fear now.

My grandmother gripped my arm. “You’re safe with me, mjukuu.”

“… But when he sees the blood on the top and sides of the doorframe, the LORD will pass over your home. He will not permit his angel of death to enter your house and strike you down!” The priest’s voice was like a cry to arms.

People began to scream in fresh pain and it took a moment inside the crush of the crowd for me to register flying bricks, half rocks, pieces of cement, even a flaming tire, hurtling through the windows. Some of the other side doors were rattling like sabres against shields before a battle. The claustrophobic crush was choking me and my heart was a frenzied bird in a cage. Black spots threatened my vision, then, as the doors in front of us gave way, so too did the doors behind us, and what was waiting outside poured in.

At that moment the electricity cut off and everything was plunged into darkness. The mob surged over the trapped crowd inside, and it became a dark grunting maelstrom of sticks, cries, fists, shoves, bodies falling the ground, others being dragged off. My grandmother, the brittle bird, never let me go. She pushed her way through the war zone. Chilled night air mingled with coppery blood. Paraffin, running footsteps. People in our crowd were picking up whatever weapon they could get a hold of. An old rusty dustbin post, complete with nails. I saw it swing and catch a youth not much older than me in the head. I shut my eyes, still fighting to breathe.

It would be an hour before we made it home. My grandmother was covered in cuts and bruises. The side of her head was bleeding. But she shrugged all the concern off of herself, pressing me to my father who covered me in kisses and held me tight. My siblings were hiding under their beds, holding each other’s hands.

Then Neema asked. “Where’s mama?”

IV

“Your Babu was an albino, did you know that?” Bibi said.

I didn’t answer.

They had found her.

“A very powerful man. Revered and feared at the same time was your Babu.”

Raped and strangled.

“Of course, the witch doctors were always hunting him. They wanted his powers.”

I need to help. Get Bibi to safety! Go!

Her final words.

            My grandmother laid a bruised hand on my arm; I had gotten away with virtually no injuries. Bibi wore her own wounds well. Like it was nothing. And my mother? Darkness. I couldn’t think of that. Not yet. Maybe never. “It is in times like these that your brother and sister are going to need you.” A pause. “And your father.”

My father.

He was inconsolable. I had learnt that word in English class when we read Bleak House by Charles Dickens. An English writer being studied by African children a century after he died. Random musings.

My father had locked himself up in his shop late at night, not caring about the warnings or the curfews. He didn’t come home for two days. My grandmother had cooked for us. Even though she was in pain, her head giving her pause every now and then, she got on with it. We even went to school.

What else was there to do but dance around the precipice of the hole left by my mother?

“You must eat something, Godfrey. Please. Just a little bit.”

The hole in the air was the same hole in my heart was the same hole in the pit of me. My centre was gone. I was nothing.

A hollow being, waiting to be filled.

V

The priest came to visit under the cover of darkness.

Since the attack on his congregation things had died down a little. But the tension was there. In the streets. Our mother’s funeral was a rushed affair. And it was complicated by the identification of the corpse (my father tried to be strong, but he seemed to be disappearing into himself day by day).  Father Emmanuel had intervened on our behalf.

“It seems you are the man of the house, my young friend.” Father Emmanuel’s face was a terrain of broken cheek and fractured jaw which buried his good looks. His eyes were swollen and bruised. But he was alive, and he seemed to be feeding on the physical pain. For a moment he had struggled to speak, and I saw his swollen lips were cracked and split. “A cowardly stroke of a wooden plank with nails in it. Luckily the nails broke. None pierced my flesh. Hallelujah, it’s a miracle.”

I could not tell through his ruined face what expression he wore. If he was being flippant to a God that hadn’t saved his congregation or my mother. But it took too much energy to care.

“I am here to talk to your Bibi,” he added.

I led him out back. Past the rusty Ford Cortina. A relic from Mr Moabi next door.

“Come in,” she said. Her voice had a faint echo like the dank bottom of a well. It was a tight squeeze but we all managed to fit. We stood straight against the bare brick wall whilst she sat on the floor, her blanket spread on the hard cement. Her throwing bones at the ready. Her herbs were kept in old jars along the walls on shelves of bricks and planks.

“The nameless angel arrives,” my grandmother said. “What does he want from an old lady?”

Father Emmanuel bowed his head and said something in Sawhili. I do not speak the language. I am more fluent in the township lingo, a mishmash of Xhosa, Zulu and Sotho.

“Let the boy understand,” said my grandmother. “He is now having to grow up fast.”

“Your loss is the loss of all our people. And the danger is still imminent. I am a man of the cloth, but I am also a man of our people. And the old ways,” said Father Emmanuel.

My grandmother nodded slowly. “Are you asking for something, Father?”

“I have learnt of an attack. Imminent. Soon. This time it’ll be the shops that will be targeted.  They want to steal our livelihood. They want to chase us out of Diepsloot.”

“When?”

“Maybe tonight. Maybe tomorrow…”

“The cowards don’t like to attack during the day. Too many faces to recognise. They love the dark.”

The priest stood very still for a long time. So long in fact that I thought he’d gone to sleep, arms hanging at his sides, head down, as if thinking deeply. “The dark is what we need.” I felt a chill ripple up my arms. “We can use it.”

My grandmother leant forward, peering up at that beaten face. “Tell me about the dark and we shall see about the old ways.”

VI

I can feel the flames even from here. No sirens. Just people throwing buckets of water. South Africans, Zimbabweans. Just neighbours trying to put out the flames as the Somali shop owner stands, his arm around his daughter, weeping, watching the fire light up the pitch black sky. The looting was over in minutes; it was more a snarling pack of dogs than people.

I stood chilled, despite the heat pressing to my face. Chilled heart. My grief was something wild and roaring in my ears.

The priest’s and my Bibi’s words slither over one another like snakes, a fork-tongued foreshadowing in my mind.

Then the LORD said to Cain, “Where is your brother Abel?”

            The old ways.

            I need your help. We can’t let this keep happening.

For no reason I picked up the soot that was landing like black snow around me and I slowly rubbed it into my cheeks, my forehead, and my lips. The acrid smell of burning wood filled my nose.

Finally the sirens came. But the Somalians were done. They would never come back here.

I turned away and walked back to our shack. My grandmother stood in the doorway. A short squat old woman. White curls, a strong face, the cut down the side of her head was scabbing over, like a badly tarred road, but healing. It would leave a scar.

She had a shawl pulled tightly around her. Her eyes looked yellow in the night fire. “Your grandfather would have wept.”

“We just need a bit of that old magic,” I said.

She stared at me as if she’d never seen me before. It was not something I would never have said. Before. Before her. It was flippant even.

But it could just be the soot on my face that made her look at me that way.

VII

They came only after the armoured Nyalas had left.

The curfew was still in full enforcement.

The one street lamp down the road flickered like a dying firefly. Orange light showing the retreating vehicles.

My grandmother had insisted we all gather in my father’s shop. She had spent the day spreading the word to every household up and down our section of Street 4.

We gathered: the car guards, gardeners, car washers, tree fellers, the domestic workers of Gauteng who left for the city before first light and came back home after dark. We communicated in broken English or Xhosa. People brought their blankets, for it was going to be an all-nighter. My father didn’t seem to see any of them as they filed in through the front door. To him the world was all shadows and ash.

It was a sombre atmosphere. The little children didn’t even whine or wriggle as they tended to do, especially when confined to one space. We kept all the lights on inside, but still we jumped at any sudden loud noises. Most of us had endured refugee camps. Border crossings. Interrogations.  Bribing officials. This was just another chapter in our long migration.

“You said my Babu was an albino. Was that true?” I asked my Grandmother. I had never known my grandfather. Not even seen a picture of him.

“Yes, Godfrey. He was a powerful man.”

“How?” We never seemed to have been wealthy. “How was he powerful?”

“Albino blood makes a person very special, in our belief. But even if he hadn’t been an albino, your Babu would have been special anyway.”

In my experience, albinos weren’t any different from other people. But I’d heard the stories from Tanzania. They were called ghosts, walking spirits, demons. Reviled. Hunted, even. Their body parts fetched a high price from witch doctors.

We need a bit of that old magic.

I shivered. “What happened to him?”

“He died of the skin cancer. An albino weakness. His skin didn’t do well in the light.”

“Bibi?” My voice hitched, I suddenly felt five years old again. The numb grief for my mother had cracks growing in it. And underneath waiting… the molten lava of pain. I felt a tremor. “What are we waiting for?”

She thought for a moment. Her gaze was outside, scanning the waiting darkness.

“The old ways.”

Another hour passed. The shop lights were attracting bugs to the window panes. Past the wings of a moth I saw something move down the dirty track we called a street.

At first a shadow, then a blur, then a man. Father Emmanuel. Running at full tilt. His robes flapping. Head up, teeth bared. His swollen face still a horror of violence. Running for his life. He slammed on the glass of the door with the flat of his hand, startling children to awaken and cry. Adults blinked, rubbing their eyes.

My father turned his head, but made no move. I got up and went to the door, unlocking the flimsy chain and bolt. The shop wasn’t the strongest built place; a converted RDP house that my father was renting from a South African man for an exorbitant price. I’d heard my father complain of the rent many times to my mother.

My mother.

My heart choked.

The priest pushed his way in.

“Don’t bother locking it,” he said. “They’re coming.” Sweat coated his brow. That righteous gleam was back in his eyes and he was filled with crackling energy. “Stand up everyone! Stand up. They’re coming. They’re coming for us.”

Now people were awake. They stood up, all of them, and made a weary rank and file towards the front of the shop.

The priest looked around. “No matter what happens. Do not be afraid. Let’s pray.” Everyone lowered their heads.

When he started to pray my back and scalp tightened with gooseflesh. “For the LORD will pass through the land to strike down the Egyptians. But when he sees the blood on the top and sides of the doorframe, the LORD will pass over your home. He will not permit his death angel to enter your house and strike you down.”

            The lights buzzed, and suddenly everything was in darkness.

People screamed involuntarily.

“Don’t be afraid.” The priest reminded everyone. “It is load shedding. Like clockwork. You can set your watch to the darkness. And darkness that is timely is fortuitous.”

Then we could hear them. A mob shouting something. Men. Angry men. Shirtless. Drunk. Their blood high on exacting vengeance for a perceived wrong. I could almost hear it in multiple veins and muscle. A hundred hearts, beating, marching, kicking up dust.

And what wrong had we done?  Being different? That we were from over there and not from here? Was that our wrongdoing?  I pushed Joseph and Neema under the counter and I put my finger to my lips. “Shhh.”

They were two pairs of eyes. But I knew they understood.

I thought of my mother, and my hands curled into fists. The chanting and shouting grew closer. And suddenly the windows were a jagged symphony of breaking and shattering. The fire had arrived too. Flames in bottles. Torches on sticks. They must have seen us all, just standing there in the dark. Not moving not saying anything. Like sacrificial lambs awaiting the eternal darkness. I wondered if that darkness tasted like velvet tears. Like relief.

For a brief moment the mob actually paused, unsure.

Father Emmanuel stepped over broken glass and went outside through the front door. Alone. A black cut-out in the flames of the mob.

“I would ask that you turn away. Before there is death,” he said to the crowd.

A thin man, clad only in torn red overalls tied around his waist and holding an old garden rake in one hand, suddenly skipped forward and swung a bottle crashing it into the priest’s head. The priest collapsed, and I felt the resolve of those in my father’s shop fall with him.

Then, amazingly, the priest struggled to his feet, swaying unsteadily. He spread those wings of his, and roared: “Then the LORD said to Cain, Where is your brother Abel?’ ‘I don’t know,’ he replied. Am I my brother’s keeper?’” He paused and then asked. “Are we not all brothers?”

The shirtless man shoved the priest back into the dirt. He then lifted the rake over his head and brought it down on Father Emmanuel’s leg with a meaty chunk. The rake’s cruel teeth found their mark, and the crowd cheered, their greedy eyes burning as bright as their torches. The priest screamed, his voice breaking off as the skinny man tried to unhook his garden rake from his thigh, but dragged him along in the dirt instead. My heart was thumping in my throat. Salty adrenaline. Bile and fury.

And then the priest’s hand caught the skinny man’s wrist, and his voice, horse and ragged said, “‘For am I not my brother’s keeper? Should I not forgive him…?’” A gasp. “Forgive him for his trespasses?”

I turned to my Bibi. Her eyes were closed and she was whispering to herself. Then she opened her eyes. They were blind and pale.

I screamed.

Above us, on the tiled roof we heard a loud thump, we all jumped.

The rake man never knew what hit him. Something black flapped onto him as if an eagle was attacking him from above. There was a gasp from the mob as well as those of us in the dark shop. Something snapped, and then the skinny man howled like an animal. The rake was lifted by the shadow and an instant later it drew back the gristle and skin off of the skinny man’s face, revealing bone. The skinny man collapsed, writhing on the ground. Then the rake embedded itself in his head, cutting off the skinny man’s cries. The black silhouette of the stranger hulked over him.

The crowd in the shop shrank back in fright. The mob was silenced.

Only the priest made a sound.

“Brother,” he whispered to the black shape. “You came.”

The dark shape turned towards us in the shop. It wore a fearsome visage of vengeance. Blind, red-rimmed eyes bleached blue by the sun. Wisps of yellow and grey hair. He was dressed in what looked like a monk’s robes, the cowl collected around his thick, powerful neck, and he stood with his arms wide.

But it was the smile, I am sure of it even now. Not the violence. That smile stopped the entire mob in its tracks.

Rows of ivory fangs, sharper than a Gabon viper’s.

“She called. And I came.” The faded eyes and my Bibi’s met. And then he turned to the mob. “You like to hunt? I know a thing or two about being hunted.” He lifted a steel claw from under his sleeve. “Albino hunters lost me my hand.”

In a move swifter than the eye could read, he lifted the skinny man by his scrawl of a neck. The man’s one eye was a staring nothing, yet he twitched. Then the stranger bit down, sinking all of that ivory death into the man’s throat.

And he drank deeply.

I do not know for how long we stood, the mob on one side, the shop of foreigners to the other, this horror beast in the great divide, drinking the blood of a dying man. All I know is, by the time he was done, what was once a man was more a fleshy husk that he cast aside. By this stage Father Emmanuel had pulled himself to his feet, favouring one leg. His trousers were already blackening with blood, but he didn’t seem to care.

“Demon!” spat someone in the mob, and there was a half-hearted jeer, which curdled and died, as the hulking thing took one step forward.

“This is no demon,” the priest’s voice was weakening, even though he still stood firm. “He is my brother. And he belongs to the old ways.”

“You will be cursed for this!” Someone else cried.

“I already am.” The stranger’s smooth silken voice caressed the night.

The mob, like an animal surged forward, wounded but still dangerous.

And again it was halted.

Suddenly my grandmother was there, between the priest and the monstrous albino, facing the mob.

My grandmother spoke then like she was lecturing a bunch of misbehaved children with monster stories: “He is blind. But by night he sees all. And with darkness being so regular these days, so regulated, you could set your watch to it. With that darkness, will come our vengeance.”

The priest continued. “Can you really take that chance? Do you really want to challenge an angel of God?”

The mob moved backwards imperceptibly, away from the shop. And slowly, they turned, and began to disappear into the black night where only the rats ran free.

VIII

The violence ceased. Over the next few days there were protest marches in the cities arranged by South Africans who embraced their fellow Africans. Politicians condemned the violence, and a certain amount of peace was restored.

I too found my own peace. A purpose. I wrote my goodbyes and left them on the till of my father’s shop. I then found my grandmother in her tiny brick room. “I would like to learn the old ways,” I demanded.

“To what purpose?”

“My mother died before her time. Those who harmed her need to be found. Will you help me, Bibi?”

She sighed: “This vengeance business is a snake eating its tail, Godfrey. I don’t wish it on you.” She sighed again and shook her head. “Just like your grandfather, you are.”

“Will Babu help me?”

She looked at me for a long time before she said, “Vengeance is in your blood.”

I smiled, and it was a smile best served cold.

END

Mico- Pisanti
Domenico (Mico) Pisanti is a South African citizen, living and working in Johannesburg as a television producer, director and script writer. Since a very young age his passion has been fiction – specifically horror, thriller, science fiction and fantasy – both as a writer and a reader.

Artist Spotlight: The World According to Olisa Onwualu

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Olisa Onwualu is a nerdy artist based in Abuja. He graduated from Nnamdi Azikwe University with a BA in Fine Arts, where he specialized in painting. He works freelance as an illustrator and concept artist. When his hands aren’t glued to a pencil, he spends his time watching art tutorials, playing video games, reading and attempting to work out. He is currently working on a science fiction fantasy comic book called Dive. You can contact him at: onwualu762@yahoo.com  and see more of his work at OlisaOnwualu@deviantart.com

  1. Tell us a little bit about your background.

I’m a Nigerian, Igbo to be specific. I’m the last of four children. I spent a small portion of my childhood out of the country, but the rest of my life has been in the motherland. As long as I can remember I’ve loved art and have been drawing since I was 4. Studying painting in university helped to build an even stronger appreciation for art.

  1. What art, comics or characters inspired you to be an artist and illustrator when you were growing up and why?

That’s a tough one cause I grew up watching so many cartoons from the 80s and 90s so there are multiple characters that shaped my childhood, like The Transformers, Ninja Turtles, X-Men etc. I think cartoons of that period defined my love for superpowered individuals and alien races from distant realms. Why they had such a profoned effect on me I don’t really know, maybe I’m secretly from another planet or a mutant in hiding.

  1. What is the most challenging aspect of being an artist in Nigeria?

The general lack of appreciation of art in Nigeria. The fact that artists in Nigeria are seen as individuals who lack the intelligence to succeed in other professions deemed superior by society and have simply decided to settle for art.

  1. Are you involved in a lot of other projects outside your regular job? Can you tell us which ones you’re currently most excited about?

I’m handling a lot projects for different clients right now but I have to say, the one I’m most excited about is my personal project which is the recreation and reimaging of characters I created when I was really young.

  1. What strategies do you use to carve out time for sketching?

I always carry my sketchpad around with me everywhere I go. If I don’t feel inspired to draw, I simply go online and see what other artists are up to and I get the push I need to be creative.

  1. What TV shows would you sneak out to watch right now?

Game of Thrones and The Walking Dead (right now anyway).

  1. Who are the most exciting artists on the Nigerian scene right now?

There are a lot of Nigerian artists out there that im really admiring and always looking out for like Mohammad Agbadi, Mike Toney, Jibrin Ebenezer etc.

  1. What was the most discouraging time in your career and how did you overcome it?

The first two years after service ws very slow and I was still trying to find the direction I wanted to go as an artist. As a result, I wasn’t progressing as an artist and and had no recognition whatsoever. How I was to able to overcome this was by networking with other artists and using social media to get my art out in the open. I’m still very far from where I want to be but I’m progressing, and I suppose in any career that’s the best to ask for.

  1. Looking back, is there anything in your career that you would do differently? Any major decisions you regret?

Well, my career is still progressing but while starting, one thing I regret is that I would have been more consistent in creating art and focusing on learning the techniques and principles in art.

  1. What is it you would most want to be remembered for when you’re gone?

I would like to be remembered for being original and very proficient in my trade.

See examples of Olisa’s work below:

Editorial: Journey into Light

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So I’m going to admit something difficult to you. I suffer from depression. Over the years, I’ve worked to manage the condition – keeping track of my diet, making sure to maintain my social connections and countering negative self-talk with more realistic perspectives. But it doesn’t always work. Sometimes, no matter how hard I try, I find myself sliding down a lightless hole created by the condition where my horizon narrows till all I can see are the flaws and the imperfections, all the ways that I am failing to measure up

On those days it is all I can do get out of bed and shower. The simplest human interactions become excruciating. And long term focus and concentration – the kind that is essential for the editing and writing and research I do to make my living – becomes impossible. When in the midst of it, it can be difficult to explain to others what’s happening. One of the first things depression does is isolate you. You become convinced that no one wants to hear your whining. And so in silence you work to stop the slide, to pull yourself out by any means you can.

These bouts can last for days, for weeks, for months. And when they pass, they leave in their wake piles of unfinished work. Phone calls I should have made, emails I should have answered. Deadlines long passed. And the gnawing guilt and shame that sows the seeds for the next bout. I fall further and further behind – endangering personal and professional connections with each bout.

I write this not to offer excuses for the lateness of this edition – we all have challenges in our lives and issues that we are all dealing with – but to shine a light into my corner of the world and by illuminating what is there, push back against the darkness.

Because we are living in dark times. Our world today is filled with violence and chaos. Some days it feels like the inmates are running the asylum and the only sane response is to get back under the covers and wait for the madness to pass. But one cannot hide from the dark forever. At some point we have to take the first step to emerge into the light. It is usually painful, often filled with loathing and despair, but it must be done if we are to grow.

In this sense,

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– and each is a story of hope and resilience. From spirits trying to understand their past lives, to lovers fighting against possession, and individuals and families standing strong in the face of violence and ruin.

We also feature art by the incomparable Ghanaian artist Setor Fiadzigbey, who generously donated the cover art, and Olisa Onwualu who illustrated the interior. We can’t thank them both enough.

Above all, we want to thank you, our readers and supporters, for hanging in there with us. It can be a struggle sometimes, but we aren’t going to give up, and we hope you won’t either.

Chinelo Onwualu

Omenana Magazine

September, 2017