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Becoming a God – Keletso Mopai

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Illustration for Becoming a God in Omenana issue 13

She’d heard the stories; stories of men who morphed rocks into glass with their bare hands, of men who dipped their thumbs into a bowl of ash and turned it into fire, of men who transformed into wild animals, and stories of men who caused disastrous storms in the night. Except, for Mmadjadji, these were tales of her own fore-fathers. These were her ancestors.

As a child, she was most intrigued by the story of her grandfather, the famous Storm God who is said to have created both havoc and peace in her village. She had heard conflicting rumours: some said he was an angry madman, while others said he was the greatest god in her family. So, one early morning, Mmadjadji asked her mother about him.

Mmadjadji’s mother was sieving maize-meal in a container while Mmadjadji poured the sieved maize into a bucket. Her mother was wearing a yellow dress, the one she liked. She liked it so much that she wore it four times a week. Mmadjadji was dressed in a white, dotted dress that she hated. She disliked how it clung to her chest but floated around her hips. She would lift her tiny feet as if running on burning coals, and cry and scream for her mother to rip the dress off her body. Regardless, her mother always forced her to put it on. Years later, whenever Mmadjadji thought of her mother, she always remembered her in that beautiful yellow dress, and she, crying in her ugly white dress.

“What did he do? Why did our people love and hate the Storm God so much?”

Her mother responded simply, “He healed sick people.”

Disappointed, Mmadjadji said, “That’s it? He didn’t do anything else, like trigger rainfall, just as The Rain Queen used to?”

Mmadjadji wished she had lived in the era of The Rain Queen. She idolized her. The thought of a woman powerful enough to compel the clouds to shed tears whenever she felt like it, fascinated her. She had heard that presidents from all over the world would visit her village of Bolobedu in fancy private jets just to plead with The Rain Queen to put them out of their misery. Their crops were dying, they said. People were crumbling with thirst, they claimed. Because of this, the people of Bolobedu worshipped her. And although Mmadjadji loved The Rain Queen, she was also jealous that she was not a part of her family.

Mmadjadji’s mother looked at her, offended. “You think healing people is not a great thing?” she shook her head, “Once, when the Storm God was angry at his children, he caused a storm that lasted a year.”

“Haaa!” a disbelieving Mmadjadji gasped, “Did people die from the storm?”

“No, that’s what was strange about that storm. But, because people wanted to farm and go to work, they begged him with money and fruit baskets, and apologized on behalf of his stubborn children.”

“Mmawe, what else?”

“Mmadjadji…” her mother warned

“Tell me, please.”

“He also cursed sinners and made them sick. Your grandfather detested sinful people. He followed The Book, word by word. Thou shalt not kill. Thou shalt not steal. A man or a woman must not lie with another man or another woman. Thou shalt not commit adultery. One should respect their mother and father, and so on,” She handed Mmadjadji the last load of the mealie-meal to pour into the bucket. “The Storm God was a man with a pure heart, and that’s how he wanted others to be. When one of his neighbours stole another man’s goats and sold them, he made him impotent and thin; so thin, you could spin him around your fingers like a stick,” She chuckled as she said this and Mmadjadji giggled.

“Because of these things, our whole family was afraid of him. Sadly, your grandfather died of old age, not long before you were born. However, like the other gods before him, he sees everything we do, and he speaks to us when we need answers.” She watched Mmadjadji, who looked at her with attentive eyes. She then told her, “Years from now, when you become a woman, you will bear a son, and he will become a god too.”

Mmadjadji quickly looked at the ground, sudden tears in her eye-sockets and she asked her mother, “Does Papa have a good heart like his father? Is Papa like the Storm God?”

Her mother rose to her feet, picked up the filled bucket and said, “Your father is our god now, isn’t he? So, he will be like the great Storm God–even better.”

*

Not long after this Mmadjadji found herself surrounded by almost all the elders in her family. Her mother had called a family meeting.

 “How could she be pregnant so young, are you sure?” Mmadjadji’s aunt had asked her mother. “Isn’t she just twelve years old? Has she even bled yet?”

“She has been menstruating since she was nine,” her mother responded. Mmadjadji hated the way her mother said that. It was as if it was all her fault. Everyone, from her grandmothers to her uncles, kept gawking at Mmadjadji’s stomach with discomfort, as if she was carrying the devil.

 “Abortion is the only solution; there is no hiding this,” one of her uncles bluntly suggested. “Our gods will punish us all if the baby lives, the Storm God has communicated this to me.”

Sitting there with her family, Mmadjadji felt disgusting and unwanted. It was just like that scorching hot afternoon the year before, when her father climbed on top of her, put his big, sweaty hand over her lips, and hissed: “You need to feel like a woman, you are not a boy. You may dress like one, act like one, but you will never be a boy…

 “It will be over soon. Shh, keep quiet.” He further warned her when she struggled.

That day, she’d felt demons grasping her skin and a monster breathing fire all over her body. Everything at that moment, from her father’s hoarse voice, his steaming hot breath, to the two ravens that suddenly flapped their wings and sat on the window panes, numbed her. It was as if her body was no longer hers. She didn’t move until her father, the proclaimed god, was done. When he walked out of her bedroom, Mmadjadji had felt a twinge between her legs; her inner thighs felt as if someone had repeatedly beat her there with a hammer. She touched herself and there it was…blood. Red.

During the meeting, no one in the family asked her who’d tiptoed into her bedroom, dug through her clothes with their long nails, and planted the seed in her belly. No one asked about the numerous times he had touched her. Not a single mouth mentioned her father.

Mmadjadji did not grieve for the baby after her mother purged it from her stomach and dumped it into a toilet pit. After it was removed, she felt a sudden change in her body. She was no longer Mmadjadji, the daughter of some famous gods she never met. She was now someone else. She hated her father. She hated her mother. She hated her entire family. And she loathed the gods with every inch of her flesh. Mmadjadji did not grieve for the baby because it was her own funeral.

What happened to her remained engraved in her mind. The memory ate at her insides like a worm. So, when she turned eighteen, after matriculating high school, Mmadjadji packed her belongings and left Bolobedu.

Years later, she would realise that they did not ask who had impregnated her because they knew.

*

Bontle came into Mmadjadji’s life like the sun ascending in the morning after a cold night.

“May I copy your notes? I can’t see the board,” murmured a girl sitting next to Mmadjadji at the back of the classroom in their second-year Modern Physics lecture. The girl’s dark-green braids were tightly held together in a bun. Her skin was so radiant, it was as if she bathed in turquoise. “I stumbled on my glasses this morning when I was getting out of bed.”

There was a pause as Mmadjadji looked into the girl’s eyes. “How did you get to class then?”

“A friend literally held my hand, walked with me from my residence and dropped me here,” The girl laughed, “So, may I? Please?”

“Sure, go ahead.” She smirked. “Besides, I am used to girls pretending to be blind after noticing how cute I am.”

The girl laughed, a hasty loud laugh that got her a stern look from their lecturer. At the end of that lecture, the girl wrote her phone numbers at the edge of Mmadjadji’s note. It read: My name is Bontle. I know who you are, Mmadjadji, Mother of the sun. I will be waiting for your call.

Soon after graduating from university, they were married and living in Randburg, far away from Bolobedu.

*

Mmadjadji did not talk with her family and neither did they talk to her. However, a newspaper article brought her news about her family. Her father, the most respected living being in her family, had succumbed to colon cancer.

“That man was no god!” she exclaimed and then cursed after reading the paper. What has he done for her village ever since they gave him the title anyway? She asked herself. She had shouted like this once when she was still at varsity after reading an article online. The article said her father had been invited to The Rain Queen’s house, to bless the new Rain Queen of Bolobedu. She felt like standing on a rooftop and announcing to everyone that her father wasn’t the man they thought he was. Gods don’t rape and impregnate their daughters!

She then wondered: were there ever any gods in her family in the first place? The stories about the Storm God and his fore-fathers, were they made up? Was her childhood all a lie?

“You want to go back?” Bontle asked, lying on the bed next to her.

“I don’t know.” She did not know how to stomach her father’s death; kick a leg in the air or wallow in misery.

Mmadjadji and Bontle lay there gazing up at the wooden roof above them in their three-bedroom house. They moved into the house shortly after their small traditional wedding eleven years ago; a gathering of friends and Bontle’s close knit family, now Mmadjadji’s family too. Even though Bontle’s mother is a religious and godly woman, she supported her daughter’s marriage. She had sat in the front row that day with tears in her eyes.

Bontle shifted on the bed, moving closer to Mmadjadji. After a while, she said to her, “Whatever you decide, you know I will support you,” turning her head to face Mmadjadji, she adjusted the glasses on her small nose. Mmadjadji’s eyes remained shut and her lips vibrated in anguish. She spoke softly, and rubbed Mmadjadji’s her shoulder, “Love, I will go with you if you want. I know that after everything he did this must be difficult for you,” when Mmadjadji didn’t say anything, Bontle decided, “You are going home. It is final.”

*

Illustration for Becoming a God in Omenana issue 13
Art by Sunny Efemena

Time had come and gone like a train nobody seemed to want to catch. Life had carried on. Sixteen years since she left home and three weeks after her father’s funeral, Mmadjadji sat in the living room opposite her mother.

She looked around. Everything in the room felt the same. The same smell was in the air. The same walls stared back at her. And the same sofa she had sat on years ago now felt flatter under her. On her right was her bedroom door. She tried to ignore it – old ghosts of her childhood might still be in there. The ceiling still looked the same too, with more holes scattered around. The only thing that looked different was her mother.

She looked at the deep lines on her mother’s forehead. She glared at her black, grey, and brownish hair. Her mother’s skin was worn, resembling that of an elephant. Mmadjadji could not believe this was the same woman she had held such resentment against all these years. Her mother was incredibly old and weak.

Bontle sat on Mmadjadji’s left side, holding her hand. She was dressed in a red Pedi traditional attire. Her eyes looked everywhere except at Mmadjadji’s mother.

Before Mmadjadji opened her mouth, she held Bontle’s right hand tighter, as if to say: don’t leave me with this woman. She then asked, “Where is he buried?”

“Mmadjadji, my beautiful daughter, I am happy you are home.” Her mother said, smiling, not answering her question. Mmadjadji couldn’t tell whether the smile was sincere or bogus.

Mmadjadji’s mother reached for Mmadjadji’s hand, but Mmadjadji refused to move her hand toward her. Her mother eyed Bontle, and then asked, “O’khe stabane?”

“I am. I will always be a lesbian.”

She sighed, “I know. I know, I am your mother. Have you forgotten that I raised you?”

“No, you didn’t raise me. You crushed me every single chance you got because of what I am,”

She shook her head and spoke, “Mmadjadji, you know this is a sin. This is not our tradition. Our family does not—”

 “Please stop. Stop it.” Bontle interrupted “Mosadi, how can you tell her about family when none of your family members and your terrible gods treated her like one? Especially you. You are her mother; the one person she expected to protect her.” Bontle looked into the old woman’s eyes, “I mean, as a woman, how do you sleep at night?”

Mmadjadji tapped Bontle on the back. However, Bontle didn’t yield, “Your daughter was assaulted by her own father, multiple times. Where were you when all of that was happening in this house? Did you know? And if you did, o dirileng? Nothing? Nothing! No, wait… the only thing you did was kill the baby!”

Mmadjadji’s mother raised her finger at Bontle, “This is a family matter, you shouldn’t get –”

“This is my wife. I am the closest family you can get!”

“Bontle, please, I don’t want to fight with her.” Mmadjadji said. Then she looked at her mother and asked again, “Where is he buried?”

All she sees is dirt. Mmadjadji had somehow expected her father to be just sitting there on his grave, grinning and mocking her. Since he was a god, why can’t he rise from the dead and face her? But he is really dead, she thinks to herself.

She feels ridiculous standing there alone. It amazes her how empty she feels. Not a single tear in her eyes. No rage inside her. Nothing. She stares at her father’s grave as if waiting to feel something. Then, she steps onto it, undoes her jeans and squats on the dirt. She takes a piss. The warm fluid flows from her, forming small bubbles on the soil. She looks around the graveyard. Two white-necked ravens fly over her head. She laughs and laughs.

*

Shortly, after the couple return to their house in Randburg, the strange illness begins. First, Bontle finds Mmadjadji lying on their bedroom floor, unmoving, not talking or looking at her – just staring at the wall. Bontle carries her to their bed and covers her with a blanket. Later, Bontle forces food into her mouth because Mmadjadji is not eating her food. That night, she discovers a pile of vomit in a paper bag under their bed.

The following morning, while they are asleep, Mmadjadji howls, “My legs! Bontle, my legs!”

Bontle jumps out of the bed, surprised to hear the sound of Mmadjadji’s voice again, “What? What about them?”

“I can’t move. I can’t feel my legs…”

Bontle calls their doctor first. Next she calls her mother,

“I don’t know, I don’t know how to explain it to you, Mama. She wasn’t eating or talking to me yesterday, and today she wakes up with big, swollen legs. I thought she was just overwhelmed after going back home. But now this happens. I swear, Mama, I think her evil mother has done this to her. The doctor gave her some medications, but I don’t think they’re helping.”

“Thank you. I would really appreciate that.”

Bontle’s mother arrives the following day. She finds her daughter sitting on the kitchen floor, weeping.

“I can’t recognise her. Mama, my wife is gone.”

“Where is she?” her mother asks. With trembling fingers, Bontle points at their bedroom door.

When Bontle’s mother opens the door, she finds a creature with whittling skin, inflated legs, and pimples all over its face. Its head is so big, it’s as if it had stuffed dumplings into its cheeks.

Bontle’s mother doesn’t scream or run. She looks at the creature and calls, “Mmadjadji…” Mmadjadji moves on the bed, not saying a word. “I think we should take you to church. You have been bewitched.”

*

Bontle does what her mother’s priest tells her to do. This is how Bontle was raised. As a child she had gone to church three times a week, and she prayed with her mother every night. As Bontle grew older, however, she stopped attending church. She found that her mother’s church loved her and forgave her sins, but not all of her and not all of her sins.

But now, she and her wife will no longer drink tap water; she will find a stream where two rivers meet, collect the water, mix it with salt and vinegar, and then drink. She will wear a doek on her head every single day. She will not wear any jewellery or makeup. Bontle will sprinkle salt around their house to chase evil spirits away. She will burn stones and then make Mmadjadji inhale the steam from the flames. At midnight, she will gather the burnt stones together on a public road, so that someone else might cross over them and possess the ugly illness instead. Bontle will also fast, she will starve herself to death for Mmadjadji, if need be.

When Mmadjadji doesn’t get better, Bontle begins loudly singing hymns, holding the Holy Bible in her hands and stomping her feet in their house. Maybe this God her mother’s church preaches about every Sunday is somehow hard of hearing, He may hear her if her voice is more audible. Still nothing changes in her wife. It is as if all this time she’s been praying, she was just pouring water over a pile of rocks.

After two months without Mmadjadji getting any better but worse, Bontle decides she must take her back to Bolobedu. Perhaps her mother will undo the curse she laid on her daughter. Otherwise, Bontle might just strangle Mmadjadji’s mother until she confesses.

When they get there, however, she is shocked by what she discovers: Mmadjadji’s mother is lying on a blanket in her living room surrounded by family. She is so thin that a passing wind could cause her to roll on the ground. Her skin is ashy from the waist down and her hair strands can be counted on one hand. Everyone looks up at them and begins to sob.

Mmadjadji’s aunt, a light-skinned woman with big front teeth and dark gums, says to the two of them, “We have been waiting for you. Why did you take so long, my children?”

“La’reng?” Bontle utters.

“The gods… they can’t take this bad blood between Mmadjadji and her mother. They need them to reconcile, else her mother dies.”

“So you people are not the ones bewitching my wife?”

The woman shakes her head in disgust and spits on the floor, “Do you see a witch in this room? Please, don’t insult us. We are not witches here. Your wife has been named by her grandfather, that’s what’s making her sick.” she then looks up at Bontle with sharp eyes and announces, “Mmadjadji has been chosen as the next god!”

Mmadjadji drops to her knees. She can feel her chapped lips stretching when she speaks. “I will not. Not after everything this family has put me through!”

“Please my child,” her uncle says. “You have to. My father… the Storm God will punish us.”

“Is this the same god who you said told you to kill my baby? The same god who says I can’t love another woman?”

When she says this, they all look down. Her uncle murmurs, looking at his wrinkled hands. “Clearly, we were wrong. The Storm God would never choose someone who is evil.”

When Mmadjadji says, “But my father was an evil man…”

Her aunt interrupts, “Your father was not chosen by the gods. We only named him a god after your grandfather died, because he was his firstborn son,”

“We are ashamed about the things your father did to you. All of us here are terribly sorry about the things he did,” another aunt says. “Please, my daughter, heal yourself so that you can heal your mother. Become the god you were destined to be.”

As they sit there begging her, Mmadjadji’s chapped skin starts to heal. Her bulging body slowly returns to its original size. Her pimples ooze pus, and shortly after, her face becomes clear. Everyone in the room, including Bontle, watches in astonishment.

When Mmadjadji has fully healed, she looks at her mother lying there on the floor, dying. She knows she is expected to heal her. She then looks at Bontle, who is beaming with joy, and a hint of pride.

Mmadjadji looks down at her mother again. She slowly kneels beside her and holds her thin hands. Her mother grasps her sturdily, then screams as if giving birth. To everyone’s wonder, bit by bit, Mmadjadji’s mother’s body returns.

Later in the evening, the sky unleashes lightning bolts like bombs, windows screech, threatening to come off from their hinges, trees and mud houses fall to the ground like splintering glass, dogs huddle into corners and howl in the dark, heavy rain pours to the ground as if cleansing the village, and Mmadjadji is now the first woman in her family to become a god.

They will call her The Storm Queen.

The End

Keletso Mopai is a South African storyteller whose work has been published in various journals including The Johannesburg Review of Books, DRUM, Brittle Paper, The Kalahari Review, Praxis Magazine, African Writer, The Ebedi Review, among others. She was longlisted for the 2017 Writivism Short Story Prize and was a finalist for the 2018 Africa Book Club Competition. ‘Becoming a God’ is part of her debut collection of stories ‘If You Keep Digging,’ which is forthcoming from BlackBird Books by June, 2019. Her stories explore pertinent issues such as racism, homophobia, rape and death

Sin Eater – Chikodili Emelumadu

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Illustration for Sin Eater Omenna issue 13

All my life I waited to get into university, but nothing could have prepared me for the experience.

I am the last of seven siblings: three sets of twins – two boys, a boy and a girl, and two girls, then me, the unpaired, skewing the data in favour of more girls than boys. Awkward. All the twins are kind and nice and all, but you can see why I’ve always wanted to get away, live my own life in my own place.

I choose Nnamdi Azikiwe University in Awka, and move into to a hostel, even though my folks live forty minutes away – by bus — in Fegge and don’t want me, their ‘tail child’ to leave their house empty.

Of course, I get a weird roommate.

Her door in the flat stands closed all afternoon. At night, hunger pangs wake me. I click on my rechargeable lantern and make my way down the hallway to the small communal kitchen where I’d dumped my loaf of bread, a bunch of bananas and an old Seaman’s schnapps bottle full of roasted groundnuts.

My flatmate stands naked at the end of the corridor.

“Hi,” she says, rubbing her stomach. “I’m Nchedo. Hope I did not wake you?”

“Okay,” I reply but she doesn’t move. Only my past experience in an all girls’ boarding school makes her nudity sort of normal to me. But not the other thing.

Not the bit where she is covered in blood.

The crimson sheen to her thighs startles me. It glistens, fresh and wet. Her hands are broad swathes of yellowy-brown, mixed in with waves of dripping red.

“You mean this?” she asks, even though I haven’t said anything. “It’s just period blood. I am a heavy bleeder.”

I nod. “Me too… but you know what? No matter how heavy my period gets, I never bleed from my mouth.”

She cocks her head, a micro movement before comprehension. Nchedo wipes her face.

“It’s still there,” I say. She licks a thumb and works it on the corner of her mouth. “I think you need more than a thumb.”

She drops the hand. “You’re not afraid.”

“Of what? All I need to do is wake up and I will be in my bed.”

“You’re not dreaming,” she says. Her stomach gurgles loudly. She winces, clutching at it. “I need to ease myself, before I do it on the floor. Don’t run, you hear?”

I freeze in the act of retreating. The fluorescent lantern in my hand dances jerkily, its beams cutting jagged lines across her body.

“We need to talk, okay?” She’s staring into my eyes, waiting for me to agree.

“I’m not running,” I say. “Take your time.”

**

Nchedo finds me on Nnamdi Azikiwe expressway, trying to flag down a ride.

“I thought you said you weren’t going to run?” She seems only mildly disappointed.

“I’m not running. I just… forgot something at home.”

She shakes her head, amused, as if I am a naughty puppy, takes my hand in her warm, dry one and we are back at the flat, in her room.

“I won’t hurt you, I swear.” Her eyes plead understanding. The curtains are drawn. The single bulb in the ceiling burns low from the half-current that we’ve been supplied this night. There is a human head on the bed in a tangled, viscous mess. It doesn’t look quite real, but the smell, heavy and saturated with metal, says otherwise. I back away. Something gives underneath my slippers. I throw up, long and hard and I have no control over my body, this opening and expelling that takes everything in me. I keep going even when nothing else comes out.

Nchedo sighs. “See, you’re supposed to help me clean this, not add you own.”

**

“Sin eater? Like in ‘Supernatural’ or what?” My voice is muffled behind the headscarf I’ve tied around my nose and my own breath bounces back against my neck. I’m sweating. The meagre electricity gives the room a sickly glow and the brush in my hand is down to its wooden block from the force of my scrubbing.

My flatmate pauses. “That bread-dipping thing? How conveniently neat. Abegi,” she rolls her eyes. Please. “As if there would ever be a male sin eater.”

She tells me. School and freedom pale in comparison.

“It’s my first time. I finally graduated, and this was my first assignment.” She stares at the metal bucket full of sloppy human DNA. “I guess I bit off more than I could swallow.”

Her stomach is flatter underneath the wrapper tied around her chest. I have on a pair of surgical gloves from the packet I stole from my father’s pharmacy. Cutting out three of the fingers on each hand will give you a sleeve over an existing pair. It’s not the first time I’ve had to clean something disgusting. In boarding school, I was a pounder – one of the girls whose job it was to pound the mounds of shit in the toilets with logs so that it could pass through the old, encrusted pipes. It takes a lot to make me vomit.

The room is near spotless when I’m done. Who said boarding school is useless?

“Fine, I’ll help you with your assignments,” I say, even though she doesn’t ask.

“Yay,” she claps. She is gorgeous. Her teeth are whiter than sun-bleached bone and shimmer with their own light. I shudder to think of the mincemeat they made of the guy she’d eaten.

I raise my hand. “Under one condition: No more cleansing in the flat.”

Cleansing. That’s what she calls it when she takes a sin away. The man she ate had beaten his wife for the three years of their marriage. One day, he beat her too hard and she did not get up. We pour out his remains at the foot of a tree, in the bushes where he’d secretly buried his wife.  

“Should we get some suya?” she asks. “I’m a bit hungry.”

I resolve never to eat meat again.

**

Our next mission is a houseboy who is poisoning his madam. A man of about twenty-two, he carries a metal bucket with a lid into the grinding quarters of the market. I watch. Nchedo just stands around attracting okada riders who pull up in their motorcycles and ask where we want to go. She waves them away, worrying at her cuticles with the strong, white nails of the other hand.

The industrial grinders are noisy, shrill. I cover my ears as they work grains, seeds, whatever, into a pulp. The boy comes out, lugging the lidded bucket.

“Maybe his madam is wicked,” I say. “You never know, she could be a witch of a woman.”

“You’re justifying poisoning?” Nchedo snorts. “Anyway, this isn’t the first madam he’s killed,” she says. “It’s his second.”

The boy drops the bucket near the base of the Worker’s Union statue, three men with shovels and pickaxes on a plinth. He slides the lid off with the side of his leg and tips something in, sloshing the bucket to mix it. Nobody in the busy market pays attention to him.

“Rat poison. His Oga is away today. He’s making mai-mai. His madam loves mai-mai. The kids don’t. Really, it’s the children he’s after.”

The boy picks up the lidded bucket. His steps are jaunty.

“The children?”

“Mm. He wants to sell them to traffickers and retire across the border. His madam suspects something is up with him but oga thinks she is being hysterical. She’s just had a baby after all. And she is sick.” She shoves me. “Ngwa, go.”

My skin crawls. I am small. I have almost no breasts. Sometimes, I wonder how far Nchedo’s powers extend. Can she see the future? Did she choose me to be her roomie?

I tap the houseboy. “Excuse, can you tell me where Okwadike stadium is?” The stadium is old, run down and isolated. It’s overgrown and nothing good happens there. Drug deals, quick-action prostitution in cars, rape, a few murders. It is a red flag to a bull.

He looks me up and down and points the way. “That way, then when you come to the junction you corner, turn left, then pass one woman selling recharge, turn right and walk o…in fact, come let me escort you.”

I refuse, thanking him. When I set off, he waits and then he follows.

It’s easy to pretend that I am lost. I haven’t been to the state capital since Children’s Day in primary school, when the stadium bore the name of the then-governor. There’s a new stadium now, bigger and everything. Things change each time there is a new person in power.

I sing, both to cover up my nerves and the fact that he is following me. I’m aware of my jeans, the gap between the waistband and the bottom of my t-shirt. A wrong turn here, another there. I lead him down an alleyway. My voice is small and disappears as we pass behind the lumberyard. A wall. There is no thoroughfare I turn around. He fills up the narrow passage, blocking my exit.

He is bigger than I am, strengthened by hard city living. The alleyway stinks of urine. Someone has wiped their shitty behind on the wall. A used condom lies in the corner, covered in soil and flies.  

“Shift and let me pass!” I say.

The houseboy laughs and hate blooms in my chest like fungi, fertilised by all the times I have felt unsafe. I wonder how Nchedo will do it, but I needn’t have worried. She’s behind him, footfalls muffled on the sawdust from the nearby lumberyard. He doesn’t hear her but when I look behind him, he whirls around, eyes flashing, instantly aware that he has become prey. He relaxes a little when he sees Nchedo, his shoulders coming down from around his ears. She is only a woman.

“Pius, how now?” Nchedo says. He stares at her, surprised she knows his name. I turn away, gazing at the pylons, like so many cobwebs above the city. I don’t see what she does, but there is a twisting and crunching.

“Finished.” Nchedo is out of breath and looks about seven months pregnant. She yawns. “I need to lie down.” Her strappy lycra dress has gone from calf-length to above her knee. When we emerge from the alley, the okada men draw lots as to who will take the pregnant woman, and if they recognise her from before, they don’t say anything.

We end up on the lowest bike and the slowest rider, a portly man with wiry hair growing out of his ears. Nchedo has to pull her dress almost to her hips to get on.

When the houseboy comes out a few hours later, it is in a steady stream of black sludge. We finish all our buckets and jerry cans of water trying to flush him down.

“At least this is better than before, abi?” Her voice is hoarse from throwing up. The houseboy’s remains go down, but the inside of the toilet is stained black no matter the amount of Jik bleach I pour inside it.  

“What about the people he works with? He can’t have planned trafficking those children alone. There must be a network.”

“So, you want me to cleanse all of them? With which stomach? Not my job abeg,” she says. “Let’s hit Diamond Pizza. I want the biggest jollof with coleslaw and a half-chicken.” She grins her usual grin, but it doesn’t reach her eyes.

I order a soft serve ice cream and eat it slowly. She’s distracted, staring off into the distance. Her ears twitch as if she can hear something I can’t.

Later that night, she climbs into my bed, waking me with the warmth of her body. A wind blows through the open windows of my room, setting the empty plastic hangers on my rack a-clanking. She curves around my back. Lightning streaks intermittently across the ceiling of my room, but neither thunder nor rain follow.

“What is it?” I ask, but she doesn’t answer. She’s already asleep, her breath heating up a spot on my back through my pyjamas.

**

Nchedo mentions her sisters a lot. It is obvious she misses them.

“My sister Makuo used to protect me when there was a storm. I have never liked them. Amadiora, the god of lightning, he can be one kain changeable.”

I shake my head to dislodge this information sharpish. I can accept what Nchedo is, but talk of mythical Igbo gods and goddesses is a step too far.

The sisters then: There is Obegolu who loves to eat mangoes and Akabeze that sets fires because she is always cold and nearly burned down their mother’s house. Stella is the crier of the family, everything brings tears. Beluchukwu, and Hapuluora her twin sister, Mgborie…

“Mgborie? Who still calls their child Mgborie? Your parents did not do well at all!” I’m laughing hard. “And how many sisters do you even have anyway?”

“I don’t know,” she shrugs. “My mother has them when it is time.”

I stop laughing. A thought has occurred to me. “And the boys? Doesn’t your mother have boys?”

Nchedo snorts. “What can boys do, except cause wahala and then die?”

I don’t ask her by whose hand. It is as if I already know. “I have brothers,” I say.

She rolls her eyes. “Hashtag, not all men.”

We mutually decide not to talk about her family again. That is to say, I don’t ask and she doesn’t volunteer.

**

Another assignment.

“How do you know if a person should be cleansed?”

“I just do.”

“But how?”

Illustration for Sin Eater Omenna issue 13

Nchedo sighs. “How do you know when you need the toilet? Or when you’re hungry?” She takes a glug of warm Star beer straight from the bottle.

 I get the point. The girl we are following though, I’m not sure. Her name is Chimere, one of the most popular girls in school, with her light, ‘half-caste’ skin and long, curly hair. Even though she is a fresher like we are, you’ll never find her under the sun, queueing for a bus. Her boyfriend is a fraternity guy, a Buccaneer, one of the fine boys on campus. He picked her right out of secondary school in Enugu, before she’d even finished. The story goes that he worked it for them to be in the same uni. A rotation of vehicles brings Chimere to school every day – when she deigns to attend lectures. She doesn’t need to be in school to pass her classes. Who would mess with a Capone’s chick?

Looks like we will.

“What did she do?”

My flatmate makes a face. There are dark circles under her eyes. “I can show you,” she says. She slides a hand through my sweat-tangled braids and lays it against my scalp. It heats up, and just when I think I am about to scream from the pain, it fades, and I am standing in a new place.

A dim room. There are curtains on the windows, a creamy chiffon underneath heavy burgundy brocade. A sliver of light comes through the middle of the chiffon, where the heavier set of curtains do not quite meet. The air on my skin is cold from the air conditioner. A hotel room, with maroon carpeting overlaid with beige and brown squiggles, cream walls and a double bed. Chimere stands beside me, model-esque in her heels. Her hair smells of chemicals, hair spray or gel or something. She holds a phone pointed at a bed, around which three men…

It’s as if my head is cracking open, the sound is so loud. I’m in the beer parlour again, sitting under an awning. My ears ring and I waggle my jaw to pop them. Nchedo is watching Chimere and her bodyguards picking up cartons of booze from the supermarket next door. Chimere hangs her wrist, as if she is too delicate to do anything. The same hands that held the camera phone. Every pore on my body opens and pours forth sweat.

Nchedo burps, speaks, without taking her eyes off Chimere and her serfs. “It’s how they break them. The video just helps them stay broken. You say ‘No’ to the Buccaneers, and that’s what they do. You say ‘Yes’, same thing.”

I want to scream, shout, cry. The Buccaneers like to call themselves the gentlemen of cults. Whatever. A sword is just a fancy knife. And Chimere’s hand is on the hilt.

**

The party is by invitation only, but that is just a gimmick to make it more appealing. Everybody wants something they can’t have. The bass-heavy music pounds in my chest. It makes me anxious. It’s one thing getting houseboys, but we have entered the lion’s den. I’m just one small person.

“Relax,” Nchedo says. “Drink something. I won’t need you.”

But I can’t. Everyone is drunk. There are drugs going round, openly, everywhere. I’m afraid somebody will roofie me. I don’t want to end up a girl on a bed in a hotel room.

Nchedo moves to the middle of the floor and dances as if she is alone in the place. I retreat further into the crowd. The Buccaneers watch her: campus boys, men who’ve graduated and others like the Capone who should have left school ages ago but haven’t. They’re all too handsome to sweat, so they stand by the walls. They stare from the cordoned-off balcony where the very important alumni point at girls and have them sent up.  

Someone steps on my foot.

“Jesus!”

They don’t say sorry. In the time it takes for me to look up again, Chimere is approaching her man on the balcony, each step like a baby antelope learning to walk. She curls a hand around his biceps, frowns and whispers something in his ear. He doesn’t turn towards her. Nchedo dances, fluid like water and it is she that the Capone watches, biting his lips like he’s a Nollywood leading man or something. His shirt is open and a gold pendant gleams in the forest of chest hair. I can see why he’s the boss man.

Other girls join Nchedo on the floor. Two have blue-black Sudanese complexions and look identical. Many are bronzed and copper-coloured and ochre, all possible hues of black. I can see the similarity in the way they dance as if it’s something they’ve learned together. They are dressed in skin-tight trousers, mini-skirts, batty riders and cut-out dresses; hips working, thighs strong and arms taut. I relax because it means we might not die today. Reinforcements. I’m sure these are Nchedo’s sisters.

Chimere’s Capone gets a look in his eye. He nods at someone and immediately black t-shirts swoop in, smiles, such charming smiles, hands on waists, on bums, giving the girls drinks and leading them off. Nchedo doesn’t look at me when she goes off but somehow, I hear her clearly in my head: Go home.

**

Does it still count as a massacre if there are no bodies? Seven boys are missing. And Chimere. The Black Axes claim responsibility.

**

The bags under Nchedo’s eyes are bigger and she can’t even finish a tuber of yam by herself anymore. At night, she burns with a fever and her breath stinks of abattoirs. I try to take her to the hospital, but she refuses.

“You may muddy a river, but it will flow itself clean again.”

“What the hell are you talking about?” The scarf is back across my nose. It frightens me, seeing her like this.

“I mean,” a pause to cough, “Think about it. You jump into a river and muddy it up. When you leave, it clears itself. It can become vapour, or liquid or a solid, but water doesn’t just disappear.”

“And what does that have to do with the price of garri in the market?”

She laughs.

I snap at her. “If I drink the water, it disappears.” My phone is in my hand. “I’m calling drop to take you to Amaku.” The nearest teaching hospital is ten minutes away by okada but what if she falls off the motorcycle?

“If you drink water it becomes blood and urine and sweat,” Nchedo says. “Water has no beginning and no end. People drive themselves mad looking for the source of this and that, but all water is the same water.” She coughs again. Clears her nose and swallows it, laughing when I make a face.

“It’s in the bible sef. ‘Now the earth was formless and empty, darkness was over the surface of the deep, and the Spirit of God was hovering over the waters.’ Water has always been here and so too, Idemili, the Mother of water, you know?

I bring her a glass of water and she takes it, gratefully.

“They are burning her house. Our house. All over this state. You nko, if they burn your mother’s house, won’t it make you sick?”

Burning water? She’s not making sense but I don’t say this aloud.

 “Are you dying?” I don’t want to cry but it doesn’t matter. A blink and I am crying anyway.

“Shut up, you big taata,” she says. “Who told you I’m dying? You’re worse than Stella, I swear.” I watch her as she falls asleep.

                           **

By morning, I am on her bed alone. Her things are scattered all over the flat, but her phone is missing. She’s gone. I spy a note near the shoe rack by the door.

‘I am coming,’ it says. So Nigerian to be coming when one is going.

Despite wishing for space all my life, I am not good at being alone. Time stretches, folds in on itself. The nights are twice as long and I wake constantly, pulled from sleep by the silence.

How did I not notice that Nchedo didn’t give me her mobile number? I have no other friends. My phone does not ring, and the only beeps come from my parents Whatsapping me annoying forwarded messages. It adds to my restlessness and worry.

It is this worry that drives me to evening service a few days later. I go to pray that whatever is happening to Nchedo resolves itself. I pray that she is healthy, and her family is well. I pray for her to come back soon, right after I realise, I cannot even go to find her because she hasn’t told me where her family lives. All this prayer, and I no longer believe in the kind of God in whom I was taught to believe, the kind that lets bad things happen to people like me and does nothing, ‘for His glory’. I like having my own personal avenging angel or demi-goddess or whatever Nchedo is. I pray anyway, because speaking my wishes aloud calms me somewhat.

As I cook dinner for one that night, I turn my small radio on so that it feels as if I am surrounded by lots of people. It’s hard for me to cook for one.

The seven o’clock news comes on and the newsreader announces clashes in communities, people burning shrines and artefacts hundreds of years old. I eat my Indomie and egg, out of the pot, standing over the kitchen sink.

**

When I was a little girl, I knew things happened at night while I slept. My siblings would tell stories to scare me: witches who ate small children, monsters grabbing one from under the bed, shadows that aren’t shaped like their owners. They stopped telling them when they realised how much I loved the fear. It was like a loose tooth to me, salty and painful, and I prodded it with my metaphorical tongue.

In the night, while they slept, I stayed awake and waited for things to happen as my bladder filled up. I wanted to see. But the night is tricky, and her children are cunning. Sleep would take me before long. Over the years, I trained myself not to flutter my eyelids as I lay there, waiting. I let my body go slack, breathing deeply and steadily, watching out of the corners of my eyes.

It’s a smell that wakes me, thick and pungent, masculine. I wake up behind my eyelids as the intruder bends over my face, breathing staleness. This is no Night’s child, playing in the shadows. This is real and present danger.

He seizes me by the throat and pulls me out of bed, dashing me to the floor. From below I can smell the greenery on his skin, as if he’s been living in the bushes while a campus war is being fought.

“Where is your friend, eh?” Capone delivers me a backhand when I am slow to answer, and I smash my face against the wall. I have never felt such pain before.

“I don’t know,” I reply but he kicks me in the stomach. The Indomie is sour when it comes back up, and the pepper I’d added burns through my nostrils. He steps on my back, pushing my face into my vomit as if I am an errant puppy.

“I knew something was up… those girls. Me! You people tried me! Who sent you? Where are my boys?” He’s talking to himself. If he wanted me to respond he would let up on the pressure. My mouth is full of my own vomit. He presses and my teeth cut into the skin behind my lips. “Where is Chimere?” He drags me up by my hair and the braids around my temples snap and break. I cover my head so that I don’t bang it anywhere. My wrists bear the brunt of his beating.

“Please…”

“You are begging? I know you people did something. My dibia does not lie. You see this?” He rips his shirt and the buttons fly. He grabs my hand and rubs his stomach with it. His skin is covered in thick, raised scars. Juju. “This is why you could not get me. No Black Axe, no dirty bagga can get me. If you shout, I will kill you here.”

I hadn’t seen the knife before, but here it is, drawing the eye.

“Open your mouth!” He slips the knife in. “Now talk or I will cut your tongue, I swear to God. If you no wound today, call me bastard! I will kill you and nothing will happen.”

I’m glad Nchedo didn’t tell me where she was going. I look Capone in the eye and see an animal. If I knew anything, I’d have told him. As it is, I don’t. My head is a basket of agony and one of my eyes cannot open. He pushes the knife deeper into my mouth and my throat spasms, cutting itself in the process. Blood. He fumbles with his trousers in the other hand. He is pinning my body with all his weight and I can’t breathe. I can’t swallow with the knife in my throat. I’m choking. I am going to die.

There is a bang, and the pressure across my chest is off. I gulp air, coughing, retching, while chaos reigns around me. My roommate is here, clinging onto Capone’s back and encircling him with her limbs. He reaches around, trying to hit her, but his trousers tangle his legs and they both go down. I want to say her name, but my throat is fire. I slip in my own vomit.

They roll about on the floor and there is a cracking sound, like many dry sticks breaking. Capone screams and brings down the hand holding the knife. It comes up and down again, red, but Nchedo holds on. She is strong. The veins in her neck are thick, pulsing, but Capone is strong too and Nchedo is weakening. His struggles are violent but targeted. Nchedo has not managed to seize that arm. It comes down again and I grab it, but my hands are slippery, so I bite down hard on his wrist. His skin is tough. My teeth hurt but he screams and drops the knife, hitting me away.

It is enough. Nchedo tightens her grip and there are more loud pops. He is still fighting. I crawl back to them and hang onto his ear with my teeth. It is bitter with wax.

Nchedo looks me in the face but her eyes are different, yellow, glowing like the sun. I clasp him from behind, digging my hands into his windpipe, trying to crush. Nchedo throws her head back, grimacing with effort.

 The Capone’s death throes are violent.  Nchedo opens her mouth and her neck elongates, widens. She brings her jaw down on the Capone’s head and there is a sound of breaking coconuts. He stills and she forces him down like a lump of stubborn eba. It looks painful.  I help her, taking off his clothes, flinging the belt away. I rub my roommate’s arms as she swallows, cleansing our campus of sin.

I will never be alone again.


Chikodili Emelumadu is a writer and broadcaster living in Brighton, East Sussex. She was nominated for a Shirley Jackson award in 2014 for her short story ‘Candy Girl’. She’s been published in Apex, One Throne, Eclectica and many other magazines and anthologies, including the collection ‘African Monsters’ for which her story ‘Bush Baby’ was nominated for the Caine Prize for African Literature in 2017. She is currently querying agents for her first novel. She tweets as @chemelumadu.

Call For Submissions: Urban Legends (special issue)

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Omenana Magazine is currently open for fiction, and non-fiction submissions from writers living in Africa or African writers living anywhere in the world for its special edition, The Urban Legend Issue.

As always, we are looking out for imaginative speculative fiction (Fantasy, Science Fiction, Horror or Magical Realism) that have compelling characters and settings with strong relation to the African continent based on our Urban Legend theme. The ideal story should challenge normative ideas about gender, sexuality, ethnicity and religious belief.

The Urban Legend Issue will feature imaginative stories drawn from African folklore, myths and legends that have been passed on for generations. The kind of monster stories that served as tales of caution, thrill, and wonder such as Lady Koi Koi, the lady known for the sound of the clatter of her heels, walking about at night in search of something; Gbomogbomo, the mysterious ghost that kidnaps people; Abiku, the child with the ability to reincarnate; or the bush babies of Nairobi. You may interpret the theme as broadly as you like, and you can place the stories in any historic era.

Surprise us!

Submission Guidelines:

  1. All submissions must be sent to urbanlegend.omenana@gmail.com as a single attachment in either doc or docx format. The manuscript should be typed in Times New Roman (Size 12) using double line spacing. (British English spellings).
  2. Include a cover letter in the body of your e-mail providing your contact details, story title, address, email and phone number, a brief publication history, a bio of no more than 100 words and a profile photo.
  3. The maximum word count for fiction submissions is 5000 words. The maximum word count for non-fiction is 3000. Any submission that exceeds the word count will not be read.
  4. All works must be previously unpublished.
  5. Submissions open on October 8, 2018 and closes on October 30, 2018.
  6. Accepted submissions will be paid at a rate of N5,000 per story.

Omenana Speculative Fiction Magazine Issue 12

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Omenana issue 12 cover

Download Issue 12 pdf version here. Read flip version on Issuu 

In this edition:

Editorial: Our Darkest Selves

Essay: Review of Trinity: Red October Issue 1 – Joseph Omotayo

A Bridal Shroud – Mirette Bahgat

In the Garden Watching Nim Noms – Osahon Ize-Iyamu

Memento Mori – Tiah Marie Beautement

Artist Spotlight On: Tamara Reddy

Lee-ah (Sister) – H.J. Golakai

Sunny Efemena illustrated the stories in this edition. PDF version available for download 1st September.

A Bridal Shroud – Mirette Bahgat

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One night, when the air was hot and sticky, and the only sound one could hear was that of the night crickets and the occasional cries of curlews, Kiya sat on the roof of her house. She gazed up at the few scattered stars in the sky, while braiding her dark coarse hair. Her father was on the lower floor preparing dough to bake for the next day. In the silence, Kiya thought she heard something, or someone. A call maybe, a familiar sound. With her hair half-braided, she made her way down the stairs.

“Aba, did you call for me?” She asked her father.
“No.”

But she was sure she had heard something. She went out into the front yard, her bare feet brushing against the damp grass. Despite the warm night breeze, her limbs were shaking. And after a few seconds of silence, she thought that maybe the voice she had heard was that of a fleeting curlew or perhaps the summer wind blowing in from the southern desert.

And then she heard it again—this time louder. “Kiya, here.”

The voice echoed from the river’s direction.

A fog formed above the still waters of the river, and a twirling breeze stirred the scent of Jasmine into Kiya’s nostrils. She shivered like the river’s reeds and thought of running back into the house.

“Come, Kiya. Come closer.”

She took one cautious step forward. Two steps. Five steps. Until her toes met the lukewarm water of the Nile River. “Who are you?”

“I can be anything you want me to be. I can be love; a love more lasting than the love of your father, and more embracing than the flooding river tides,” the void said. “Or I can be fear, if that’s what you want. You know what fear is, don’t you?”

It took her a while to say anything. She was still looking at the empty space above the water, her knees quivering, her face pallid.

“What do you want?” She finally asked.

She didn’t get an answer back. She waited and waited for the voice to say more, and only when the normal sound of the night crickets and the curlews returned, did she go back inside.

– – –

The next day, Kiya and her father rose with the morning star to make fire in the oven, knead the dough prepared from the night before, and bake bread on the fire. The largest loaves they ate with fried eggs and black honey, while the rest they put in straw baskets covered with white cloth. After breakfast, they hit the road to Deir El-Medina grand temple to sell pigeons and bread to the worshippers who streamed from all corners of the land of Kemet to offer sacrifices on the altar there.

There were many shrines in the temple. But one particular shrine attracted thousands of worshippers—the shrine of the god Sobek. Tut was one of his worshippers. Once they reached the temple, he would grab Kiya’s little hand and lead her to the shrine to pay homage to the god.

The dark congested space, with shafts of light coming through the small timber windows; the heavy fragrance of sandalwood and frankincense; the intricately patterned olive green wall tiles and high ceiling—it all nauseated Kiya. In the middle of the shrine, a colossal granite statue of Sobek stood high, with his human body and crocodile face wearing a mischievous smile, a smile that announced dominion and deception.

When Kiya once asked her father about his love for Sobek, his face darkened. “It is fear more than love,” he said. “I, like everybody else, fear the gods—their brutality, their unpredictability, their fury. Who am I to ignore them, to challenge them, or to think that I really have a choice? Freedom is an illusion, my dear, just like love. Fear is the only truth when it comes to worshipping the gods.”

“Why are you afraid of the gods, Aba?” Kiya asked.

“I can’t predict them, my love.” Grief clouded Tut’s eyes as he turned to watch a couple of kids running in the temple’s courtyard. “Thirteen years ago, before you were born, your mother’s womb was closed. For many years, we prayed to Sobek to grant her fertility. We burnt offerings by the altar, and raised prayers night and day, until he finally answered. When I knew that your mother was pregnant, I was ready to do anything for the gods; my heart carried real love for them. I promised Sobek that in return you would be raised to become a priestess at his shrine. But, after a week of delivering you, and for no apparent reason, your mother breathed her last. I wept for her like never before. I wept for her and for my callowness in believing that the gods give freely. The love that consumed my heart for Sobek turned into fear. And it is nothing but fear that has driven me to worship the gods ever since.”

Fear. Love. The two words had possessed Kiya ever since she’d heard the voice at the river the night before. For a twelve-year-old, such words were ghosts with no faces.

– – –

In the first month of the Shemu harvest season, Tut caught The Poor Man’s Disease. It started off as a mild fatigue, then dry coughs, then losing more and more weight until he had to wrap his loincloth twice instead of once, then dry coughs with blood, then fever, then night chills and hallucinations.

At first, Kiya didn’t comprehend what was happening; she had never come this close to death before. For her, death was something she heard about every time her mother’s name was brought up, or whenever someone in the village disappeared and never came back. But this time death was close, so close it visited their house and stayed with them for several months. At first, it was a light guest; its presence went almost unnoticed. But day by day, it made itself more comfortable, until she could smell its thick presence in every corner of the house, until she could see it in Tut’s absent eyes, hear it in his non-stop coughs; until she came to believe death wasn’t going to leave till it claimed Tut’s soul.

Tut died and left Kiya alone. She didn’t weep, neither that day nor in the days after. It was as if a thick rope was tangled around the trail of her tears. Her neighbors prepared everything for the funeral—they embalmed Tut’s body after removing his liver, intestines, stomach, and lungs, putting each in a stone canopic jar. The jars were to be buried with his body, no gold nor precious belongings, only loaves of bread, jugs of black honey, and his wooden lute. By sunset, all the mourners from Deir El-Medina and the neighboring villages boarded boats and crossed to the Western side of the Nile, where prayers were recited and his body was buried.

Through all of it, Kiya watched in shattering silence, the same way she used to watch hoopoes flying in the sky or boats sailing on the river. Hired mourners did all the crying and wailing, while she further withdrew into herself.

“A twelve-year-old girl can’t live alone,” some of the neighbours said during the funeral. Yuf, one of the neighbours, went and asked Tut’s cousin, Ramose, if he would adopt Kiya. But he said he would need some time to think it over.

“Take your time,” Yuf said. “But remember, Kiya’s father left her a house by the Nile, and you’ll be the only custodian once you take her in.”

– – –

For the next four months of the harvest season, Kiya stayed at Yuf’s house. One late night, the tight rope around her tears untangled, and found their way to her eyes—tears of confusion, of missing her father, of not knowing where he was. Those tears turned into angry waves and a flood that gushed out of her body. She wanted to flee from herself. There was no reason for her to exist. No light. No family. No home. Even the Nile with all its vastness seemed limited compared to her despair. Could it contain her? Could it save her from herself even for a fleeting moment?

She took off all her clothes and ran into its waters, swimming for as long and as fast as her limbs could carry her; until her racing heartbeat outran her racing mind; until the impossibility of her survival felt less impossible.

– – –

A silhouette of a man stood watching Kiya from afar as she swam in the river. Her black spontaneous hair and growing breasts ignited a fire deep down his belly. For long minutes, he stood motionless with parted lips, watching her. And then he walked down the road to Yuf’s house.

Yuf and his wife were lounging on the front porch of their house smoking dried lotus, when they saw Ramose approaching.

“Finally, Ramose! I’ve been waiting for your visit,” Yuf said.

“Yes, I’ve been planning this visit for some time now. I had to make some arrangements before I came down here.”

“Ah, does this mean you’ve decided to adopt Kiya? Come, have a smoke.”

Ramose sat next to Yuf. He reached to the tray on the table, and selected the thickest darkest dried lotus petals which had the strongest flavour. He packed his wooden pipe and tucked it between his lips.

“So, you have made up your mind, yes?” Yuf asked.

“Yes,” Ramose said as he frowned. “But I won’t adopt Kiya. I will marry her.”

– – –

The burial Shroud. Art by Sunny Efemena
The burial Shroud. Art by Sunny Efemena

“You can’t let him marry her,” Yuf’s wife said after Ramose left.

“Why not?” Yuf asked.

“He is more than four times her age. Besides, you know his reputation: He buys young girls, marries them for a year or less, and then moves on to the next one.”

“Look, we have nothing to do with this. Ramose is Kiya’s only relative. If he wants to marry her, fine. At least we won’t have to carry her any longer.”

Yuf’s wife stayed awake all night, thinking of how to tell Kiya the news. Does she even know what marriage is? She felt bad for a young girl like her, losing her father, and now losing herself to an old man.

– – –

“Kiya, next week you’ll move in to live with Ramose, your father’s relative,” Yuf’s wife told her the next day. “He wants to marry you.”

Marriage was another word, like death, that was unfamiliar to Kiya’s ears. Unlike death, marriage was supposed to involve happy scenes—people laughing, clapping, dancing, eating; a man and a woman, close together; a new home; children born to life. But, Ramose and she? No. Like the pigeons Kiya used to raise only to see their blood shed to please the gods, she was to become an old man’s sacrifice; fresh blood at his aging altar; soft skin to his dry bones; young sweetness to his bitter mouth.

No! her mind cried out. But her tongue was frozen. The darkness became darker, the pit became deeper, and the mouth that had used speak a few words after Tut’s death became shut tight, like a graveyard.

– – –

 The death that Kiya once feared now seemed tempting compared to marrying Ramose. It was just another sort of sacred union, in a sense, but with death she got to choose what she would unite with. She thought of the Nile. She knew that if she swam south towards the cataracts, the turbulent water rapids would sweep her up and end her life.

– – –

It was past midnight and everyone was sleeping. She slinked out of the house and walked towards the river, her limbs aching from not moving for a week. The fresh breeze met the stale sweat on her body, and she came to notice how dirty and stiff her body was.

She took off her dress, and as she walked towards the steep edge of the riverbank, she heard footsteps behind her.

“You sweet thing, what are you doing here at this late hour of night?” She turned to find Ramose standing right behind her. His presence threw her off, and she skipped to snatch her dress off the ground and put it back on.

She stood for a second staring at him, her mind caught up in questions of what had brought him here and what she should do—run back to Yuf’s house? Or swim forth unto the river?

“Yuf told you we’re getting married soon, didn’t he?” Ramose asked.

She looked at him, his stooped posture, his bald head, his sly looks. Death will at least be more beautiful, she thought.

“I’m not getting married to anyone,” she said.

Ramose laughed, loudly and bitterly. He stepped closer to Kiya until she could feel his warm breath on her face; it carried the stench of beer. “A girl like you should never say no to a man like me, but, you know, I like young girls with strong personalities; they intrigue me.”

He took another step closer to Kiya, who now stood at the edge of the muddy riverbank. He touched her cold cheek with his rough fingers, gazing at her mouth, “I can’t wait to—”   before he could say anything further, Kiya stepped around him in one swift movement, and without thinking, she lunged at his back, throwing him off balance. Ramose staggered before losing his footing and falling down the slope of the riverbank into the deep, cold water.

“Bitch!” he gasped.

Kiya stood on the riverbank watching Ramose as he struggled to keep his head above the water. As she turned around to leave, she heard a loud hiss. She looked back, and right behind Ramose, a scaly body broke the surface of the dark waters, moving swiftly towards him. Ramose looked behind him, and started crying for help. He tried to swim towards the shore, but his uncoordinated movements further submerged him instead. The beast crept towards Ramose, its eyes fixated on him. Kiya stiffened as she watched the emerging creature attack Ramose— its massive jaws clamping down on the old man’s body, its colossal tail churning the water. Ramose screamed and gasped and rose and sank, until he stopped moving all together. His mangled body was soon swallowed by the water, and the smell of fresh blood lingered in the air.

– – –

After doing away with its prey, the beast started swimming towards the shore, its eyes now centred on Kiya. But she didn’t run away, instead she looked the beast straight in the eye, like a convict looking at her saviour.

Kiya’s father once told her that the gods sometimes respond to prayers when you least expect it. She had never seen a god before, yet she knew it was him—Sobek. He was now out of the water, his greyish-green body four times her size, his scaly tail more than two meters long. He wore an ornament of lapis lazuli and gold in his right ear and gold anklets around his front feet. Standing a few centimetres from her, his lunar eyes locked into hers.

“Sobek Ra,” Kiya said softly.

“Kiya,” Sobek Ra said. “You haven’t answered my question yet.”

“What question?”

“If you were to choose, would you choose love or fear?”

“It was you?”

“It was me.”

They sat together, side by side, on the damp earth. Sobek smelled of fresh green algae and stale blood, and the sound of his breath, raucous and deep, infiltrated the night. Hours passed like a thief. Time stopped all at once, as if there was no before and no after. Until the songs of the early-hour bulbuls and the aurora sky alerted them to the nearing morning.

“My father once told me humans never get to choose their destiny,” Kiya said, pulling her slender legs towards her chest. “He said that the gods control us like paper dolls.”

Sobek sighed. “Destiny is a conundrum. Some people choose to love their destiny, and some people fear it. Your father never accepted what fate had in store for him. He thought he could appease the gods with words and bounties to change what is meant to be. He blamed me for his wife’s death, and failed to see death as just another station towards a new life. .”

He turned to face her. “But you, Kiya, you are different. When death called for you, you followed. And so in return, I grant you the freedom to choose. Choose to die in fear, or choose to die in love.”

She pressed her toes in the cool soft soil beneath them. “What difference would it make? Death is death.”

“No, Kiya. Death is a clown with many faces. A fearful death kills both the body and spirit, but a loving death is an altar. You offer your mortal body for your soul to soar.”

Kiya looked out at the clouds. Small scattered clouds merged to form a white river in the sky. Small clouds merged in her mind too. A sudden sound of an approaching cart alerted both of them. Sobek sprang to his feet.

“It is time for me to leave,” he said, lumbering towards the water.

“Wait, I haven’t made my choice yet,” Kiya said.

“Yes, you have,” he looked back at her with a smirk on his face. “Wait for me at the shrine.” Then he swam away.

– – –

It was Akhet— the season of the annual flooding of the Nile. A season long-awaited and celebrated by all inhabitants of the Land of Kemet, for it brought fertility. Farmers prepared their lands to be fertilized by the silt-laden waters before sowing and harvesting the crops that were their only means of paying off the heavy taxes imposed on them by the Pharaoh. Merchants and traders would later buy the crops during the harvest season, and sell them in the big city markets across the region. It was the season of new beginnings, of recreation and rebirth.

During this time of the year, women unable to bear offspring would offer their sacrifices at the shrine of Khepri, the god of recreation and sunrise, to open their wombs. They visited the grand temple daily and walked counter-clockwise around the scarab statue nine times, one round for each month of pregnancy. Husbands and wives who had fallen out of love with each other rubbed their bodies with silt before making love by flowing waters to reignite their affection for each other.

At the shrine of Sobek, sacrifices were offered at the altar and priestesses, priests, and worshippers chanted day and night asking for the god to bless the crops, and the people, and for the waters of the Nile to fill the land and quench its thirst.

Amid the commotion, Kiya sat in a secluded chamber at the bath complex. Her head was shaved, and she wore a long bead-net linen dress. Three priestesses gathered around her—one plaited and waxed a long black wig, and put it on Kiya’s head; another adorned her face with red ochre and black kohl, and painted her nails with henna; and a third rubbed warm jasmine oil over her neck and arms. A high priestess kneelt in one corner of the chamber, burning kapet on top of coal embers and chanting the hymn of the Nile.

Hail to you, O Nile! Who manifests yourself over this land, and comes to give life to Kemet!

Mysterious is your issuing forth from the darkness, on this day whereon it is celebrated!

Watering the orchards created by Re, to cause all the cattle to live,

you give the earth to drink, inexhaustible one!

Path that descends from the sky, loving the bread of Seb and the first fruits of Nepera, You cause the workshops of Ptah to prosper!

Hail to you, O Sobek, Lord of waters. Protector of the justified and repairer of evil.

Healer, he who made the herbage green.

Hunter, he who with swift violence destroys the wicked utterly.

I approach you with humility and an honest heart,

and offer you a glorious bride with no blemish.

A virgin as your heart desires.

Today is your feast day, a wedding of heaven to earth.

Today, your bride will be offered as a living sacrifice on the altar of your Nile.

May the waters rejoice with the bride of the Nile, and flood to nourish our lands.

Kiya sauntered towards the temple gates, surrounded by priests, priestesses, and cheering multitudes. She rode the decorated red chariot pulled by black, heavily-muscled horses heading south towards the Nile cataracts. She was alone, completely alone. A bride with no groom.

<<<<>>>>

Mirette Bahat
Mirette is an Egyptian short story writer and spoken-word artist. Her work has appeared in various publications, including Ake Review, Afreada, Ramingo, and others. In 2009, she was awarded The European Institute of the Mediterranean writing award. She was also awarded the American University Madalyn Lamont literary award in 2016. Her story ‘Exodus’ was shortlisted for Short Story Day Africa contest in 2016. She holds an MA in political science from the American university in Cairo.

In the Garden Watching Nim Noms – Osahon Ize-Iyamu

1

                      Day 15

In my rich, luscious garden, there are palm trees. There are orange trees. But most importantly, there are nim noms. Red, purple, blue nim noms. In bloom, ripe, tender, and soft. They grow as curly as my hair, and I love curls, so I love nim noms. And I love them, so I eat them.

I crouch in the soil, as low as I can go, and let my ear brush the mud. I stretch my neck like I am spying on a test and grab each leaf with my teeth, then I chew. No one is looking when I feast, when I devour. I chomp till I feel a tingling within me and I cough up petals. I eat until my neck turns purple and I’m ripe and unfolding into blossoming. I eat till I’m fulfilled, till a velvet petal grows from my palms the next morning and I brush it softly. Then I pluck it out and wash the blood off my fingers because that wasn’t the transformation I needed.

 

When Auntie comes to ask who has destroyed the beautiful, precious nim noms, I shrug. I shake my head and pass around the tissues and cry with everyone for the loss of the nim noms. After Auntie stops crying, she stands firm and calls the exterminator.

He sprays the nim noms with something awful but non-lethal, then wipes his gloves and says that all the pests will go, so there’ll be no more sorrow. Auntie writes a check and he leaves, stomping feet, a smile on his face.

But an exterminator can’t get rid of me. I will never stop eating nim noms, not even the ones coated with a thick layer of pesticide. They taste of something spicy and savory and sweet. Like chicken, cheesecake, and peppers. Maybe the chemicals will give their sweetness an edge and make me more special.

 

The first time I ate a nim nom was after Daddy ignored my attempt at a hug in favour of a phone call, while Sunday got a smile and pat from Daddy later that day as Auntie was shouting at me for not dressing properly or doing anything right. Auntie had once said that all plants are great, but nim noms are special because they’re filled with magic. So I put a nim nom in my mouth, and I swallowed the opportunity to be greater.

 

Day 23

The chandelier is shining bright when my little brother, Sunday, bursts into the living room, sweating. I’m chatting with one of Daddy’s friend’s daughters while Daddy and his friend are drinking whiskey. With his sticky eba hands, Sunday points an accusatory finger at me.

“Ella has been eating the nim noms. Ella is the pest! I thought it was a rabbit, but it was Ella.”

The room bursts into gasps. My face flushes. Sunday! My own brother, trying to destroy me. Exposing me, embarrassing me. I’ve been caught. Now the whole crowd is staring at me, folding their arms, whispering. Gossiping. Me. Eater of nim noms. Destroyer of the beautiful. Murderer. Liar. Disowned daughter.

“It’s simply not true!” I scream, stamping my feet on the floor. “I would never eat a nim nom. I know better. I am better. Only rabbits eat nim noms, and I am not a rabbit. I’m not. So how could I?”

Deny, deny, deny. Lie. Lie. Lie. Straight through my teeth. My teeth that ate the nim noms. They must believe me, for I have eaten and I am now filled with sweetness.

“But I saw you!” Sunday counters.

“Daddy—if I was a nim nom girl, a dirty girl, then you would see me with mud on my dress, looking stained and impure. Ungood. The cleaners would say my clothes looked awful. Have you ever seen me look anything but perfect?”

Murmurs in my favour. Yes, yes, yes. Sunday looks around the room, panicked, and when he tries to talk, his defenses are drowned out. Who would believe the boy with eba-stained hands?

I am hugged by my father, an apology for ever doubting me. He knows me to be true. He knows me to be good. The nim noms have made me good, have made me pure, have made me sweet. Daddy strokes the beads in my hair and promises to take me to the mall on Saturday to buy me something nice. Something pretty—for my hair, or for my skin, or for me to play with.

I shoot a knowing smile at Sunday just to let him know I have him beat. His eyes open wide in horror. Daddy snaps his fingers for Big Nanny to come take Sunday back to his meal, an unfinished bowl of ogbono soup, and I can hear his “nooooos” all the way to the dining table as they drag him away. I let out a small cackle of victory. Little snitch almost ruined me.

The daughter of one of my father’s friends turns back to me and our conversation goes from dolls to snotty siblings who really ought to stay in their place. The girl pulls the hair off one of her dolls, straight out of the scalp, and I like her style. She’s the kind of person who would do something ruthless without a second thought. Like lie through her teeth. Like eat the nim noms in her yard.

She comes close to me and asks me if I really did eat the nim noms. The girl tells me that she swallowed an eraser once, a very precious eraser that once belonged to her grandma. That kind of thing is about as bad as eating nim noms and so I don’t have to hide my secrets from her. The girl tries to touch my hair but my eyes widen and I slap her hand away. I tell her she is a monster, that she should be filled with shame, and watch her eyes well up. I storm out of the parlour, up the stairs and into my bedroom, where I fall into tears of my own, only weeping when I’m sure I’ve locked the door. God help this feeling of worthlessness inside of me. Of being evil. Of being bad.

In the evening, I go to Daddy’s room and tell him I never want to see that girl again. Hypnotized, he deletes his friend’s number from his phone. Pleased my father answered my small request; I smile and go to my room, where I fall to slumber. At midnight, I eat some more nim noms, sweeter than ever now that the rain has washed off the pesticides. I fill myself with goodness, and know that with my eating I am becoming a better person.

 

I don’t know why my sweetness only works on adults and not other children like me. Maybe I need more nim noms. Maybe I need to feast. Maybe children know real goodness, the kind that comes from the heart rather than from nim noms. But what is real, anyway? This is faster. This is better.

 

Day 29

Sunday barges into my room when I am trying on my Junior Girls Singing Club outfit, and I scream my head off. He doesn’t care. He shuts the door.

“I saw you eating nim noms last night,” he says.

Deny, deny, deny. “The exterminator obviously needed to use more chemicals. So many moles must be digging around.”

“I opened my windows and I saw you,” he says. Straight to my face, stepping closer to me. Is he trying to intimidate me? Fool.

“You don’t know what you saw. Big Nanny says you haven’t been eating enough, and you know how you get when you don’t have enough foo—”

“I saw you!” He screams. His flailing arms hit my dresser causing some of my perfumes to fall off. “I saw the beads in your hair and your blue nightgown and your favourite bracelet. I saw you on the floor, putting nim noms in your mouth.”

Who does he think he is? I’m done playing these games. “And so—who’s gonna believe you with your eba-stained hands?”

“I’m going to ask for a camera for my birthday. And then I’ll get you. And they’ll see you’re not even a rabbit. No, you’re just a filthy rat.”

I hate my oversabi little brother, with his snotty little face. I didn’t ask for him, but yet he came. I can’t delete him and I hate him and…

“Get out of my room! Get out! Out! Out! Out!

He runs out, quick and alert. He has crossed a line. I shut my door. I relax my breath, then I scream again. I am filled with shame and anger and pain. I am filled with hurt. I pluck out the tiny little petals from my skin and I rage.

My secrets are mine to keep. Mine.

 

My mother left us a year ago. In a drunken stupor, breath full of sour wine, sticky and stumbling and raw with emotion. Rain was falling and thunder was screaming and our dinner was rice and stew. My father tried to calm her but she was a mess, crying and angry, then vomiting on the floor. She didn’t leave with footsteps, but puddles.

Mummy and Daddy loved each other, never fought, so why would she leave? I know Daddy still calls her on the phone and they talk, slow and awkward before falling into rhythm. I know Mummy talks to Sunday, but she cuts the call before it can ever reach me. She never asks to speak to me. Maybe it was because I used to cut her hair when she slept or because once I threw out all her sleeping pills or because I would use the wine in her cabinet as blood for my dolls in the dramas I would act. She thinks she knows who I am. She thinks it’s easier to avoid me. She thinks I won’t be good, but I’ll show her, I’ll show them all.

Daddy won’t tell me where Mummy is and I hate him for that. I hate my mother and I’m sure she hates me.

She called me a demon before she left.

In the Garden Watching Nim Noms: Art by Sunny Efemena
In the Garden Watching Nim Noms: Art by Sunny Efemena

Day 37

My Auntie is hosting a planting party, to celebrate things that grow. They are serving drinks and organic juices and everyone wears nice spring clothes. The grass glows greener than ever, not surprising after all the shouting Auntie did to make sure the place was perfect before the visitors arrived. My eyes shine wide at all the freshly-planted nim noms, fresh and all mine. Mine.

Auntie comes in with the grand plant, golden nim nom brought all the way from London. It’s beautiful, stretching out in all directions like a peacock’s feathers, with its tapering, curling leaves that resemble hair. It is ripe and juicy, gorgeously pure. I almost faint at the sight of it. I love it more than anything—more than my brother, or my father. It will be my Christmas dinner. It will make me better for the holidays, best for the New Year.

Before my Auntie can plant it in the soil, my brother stops her.

“Wait! I don’t think you should plant that pretty thing here. I’m not sure all the pests have gone yet, Auntie,” Sunday says.

That. Little. Snitch. He better watch himself. I cast dagger eyes at my brother, but he doesn’t look at me. He gives me no attention. Who does he think he is? If I eat him someday, it would only be right.

I burn. My hands keep clenching and my eyes keep twitching and I try to hold it in, try to be sweet.

What?” My Auntie shrieks, face paling, hiding her precious plant. Her oh, so delicious plant. Her sun hat wobbles on her head, and the crowd murmurs in confusion. “What have you seen?”

“Big, chewing, rats!” Sunday screams, raising hands to the air, eyes to me.

The crowd gasps.

I explode.

“Lies!” I immediately say, and the crowd turns to me. “I’m always watching the nim—the flowers, and I haven’t seen anything. Sunday just wants attention.”

“I do not!” He yells, and the crowd looks back and forth.

“Maybe if you washed the eba off your hands you could finally tell a lie that sticks.”

“Stop it, both of you!” My father in the midst of the crowd shouts. He glares at us.

I walk up to Daddy and wrap my hands around his waist. “Daddy, see how Sunday is behaving.” I tell him and Sunday looks shamefully at the floor. He knows I have Daddy like thread around a roll, loving me. “Daddy, I’m so sorry,” I say, forcing out tears. “Sunday brings out the worst in me,” I turn to the crowd. “Everybody, I’m sorry. Sorry. Sorry. It’s Sunday’s fault.”

If I have Daddy then I can have the crowd, all in the palm of my hand. I can show them my flowers and, even though I hate the petals on my skin, maybe everyone’s adoration will fill me up and I will finally bloom and be full of nectar and full of love; as pretty as a nim nom. I can get them all to love me, to not criticize me, to do my will. That’s how I will be better.

I whisper to Daddy, “I know how we can fix this. Let’s give Sunday up for adoption so he can find someone who loves him. It’ll be you and me—just like old times.”

Daddy stares at me and I smile at him.

“Ella?” He says to me.

“Yes, Daddy?”

“I have never been so disappointed in you.”

“What?”

“Get out.”

“Daddy, what?”

“To your room!”

I burn bright and my stomach rumbles, and I want to eat every nim nom around the room. Every single one, in my mouth, so I can be transformed.

“No,” I say, stamping my foot. “No!

“Who the hell do you think you’re talking to?” My father bellows. If his voice is thunder, then I can be lightning.

“That’s not fair! It’s all Sunday’s fault; he thinks I’m a rat when he’s nothing. He doesn’t want you to love me! Daddy, don’t let Sunday do this. Please. Don’t let Sunday destroy us.”

I open my fingers up for Daddy’s warmth; I just want to be loved. I just want to be pure. But all I feel are hands dragging me away. The crowd watches me and gasps and my father shakes his head. I hear their murmurs. I hear someone call me spoilt. A brat. A rat.

This can’t be happening. I’ve been destroyed. My father does not love me anymore. I wasn’t enough.

I begin to scream. I cry and tremble. My petals wilt and droop, itchy on my skin.

My brother has ruined me. I must make him disappear.

 

Day 44

Sunday has gotten hold of one of Auntie’s old phones. He called her after the party and mentioned he had seen more “rats” and that he wants to use it to record the rodents eating the nim noms. Auntie came and dropped the phone for Sunday, then took away some of the silver nim noms planted in the garden.

For the next week after the party I stay silent and keep my head down, avoiding Daddy’s gaze. I feel diminished, malnourished, but Sunday has that annoying phone all day long so I can’t feed. Everywhere I go he is watching, video on. If I step outside, he is there. If I get up at night to pee, he is watching. If I excuse myself from the dinner table, he is there. Always with the phone on.

Why doesn’t Sunday want me to be better? Why won’t he allow me to eat the nim-noms so I can be sweet, so I can be pure? So I can be like all the other girls who don’t hate their brothers and fight their mothers, and don’t hate themselves.

I eat to be. So I can transform.

But since the little snitch doesn’t want me to be better—

      Day 53

I enter Sunday’s room with a march and a glare, and he stands up and grabs the phone like we are about to fight. But this is not a battle. I push him down to the floor and he lands with a thud. He sees the roll of tape in my hand and it’s like he knows what I’m about to do, and when I come closer he curls to a ball. He’s still holding that freaking phone and I try to take it out of his grasp but he holds it with all his might. I scream in frustration.

He shrieks and I just want to shut him up. I grab his struggling, squirming legs and push them down, firm, steady, under my control. I wrap them several times with tape till his legs are stable and unmovable. Then, I grab his arms which are flying to my nose and I hold his hands tight, and bind those too. I cover up his little accusatory lips, again, and again, and again, till he has no more words to say. I like his silence.

Then I wrap his disgusting fingers and his crying eyes and his nose till all the rolls of tape are finished. I’m done being sweet. All the nim noms that I have ever eaten roar through my belly. My stomach rumbles with a hunger that’s monstrous and starts to fill with heat.

I crouch down, as low as I can go, and bite his skin, pressing my teeth deeper and deeper, a bit further into his flesh. He doesn’t want me to feed so I will eat him. Sweet or unsweet. I will chew him up; a meal without taste.

I stretch my neck and chew his ears first. No one is looking when I tear out the flesh from his jaw, when I devour. I chomp his little fingers till I feel a tingling in my stomach and a fluttering in my chest. I eat till my neck turns purple and my lips turn red, till I’m fulfilled,. I chew and chew and tear and swallow Sunday whole. Then I belch.

I leave his remains for the rats.

I take his bedroom key and lock the door and head downstairs. I run to the garden, to the nim-noms and I begin to devour every single one. I’m not even subtle. I dig up the roots and suck on their stems. I need to feast till I feel no guilt or sorrow or shame, till I have erased my sins with the taste of sweet. With the taste of pure.

Petals grow on my arms and in my throat. My tears are running down my face into the soil and messing up my dress, messing up my rage, but there’s nothing to feel sorry for. I just need to feed and be good. Good, good, good.

Why am I like this? Why won’t I stop? Why can’t I work and grow and transform to shine? Why can’t I get it right? I just need…

I stop eating when I feel eyes on me, a shadow in the darkness. I look up in horror to see Daddy is watching from the window. He is watching, mouth wide, face twisted. He starts screaming.

Petals bloom on my skin, itchy and bloody. My throat aches with chlorophyll and my stomach swims with vomit. My petals flutter like wings, as though ready to carry me. I am the pest who eats the nim noms. The rat. I am still unsweet, but I am strangely relieved. The hiding is over. I will never be better, never be pure, no matter what I do.

I could try to be better. I could start over and work on my heart, but that’s too hard and right now I have to eat. I can’t help it. I love my nim noms. So I take another nim nom, then I start digging through the soil.

END

Osahon Ize-Iyamu
Osahon Ize-Iyamu lives in Nigeria, where he writes speculative fiction stories. His work has been published in Clarkesworld and The Dark and he is a graduate of the Alpha Writers Workshop. You can find him online @osahon4545

Memento Mori – Tiah Marie Beautement

14

Death walked in, taking a seat at the table as the kettle came to a boil. The woman silently wheeled herself over to the drain board to fetch another mug. As she moved, the light danced across fingers, each sporting a silver splint.

“How many sugars?” she asked.

Death held up two fingers.

She placed a small tray in her lap before rolling over to the table. Death accepted his mug of rooibos with a nod of thanks.

She pushed her braids from her face, causing the coral beads interwoven into her hair to click. Death fingered one, noting the dark Rhodophyta hue remained. He had worried; it had been too long since his last visit.

“I’m healthy,” she said.

He inhaled her salty scent, rolled it over his tongue, considering it, before replying with a nod.

They sipped their rooibos in leisurely silence. He was in no rush. There were plenty under his command on duty today: from owls, to buck, to ravens, to horses, to his beloved canines.

In fact, he mused, the latter would make an excellent gift. He pulled out a notebook from the rear pocket of his jeans, making a note.

She placed her empty mug on the table and held out a hand. He removed the folded parchment from the inside pocket of his black coat, handing it over. She opened it without comment. This was not always so. The first time they’d done this she’d asked, “Why parchment?”

It was a good question.

Unfortunately, he had no satisfactory answer. This was true of many things in life and in death.

While she read, he made himself busy in the kitchen. It was a pleasure few mortals granted him in their homes. It was their loss, as he was an excellent cook. He’d decided on black bean and butternut chili, which would be served over rice. No cutting required; she didn’t look up for it tonight.

As he dished up the food, she said, “The ramp was damaged in the storm. I’ll need help to reach the water.”

He nodded. He’d spotted the split planks on his arrival. It explained the unusually low number of vials prepared for collection. He pulled out his notebook, making a note to have his birds check on her with more regularity. He looked up to find her watching. He tore out of a piece of paper and handed it to her.

It was blank.

She folded it into an origami ibis then placed it into his hands. He admired it, before tucking it into an inner coat pocket.

They ate in companionable silence as the sun drew closer to the earth. As the bright orb’s underbelly met the horizon, she pushed her bowl away. “I’ll go change.”

Death nodded and collected the dishes for washing up. He had placed the final bowl on the drying rack when she emerged from her bedroom. She’d removed most of the braces and splints, and was wearing a silk robe of blues and greens. A thick grey towel sat folded in her lap, the very one he’d brought her on his last visit. He smiled.

“I think it’s best if you carry me tonight,” she said.

He was relieved that she had come to the conclusion on her own. Wordlessly, he scooped her up and walked out into the dying light. She turned her head, fixing her eyes on the sea. It was a special place, where two great oceans meet. While the area was well known, her cottage and dock were secluded, far from where normal mortals dwelled.

Death picked his way down the ramp with care. Many of the boards were missing or splintered. The floating dock, however, remained sound. He gently set her on the dock’s edge, so her feet could hang in the water. He accepted her towel and robe without comment, then stepped back as she checked the belt around her waist that held numerous tiny vials. As the earth swallowed the sun, her gills appeared. Without farewell, she slipped into the sea.

Death waited another moment before turning back to the cottage. He had a toolbox to fetch.

#

The ocean welcomed her into its depths as the webbing between her fingers and toes slid into place. The sea’s gentle caress soothed her irritable skin while its bulk supported her weight, easing the aches in her joints. How she had missed her watery nights, where she could move with ease and grace. But Death’s time was in high demand and she had not wanted to ask for help. She knew he’d come, eventually. Souls trapped in the sea needed collecting, like any other, and she was one of his best.

As she swam through the deep, many silvery souls drifted by, but she left them alone. They were those of the drowned and their bodies were dead. In time, other soul collectors would catch them, but while they waited they would gently float in a peaceful, slumbering state, unharmed. What she was searching for was far more elusive.

Stories formed by memories that had slipped out through human tears, breath, sweat, and ablutions whispered along the currents she travelled. Thoughts were typically lost at a trickling pace, relieving the mind so that it would not become over-encumbered with new ideas and experiences. There were times, however, when chunks of the past were lost in a gush, either through trauma or an act of mercy. They were of little concern because the soul itself usually remained intact.

But for the people whose entire memories slipped away while their physical being still breathed, leaving them unable to recall the names of loved ones or recognize their faces, this was not so. These souls, torn between body and mind, followed the sense of self into the water and were the hardest for Death to locate. Until these disembodied souls could be caught, the victims’ loved ones could do nothing but helplessly witness their long decline.

As she swam, she shut her eyes, opening her heart to sorrows. This is what her fellow collectors did not understand: dark souls could not be seen or captured. They floated in their watery coffins much like dread sits in a stomach. Her days on land, living with Ehlers-Danlos syndrome, the chronic condition that caused her body to constantly ache, had taught her this: pain worsened if you fought it. The only way to live with it was to ride its wave with acceptance. This affinity to pain was what called the dark souls out of hiding. She greeted them with open arms, without judgment, soothing their shame as she slipped them into vials and secured them in her belt.

#

            Death finished his task by the darkest hour before the dawn. Yet he remained. Watchful. Patient.

When the sun’s first rays brushed the horizon, her head broke the surface of the sea. Yet she remained out of reach. He knew she was often reluctant to leave, content to swim long after her gills and webbing had retracted. But he was selfishly pleased when she, after spotting him, swam over to the dock. He knew she managed to pull herself onto land, day after day, without assistance. But he found himself unable to bear the thought of watching her face twist in pain as she hauled herself out. Quickly, before she could protest, he’d lifted her up, swaddling her with the thick grey towel.

She stared up at him as he set her gently down in her chair.

He stilled, fearing he’d taken too much liberty.

“Thank you.” She turned her head towards the ramp. “And for that.”

Her words made him bold, and he leaned down, brushing a kiss across her forehead.

She replied with a soft sigh.

Back in the cottage, he took the fresh vials, packing them in his case along with the rest. Done, he went to say good-bye. He found her in bed, nearly asleep. Her eyes fluttered open when he ran a finger down her cheek. As he pulled away, her hand found his.

“Stay.”

She was not the first to ask, but never before had the invitation come from her lips. He was fairly certain she was offering nothing more than her slumbering company. Yet he found himself removing his shoes, shrugging off his coat, and joining her in bed, where he curled himself around her smaller form.

It was warm, comfortable.

A minute later, she was fast asleep.

He waited until the sun had fully risen before kissing her cheek and abandoning the bed. She hardly stirred. He stepped out of the room, leaving the door open a crack, the better to hear her breathe. He wondered if she knew her slumbering breath flowed in time with the waves below, creating a rhythmic melody.

In the kitchen, he brewed her a pot of rooibos. As foil wrapped bricks baked in the oven, he cooked up a bowl of oats, lacing it with raisins and cinnamon. On the other hob he prepared a pot of West African peanut soup. When all was ready, he put the bricks into a cooler box, setting the food on top, and shut the lid. He withdrew a sheet of parchment, the words he wanted already inscribed.

#

            A black Labrador arrived a week later, unannounced. Its trainer looked befuddled and dazed, as if he couldn’t quite understand how he came to be at her cottage. Which was an accurate assessment of the situation. For while records showed money had been received and a discussion of what mobility services would be required, not a single member of the organization could recall interacting with the buyer.

Nonetheless, the trainer handed over the paperwork which detailed the animal’s history and care. As the trainer drove away, a delivery van arrived with dog food and an assortment of pet supplies. Neither driver would recall the location of her cottage by the end of the day.

In the quiet, dog and woman took stock of one another. As she scratched its neck, she her fingers brushed a piece of parchment tucked into the harness. As she read, a raven hopped onto her shoulder. She turned to the bird, whispering, “Please, give him my thanks.”

With a gentle tug to a braid, the raven agreed, then flew away.

Dog and woman worked well together. Each night, before she slipped into the sea, she’d remove his harness. The dog would leap into the water, swimming alongside for a half an hour, before climbing back onto the dock. There he would wait for his mistress, guarding her chair, as she dove into the deep, embracing dark souls whose abandoned bodies longed to die.

Once the dog had his mistress safely back to the cottage, they’d sleep on her bed, side by side. The training manual did not recommend this. Neither woman nor dog cared.

#

            As soon as her head sank under the rough sea, she could hear the terrified cries of fishermen. The other soul collectors were occupied: a hurricane, a jellyfish sting, a tsunami, a suicide. There was never enough of them, but tradition stated that sailors and fishermen should never die alone. Tonight, the dark souls would have to wait.

Battling the turbulent water, she reached the ten terrified humans trapped inside a flooded compartment. She was not permitted to save their lives, but amidst the chaos and panic, she could bring them calm and comfort. Heavy beams blocked their escape. Drawing upon her hypermobility – a trait of being born with Ehlers-Danlos syndrome – she subluxated her joints, flexing and contorting until she partially dislocated them. This caused pain and damage, but she was able to squeeze through a gap between the twisted door and a fallen beams.

Inside, as the boat rocked and debris came loose, she gathered the dying close to her. The boat groaned, seams threatening to split, but she stayed, singing softly to the fishermen. As air evacuated their bodies, a beam fell. The impact completely dislocated her right shoulder. Yet she remained with her charges, welcoming their souls. They turned silver, and peacefully slipped into the awaiting vials, where she corked them, one by one, using her remaining working hand. Finished, she turned her attention to her right arm. But try as she might, she couldn’t force it back into its joint as she often could with other dislocations.

The boat moaned, beams around the gap shifted, narrowing the way out. Pushing panic aside, she grabbed the nearest beam with her left arm, and hauled her torso through what was left of the gap. As she twisted and squeezed through the maze of tiny open spaces, she felt something tear in her left ankle. She continued to kick with her remaining leg, when something struck her right knee, pinning it. Rotating like a contortionist, she  subluxated the joint bending in unnatural ways to free herself. Pain rocketed up her body as, with another pop of a joint, she finally pushed out of the boat. But her body was now battered, with only her left arm in fully functioning condition.

She was swimming too slow. Time was running out. The dock was still a mere pin prick in her sight when the sun began to rise. She gasped as her gills and webbing retracted. Struggling to breathe, she thrashed in the choppy water, her bones growing heavy, her muscles weak.

Turning to float on her back, she released a desperate whistle for help. Her only answer was a raven’s caw.

The sun rose higher, its heat stinging her face. As the waves tossed her spluttering, exhausted body around, trying to force water up her nose and mouth, she thought of Death and wondered why he hadn’t said good-bye. Through bleary eyes, she spotted a raven circling in the sky. There was comfort in knowing she would not die alone, at least.

The sound of the water changed.

Splashing.

There was a cold bump on her cheek. A pant in her ear. A lick over her nose. Blindly, she tossed her good arm over the dog’s neck, grabbing his scruff. It was all she could do to hang on as he dragged her battered body through the choppy sea.

#

Death came as soon as the raven brought word. He walked into her home without a knock. As he strode into her bedroom, he found her asleep. The dog raised his head, acknowledging the visitor, and, satisfied, snuggled back down beside his battered, bruised, and exhausted  mistress.

Death looked her over as best he could without waking her. She and dog had clearly done a decent job sorting out the majority of her injuries once they’d made land. That was her way, to be as independent as possible. Managing her chronic condition was as everyday to her as brushing her teeth. But she’d always struggled to reset her own shoulder.

With nothing to be done until she woke, Death joined the pair in bed, curling his body gently around the woman’s. He listened to her breath’s rise and fall, in perfect harmony with the waves. The dog’s huffy beat added a bluesy feel to the mix.

She was still asleep as the sun stretched past midday. He was antsy, Death needed a distraction, while waiting to reset her shoulder. He decided to cook, but as he rose from the bed, her left hand shot out, grasping his own. He looked down, noting how the silvery splints she wore on each finger sparkled in the daylight. “Stay,” she whispered.

This time he placed the kiss directly on her lips.

#

            Death had never been a healer. Popping her shoulder back into place left him convinced he’d caused her more harm than help. Her cries of pain had sent fear down his spine, despite her assurance afterwards that the worst was now over. As she bathed, he busied himself in the kitchen, wondering how he could persuade her to see a doctor. He knew there probably wasn’t any more a doctor could do, but it would make him feel better.

He looked up at the sound of her chair. She had rolled out of the bedroom, body covered by a fluffy robe. Death noted the extra braces on her wrist and ankles. She parked next to the table, and with the assistance of dog, eased herself into a dining chair. Her robe slipped, flashing a knee brace and long strips of brightly colored athletic tape.

He reached into his jacket for parchment.

“Don’t,” she said. “I’ll be fine.”

He wasn’t sure he agreed, but he could tell by the look on her face she was in no mood to argue. He set down mugs of chai and plates of mandazi instead.

“Thank you,” she said.

He joined her at the table. Out of lowered eyes, he watched her attempt to cut the puffed triangles. One went skidding off her plate, straight into the dog’s grateful mouth. A blow of frustration escaped her. He sensed an offer to assist would not be appreciated. Instead, he set down his cutlery and picked up the food with his fingertips. He made a subtle show of dunking the breakfast treat into the rich caramel sauce, before bringing it to his mouth.

She smiled, proceeding to follow his lead. When she’d finished her meal, she carefully cleaned her hands on a serviette and dabbed her face. As she folded the cloth, she said, “I have a favor to ask.”

He wished he could shout, “Anything!” But he was not made to behave as such. Instead, he merely nodded, as his heart warmed.

“It would help to have a larger bathtub, one that would allow me to float during the day when, well, when I’m sore and have had enough.”

He pulled out his notebook, making a note.

“Thank you.”

She stood. He pushed back his chair, preparing to aid, but she held up a splinted hand. He remained sitting, watching her careful steps. The dog ghosted beside her, his harness handle available should she need support. When she reached Death, she gave him a smile, cupping his face with one hand.

He dropped his arms to his sides. She slid onto his lap, resting her head against his chest. As he embraced her, she said, “Do you think, perhaps, you could consider this your home? Use it as a base, between your travels?”

He did not inform her that he already did. Instead, he kissed the top of her head. When she did not look up, he placed a finger under her chin. As she raised her face, he pressed his forehead against hers.

She reached to her waist, untying the fastening. As her robe fell open, she whispered, “Take me to bed.”

End

Tiah Marie Beautement
Tiah Marie Beautement is the author of two novels, including the award nominated This Day (2014, Modjaji) and numerous short stories. She is the managing editor of the The Single Story Foundation’s journal, teaches writing to all ages, and freelances for a variety of publications. In her spare time she has been spotted riding horses and as pillion on motorcycles on the South African Garden Route.

Artist Spotlight On: Tamara Reddy

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Tell us a little bit about your background.

I am a self-taught alternative visual artist currently based in Johannesburg, South Africa.  I have been drawing since I was a child. I studied Psychology and Media Studies at the University of Witswaterstrand from 2005-2010. It was only in my final year, when I was deep in socio-critical theory, that I realised a truth about reality and our fear-based society that resonated within me. This led me to start illustrating the emotions and thoughts in my reality.

I saw similar styles and emotions in the gig posters used to promote bands. I thought to myself: “Okay there is a way I can share and display the messages of my art; people make beats about this stuff!” I was also really inspired by Nan Goldin’s photography, so I played around with a camera for a while. But found it too intimating to take pictures of people; I was not as comfortable with photography as I was with sketching.

One day, I was messing around with an image on my PC, combining my sketches with the photo. The outcome was dark, surreal, and romantic; a lifeform that showed itself to me. I fell in love.

What inspired you to be an artist when you were growing up and why?

I grew up in Lenasia South, in Johannesburg. It was during the early 2000s (I was a teenager then), and growing up in this area was boring and really lonely for me. I was also the introverted, weird, and angry kid who believed in magik and that Alanis Morissette was my angel. There was no alternative, no grunge visual culture such as music, graffiti, and posters on the street poles. All I had were the Simunye Grooves CDs and MTV.

I was continuously pressured to fit into the Typical Indian Girl mould, which was: study, dress pretty, have lots of money, and get married. I wanted to escape. I had met a soul-friend in my final year of high school. She was the only girl who got my weirdness and loved it. And in that love I found power. Her love for music opened the door to my love for poetry, alternative music, trip-hop, and punk culture. I started making indie comics and playlists for her.

Collecting music led me to live music, club culture, and album and graphic Art. I finally found a place where I belonged. I finally understood the beauty that lies in darkness. This inspired me to create my craft, to shine light into dark places, to address the social oppressions that women have to endure daily. And to help young women believe in themselves enough that they break their silences.

What is the most challenging aspect of being an artist, particularly as a woman, in your country?

I feel female artists are very segregated, disrespected and stereotyped in South Africa. Firstly, it is really difficult to find female visual artists, unless they are made popular by the media. And the only time a female artist is celebrated by the media is during Women’s History month, or in theme-based parties, or as a sex symbol – and that is if they know how to market themselves. There is a noticeable amount of gender inequality.

If you looked at a visual art exhibition, for example, it will be highly dominated by male artists and maybe one female artist. I feel that there is no encouragement for women to come out more and share and collaborate in their craft so that we don’t have to see the same artists all the time.

I think women artists have to work a bit smarter and harder, because we are breaking the brand of the masculinity-centric society that we live in. I feel that all artistic voices should be recognised equally. It should not matter if we are women or men, self-taught or college-educated. What should be recognised is our passion for pushing the human potential.

Are you involved in any other projects outside your regular job? If so, can you tell us which ones you’re currently most excited about?

Yeah, I am currently involved is a Visual Art and Contemporary Dance collaboration with choreographer and contemporary dancer Thamsanqa (Thami) Majela. I really enjoy Thami’s work. This project in particular, because it speaks to something we both experience and are aware of: the extremes that one experiences in depressed masculinity and feminity.

This performance will be shown in South Africa at the My Body, My Space festival in Mpumalanga. I am also creating a photo-manipulation portrait series where I work with children and women in townships and villages sharing the stories unique to their identity as human beings.

What strategies do you use to carve out time for sketching?

My strategies are rooted in reducing the anxiety that comes about because of working alone and having to discipline myself. Before I start any work, I first make sure I am mentally healthy to do so. I work out and meditate, ensure I have coffee, and always play a movie or an album in the background to eliminate PC noises and the voices who make noise in my head.

Once I am in the zone, I am complete. However, it is critical to step outside and see daylight when the struggle does eventually present itself. Sometimes that’s done in the form of scratching my dog’s belly, sometimes it’s done in the form of YouTube videos. After sketching is done, I always makes sure I clean my work space. I reward myself by being in nature. For me, it is very important to balance my eyesight with man-made light and natural light.

Are there any TV shows, movies or web series you would sneak out to watch right now?

Definitely. The TV series OZ. I always find myself going back to OZ. I think the more I develop in myself, the more I listen to it. It blows my mind all the time. That and the movie Gattaca.

Who are the most exciting artists on the South African scene right now?

I would say Vusi Beauchamp, Ayanda Mabulu, Zanele Muholi and Naomi Van Niekerk. 

What was the most discouraging time in your career and how did you overcome it?

Shoo! I think the most discouraged I have been was when my artwork was selected for The Burning Question, an exhibition about climate change danger featured at the 2017 MTN Bush Fire fesitival. My family did not support my passion for making art at all and made it difficult for me to be at the exhibition. It broke my heart because here I was trying to do something that would make a huge impact on people. Instead, I was being judged and belittled, told to “get a real job”. Naturally, I feel into a depression and it really hurt. Even when I was eventually able to go to the festival, I was still depressed and disappointed – and stayed that way for about two months thereafter.

In the course of those two months I still created art, but I was now starting to fear sharing my work and exhibiting because I was afraid I would be hurt like that again. My art then became a container that turned my anger into something like a bubblegum milkshake. It was the only space I found in my loneliness that understood me. I eventually found myself again and I accepted that that which makes me feel happy is much more important that making others happy. I accepted myself and that I can’t change for anyone. The truth is in staying true to myself.

Looking back, is there anything in your career that you would do differently? Any major decisions you regret?

I don’t regret anything because everything has been a lesson to learn in becoming a better artist. There are definitely things I would have done differently. One thing I learnt is never do anything out of desperation because it makes you do things you don’t want to do – giving away your value for way lower than what it is worth.

What is it you would most want to be remembered for when you’re gone?

Reminding people of the light inside them.

Tamara Reddy
Tamara Reddy is a self-taught Alternative Visual Artist currently based in Johannesburg, South
Africa. She is founder of Tred in Mental, a graphic art free space which encourages the freedom
to create visual poetry through graphic art, fantasy, humour and the appreciation for the Human
Race.
Tamara’s artwork shares a visual culture, of the state of being, through Graphic Posters. Her
artwork questions the way we are socially conditioned to belong as people; to seek truth. All
design work is created as an alternative form of visual education for children and young adults
in raising awareness to the strengths and weaknesses of our current social conditions. Human
development can go through extreme measures to have purpose in this world. Eco Terrorism,
Women abuse, racism, corrective rape, child abuse, thought disorders, suicide, anger and
loneliness are a few of these extremities. Tamara’s visual identity is dedicated to shining a light
in a dark place. It is important to find and create beauty because of how ‘real’ life can get. Her
artwork aims to connect to great hearts and innovative minds in pushing the human race
forward through the freedom of Expression. Tamara’s gift is to share a world of magick through
the use of colour and imagination.
Her portfolio includes design work for print, posters, album art, comics and illustration; and video
art.

Lee-ah (Sister) – H.J. Golakai

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Lee-ah Sister. Art by Sunny Efemena

“Bury it deep.”

“Shh. I know how to bury things.”

The two girls, on their knees on the ground, stared at each other. The first girl pulled her lips against her teeth in an exaggerated grimace that made the second girl burst out laughing. It was a sign they were thinking the same thing, that the words of the buck-toothed elder who had guided them in basket-weaving two days before had not been forgotten. Curse the ancestors’ heads, the two of you are impossible! You hail from two villages with a long history of conflict, but you have forged this attachment rivalling the rock of ages. You have both been blessed with beauty and cleverness, but your minds are too consumed with mischief. Watch yourselves, or you will never learn to watch each other.

“This is not sprinting or a decoration festival, Omaru girl,” teased the first girl. Her eyes were tawny and her smile coy and quick, revealing small teeth but no other truths. “This is a task for real women.”

“Hehn! The very reason to mind your mouth, fire-dance princess,” the second girl, possessed of a temper more fluid and easy to read, struggled to keep her agitation under control. “Be careful not to hurt your fine fingers, Wasa women are delicate.”

But every minute they lost on banter was costing them.

Their search for sacred ground had unfolded in the style of all tasks they performed together – lazy, playful, and peppered with winding tales. Barefoot and naked save for the vibrant strings of beads in their hair and short lappa wrappers around their waists, the girls had pushed aside branches and stepped over fallen logs, mindful of snakes and scorpions as they swatted at bugs.

Eventually, dusk had threatened, a reminder of the consequences facing them if their task remained unfinished. The mood had sobered and the pace quickened. Finally, they saw it: a patch of ground lit by fading sunlight, nestled near the stub of a fallen mango tree, protected from the energetic course of a nearby stream. The girls held their breath, and as if in answer, the wind kicked a whisper through the forest’s leaves. Their eyes locked. Water, wood, wind, and fire. Earth to act as vessel. Their site had spoken. They fell on all fours and began to dig.

Two pairs of hands – one of honeyed, stripped wood, the other deep cocoa-brown – scrabbled through the dirt, wrist-deep in filth as they tossed handfuls of soil aside. Their scooping gathered momentum as they competed to see who could scoop faster. Two heads of ornate braids – one whose brown locks were woven to the top of her head, the other whose black plaits fell down a long neck and strong shoulders – bobbed up and down, faces fierce with concentration, foreheads close and dotted with sweat, breath laboured in the hush of the evening.

After several minutes, the second girl rocked backwards onto her toes, a glimmer of triumph in her dark eyes, signalling her companion to fling the last handful of dirt to one side in a huff. The hole was deep enough. Deft fingers went to the swathes of lappa around their waists and began to undo knots of fabric.

Nestled within the lappas lay two wooden dolls. Each was clothed identically to its owner and carved from two different trees, one golden and the other umber, much like the hands that held them up. The girls sighed, reverent smiles playing across their lips. The dolls were placed, into the earth side by side, then dirt layered over them and pressed down. A smooth, heavy stone acted as the final seal.

They hugged and laughed. From that night onward they would not only be women, but sisters. Tomorrow, branded high on each of their shoulders would be a ritual marking, a public symbol that they had braved the secret society of womanhood. As they matured, their scars would expand with them, soaking up dreams and desires. They would be forever bound, each a beloved guardian of the other. Sisters in society, sisters in blood.

_________________________

Lee-ah Sister. Art by Sunny Efemena

Miatta was tired. The village of Wasa seemed to taunt her, moving farther and farther away with every step she took. She regretted not having set out from home earlier even as the afternoon heat gave way to the evening’s cool, but that could not be helped now. What mattered was the grave situation that demanded she walk these endless miles, one she feared to name even to herself

Many days had passed since the messenger had come from Wasa with urgent news: her bond-sister, Nyenpu, was ill with the fever and had sent for her. She had sent him back with her message – hold on, my feet are flying to you – a promise she had been unable to keep. There were many considerations before embarking on a journey on foot, especially with rainy season at its peak and the rivers and forest in full flush. Treacherous waters often swept unfortunates to their death. The forest, untended for months, grew wild, its animals bold. Miatta was not worried about any of the physical dangers. She had grown up roaming the valley and learning its ways, for amusement as well as safety.

Her worry was the fever.

No one knew exactly where it had come from and which family fell first. The healers and herbalists of both Wasa and her own village Omaru remained baffled. They chanted and stirred and sprinkled their mystical cures, but the fever fought them with a bitter will. They had managed to stay its hand and restore many of the infected, grey and shaken, to the land of the living. But many others had not fared so well. The fever was a proud beast, and wanted the final word. Every so often, waves of wailing rose to the sky as another weakened soul succumbed…

Miatta shook her head. Nonsense. She would not let doubt and fear creep in. Wasa was close and she would arrive just after nightfall, if she kept her stride. The journey would have been easier and faster if not for the extra load, but that had been unavoidable.

As if sensing her disloyal thoughts, the baby on her back stirred and kicked her legs in happy protest. Laughing, Miatta stopped, put down the bag of provisions she was carrying, then stooped and tightened the lappa holstering her daughter. When the messenger from Wasa had brought the news of Nyenpu’s illness, Miatta had hurriedly packed to travel with him the next morning. That night, though, her baby had developed a fever and, frantic, she postponed her journey. The illness turned out to be a common bout, the child recovered in a few days, and Miatta set out as planned. There had been no other choice. Friendship was strong, but it paled next to motherhood. She would explain her tardiness and Nyenpu, blessed with a daughter of her own, would certainly be forgiving.

“Don’t worry, my love,” Miatta murmured and caressed the soles of her child’s feet to calm her. “We will soon reach, then we can rest.”

Her words sounded uncertain even to her own ears, though she knew her daughter was far too young to notice. The sun was sinking quickly and Miatta gathered up her load, and doubled her speed, averting her eyes as she walked on. She could see the divide coming up ahead, the clearing no traveller wanted to cross alone, the dreaded territory that was neither Omaru or Wasa. The area was always devoid of animal life – no birds nesting nor monkeys chattering. Many mothers had simply to lift a threatening finger in its direction to achieve immediate silence and obedience from their daughters. People disappear here. Ghosts walk among men here. THE WITCH WILL EAT YOU.

She kept her back to the clearing, feeling exposed, imagining wispy fingers reaching through the envelope of silence that hung over the place to grab her. All she had to do was keep moving and before long, there would be signs of life. Traders always traversed these parts. They knew well the unpredictability of long journeys and would often offer fellow travelers food and shelter for the night. But before then, there was just she, a lonely traveller with a baby, and the divide, darkening, yawning in her face…

She sneaked a look behind her and saw a thatched roof, the only sign of human occupation, emerging from the bush. A sap tree, the tallest for miles, towered over the equally imposing hut, and they both pushed their way out of the forest as if to swallow her. She broke into a light jog.

Miatta slowed and shook her head once she was past the clearing, scattering her wild thoughts to the wind. Like every young woman, she had seen the inside of that hut and knew it held little to fear. Not that she ever wished to revisit those countless tasks and dull lectures that she had had to endure as a young initiate of the secret society The hut and its memories were no cause for unease, but its occupant was.

The old zoe who lived there, whose duty it was to train young girls and usher them past the veil of childhood, watched her far too closely. Eyes even the other elders dare not meet weighed Miatta at every step – at initiation, at the river, at the fire-dance, on the day of her marriage. Always questioning, probing, demanding. Why, Miatta did not know. Never would she dare question or even approach the old woman. Such unspoken matters ––

Miatta strained her eyes into the dusk. Someone was coming. It could not be, but there was no mistaking that determined strut or the sway of those hips. She broke into a jog, oblivious to the strain of the baby bouncing on her back. The figure picked up speed as well, their slippers snap-snap-snapping against the ground as they ran to each other. Miatta and Nyenpu laughed as they embraced. Miatta forgot the journey, her hunger and gnawing worries. Her friend was safe and sound, well enough to come and meet her on the road.

Miatta recoiled from the embrace after a moment. “Ah-ah, Nyenpu, your skin is boiling!” And such a hungry heat it was, like stepping into the smoking hut where beans would dry after harvest. She laid a hand on Nyenpu’s face and studied her properly. All was not well. Gone was Nyenpu’s fair and radiant complexion, in its stead an unnatural grey pallor that stood out like clay against the deep brown of Miatta’s fingers. Sickness had eaten her meat. Her eyes bulged within juts of bone.

Guilt pierced Miatta’s heart. Weeks had gone by since she or Nyenpu had visited each other’s homesteads. More and more, the daily motions of life had taken priority over everything. If only they were still carefree girls with the leisure of time. If only she had left earlier…but she was here now. She would set her friend right in no time.

“My sister, you don’t look good at all. Why did you leave your bed to come outside this late?” Miatta asked, rocking back and forth to shush her daughter. The sudden sprint to hug Nyenpu had woken the child, and combined with hunger and the evening chill, the baby sounded highly unamused.

“You know how stubborn I am. I heard you were on your way to see me so I decided to come and meet you. I knew you were worried, and I wanted you to see I was doing better.”

Miatta reeled. How high and unnatural her friend’s voice sounded! Like a mosquito had climbed into her throat and taken over her speech.

Nyenpu must have seen her shock because she rushed to explain: “I sound strange, I know,” she coughed into a fist. “The fever changed many things about me. It will take some time before I find myself again.”

They drifted to sit on tree stumps by the roadside, and Miatta proceeded to breastfeed. She waited. There was a story to be told and Nyenpu, spinner of tales, would have her saga of triumph over the fever waiting on her lips.

None came.

Instead they traded family news and village gossip from weeks spent apart. The dark cloaked in and Miatta lit her kerosene lantern. With light and company at hand, she wanted to feel more at ease. But could not. Nyenpu was frail and understandably not herself, but even so she seemed…more unlike herself than ever. In fact, the darker it got, the stranger she became, and in a frightening trick of the light her pupils seemed to glow.

Miatta saw her husband’s face, loving and worried, rise in her mind as she anxiously scanned the night around her. Trade had briefly taken him away from Omaru and before leaving he had begged her not to go, to leave their child behind. Miatta now wondered if, in a haste to see her friend, she had been reckless.

It was also impossible to grasp this business with Nyenpu, who seemed to be worsening by the minute. She had already refused food and water several times, pleading fatigue. Her skin was like a slick hide shrinking into her bones and the pungent furnace of her breath was unbearable. Why leave your sick-bed so promptly after a grave illness to meet someone already on their way to see you? What careless fools had been caring for her, to allow her to slip out undetected in such a condition?

This was not her only worry. The child would not cease her howling for more than a few minutes at a time. Nyenpu had taken her and cradled her, crooning playful words and songs, but to little effect. Her friend soon sank into an uncommon silence, perhaps concerned her strange voice was upsetting the baby.

“We need to go,” Miatta said. Whatever magic or madness had coaxed Nyenpu out of her sick-bed would not hold for much longer.

“You are right. But this one is tired, o! All these tears!” Nyenpu said. “Let me hold her. You can’t carry everything the whole way.”

Miatta shook her head. “Nyenpu, you are barely fit to carry yourself. Don’t worry, I can manage.”

Nyenpu laughed in her high mosquito timbre. “Ah my sister, you’ve had her the whole day, she’s tired of you! Look now, she’s stopped crying.”

The baby, wild-eyed and silent, was already slung to Nyenpu’s chest, and Miatta found her tongue had thickened with a protest she couldn’t voice. She hoisted her provisions bag with unnecessary force, irritated by the uneasiness clawing at the walls of her stomach.

“When we reach Wasa, you can have porridge and milk,” Nyenpu cooed to the baby, blowing her kisses.

Miatta found her feet would not move, no matter how she commanded them. Her heart thumped a hard, unsteady rhythm.

“Maybe we shouldn’t go to Wasa. We should go back to Omaru.” Her words surprised her.

A cruel iciness flashed in Nyenpu’s eyes with such swiftness Miatta felt sure she had imagined it.

“Come stay with me until you recover fully,” Miatta pressed. “We’ll send word for your husband not to worry, and I’m sure your mother can look after your little one in your absence. It’s much better that way.”

Nyenpu smiled. It was a completely different smile from the one Miatta had always known. Her trademark mischievous twinkle remained, but there was a dead, unsettling quality in those fever-pink eyes that the smile did not touch. They locked eyes, and Miatta fought an inexplicable urge to grab her daughter, rip her free of Nyenpu’s bosom and hold her tight against her own chest. And run.

As if reading her mind, challenging her, Nyenpu pulled her lappa tighter. “Then we go to Omaru,” she agreed, smiling softly into the baby’s hair.

____________________________

They spoke little as they walked. Miatta held the lantern up to the night, on guard but lost in thought.

Nyenpu was absorbed in coddling the baby, singing childhood songs, caressing her head, releasing her from the sling to bounce her up and down. But the child had started crying again and remained inconsolable, only resting intermittently from screaming and kicking her legs.

Miatta threw a backward glance and realised how fast she must have been walking. Or perhaps Nyenpu’s pace was far slower. Frowning, Miatta slowed down. Shrunken and ghostly as Nyenpu was, somehow she did not look tired.

People disappear. Ghosts walk. THE WITCH–

Miatta stopped. Tingling with fear, she put down the lantern and carrier bag. Calling out that she was thirsty, she rooted through it, fingers scrambling over one item after another. At last, one hand closed over the water bottle and the other gripped a cool circle of glass. She tipped the water to her lips and angled the mirror in her shaky palm.

Disquiet crystallized into terror as she stared at the reflection. Behind her, the unrecognisable being that was now Nyenpu had stopped walking. It swung the baby aloft, gently at first, then more roughly, its claws gripping the child’s tiny, chubby arms as it lifted her higher and higher. Muscle and bone shifted unnaturally in its face as its jaws spread. A charred, disfigured lump of a tongue curled, twined and whipped into the child’s face. Its eyes burned a red so bright they lit the surrounding skin with a horrifying glow. The baby released another lusty scream and the creature transformed. Nyenpu’s face returned, comforting with kisses and murmurings of love.

Miatta choked down a sob. “I need to urinate!” she cried.

“My friend, you are all over the place today,” Nyenpu shrilled. “First Wasa, then Omaru. Now you drink, then immediately you want the toilet. You worry me now.”

Miatta kept her gaze to the ground, certain her eyes would betray her. They always did, and Nyenpu knew her too well. She had to brave the forest, run to safety. But how to get her daughter safely back in her arms without raising suspicion? Could she run ahead, alone, on the lie that she sought shelter for them in the nearest homestead? Was her only child safe with this soulless version of Nyenpu for even a few minutes? Her daughter gave her a tearful gaze, tiny fingers opening and closing as she strained for her mother.

Without a word, Miatta stepped up and took her out of Nyenpu’s arms.

Their eyes did battle – first a question, then sadness, and at last a squaring off – as realization settled over them both. Miatta’s neck twined up proudly. Nyenpu’s eyes glittered, defiant gems filled with the haughtiness she was known for. The underlying crackle of competition and tension they had always relished began to mutate in the hush of that moment. Were they youngsters again, monkeying up a mango tree to grab the highest fruit, or feverishly twisting reeds into baskets, each one certain her fingers were the most agile? Hips gyrating to the drumbeat as they eyed the same well-muscled suitor, both lightheaded with the hope she would steal his attention, make his blood hot for her love?

No. The challenge before them now was more final, deadlier, than any they had ever faced.

Miatta said, “I will come back soon.”

New-Nyenpu replied, “Then I will wait here for you.”

Miatta veered off the road into the dark, strapping her precious bundle to her back.

____________________________

Miatta ran so hard and fast her feet burned like live coals.

Running in the daytime required a different system from the one employed at night, especially when moonlight and heavy foliage came into play. Crashing past branches and leaping fallen logs, she recalled every skill learned as a youthful sprinter.  She kept her mouth closed and head down, doing her best to pick out the layout of the forest floor before planting her feet. Her slippers were soon abandoned.

Girls with quicksilver were often warned about the dangers of mixing speed and femininity. Society demanded of a young lady that she walk not run, treading with grace and dignity. But Miatta had always ignored the scolding of elders as she raced packs of boys, breasts cupped for support, laughing triumphantly as she won, braving her mother’s switch against her legs with a secret smile.

Now, she called upon her latent lightning, for what was at stake went far beyond punishment and public scorn. An unlucky frog squished beneath her graceless heel and Miatta skidded. Cursing, she felt stones and pebbles give way to softer ground and mud under her feet; she grabbed a branch to brake just before she emerged onto the river bank.

She scrabbled downslope towards the sandy edge of the water, stared at the river’s churning waters and wailed softly in despair. The forest was a snarl of shadows, but a river crossing at night was another brand of madness. She could hear Nyenpu barrelling through the bush, knocking obstacles aside like toys, her shrieks rising to the moon. Bent double, Miatta was heaving from exhaustion. It was useless trying to hide. The baby’s terrified screams betrayed their position too easily. Through the sweat stinging her eyes, she saw Nyenpu break the forest barrier onto the rocky shore, then slow to a slither, each step a taunt.

The creature stopped at the top of the verge and looked down on Miatta, and for a second Miatta saw a flash of her friend, the look on her face impossible to decipher – love, disgust, pain, triumph, mourning – and then both the look and her friend were gone. The gaunt creature moved a final step to the very lip of the edge and Miatta shuffled closer to the water’s edge. Quiet sobs wracked her as the creature ripped a young banana tree from the ground and flung it like a twig. Miatta screamed and leaped out of the way.

Nyenpu cackled. “Haaaay! My sister, stop this nonsense. Why are you running from me? It’s only me. There’s no reason to be afraid.”

Miatta scuttled to the lip of the water’s edge. The ebb was lowest where she stood, but still too tumultuous.

“‘Lightning Legs Miatta.’ You were always so fast. No one could catch you.” Bloody coals bored into her with a look of pity. “I let you believe it too, that you were so much quicker than me. I let you believe many things.”

Miatta hesitated, throwing desperate glances between forest and river.

There was no turning back.

Smirking from atop the sloping verge, Nyenpu picked up a boulder and flung it with impossible force, laughing as it thudded down the gravelly bank. Miatta leapt, stumbling as the squirming baby nearly tipped them over.

The boulder rolled to a stop. With the agility of a jungle cat, Nyenpu dove through the air and landed on it in a squat, gnarled hands dangling playfully in front of her. There were only a few steps between them. Tilting her head, Nyenpu looked past Miatta at the river.

“Can you make it, Lightning?” she hissed.

Miatta sucked in her breath and dove into the churn.

The tide swept in at chest height. She clasped both hands and kept them behind her back to raise her daughter’s bottom as high as possible whilst keeping her head above water. Her soles were rubbed bloody and sore by the stony riverbed. In no time, keeping her balance became excruciating.

At last, she spluttered onto the other bank and took off again. Nyenpu was close, jeering that Miatta was no fine swimmer and did not know the forest as well as she did. But Miatta knew Nyenpu had always been afraid of rivers, disliked their perpetual wetness and unpredictability. Even in death, the creature who wore her spirit would not leap in, would look for a gentler crossing with stepping stones. This bought her time, but not much. Fatigue began to wear Miatta down. The baby’s cries roused a chatter of angry monkeys as they ran. Soaked and exhausted, Miatta begged every ancestor she knew for protection as she scanned the trees for sanctuary.

Her eyes fell on a huge fallen log, its centre rotted away. She slung the baby down and climbed inside the hollow, pressing her close inside the tight space. Choking on the mustiness of their cocoon, she tried to settle her heavy breathing and her daughter’s distress. The baby’s wails dropped to whimpers, yet still her cries carried. Trembling, Miatta squeezed her closer. “Please, my love,” she whispered. “Please be quiet, for me.”

Her daughter promptly fell silent, fumbling in the hollow for her mother’s finger to suck. Footsteps in the undergrowth. Nyenpu called her name, in melodious tones, then plaintively, seductively, and finally shrieked in rage.

“Come with me!”

Miatta shut her senses against the desperation of the plea. Freshly parted from the body, a gina spirit could seduce out what it most desired, using praise, promises or threats, to drag a living soul with it into the afterlife. Darkness lit the flame for it to burn hot and angry, but daylight would melt away its power.

Miatta held her baby and her breath, and prayed and prayed for the sun.

____________________________

“I do not understand.”

Seated on the mud floor, her infant asleep in her lap, Miatta frowned at the old woman.

At first light, she dragged her battered body to the hut beneath the sap tree, falling through its door when it opened before her hand touched it. Now, after hours of rest, revelations flowed.

“She came for you. You know the gina, when it comes for you, you can only fight. Or,” the zoe spread out her hands, “allow it to take you into its beyond.”

Miatta shook her head. “No. Why? We were everything to each other, we made worlds together, from the time we were babies.”

“Your worlds began to separate longer ago than you know. The man that you call husband…” the zoe prompted, and waited.

Miatta stared into the fire.

“Before me, he was hers,” she answered at last, “when we were young girls. She captured his attention first. But Nyenpu…” a sigh trembled from her lips, “…so headstrong… so many games. She could not settle her heart on one young man for long.”

“Neither of you could.” Miatta opened her mouth to protest and the old woman raised her hand for silence. “As long as virtue was maintained,” she allowed. “Beautiful women never easily resolve to love only one man until it pleases them to do so, nor should they have to.”

She stared into the fire, lost in a gone time. Miatta studied her and then guiltily looked away, unable to imagine the worn, wrinkled face had ever held charm.

“He grew tired of her,” Miatta continued. “To save Nyenpu’s pride and avoid her temper, he allowed everyone to think otherwise. But she swore, swore to me, that it did not matter when love grew between us. Yet she wanted me dead.”

“She wanted you with her,” the zoe corrected. “The man was nothing. Your friendship grew so strong, it corrupted her. Nyenpu’s will was of iron, even in death – she could not pass on and leave you behind. In her eyes, you belonged to one another, in life and beyond.”

“I followed her, on the final night of your initiation,” the zoe went on. “She crept back into the forest and removed your idols from the ground.”

Miatta covered her mouth. The sacred idols, once buried, were never to be disturbed.

“She did not trust the ancestors to be the guardians of your bond. By doing this, she chose her fate. Nothing could have prevented the events of last night.”

“When did she die?” Miatta whispered.

“At dusk. Not long after she appeared to you.”

____________________________

Women ran onto the road as she neared Omaru village. Their slippers roused the dust, their lappas fluttered like colourful wings. Their faces were bright with tears.

“Come o-o-o, come!” they cried. “Come and hear it! Your sister Nyenpu has left us.”

Miatta sank to her knees and pressed her forehead to the ground, her first tears falling as her baby stirred on her back.

“I know,” she sobbed. “I know.”

Hawa Golakai
Born in Frankfurt, Germany, Hawa Jande Golakai spent a vibrant childhood in Liberia. After the civil war in 1990 she bounced around the continent and considers herself a contemporary nomad and cultural sponge. Her 2011 debut The Lazarus Effect was thrice nominated and she is a laureate of the Africa39 Project, celebrating some of the most promising new authors on the continent.
In addition to her second novel The Score, she has featured for the BBC, Brittle Paper, The Guardian UK, Commonwealth Anthology, Ankara Press and others. She is the winner of the 2017 Brittle Paper award for her creative non-fiction essay Fugee and has served as a judge for literary prizes such as 9mobile (Etisalat) and Short Story Day Africa. She is also a medical immunologist and with her son, lives between Monrovia and anywhere else she finds herself.

Review of Trinity: Red October Issue 1 – Joseph Omotayo

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Cover

Writing Back at the Colonial Empire

It could be argued that art in Africa is at the point of not only writing back at its colonial centre, but of deconstructing Western ideas of what they should be. One thing postcolonial literature has been doing is wrestling the agency of representation away from western canons and re-ascribing it to those who should speak about themselves. It is in this vein that one could say African comics are postcolonial literatures.

The desire to create superhero characters that Africans can relate to has always been the driving force behind comics in Africa. Ayodele Elegba, the founder of Lagos Comic Con, reinforced this when he said he wanted “every… fan and creative to boast of a comic convention they can call their own.”

Following that path, a whole new set of African superheroes are coming up. We have Wale Williams in E.X.O., T’Challa in Black Panther, and now Alex Laguda in Trinity: Red October.

History as Malleable Material

The first issue of Trinity: Red October is themed “Our Father.” It is the first in a series of eight episodes. It mines Nigerian political history, condensing about three centuries of events, from the country’s precolonial era, to its colonial and early postcolonial periods, and its present political turmoil, for its resources.

The comic keeps a safe distance in its representations of true events, creatively changing real names and known personalities. However, this subtle distortion reveals enough for the reader to follow. For instance, historical figures like Jubo Jubogha (the Jaja of Opobo), and former governor Donald Duke are represented as Jumbo Jumbosa and Dariye Duke, respectively.The Boko Haram terrorist organization is renamed as the Sons of the Sandstorm (Easifat Ramalia).

However, to fully appreciate this issue, a reader’s knowledge of Nigerian history will be useful. The timelines in this comic correspond to dates of events that actually happened in Nigeria. One example is on page six where the phrase “boiling cannons,” in one of the preludes to the series’ events, alludes to the Occupation of Lagos in 1851. The infamous British invasion of the city is known to the local Yorubas as Ogun Agidingbi.

“In 1851, the HMS Bloodhood pounded Lagos and Kosoko’s ambitions into submission in the war of boiling cannons.” (pg. 6)

History can be an endless spectrum of alternate narratives, as the truth at any point in time depends on whose agency is given precedence. Trinity’s “Our Father” knows this, and spins history to present interesting alternatives. For instance, the events surrounding the Jaja of Opobo’s death is played from an absorbing angle. No one really knows for sure how the Jaja died. What if he didn’t? What if he came to Lagos after his exile to create a revolutionary movement that would later topple the British colonialist emipre?

“Jumbo Jumbosa, after faking his own death, decided not to return to Opobo. He arrived in Lagos and struck a friendship with an impressive young man named Herbert Macaulay. Together they formed the secret society of the Virtuosi… They swore to kick the British out of their country.” (pg. 7)

The prologue to this issue is a thorough portrayal of the rich history of Nigeria, and how the country came to find itself in its present predicament. First was the invasion of the city of Lagos. Then the disruption of traditions and traditional personalities such as Kosoko, the Oba of Lagos, and the Jaja of Opobo, and the founding of the Nigerian seat of power, Aso Rock.

The most interesting thing Trinity does with history is how it asserts the civilizations of precolonial Africa through the mention of the Dahomey Empire in modern-day Benin Republic. A well-organised empire, Dahomey was a strong argument against the Western narrative of Africa as lacking in political organization prior to colonisation.

Comics’ Elevated Imagery

With the use of graphic arts, characters and events can be fleshed out for better comprehension. For instance, when the character Kadara complains about Sir James’ grumpiness, the scowl on her face says it all.

This issue of Trinity also uses creative cartoons to help the reader connect the dots in places where flashbacks or backstories are most needed. One can only hope that subsequent episodes continue to provide these. So questions like the pre-prison life of the vigilante Alex Laguda, or the consequences of the theft in the prologue and the kidnap of Da Costa, which would be reasons you would want to read subsequent episodes, are covered by captivating images that elevate the reader’s imagination.

What Trinity does differently from other comics like it is that it uses language to a mesmerizing effect. You will find engaging descriptions like this throughout the book:

“…Snake Island has dictated the destiny of this nation for over a century, wielding unprecedented power behind its walls of concrete, steel and secrets.” (pg. 5)

Trafficking in Paradoxes

The art that appeals to us are often the ones with counter-intuitive outcomes. Trinity’s “Our Father” is filled with interesting paradoxes that keep the reader pining for more. This is a quality of a good page-turner. Issue 1 of Trinity: Red October is as political as it is entertaining. I want to see what happens next. You should too.

joseph omotayo
Joseph Omotayo is an avid reader and reviewer. His critical essays have been published on several blogs and in prints. @omotayome is his twitter handle.