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Silhouettes of Souls – Precious C.K.

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PRECIOUS COLETTE KEMIGISHA
Precious Colette Kemigisha has worked as an editor, creative writing tutor and ghostwriter for over ten years. Her interest in Science Fiction & Fantasy, especially Afrofuturism, led to publication in a number of anthologies and has allowed her to explore different themes including social inequality, race and gender. She currently teaches creative writing and is also in the middle of writing a collection of weird and wonderful short stories. The book will be published in 2021.

The first time I saw her I remember thinking for a second that she had fallen out of the sky. I was fifteen years old and the eldest child in my father’s house. My three sisters after me, Peace, Molly, and Amita, were at school but I was at home as it was the long vacation before the exam results, which would usher us into Senior Five, were released. I’d woken up to find I’d had my monthly visitor overnight and stained the bed. The fact that I could never tell when it would arrive did not bother me until I was much older so, on that day, I simply cleaned up and got ready to do my chores.

Papa always left early to open the store in the market centre and he was absent when they arrived in our compound and walked around like they were looking for something in particular. I had been collecting some beans from the store which was a few metres from the main house and, on my way back, I saw them. Although I was not afraid, my heartrate increased. I had seen Bazungu before but only in magazines and on the television that papa had in his shop. I heard that they had community programmes in some of the villages closer to the main town but, because we were deeper inland, they usually never reached us.

When I saw them, I ran as fast as I could to find mama, leaving a trail of beans that had escaped the saucepan. She was seated on a stool near the kitchen door slicing some tomatoes on a chopping board which was balanced on her thighs.

     “Mama, hariho abajungu bary’aheeru! There are white people outside!” I said breathlessly.

     She frowned and asked, “What do you mean?” I was the storyteller of the family. Mama always blamed papa for buying me storybooks every time he travelled to Kampala to purchase items for his shop. You’re filling her head with fantasies, she’d say to him as I grabbed my treasures from his hands, hugged him and went to my bed to devour them.

     “She has to know that there is more to the world than this small place,” he’d reply.

Mama would simply ignore him as she helped put away his luggage then served him dinner. Some nights, when the younger ones had fallen asleep and mama had insisted on turning off the lights so they could rest, I would go to the living room to sit with papa.

“Don’t mind her,” he’d whisper to me, trying not to let mama hear although she was busy in the bedroom with the radio on. “You know her father took her out of high school before she could finish her exams despite all her protests. They needed someone to look after Kaaka (grandma) when she fell ill and since mama was the only girl…” He shrugged his shoulders and continued, “She wants the best for you but she also doesn’t want you to be so far away in your mind that you forget what real life is like.” He would then smile at me before returning to finish reading the day’s newspaper which he always saved for the evenings.

He was the reason I never took mama’s chastisements to heart and always insisted on telling stories on Sunday afternoons when we’d returned from church and had finished lunch. Papa would listen attentively, bellowing his hearty laugh at just the right moments and filling me with pride at being able to bring him so much joy. Mama would say she was tired and usually went to lie down but she always kept her door open so she could hear the tales I wove that were mostly an amalgamation of all the books I’d been reading. That’s why, on that morning all those years ago, mama thought that I was just spinning another long tale.

Before I could explain, the Local Council Chairman (LC5), Mr. Muwhezi, a short man with a potbelly that papa said he got from stealing money the government sent for community development, stuck his head around the corner and saw us.

     “Mrs. Kyomuntu. Oraire ota??” How did you sleep?

Mama stood up and bent her knees slightly in a half-kneel as a sign of respect that was neither in her heart nor on her face. She replied that she had slept well.

After Mr. Muwhezi had adequately inquired after everyone, making a point to ask where papa was although he knew very well where he usually was during the day, he moved on to the reason for his presence. “You see there are these investors who want to investigate the lake to see how they could make it more beneficial for all of us so,” he continued smoothly, “can they come in to talk to you?”

     “Talk about what? I don’t know anything. Maybe you should wait for Ssebo to come home.” She called papa Sir when talking about him to others. With us, she called him papa.

     “But Madam,” he pleaded.

That meant he was really desperate if he had called mama that. He was not known for having respect for many people and only seemed to have some for papa and that was only because papa’s shop was one of the most successful in town. That meant there were some deals to be made at some point so niceties were profitable. He’d never called mama anything but her Christian name or her husband’s surname.

     “You just let them in and hear what they have to say. They won’t take long.”

Mama had no choice. Immediately, she stepped into her role as host. She ordered Matthias, the boy who helped to dig the garden, to call papa and tell him to come home immediately on a boda boda as it was faster than the secondhand delivery truck he’d bought last year and which he liked to drive all the time. I and the house-help, Ruth, were instructed to serve drinks and to add on to the lunch amounts as we cooked since it was almost one o’clock and we couldn’t send the guests away hungry. What would people think of papa if that loudmouth LC5 man told everyone that they came to the Kyomuntu’s house and were not served a meal?

So, I emptied the beans I’d collected into a small plastic container filled with water and went back to get extra. In the meantime, mama opened the front door, which was usually reserved for use by guests only, and ushered our visitors into the living room. The kitchen door that led to the living room was closed but Ruth and I cracked it open a little so we could gawk at the bazungu.

She had hair that reminded me of the yellow of the sun at midday, not of ripe bananas or of the little toy car that Peace loved so much. And in the afternoon light that spilled from the window, she really looked like an angel. A blue-eyed, yellow-haired angel. As we stared through the crack, she turned and looked directly at me, smiling and waving in the way that I later learned was her usual way of greeting almost every child she met. At that moment, rather than wave back, all I could think of was that mama now knew that we were busy staring instead of preparing lunch like she’d instructed. Ruth and I dashed back outside and resumed our tasks as mama closed the door completely to make sure we did not embarrass her any further.

That was how I missed the conversation. Papa arrived shortly and by the time we served the food, what needed to be said had been said and they had all moved on to jokes and news from the city.

Later that day I discovered that her name was Sarah Hutchinson and that she was a Marine Biologist. Over the next few months, as I spent time out on the lake with her taking samples in the capacity of her unofficial assistant, I would learn so much more about her, her family back in England and what she thought of the ‘unscientific and unfounded’ beliefs that our people had about the lake.

I had to wait until the next morning, though, to hear about what they discussed with mama and papa that day. They had locked themselves in their bedroom after supper and that usually meant they were talking about things that they did not want the children to hear. Usually, if I wanted to know something, I would stay up to intercept papa when he went to the bathroom to clean up before bed because he was not very good at keeping things from me. Perhaps the day had been too exciting and the dull ache in my lower stomach that I’d had from morning made me too sleepy to wait up so I went to bed.

The next day was a Saturday and since Peace was around, I could leave her to help Ruth while Molly watched Amita who was only five years old and loved to play with her sister. Mama always left with Papa on Saturday mornings to do the weekly shopping for the home so I had some free time before she returned. I walked the few metres down the road to Sandra’s house. We were in the same class and her mother had a salon right next to papa’s shop. Smiles Always Salon was very popular and it was there that most of the village gossip was exchanged, fueled by Mrs. Mutabazi, Sandra’s mama, who ‘always stuck her nose where it didn’t belong’ as Sarah described her once.

Sandra was at the back of the house when I arrived. I helped her sweep the ground and get the matooke from their garden before we sat down together to peel.

     “You mean you haven’t yet heard?” Sandra said.

I shook my head and listened intently as I peeled. Did I remember the stories about the lake, she asked. Of course, I remembered. Who could forget the stories of the girls from long ago who were left there to die if they got pregnant outside of marriage? Sandra continued and agreed that that was the story we all knew but did I know the one about my mama’s family and what happened on the lake? I told her I did not know and she explained that it was because of that story that the bazungu had to speak to my mama. Mama’s grandma, her Kaaka, had a sister who had become pregnant and was taken to the island on the lake. They used to leave them there without food and most of the women did not survive very long but Kaaka’s sister was still alive after two weeks when the small boat which took the girls there came with another pregnant girl. It is said that Kaaka’s sister asked the boatman for news about the boy who had made her pregnant because he had promised to steal a boat then come for her so they could run away to get married, but he had not come after all that time. The boatman felt sorry for her and told her that he had heard that that boy was going to marry a girl from a rich family in a few weeks. It was then that Kaaka’s sister collapsed. She had not eaten for a long time and looked thin and weak. It is said that the boatman was with her when she died and with her last breath, she said that the boy would pay for lying to her and leaving her to die there. As the boatman rowed back to shore, the lake started to make strange noises and the water bubbled up like soda. It had never done that before.

On the day of the wedding, the family had to take boats to cross to the other side for the Introduction ceremony as the boy’s fiancé’s family lived across the lake. There were about three boats which went across a number of times as there were many guests. After the ceremony, the men were always allowed to take their brides to their family home and so the boy entered a boat with most of his people. After some hours, when his people on the other side saw that they had not arrived, they got into other boats to go and find them. Even those ones did not come back. It was only in the morning that the boats, pushed by the lake, arrived back on land and everyone looked like they were sleeping peacefully but they were never to wake up again. Many who were on the hills looking down said that the water had looked as if it had been bubbling all night and even in the morning. Only when they found the bodies did it stop. Other’s said that they had heard a woman crying all night in the distance and had even seen a girl walking on the shore.

“Are you sure you didn’t know this?” Sandra asked.

She continued to tell me that Sarah and her team from the UK believed that the lake had what they called ‘gas pockets’ but the gas was the bad kind, carbon dioxide, and when something natural happened under the lake to disturb the floor, the pockets released the bad gas and that was what killed the boy with his new wife and most of their family members all those years ago. The Mazuku – Evil Wind – wasn’t a mysterious force or a curse, they said, just a natural event that could be explained. And why did they visit mama? Because they wanted to confirm the history of the lake and to also assure her that it all had a logical explanation. They would study the lake, they said, and get evidence that would give mama and her family some kind of peace in knowing their grand auntie, despite her own horrible death, was not responsible for the deaths of others.

Sandra was surprised that mama had not told me these things, but I wasn’t. Mama kept many things to herself and although we spent time with her sisters and their children, I still did not know much about her side of the family. Her parents had died before I was born and no one spoke of them. I had never even seen a photograph of her and her family. What other secrets did mama and her family have?

That night, as I lay in my bed listening to my sisters breathing heavily in their sleep, I wondered if the story that Sandra told me was really true. There was no one that I could ask except papa. I wanted to know if it could be true that a ghost on mama’s side had wiped out an entire family.

     Papa sighed and looked away. It was Sunday morning and mama was in the bedroom getting ready for church while Ruth was in our room helping the girls dress up. Papa and I were alone at the dining table having porridge with fresh buns. “Those are things your mama does not like to talk about and neither do I. Those dark things are better left buried.”

After church, Sandra decided to walk beside me for the short distance back home. She said that her mama had already been talking with Mr. Muwhezi and he’d agreed to talk to his bazungu friends about whether they had any small-small work for her daughter. Sandra said that if they gave her any work, she would convince her mama to ask if I could also work alongside her. It was great news and because of all Sandra’s mama’s connections, she was sure to succeed.

What they say about hindsight is actually true because, looking back, if I hadn’t been so naïve and eager to get close to the bazungu, maybe papa wouldn’t have had the time to do what he did since I was the one who always occupied his evenings and weekends. I think that, with me spending long days on the lake with Sarah and being too tired to talk most nights or even on Saturday or Sunday, papa must have looked for something to fill his time. Mama was always busy with the running of the house as the workers in the farm and house needed supervision; plus, Amita could also be a handful.

The thing we hadn’t counted on was the influx of people from the city and surrounding towns looking for jobs. Our small village was full of new faces. Many months later, people would talk and say papa did not stand a chance. A man who was considered one of the richest in the small town because of his thriving businesses was always going to be a target for those city girls who were only interested in a lavish lifestyle and had no concern for the families of the people involved. Papa started coming home less and less until he stopped coming altogether. And mama, who never used to talk much before, was even more silent in his absence.

Those mornings, when I would show up for work at Sarah’s office which was a walking distance from home, I would stand and stare at the lake for a few minutes. It always looked like light blue glass. I imagined Jesus walking on it like we were taught in church except the water he walked on was heaving and swaying. Not our lake. It never heaved or moved or acted like it could swallow generations whole, never to be spoken of again. The only thing that might have given it away was the distant island on which nothing grew except a crooked and leafless tree. It was white with age and neglect, and it stood tall with hundreds of black crows perched on its twisted branches. That place, which had become a tourist attraction with grim tales told of girls and their unborn babies left there to rot, was surely the one thing that spoke of something sinister lurking around or in the water, not breathing or heaving or swaying – just waiting. Back then, I did not know what it was waiting for. Now I know that vengeance is never satisfied and, like a starved beast, it walks around looking for whom it can devour.

***

Today, I sit on the stairs that lead to the now abandoned Research offices and keep my eyes on the water. I don’t know what I am waiting for. Perhaps I’m expecting it to vomit them up, its underbelly too gorged with their lives that it regurgitates them so that they can come back home and live their lives as if nothing happened.

On the shore, a few boats await whichever brave souls want to take the tour. The numbers had been almost nonexistent for many years now and were unlikely to pick up. The whole area was almost deserted. Such a contrast from what it had looked like that day.

I remember how I was meant to go with Sarah to collect some samples on the island. The five months of my vacation had gone so fast and it was almost time to return to school. I had learned so much from her and she liked to tell me that I was her favourite assistant because I had a knack for science. It had always been my favourite subject and after completing my two senior years in which I was specialising in the sciences, my plan was to study Marine Biology just like her, and travel to different countries carrying out scientific research. Sarah encouraged me and even said she would put in a good word for me at her former university in Oxford, England. I only realised that she had indeed remembered to do so when her parents came to pick up her body. They made it a point to see me because Sarah had spoken about me a lot. They said she had wanted to help me and they were going to fulfil her wishes.

Sarah Hutchinson changed my life. If it wasn’t for her, I would have remained in this little village probably for most of my life because the chances of me getting a government sponsorship for the university in Kampala were slim. I was an average student with no real direction until she introduced me to her work and sparked something in me. That spark is what kept all of us going when papa was gone and his shop was grabbed by Muwhezi and his cronies. It had been so hard for mama to keep us all in school but Sarah’s parents were like angels to us. They gave me all I needed to fulfil my dream of becoming a Marine Biologist, and being able to comfortably take care of the girls and mama made it all worth it.

*

I pick up the flowers I had brought with me and walk to the edge of the water. A Heron flies overhead and then heads down at full speed, piercing the water for an instant before flying back up again, out of sight. There are no fish in the lake to hunt for anymore but maybe it had seen something beneath the water; a shadow perhaps? A flash of silver light? A silhouette of a soul?

On that day, I’d woken up to stained sheets, again. The pain usually made me lethargic and foggy which was not a good thing. I realise now that if I had been able to predict the schedule of my monthly visitor, I would have asked Sarah to reschedule so that I could be there. Given enough warning, maybe she would have considered it. However, having planned it for so long, the trip was too important for her to postpone to another day when I said I was ‘sick’. I wanted to cry as I checked their equipment and made sure everything was okay before I waved them off.

I had walked back to the offices slowly and only looked up when I heard loud laughter as a group who I had thought were tourists arrived. There were scantily clad girls walking to the tourist boat and, when I looked closely, I thought I recognised one of the men. My legs led me closer to satisfy my curiosity. Yes, at the front of the group of about ten was one of the men who used to supply papa with goods for his shop.

Looking back, I don’t know if I should have walked away then or stayed like I did. I’ve thought about it a thousand times. Could I have done anything different? Talked to them, maybe?

I turned to walk away because I did not want the embarrassment of speaking to someone who knew the issues our family was going through. That was when I heard papa’s voice. He was lagging behind the group. A girl dressed in a bikini top and shorts was whispering something in his ear. He threw his head back and laughed his hearty laugh that I missed so much. I stood there, staring at him and when he finally saw me, I caught my breath, hoping and waiting. He looked at me then turned away. There wasn’t even surprise on his face or any kind of acknowledgement. My heart felt like it split open and tears flowed down my face. I turned away and walked back to the office to get my bag. I walked back home slowly, wiping my tears away with the sleeves of my sweater.

Sandra’s mama had come to see mama several times to advise her to visit a ‘herbalist’ in Kampala. She insisted that that crazy girl had put papa in a bottle and that was why he was behaving so strange. What kind of man leaves his family just like that, she asked. Do you see how she has stolen him and all his money from you? Mama just listened silently. The prayer group that had started meeting in our living room when our ‘troubles’ started insisted that if papa had been bewitched, only God could save him and not some witchdoctor in the city or wherever.

As soon as I turned into the compound, I heard loud shouts coming from the direction of the lake. I stopped and looked back. I saw some people reach the road that led to our house. They were running slowly, very slowly. Screams were echoing from the distance. Someone came running from the opposite side of the road. He was sprinting right toward me and shouting at the same time.

     “Mazuku!” he shouted, breathlessly, over and over again.

He was trying to warn all of us. He pointed at the people coming from the lake. I looked back at them and saw that they had all collapsed in the middle of the road. Mama came from the house with the girls. We all started running away from the lake. I saw Sandra standing at the entrance to their compound. She beckoned to us so mama, me and the girls, along with Ruth, ran towards her. They had a windowless granary at the back of the house which was almost empty. We went in and her mama and siblings were already there. Although the granary was larger than most of the ones in the village because Sandra’s mama was wealthy, it was still a tight fit but we all squeezed in and closed the door. Sandra’s mama didn’t know what to do but thought it was wise for us to hide where the Mazuku could not reach. No one knew how far it would travel but from Kaaka’s story we understood that the evil wind didn’t go too far away from the lake.

Sandra’s mama was getting calls and texts at a furious rate and she updated us as the news of what had happened filtered in. She did not want to distress my mama any more than she already was so she left out the information about papa. Some people who were on higher ground texted to say they had seen a boat with the city girls and my papa float back to shore. All the occupants were dead. Sandra’s mama pulled her daughter close and whispered to her and then my dear friend, not wanting to leave me in the dark, hugged me and whispered the news in my ear. I looked at mama and wished I could tell her but the words seemed to be stuck in my throat. Other texts came that said the lake was bubbling like soda. Sandra asked about Sarah. Any news? Her mama said no one knew and we had to wait.

I don’t know how long we were in the granary. We simply wanted to avoid the outside air in case it was coming for us too. Eventually, we heard voices outside. The police let us out and we were told to leave the area while they investigated. Sandra’s mama drove us to her relative’s house a few miles away and we stayed there for several weeks until my mama said she wanted to be in her own home.

The prayer meetings continued and even Sandra’s mama joined. Many of the women insisted that it was God’s judgement towards all the adulterers and fornicators in that boat. Mama sat silently as always. She looked away when another woman mentioned that Kaaka’s sister must have seen what papa was doing and had to intervene. I didn’t know what to believe. What had Sarah and her team done to deserve such a judgement? Sandra’s mama said maybe they had their own secret sins. Or maybe they were trying to explain away Kaaka’s sister’s history and she did not like it. Who could tell? All we knew was that they had made it to the island and while there something had gone wrong. For the hour or so that they were there, a few team members had texted friends to say that the place had a weird feeling and that they could hear voices and see shadows in the distance although no one was meant to be there. Some of them were even recording the expedition on their phones but, just before the wind came, all the filming stopped at the same time. Sarah’s parents had let me watch it but there was nothing to see. Just smiling and laughing people then a sudden blackness that no one could explain.

I drop the flowers on the water and watch them float away. I close my eyes, say a prayer then turn to leave. My eye catches something in the water but when I look again, I see nothing. It’s a trick, I tell myself, and walk back to the car and to my life.

Authors Note:

Lake Bunyoni in Kigezi District, Western Uganda, is where Punishment Island is located. In the 19th Century and early 20th Century, girls who got pregnant before marriage were banished there and left to die.

Mazuku – This is a natural phenomenon that has occurred before around Lake Kivu in Congo, Lake Nyos in Cameroon and many more. It is highly unpredictable and can reoccur at any time.

PRECIOUS COLETTE KEMIGISHA
Precious Colette Kemigisha has worked as an editor, creative writing tutor and ghostwriter for over ten years. Her interest in Science Fiction & Fantasy, especially Afrofuturism, led to publication in a number of anthologies and has allowed her to explore different themes including social inequality, race and gender. She currently teaches creative writing and is also in the middle of writing a collection of weird and wonderful short stories. The book will be published in 2021.

Drummer Boy in A World of Wise Men – Tobi Ogundiran

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Tobi Ogundiran
Tobi Ogundiran writes fantasy and horror inspired by his Nigerian origins. His short fiction has appeared/is forthcoming in periodicals such as The Dark, Beneath Ceaseless Skies, FIYAH literary magazine, Tor.com among others. Find him at tobiogundiran.com and @tobi_thedreamer on Twitter.

Dele stepped out of the house and into a world misted over. He groaned and rubbed his eyes, wishing he could have slept in a little more, at least long enough for the sun to rise and chase away the mists. He staggered to the side of the house, still half-asleep, tied several empty water kegs to the handlebars of his bicycle, then swung onto it, pedaling out.

Harmattan had come out of nowhere, and several months early. Dele hated the dry, cold air and how it made his skin ashy and cracked like the bark of an old tree, how it sucked the moisture from his lips so that he was forced to coat them with oil, lest he yawned or laughed or smiled suddenly and his dry lips split in a spray of red blood. Most importantly, he hated how the mists reduced visibility and made him feel like he was the last boy in the world, the others gone someplace far where he would never see them again.

The predawn silence hung heavy as a wet blanket. Except for the rhythmic creak of Dele’s rusty pedals and the occasional small explosion as he crushed a stone beneath the wheels, there was nothing to be heard. He climbed the arched stone bridge leading to the stream. Mists churned on either side, thick and white as clouds. If he squinted a little, he could imagine he was high up in the clouds on a road leading to a happy place. A different world perhaps. One where his mother loved him and his father had not left them –

Dele came to a screeching halt.

Someone was blocking his path. Shrouded in the mists was an unnaturally tall figure. It was hard to tell what they were wearing, but it looked like a single white cloak, made of the mists themselves. A large, fraying wide-brimmed hat cast a shadow over the face. And in both hands was a long staff.

Dele felt his mouth go dry. “Hello?” he called, his voice barely a whisper. Dele was not the bravest of boys, he would be the first to admit. In fact, it was one of the reasons he hated having to get up so early to fetch water from the stream. But it was morning, and all irrational fears belonged in the dead of the night.

He blinked and the figure vanished. Dele shook his head, relaxing his death grip on the handlebars and tried to calm his thrashing heart. His imagination had always been overactive. That, combined with mists, and the fact that he was still half-asleep. He must have conjured something that was not there.

That was what he told himself as he resumed his pedaling down to the stream.

*

The small wooden shack poking out the side of the main house like an afterthought had been his father’s workhouse. Even now, three years later, Dele half-expected to see Papa striding out, a wide smile on his lips, saying Dele, my boy, would you like to hear some new rhythms? Papa had been a drummer, his talent so unparalleled that he had been courted by several aristocrats in Ibadan, looking to add him to the ranks of their griots. Dele remembered the night he had last seen his father. The man had been standing just outside the shack, a silhouette beneath the half-moon, an unreadable expression on his face. If Dele had known that that would be the last time he would see his father, he would have hugged him tightly and never let go. He would have demanded to know what he was thinking, what that expression on his face had been. Now Papa’s face was a blurred picture in his mind’s eye, as though an unseen hand had smeared it in an attempt to blot him from memory forever.

Dele pushed his way into the shack and unhooked the now brimming kegs from his bicycle. Then he emptied them into the rusty water drum in the corner before stepping out.  As he stepped past the clucking chickens towards the front of the house, Dele heard voices.

His mother stood at the doorway, with little Funmi at her hip. She had a discoloured old wrapper tied around her breasts and was scowling at the two men before her.

“… appreciate it very much if you returned it to us.”

“I told you. I don’t know anything about it,” replied Mama, voice clipped. “Half the time I had no idea what that man was up to. I suppose I shouldn’t be surprised. He left me with the kids and ran away.”

“Mama?” Dele asked, “what is going on?”

She scowled even deeper when her eyes fell on him. “Your good-for-nothing father, that’s what it is,” she said. “These gentlemen claim he didn’t complete his payment for the talking drum before he vanished.”

Dele looked at the gentlemen and felt a spike of fear. They were tall and thin and smiling. A smile which seemed to him too wide. Stretched and forced like a child’s impression of a happy face.

“What do you mean?” he said, in spite of himself. “Papa owned several drums. All of them were gifts –”

“Not quite,” said the man nearest to him, that rictus of a smile still on his face. “All but one, which he had us make for him and promised to pay in installments.”

Dele was dumbfounded. He knew all his father’s drums. He knew their history, their origins, and the names of the aristocrats who had gifted them. Never had his father had to pay for a drum.

“You’re lying,” he blurted.

“Dele!” Mama chided, but the man waved his hand and smiled. He took off his hat and squatted so that he was eye-level with Dele.

“It’s been three years!” he said. “Why are you just coming now?”

“We come from far away,” the other man said, and Dele could have sworn there was a flash of … something in his eyes. It was a look he had seen on the faces of the urchins in the town square: hunger, bordering on lust.

 “We only want to recover our drum,” he said. “Our … proprietors are quite displeased.”

“This drum, what does it look like?” Mama asked.

“Oh, it’s a talking drum,” said the first one smoothly. “It is quite unique in composition and structure. It has alternating bands of red and blue ropes holding both drumheads to the body.”

Dele’s heart gave a jolt. He knew exactly what they were talking about. He had found this drum in the shack merely weeks ago, buried beneath the mountain of his father’s belongings. In fact, he had secretly been drumming on it in the sugarcane field, and had been pleasantly surprised to find that he was good. Not quite as good as his father had been, but close enough, and that had made him feel, for the first time in three years, kinship with his Papa. When he drummed, he could feel Papa’s presence; he could hear his laughter and smell him.

“The shack,” said Mama, bouncing Funmi on her hip as she began to fuss. “Most of his things are there. Take the drum. Take all the drums, I don’t care.” And she slammed the door in their faces, leaving Dele with the two men.

“Well,” said the first man after a moment’s silence. “Would you like to come with us to the shack?”

Dele shook his head ever so slightly, petrified. There was something wrong, something awfully wrong about these men and he couldn’t put his finger on it. But he knew, as surely as he knew his name, that they must not have his father’s drum.

The men exchanged identical looks before nodding at each other. They swept towards the shack in eerily mirror-like movements, flowing kaftans snapping at their heels.

Dele watched them go, watched them vanish into the shack, before he turned and stumbled into the house, racing past his mother who was banging pots and plates in the kitchen. He raced up the stairs to his bedroom where he locked the door and dragged out the knapsack from beneath his bed. Then, kneeling on the floor, his heart thrumming in his ears, he pulled out the talking drum from the sack.

The talking drum was easily the most beautiful thing he had seen. It was not new – far from it; the twin drumheads were jaundiced with age; there were bleached circles in the centre where the drumming stick had beat against them several hundred times; the hourglass-shaped wood connecting both drumheads was dark with age, and the red and blue ropes running across its length were well worn and fraying. Dele hugged it, cradling it in his left armpit as if he were about to beat it.

This was the last piece of his father he had. This drum, more than all the other drums, had spoken to him. There was no way he would let them take it from him. Carefully, he replaced the drum in the knapsack, tightened the drawstrings and slipped it back under his bed.

Dele ambled over to the window and peered out at the shack, watching as the men came out and began arguing. He couldn’t hear what they were arguing about, but it was not hard to guess that they hadn’t found the drum. At the sight of them, that tingling feeling of unease returned. He watched them cross the front yard and knock on the door. Mama appeared in the doorway and after a few moments of terse conversation, she slammed the door so hard that the shutters of his window rattled.

The men hovered by the door. Dele stood, barely able to breathe, waiting to hear Mama’s angry footfalls as she ascended the stairs, coming to tell him he had been found out, to turn in the drum before she gave him a good ass-whooping. But no such thing happened. He heard his sister fussing downstairs, heard the soft coo of Mama’s voice as she calmed her. And the men, after what seemed like an eternity, turned to leave.

Dele watched them leave, weak with relief. As they turned round the corner, the taller one whipped around and looked straight at him. Dele jumped and hastily drew the shutters, but not before he saw the man wiggle his fingers in a bizarre appropriation of a wave, not before he glimpsed that disturbing, knowing smile.

Later that night, as Dele settled to sleep, he pondered why his feeling of unease around the men had felt familiar.

*

Cold. It was so cold.

Dele turned, burrowing deeper beneath the covers. Through the murky depths of sleep, he heard the clipped, rhythmic clackclackclack of wood on wood. It sounded as though someone were drumming. A clipped staccato. Dele opened his eyes and saw the wooden shutters half-open, snapping open and close as the wind buffeted them. Clack. Clack.

 That was why it was so cold. Groaning, Dele pushed out of bed to shut them. He could have sworn he had locked them before going to bed. In the dead of the night, the mists came out to play, and that frigid harmattan breeze took on a vengeful edge. The mists had poured into his room, covering the blackened wooden floors like a rug of clouds. Dele shook his head, slammed shut the shutters and slid the bolt in place, then dived for his bed.

He froze.

In his sleepy inspection of the room, he had seen something. Something tall and white lurking in the shadows. Dele cracked open his eyes, then slowly turned to look in the corner.

The thing from the bridge was watching him.

It was tall, so tall that the tip of its hat grazed the ceiling. White mists crawled down its body, bleeding down its form to join the swirling mass on the floor. In one hand was a long staff.

The sleep burned away from Dele’s eyes. He scrambled back on the bed, until his back was pressed up against the headboard, until he had nowhere to go. He would have screamed, but fright ate his voice, overpowered him, paralyzed him. The room fell away, reality breaking into fragments like a puzzle shattering into its individual pieces. The world as he knew it vanished, until there was just him and that thing which was watching him, alone in a suspension of absolute darkness.

Then it moved – glided – towards him. It reached down over Dele, bent like a stalk in a breeze, like a long palm tree. Dele looked up beneath the hat and saw nothing. Absolutely nothing. A grey, wet hand snaked out of the cloak of mists and closed a three-fingered fist around his upper arm.

It burned. Good God, it burned. He heard a swooshing wind, and a cacophony of baritone laughter. He saw fire and darkness and a thousand roiling bodies in the yawning maw of a mountain.

Dele found his voice and screamed –

*

 – awake to find the sun streaming through the open window and his mother standing over him, yelling at him to move his lazy behind to the stream before she gave him an ear clout he would never forget.

*

Later that evening, Dele sought out his secluded spot in the sugarcane field and drummed.

He beat the drum and it talked. It was not called a talking drum for no reason. Yoruba was a tonal language, with highs and lows and mids, like the notes of a musical scale. Indeed, it was musical, and the talking drum, in the hands of a skilled drummer could mimic the inflections of a speaker.

Dele danced in the sugarcane field, kicking up dust as he coaxed a complex polyrhythm out of the drum, the tall endless rows of sugarcane stalks his rapt audience. He was deep in concert, in conversation with the drum. They were of one mind. With each stroke of the stick, he formed words; words formed sentences; sentences formed ideas.

He lost himself in the thrill of the rhythm, feeling that now familiar, trance-like conjuring. He could smell his papa, could feel his pride. In fact, a few feet before him stood Papa himself. He would remain there so long as he continued drumming. He remembered now. It seemed he could only remember when he beat the drum. It summoned his papa.

Tears sprung to his eyes. The sweet, cloying smell of sugar filled his nostrils. He could not stop drumming, would not stop drumming, for if he did the trance would break, and his papa would go again. And he did not want that. He wanted to be with him forever and ever.

And so Dele drummed. Even as his arms tired, even as the sun sank below the horizon and the skies bled a bright lavender. Even as the mists slowly crept out and the cold dried out his lips, splitting them as he grimaced and laughed and tasted blood. All the while his papa faded into existence, until he was no longer just a mirage but something solid, as real as the sugarcane stalk against which he rested.

And when exhaustion finally took him, he fell into his papa’s arms – his papa’s strong arms – and knew contentment.

*

Dele was aware of the sweet smell of sugarcane when he came to. He opened his eyes. By the warm light of the lantern next to him he could see old vines crawling across the ceiling, a set of rickety stairs leading up to a bolted trapdoor, and his papa, seated on a stool by the straw bed, worry etched across his features.

“Papa!” Dele threw himself into his papa’s arms, nearly toppling him off the stool. He buried his face in his father’s chest, as the floodgate of emotions he had kept bottled up ever since his papa’s disappearance was unleashed. Papa held him tightly, stroking his back as Dele wept. When he finally pulled back, staring into his papa’s face, he said: “Are you really here?”

Papa looked down at him, his mouth curved into a half-smile. “I am, my boy, I am.”

But Dele knew his papa well, could read the undertones in his voice. “What’s wrong?” he asked.

“I shouldn’t be here,” said Papa.

“But –”

He held up a finger, shaking his head. “You’ve done something. It’s —” he ran a hand through his sparse white hair, “Oh, I suppose it’s my fault … but how could I have known? It’s why I left …” he was speaking more to himself now.

“Papa …?” Dele asked tentatively.

“You should never have touched that drum,” said Papa. “You should never have played it.”

 “But it was the only way I knew to remember you! And it brought you back! Where did you go Papa? Why did you leave?”

Papa had a pained look in his eyes. “I left to keep them away.”

Dele looked at his father, saw the lantern-light reflected in his warm brown eyes. “Them?”

“The Wise Men,” he said.

Dele shuddered. He knew exactly who Papa was talking about. “The men who made the drum? They came –”

“Not those men. They are merely agents of the Wise Men. Minions. And they did not make the drum. The Wise Men are … well, in this world they might appear as tall beings, dressed in white, bearing a staff.”

Dele let loose a small gasp.

“You’ve seen them?” Papa asked sharply and when Dele nodded, he cursed.

 “Who are they?” Dele asked, voice barely a whisper. “These … Wise Men?”

Papa was silent for such a long time that Dele feared he would not speak. When he finally did, his voice was hoarse and sent gooseflesh springing all over Dele’s body. “Agents of darkness. Evil, evil creatures …”

Dele licked his dry, split lips. “And what do they want with me? With you?”

Papa looked at Dele, placed a large hand on his shoulder. “We come from a long line of drummers,” he said. “In the olden times we were called Gatekeepers. We play the talking drum and seal the gates which protect this world from the Wise Men and their devices.”

“This world? There are … other worlds?”

“Countless.” Papa buried his face in his hands, then ran his hand through his hair. “Three years ago, when I … left, it was because the Wise Men were gaining access. You will remember harmattan came early that year. The mists, the cold – these are all signs of their proximity. So I took my drum and went to investigate. When I found the gate, I saw that it was open. Ripped apart. It was irreparable from this side; the only way to close it and keep it closed was to go to the other side.”

Dele looked at his father, tears in his eyes. How he loved this man. He had known, deep down that his father hadn’t simply abandoned them. He had held on to that knowledge even when Mama cursed his memory.

“What is on the other side, Papa?”

His father gave him a look.  In it, Dele saw it all. The horror, the terror. The evil.

“In time I would have trained you,” said Papa. “Taught you the nuances of Drumming.” He went on his knees, and held Dele tightly. Dele leaned into his touch, savouring it. He could smell his warm coconut breath. “Your yearning for me, however, was very strong. Every time you beat the drum, you filled it with power and gave life to your desires. You wanted me here and so you opened the gates.”

Dele’s eyes clouded with tears. “I didn’t mean to. I just … I missed you so much.”

Papa crushed him in a hug. “It’s ok, my boy. I know.” His deep voice rumbled in Dele’s ear.  “I’ll have to lure them back to the other side and drum the gates close again.”

Dele held him tightly. “No! Papa! Don’t go!” He could not bear to lose him again, not when he knew what it was to hold him again, to hear his voice, to feel his beating heart against his chest. “Why does it have to be you? Are there no other drummers?”

“Ours is not to question, or to shirk, or to pass on our responsibilities to others,” said Papa. “Someday, when you’re older, you’ll understand.”

“Let me close it then,” said Dele. “I opened the gates from this side, I can –”

“No!” barked Papa suddenly. “No. You almost died, doing that. I’m surprised you were able to – you’re still too young for all this …”

They remained like that for a few minutes, Dele’s small arms wrapped around his father’s torso. Papa finally managed to pry him away. He lifted his chin. “Listen. The Wise Men are drawn to people like us. Because you opened the gates, your signature is all over it, and they won’t stop until they have you.” There was a pained expression on his face. “I can’t … I won’t let that happen.

“We are in an old cellar in the sugarcane field. In the morning I will lure the Wise Men through the rip and seal it again. Right now, they’re out there looking for you. But they can’t find you here –”

At that moment there came an ear shattering boom. The trapdoor rattled as if struck by a massive fist. Clumps of mouldy earth detached from the ceiling and dropped to the ground in putrid puffs.

There was a look of abject horror on Papa’s face. “The Wise Men,” he breathed. “Impossible. They couldn’t have found –”

He looked at Dele, then ran coarse, shaky hands all over him as though searching for something. He froze when he found it, looking at the three-fingered print on Dele’s upper arm where the Wise Man had seized him.

“They marked you,” said Papa disbelievingly.

Dele felt his mouth go dry. “I – it was a dream …” he croaked. Or was it?

“They won’t come so easily now, not until they have you.”

The pounding continued, the trapdoor rattling dangerously. Dele thought he could hear another sound; a haunting high-pitched shriek, like wind beneath eaves.

Papa crossed to the corner in two wide strides and seized the talking drum. He came back and knelt in front of Dele, slinging the strap around Dele’s neck.

“Once the door breaks,” he said, pressing the drumstick into Dele’s small and sweaty hands, “I want you to cloak yourself. Beat the rhythm of cloaking into drum – it shouldn’t be too hard for you.” He paused. “The drum will help you.”

Tears stung Dele’s eyes, and even though he knew the answer, he could not stop himself from asking, “and you, Papa, what will you do?”

Papa gave a shaky grin. “Force those things back where they belong and guard the gate as I always have. Don’t you worry, my boy, everything will be –”

Dele was already drumming. A tribal rhythm filled the air. The drum growled, then sang, then talked, invoking an incantation. Dele knew what he wanted, and it was not to hide, it was not to stand aside while his papa sacrificed himself. He wanted his papa here with him. And so he beat his thoughts into the drum, pounding his intentions into the yellowed drum skin.

The trapdoor exploded open and four Wise Men shot down the stairs, staffs angled like spears. Dele’s Papa rose up to meet them, and was met with a membrane of iridescent light: Dele’s drum was ablaze; twin beams of red and blue light sheared out of the two drum heads to form a ball of light which separated them from the Wise Men.

Papa turned to Dele, his face a mask of disbelief. “I told you to cloak yourself, not the both of us!”

But Dele had no ear for his papa. His will, the very substance of his soul was focused on holding that bubble of light, on keeping the prowling Wise Men out and away. His drumming hand was a blur of light and shadow. His vision swam. Blood, hot and sticky, trickled out of his nose, and he heard a high keening sound in his head. He was only vaguely aware of his papa before him, on his knees, his face a mask of terror and anguish, begging, begging him to stop, to let go –

But Dele would not let go. He would hold that bubble of light for as long as he could. Even if it killed him.

The creatures screamed with rage, pressing themselves against the ball of light, and each time they touched the bubble Dele could hear them, smell them, feel them. And it took everything to keep on drumming, but he kept at it even as he tired, even as his lungs turned to air, even as the ball of light grew smaller and smaller and the Wise Men clustered around like hounds at a feast. The bubble would not hold much longer; there was only one thing to do. Dele threw himself into the rhythms and searched for the gate.

Papa must have realized what Dele was about to do, for he reached for his own drum and struck up a counter rhythm.

“No – NO!” Dele felt the power wrenched from his hands; his drumming stuttered to a stop and the bubble popped out of existence. The Wise Men swarmed forward and were caught in the webbing of his Papa’s rhythms. They froze, flies in a web, shrieking abominably. Dele was on his hands and knees, tears streaming down his cheeks, watching his Papa drum and dance, and drum and dance. His Papa caught his eyes and grinned – a wholesome grin which crinkled his eyes – and in it was everything that went unspoken, every thought and promise that mere words could not quantify.

And then they began to fade. Their very image broke in the ripples of a disturbed river, washing them away and out of this world.

*

It took Dele a long time to find his way out of the plantation. It took him longer still to traipse back home. With dawn came the twittering of birds and a warm, golden sun. There were no mists, there was no desiccating cold; harmattan was gone. It never should have come in the first place.

 Dele met his mother and the town huntsman conversing in worried tones at the front of the house. She looked disheveled, like she hadn’t slept. When her eyes fell on him, she swept towards him, fury etched across her features.

“Where have you been, you this boy?”

Dele opened his mouth to speak, then burst into tears. The anger melted from his mother’s face and she dropped to her knees and swept him into a crushing hug.

“It’s ok, my boy,” she crooned. “You’re here, now. I was so worried. I can’t – I can’t bear to lose you too.”

And Dele held her tightly. Hadn’t he always yearned for this? For her to see him and love him? If only she knew how close he had come to being lost. And maybe she knew. She was his mother and perhaps she would always know. But now that he was here, in the safe confines of her embrace, he could handle the fact that Papa was no longer with them.

He, Dele, would be the drummer. He would keep his mother and sister protected from the malice of the Wise Men. And maybe one day, when he was old and strong enough, he would reopen the gates and fetch his father.

THE END

Tobi Ogundiran
Tobi Ogundiran writes fantasy and horror inspired by his Nigerian origins. His short fiction has appeared/is forthcoming in periodicals such as The Dark, Beneath Ceaseless Skies, FIYAH literary magazine, Tor.com among others. Find him at tobiogundiran.com and @tobi_thedreamer on Twitter.

Editorial, Omenana 16 – The Things We Do for Love

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Have I been itching to write this Omenana editorial? Yes.

Do I know what to say? Not really.

If you know me you can probably hear my gurgle of a laugh burst out at this point. It has been great fun editing the last three issues of Omenana – getting sucked into the fantastic and sometimes mind-bending world of our unique stories, and having the singular honour of picking the minds of our stellar writers as, together, we knead their individual stories into the delightsome pieces you enjoy.

In this issue we bring you stories with a slice of the future, some sorcery and the metaphysical, some urban legend which science tries to explain away, an interesting showcase of gods at play where human destinies are the pawns on the chessboard of life, and the things we do for love.

Dig in and enjoy this interplay of people, desires and supernatural forces all tottering on the brink. Also discover how love can be the one thing that opens the door into another time, or shuts the door to keep out crowding demons and phantoms.

If you survived 2020 underneath the fog of Covid-19 – as I am sure you all have, unless of course you happen to be reading Omenana from the afterlife – then you very well understand what it means to be on the brink, and you deserve a medal of survival. We are glad to still be here, glad to still have you reading us, and we look forward to more exciting years and issues ahead!

Welcome to Omenana 16!

Iquo DianaAbasi

A Magician – Rešoketšwe Manenzhe

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Rešoketšwe Manenzhe
Rešoketšwe Manenzhe is a PhD candidate at the University of Cape Town. She was shortlisted for the 2019 Writivism Short Story Prize. Two of her poems were shortlisted for the Sol Plaatje EU Poetry Anthology (in 2017), and subsequently published in the anthology of selected poems.

It’s a pleasure to meet you. I came to this place under extraordinary circumstances myself. I’d like to tell you the story.

You know, to live as a ghost is a hard thing. I was once a magician. I had a monkey, there was also a snake and a small parrot. I had a red nose and very big shoes. Come to think of it, I wasn’t a magician. I was a clown, or maybe a magician’s assistant. Or maybe I was neither and I know these things from the memories of a ghost I met here.

No, no, I’ve decided I was a magician, after all.

     I remember once when I performed at the theatre in Cape Town… I’ve forgotten its name. Anyway, there were many people. I had my assistant and all my magical equipment on the stage. That was the day I made the monkey chase the parrot, while the parrot screamed, “Chase the humans, chase the humans!” The audience roared with laughter.

Does that sound like a magician’s routine to you?

Anyway, there was laughter when I performed. People used to say to me: “This is the best show I’ve been to.”

     There was also the time I was in Johannesburg, or maybe it was Durban; anyway, that was when I met the two children and they told me they also wanted to become magicians. They said, with big smiles, “You’re the best magician in the world!”

     I think that was the last show I did. That’s the last one I remember, anyway. I mean, there was blood everywhere and Ruthie… Ruthie was my wife. Or maybe she was my assistant. Do you know her? No, of course you don’t. She wasn’t nice. She’s the one who told the police I killed those children.

That was it, the last show I did. Did the police bring me here? – honestly, I don’t know. The next thing I remember is the night I met the man with keys. I don’t think he was a magician. I was walking in one of those theatres. The place was dark; I think it was night. I walked through the corridor – so long, unending, and on every side, the haggard faces peering through their cages, so caught up in their futility.

     That’s when I saw the man with keys, right at the end, counting those haggard faces leering at him. “Hello there!” I said to the key-man. But he didn’t greet me back. Then, one after another, the lights went out as the haggard faces retreated farther into their cages. Without a cage, myself, I greeted the key-man again. “Hello there!” And still, the silence – unechoed – went unanswered too.

     I ran after him. I was going to greet the man and he was going to greet me back. I was, after all, the greatest magician in the world. I touched his hand when I reached him, and he shivered. With a gasp, the man turned and looked in the general direction of where I stood. “Is anyone there?” he asked. And to this call, the caged, now safe in their darkness, howled and jeered and echoed their malice into the corridor.

     “I’m here!” I said, waving my hands about.

     The man shivered. He withdrew his hand from mine and screamed, “Quiet!” Then he looked about, everywhere except at me. Dart-dart-dart, his eyes went. But I knew he didn’t see me. It was the caged he surveyed. But it was night, and he couldn’t see them either.

     “I’m here!” I said, in an echo of my own. But the walls and bars ignored me too, and the echo died in a quick silence.

Then, as I began again to say my query, the man’s eyes grew wider and his face pale. With no warning, he ran from the theatre. I remained where I was – confused and offended, and still without a cage of my own. I was the best magician in the world, after all; or was it a clown? Now that I think of it, I was the assistant. No, no, I know I was a magician. I must have been a magician, right?

     I mean, I saw the two children again. That was the day I met Hilton Van Wyk. He was a joker in his life; or maybe he was an actor. Now that I think of it, he was a poet. He’s the one who told me of this place. He explained about the spirits, you know – that sometimes people we’ve killed slip into this realm, to curse us and tether us here, see, and to guard the key-man as he himself guards the still-living magicians and jokers and politicians. That way we can’t be born as new souls. Like I said, the guy was a poet.

“You’re a ghost,” said Hilton, that day I met him. “I’m a ghost too. My name is Hilton Van Wyk; or maybe it’s Donald Minaar. Do you have a grave?”

     “I don’t know,” I told him.

“Well, I had one, I think,” he said. “But I don’t know where it is now. Come to think of it, I don’t think I have a grave, or maybe I was cremated.”

“I don’t think I was cremated,” I said.

“Okay. Why are you here? Is this where you died?”

“I don’t know. This might have been my home.”

“I don’t think anyone lives here. Or maybe too many people live here. I don’t know. Sometimes I forget.”

“I don’t know, either.”

“Anyway, let me show you around,” he said. “The man with keys can’t give you a cage. I don’t think he knows that we’re here. We’re not his to guard anymore.”

I think Hilton is my friend now. There are days when I forget him. And days when I forget I’m dead. But today I remembered. I know that I died and now I’m a ghost. I think that’s how I lost my cage. Is that how we become ghosts? And if the key-man can’t guard us, who can? This wandering we endure, is it like the cages? And who has the keys? Do you know?

But you probably don’t; you must be the new ghost David spoke of. It’s a pleasure to meet you. I came to this place under extraordinary circumstances myself. I’d like to tell you the story.

     You see, I was once a magician. I used knives, mostly. But one time I had to use a screwdriver, the first time, you know – I was still learning. There was a room in my house I didn’t allow even Ruthie in. Come to think of it, I wasn’t a magician. I was a clown, or maybe a magician’s assistant.

I don’t think it matters; I always had to clean the blood myself…

I’ve already told you this story, haven’t I? Is that what you meant when you said to live as a ghost is haunting?

THE END

Rešoketšwe Manenzhe
Rešoketšwe Manenzhe is a PhD candidate at the University of Cape Town. She was shortlisted for the 2019 Writivism Short Story Prize. Two of her poems were shortlisted for the Sol Plaatje EU Poetry Anthology (in 2017), and subsequently published in the anthology of selected poems.

Ogbanje – Kingsley Okpii

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art by Sunny Efemena

The bus stop was cold and the wind whistled that eerie tune that only it knows how to. Something evil was shadowing me, I could hear its breath, rapid like an infant’s, but deeper. I smelled it, metallic like stale blood. I could feel it, and it made the hair on my nape stand on end. Then I heard a voice in my head. “Bitch! Whore,” it said. Goose bumps marched on my skin like a million ants – was it the cold or the fear? I wasn’t sure, but I knew that voice, it was Anayo’s. Out of reflex, I fingered my bronze ring necklace, rubbing its smooth surface with my thumb to calm myself.  

I killed Anayo two years ago after I’d seen his stigma, four black dots over his left Achilles tendon. It still surprises me how he kept it hidden from me for so long, but I try not to think about it. His was a rare stigma and was located in a rather peculiar spot. This, added to the fact that I never once saw him lose his temper was enough to have fooled even the most experienced guardian detective.

The case was an open-and-shut one, a citizen taking the life of her Ogbanje partner. I was acquitted in seconds, and within an hour his body was mummified and sent off to one of the numerous Ogbanje research facilities. I sometimes catch myself wondering what would’ve become of me if I’d never found out. I’d probably be dead, beaten to death, body rotting in a ditch somewhere, after all, three quarters of all cases of domestic violence features an Ogbanje as the inciting spouse. It’s who they are, what they are.

After twenty minutes of waiting at the bus stop, a yellow BRT bus pulled up. It was empty – which was no surprise as it was about four o’clock in the morning. The buses were automated, their tracks running alongside the tarred roads on which other vehicles ran, and with their programmed brains they circled the same route over and over again, even in the wee hours of the morning when no sane resident of Aro would be found outside of their home.

I stepped onto the bus’s carriage and walked down the aisle to the seat furthest from the entrance, and looked through its faintly tinted window. I saw where I had sat for the last twenty minutes waiting for the bus, and wondered how I’d survived every minute of the wait in the dark. I hated the dark; it was like poison to my spirit. I remembered as a child how I’d plead with my mother to not turn off the lights after she’d tucked me in, and on the nights when she didn’t oblige me, I would scurry off my bed and flick the light switch on as soon as she had left.

I leaned my forehead on the window and I felt my spirit coil away, distancing itself from the darkness that lay on the other side of the glass. I wondered, again, how I survived twenty minutes of being completely immersed in it.

The bus’s engine revved, letting lose a mechanical sound that pierced my ears, and I quickly put my hands over them. It wasn’t the loudness or shrillness of the sound that caused my reaction; it’s what the sound seemed to say. “You murderous whore, I will get you,” it said. I felt a stream of sweat run down my side. “Fuck you!” I cursed under my breath.

I will kill you,” a raspy voice, carried on the breeze that entered the bus through its open windows as it accelerated. A chill coursed through me and my skin was, again, awash with goose bumps. In that moment I wished I could teleport to Ike’s front yard.

Ike was a professor at Primeford University, and a leading expert in spirit science, and also my childhood friend. It was to his house, at the University, that I was headed so early in the morning.

The bus took forever to reach the next stop and I reckoned it was just five minutes away on any other day. It seemed time had slowed, such that seconds became minutes. I wondered if this was also Anayo’s doing, or maybe my mind was just playing tricks. I pinched my palm in exasperation, something I’d learnt from my mother. She always pinched the centre of her palm as if trying to pull the skin off any time she was frustrated, vexed, or sad. I still recall how red her palms were after I’d told her that Anayo was an Ogbanje. She knew what I had to do.

The bus halted at the next stop even though there was no one waiting, and in the 2 minutes I had to wait at the empty stop I mulled over the redundancy of the BRT technology. If the bus had a human driver, he wouldn’t have stopped at an empty bus stop, let alone wait at one, but then again, he wouldn’t have been on the road working so early in the morning either.

Finally, the wait was over and the engine revved again, but this time I steeled myself to the sound, shielding my mind from its piercing invasion, and then I realised that I would have to do this anytime the bus had to leave a stop, and there were quite a number of those to come. The thought was exhausting.

At the sixth stop there was a man standing, waiting. He got onto the bus and on seeing only me, sitting so far back in the bus, he called out a greeting. “Good morning this morning.” He sounded old-school for a man who looked to be in his thirties. I remembered my dad used to greet like that. But who was I to judge, I was the one wearing the boot-cut denim trousers that went out of style at least ten years ago.

I managed a smile and waved at him. I wasn’t going to call out my greeting from across the distance in the public like an untrained child – even though I had no audience except the man whom I addressed.

The first rays of sunlight were beginning to peep from over the eastern horizon and I was glad for this. The darkness outside, together with the voices I had been shutting out of my mind, had sapped my energy, and so when sunlight found its way into the bus I scuttled to the seat on which it shone and drank from its warmth. I closed my eyes and took deep breaths, focusing my attention on the spot, on my arm, where the ray now shone, and somehow the warmth, faint as it was, seemed to diffuse to every part of me. The passengers, who now consisted the man who got on at the sixth stop and a woman with her child, observed me with something close to confusion on their faces. The woman, a fat lady with more jaws than one person needed, whispered something to her child and they both laughed. In their laughter I heard Anayo cackling derisively at me. I turned to face them, and the child, a young boy no more than ten but almost as big as his mother, quivered when my eyes caught his. His laughter seemed to dry in his throat and choke him. He began to cough wildly. His mother went berserk with worry and began thumping his back repeatedly, with hopes that whatever was caught in his throat would be expelled. Then she turned and caught me still peering intently at her son. “Witch!” She screamed. “Stop it. You are hurting him.” But it was as if I’d been possessed.

All I saw was Anayo laughing at me and I wanted to show him that I wasn’t afraid, so I continued to peer at the boy even as he threw his bouts of cough, each stronger and deeper than the preceding one. Fortunately for the lady and her son, the bus was pulling up at another stop, and when it did, she carried – no, dragged – him off the bus.

My gaze trailed the child as his mother pulled him along the aisle until they were off the bus, then it found the gentleman whose mouth was agape, bewilderment plastered all over his face. On catching my stare, he too scurried off the bus, missing a step as he got off and landing face first on the sidewalk. I had the bus all to myself again.

At the next stop there were six people waiting. They all wore deep red jump suits, and drawn on their breast pockets was the crest of the Primeford University. I’d seen enough of those maroon jump suits during my time at Primeford to know that they were constructional magic students. Amongst them were three boys all towering above six feet, and three girls who were also tall. They took their seats in pairs. They all had their noses in a book or portable device and took no notice of me. I suspected they had a test explaining why they were en route school so early in the morning.

Half the circumference of the sun was now above the horizon and the bus was bathed in its golden rays. Primeford University was the next stop.

As we approached the school, the twin towers of the University gate came into view. The chancellor several years ago had erected the massive gate made from an alloy of gold, silver, and bronze, supported by two massive towers on both ends. When asked why he’d chosen such a bizarre alloy for the gate he’d said it represented the equalisation of man by knowledge. I never really understood his response, but I always assumed he meant that the school welcomed people from every station in life. Still, I felt it a waste of precious metal. The BRT stopped in front of the gate and its doors slid open. We proceeded to file out of the bus, and just as I was about to step off something caught my eyes. A word scratched onto one of the bus’s glass windows. Bitch, it read with a strange symbol underneath it. A feeling of dread grew in me as I considered the students who had gone before me. Had one of them written it? Was my stalker among them? Perhaps one of them had been possessed by Anayo. But they kept on walking, paying me no mind.

I shook the feeling off and walked towards the gate. Once past the gate I was greeted by the familiar scent of knowledge heavy on the air. Its fragrance filled me as I took in the bronze road leading from the gate deep into the university. The road went on for about a kilometre before one noticed the first building, the library. A few paces from the gate I boarded an Intra-University shuttle. The driver was a greying man who had a slur to his speech, and spoke mostly in the native dialect of the Nsukka people, in whose community the Primeford University was built several hundred years ago.

“Nde ebee ị nei jei?” he asked, saliva collecting at the sides of his mouth.

It took me some time to understand what he’d asked, as my Igbo was never good and the Nsukka dialect was renowned for its unintelligibility even to speakers of other Igbo dialects. Where are you going?  I finally translated. “Number 4b Tiger street, staff quarters,” I replied in the general tongue. The man made a clicking sound deep in his throat at my response, and I registered disappointment flash across his features for a second before he collected himself. I never cared for the many languages that afflicted Aro, and I spoke only the common tongue, even though my parents would commonly speak Igbo to my siblings and me as children.

He turned on the engine and we joined other commuters on the bronze road. Soon we came up on the library and took the first exit at the round-about, headed for the staff quarters. We drove between houses that constituted the staff quarters and soon we were on Tiger street. Ike’s house was at the end of the street. When we pulled up at his gate, I reached into my pocket and gave the shuttle driver, who hadn’t spoken a word to me after our earlier exchange, a currency note. On seeing the money, he contorted his face in disgust. “No change,” he hissed.

“You can have it all,” I said, unwilling to search my purse for a smaller denomination. He took the money without as much as a thank you and was on his way.

I dialled Ike’s number on my communication device and after the third ring he picked up. “I am at your gate.” Seconds later, I heard the gate clank, the sound of metal moving on metal, and Ike’s face appeared from the gate.

“Welcome, welcome,” he hugged me tightly, and showed me through the gate. His house stood just as I remembered it. A 2-bedroom bungalow whose singular striking feature was the strange symbol that adorned its walls internally and externally. Ike, on the other hand looked different, he was sporting a full beard. Together with his afro and sideburns his face seemed to be wrapped in a thick layer of hair. I thought he looked funny.

“Trying to look hip, are you?” I teased him.

He chuckled. “I try my best,” he said, running his hand through the thicket of black hair on his face.

The air inside his house seemed different, peaceful in a way I couldn’t quite place. All of a sudden, the feeling of dread I’d had for the last few days was gone and I could feel my muscles relaxing. I filled my lungs with this pleasant air and sprawled myself on the settee in his living room. Ike disappeared and reappeared with a glass of a black fizzy drink.

“Coke this early in the morning?” I asked, shooting him a look. “It’s no wonder you’ve put on so much weight.” I eyed his protruding abdomen.

He set the drink on the table at the centre of the room and touched his abdomen, moving his palms in circles over it. “This is the prime evidence of good living, or would you rather I be skinny like these undergrads, ehn?” he laughed as he took a seat across from me. “And that’s not just coke, I added a herbal potion my students and I developed. It’ll relax you. You look worn out.”

I hesitatingly took a sip of the drink, and true to Ike’s words the drink had a strange flavour I hadn’t tasted before, then I took a large gulp. I felt the coolness of the drink trickle down my ribs and spread to my extremities until it got to my fingertips. In that moment I felt like a new born, without a care in the world, no worries, no aches.

Seeing the relaxation spread through my body Ike began to explain that the potion was a mixture of the extracts from the nchanwu plant and the echicha fruit. “When we patent it, it will replace that poisonous liquid these kids are smoking. It has the advantage of not being addictive and actually being nutritious. It’s also rich in quite a number of vitamins and anti-oxidants.”

“That’s wonderful,” I placed the glass on the centre table, “but I didn’t come here to drown myself in your magic drink. What have you found?”

Few days ago, I’d called Ike and he’d promised to look into the voices that I’d been hearing, and the nightmares that kept me from sleeping.

“What do you remember of the creation story?” He asked, with a smile growing on his face.

“Just what everyone knows, I replied, “Chukwu, the prime spirit created Ekwensu a greater spirit and Amadi a greater man, and then the greater beings gave rise to the lesser beings of which man is one. That’s what we were all taught in elementary school. That’s all I know.”

Ike let out a condescending laugh. The kind a professor makes at a first-year student’s feeble attempt at explaining one of the more complex concepts.

“Your knowledge of the subject is rudimentary at best and fraught with falsities. For starters, there is no prime spirit called Chukwu. Chukwu is a construct made up by philosophers to give coherence to the creation story.” He considered his wall clock, squinting his eyes to see the time on the wall, and then he continued, “Well, it can’t be helped, I’ll have to be a little late for my meeting. Listen closely, let me tell you of our origin.” He had an air of wisdom about him, and for a second he could’ve passed for one of the wise wizards, the rulers of Aro.

“No one knows the beginning, not us humans, or the spirits that live in and between us. All we know is this; there are spirits and there are humans, some humans are spirits and some spirits are humans. Let me explain.

The earliest records we have tell the story of the time when Ekwensu, a greater spirit met Amadi, the Father of men. Ekwensu was on a journey when he came across Amadi’s hut. Amadi welcomed Ekwensu into his home. Amadi treated Ekwensu to a feast as was the custom of men. After the feast Amadi provided Ekwensu with a bed to lay his head for the night, but by morning when Amadi awoke Ekwensu was gone, and several moons later Amadi’s wives bore him five sons. The first wife, Oriaku, bore two children, Obi and Ike both of whom were mages – powerful wizards whose obara is said to run alongside their blood in special vessels akin to the arteries and veins that conduct blood. The second wife, Adala, birthed Ikuku, a lesser spirit, who had control over the winds, and tides of the sea. The last wife, Nneoha, birthed Dim, whom it is said was the first ogbanje – a spirit who has a human body and is born only to die and be reborn again, and Iche who had control over the mind of men. It is said that Ekwensu had inseminated Amadi’s wives with his rotten seed while they already carried Amadi’s offsprings, and thus, the brothers, Obi, Ike, Ikuku, Dim and Iche were all born man-spirits. The story of the brothers weaves a complex plot with many skirmishes between them and their descendants over the years, leading up to the great spirit wars which resulted in the abolishing of lineages and the founding of Aro by the nine wizards.”

I’d surely heard of the great spirit wars just as everyone in Aro, but like most I never cared for the details. “What do you mean by the abolishing of lineages?” I asked, cutting him short.

“Before the wars the lines of the five brothers never intermarried and so you couldn’t happen upon a mixed spirit. But after the war, this law was abolished as an era of peace was ushered in when spirits and men were allowed to marry anyone of their choosing. This gave rise to the appearance of the mixed spirits, creatures who combined the abilities of the 5 great brothers to varying degrees.” He paused, considering something I couldn’t see in his palms.

“I,” he continued as if being snapped back into reality, “suspect that your ex-husband, Anayo was a mixed spirit, and from all you’ve told me I think he is a descendant of Dim and Iche, a psychic ogbanje. He walked to the shelf close to the door and withdrew a large book. The book had a grey hard cover with weird symbols drawn on it, similar to the ones that adorned Ike’s house.

“This is a grimoire,” he explained, “and it includes a chapter for all the documented clans of mixed spirits.”

He hurriedly flipped through the pages until he came to a section where one page had been folded. “Aha! There it is, I’d marked the section with this folded page.” He looked positively thrilled as he scanned the section for the clan of the psychic ogbanje, descendants of Dim and Iche.

“There it is,” he said, pointing at a symbol, a hexagon with a curled snake within it. “That’s the symbol assigned to the psychic ogbanje clan.

I felt my hands shake as I traced a finger over the symbol. I recognized it. It was the same one inscribed on the glass of the bus, right under the word bitch. Ike was right, Anayo had been a psychic ogbanje.

“Look,” Ike said, excitement heavy on his voice as he scrolled his index finger down a column of text, “It also contains research on the abilities of a psychic ogbanje. From the few that have been studied, they are known to possess the ability of telepathy among other traits. One of such traits allows for their powers to manifest at a really young age. As a matter of fact, it says here that there was a case of a psychic ogbanje foetus manifesting its powers before it was delivered from its mother. It’s thought to have haunted its mother’s mind late in the third trimester and she came down with something called peripartum psychosis. When it was born, she tried to kill it but was stopped by her husband who had her committed to the psychatorium. As a teenager the child murdered his father for unknown reasons, and was subsequently apprehended by detective guardians upon which his stigma was revealed.”

“Wow! You mean to tell me I am being haunted by a two-year-old kid? Because that’s how old Anayo’s reincarnation should be”

“Look, it also says the psychic gene seems to amplify that of the Ogbanje enabling them regain memories from their past life earlier than the pure breed Ogbanjes. This may explain why he is after you. He remembers you killed him.”

“No shit! It does. What do I do?” I fingered my necklace. The once calming atmosphere inside of Ike’s apartment had been replaced by air that scalded my lungs as I breathed it in. I was having a panic attack. I could feel my skin prickle with a thousand goose bumps. I was hyperventilating, trying to catch my breath. I felt light headed. The room was spinning. I reached for Ike’s hands to support myself, and then darkness.

When I awoke, I was in a healing room, an IV attached to my right arm. I noticed my clothes had been changed.

“Ah, she’s awake,” came a female voice. A woman dressed in a white coat appeared through the door, following her closely was Ike. He looked worn.

By Sunny Efemena

“Where am I? What happened? What’s this in my arm?”

“Relax my child,” the lady in the white coat said, her voice calming. The wrinkles around her eyes and grey hair told me she was at least in her sixties. She smelled of nchanwu, the scented herb Ike had used to prepare his drink. I took deep breaths, filling my lungs with her scent. “I am Fidelia, a healer mage and one of the nine ruling wizards.” I almost jumped out of my bed on hearing that I occupied the same room as one of Aro’s rulers. Nobody really knew who they were. They were such powerful mages that they could take on the form of any creature, any person. But each had their bias. I’d heard of Fidelia, the great healer, one of the ruling wizards with a bias for medicine.

“You were attacked by a PO,” she continued to say but on seeing the quizzical look on my face Ike cut in, “PO stands for psychic Ogbanje. Sorry to interrupt, Wise one, please continue.”

“As I was saying, you suffered a psychic attack and had you not been putting on that talisman,” she said, pointing at my necklace, “you most likely would still be in a coma. Of course, you also have the protective force of the edemede script on Ike’s walls and divine providence that willed it that I would visit Primeford on the same day as your attack to thank for your life. Rest, when you regain your strength we’ll talk more.”

She snapped her fingers twice and turned into a hawk. The hawk hopped on the window pane beside my bed and then turned to look at Ike, who hurriedly rushed to open the windows and then it flew away.

“Ike, what happened? How long was I out?” I could feel a dull ache in my temples. It throbbed in unison with my pulse.

“Four days.” He responded, tears brimming in his eyes. “I thought I’d lost you. You came to me for help and got attacked right in front of me and I couldn’t protect you. So much for being a professor of spirit science.”

“Hey, don’t beat yourself up. You saved me, you brought me here didn’t you. I got the best care. I mean Fidelia herself tended to me.”

He drew a long sigh and I could see that he was doing it again, cursing his ancestry, his ordinary human parents who had no gifts of their own and so couldn’t pass any on to him.

“The wizard, Fidelia, had been scheduled to visit the department of spirit science earlier that day but when you lost consciousness, I rushed you to the healer and she was already there. She said she’d felt the psychic ogbanje’s presence and knew she had to be at the healer’s.

She set up an IV of her obara and let it flow directly from her into you, then she started a healing chant. She sang for the better part of two days without sleep, water or rest – until she’d reinforced your mind’s defences, then, she stopped. The rest was up to you, your will to live.

We waited, one day passed and you still didn’t come to, that was yesterday. I thought I’d lost you forever.” A tear escaped his left eye as he spoke. I’d never seen him so broken.

In the evening when I’d regained most of my strength Ike arranged for us to meet with Fidelia in my room. A few minutes to eight o’clock he opened the windows and, as if on cue, a sparrow flew in and morphed into a young lady. She looked to be in her mid-twenties and wore a white coat. It was Fidelia.

“Greetings, Wise one. I am most grateful for…” she cut me short mid speech with a wave of her hand.

“It is our duty to protect our citizens. Say no more.”

Ike motioned for her to sit at the table he’d prepared, and then helped me off the bed to join her at the table, before taking his own seat.

“It is known that an Ogbanje child can be born into a family even without any of its ancestors having ever been one,” Fidelia began to say immediately I took my seat, “but our researchers have found the frequency of Ogbanje births to be more among certain groups of families. We’ll begin our search from there.”

“Search?” I asked.

“Search for Anayo’s incarnation.” Ike volunteered. “We’ve located his mummified remains at the Ozalla Research Facility. There’s a team of tracking mages working to locate the child incarnation using extracts from the remains, and I think that’s our best bet, because let’s face it, we don’t know a lot about the psychic ogbanje sort, but we do know that Ogbanjes get their stigma some time in their teenage years. And searching for a child whom we have no way to identify and who could be anywhere in Aro is fucking insane.”

Fidelia shot him a look at the swear, but she was in agreement. It was going to be almost impossible to find Anayo’s incarnation without a means to identify the child.

“You have a point Ike, and that’s why we’ve dedicated all our resources to developing the tracking juju, and as a matter of fact the research has been underway for the last decade, but it’s still several years away from completion. It will revolutionize the identification and prosecution of the Ogbanje kind. It’s our hope to one day prenatally identify Ogbanje foetuses and cut them out from their mothers.

“In the meantime, we have guardians scouring every household in every city in search of any two-year-old who may have shown some kind of abnormal behaviour over the past few days beginning around the time when you started having the nightmares.”

“What if it tries again? I fear I may not survive another attack. How do I protect myself?”

“You didn’t tell her,” Fidelia said, addressing Ike.

“Tell me what?”

“Remember how I said Fidelia saved your life. She bled her obara directly into you. You see, obara flows in specialised vessels separate from the veins and arteries that conduct blood. It carries the magical essence of a mage and other spiritually gifted life forms. Obara is never to be mixed with blood for in doing so one dabbles into forbidden sorcery, the likes of necromancy and blood magic.”

“I don’t understand. If obara is never to be mixed with blood, how then did she bleed hers into me?”

Fidelia and Ike considered me for an unsettling amount of time, and when they determined that I wasn’t going to figure out what they were trying to say, the wizard volunteered.

“It’s almost impossible to find a pure human these days, not since the abolishing of the lineages. Everyone is some sort of hybrid. We may all even carry Ogbanje blood as we sit here discussing, albeit in trace amounts, not enough to manifest. I bled my obara into your own obara vessels. They were a bit atrophic seeing as you have very little obara flowing in you.

“We also made a discovery. Ike determined that from the anatomy of your obara vessels you likely are a lesser witch, which would explain how you came to wield such a powerful talisman. Your ancestry must have consisted other lesser witches who passed it down from one generation to the next,” she concluded, reaching across the table to finger my ring necklace.

“With Fidelia’s obara coursing through you, you are safe from further psychic attacks. And we’ve come up with a twice weekly top up regimen to ensure that you are never too low to be susceptible to further psychic intrusions.

I stared at both of them in disbelief as they talked on. I was a witch? Well, a lesser witch but still, a witch no less. And my necklace. My mother had given it to me for protection, but I never for one day believed it really protected me from anything. I had obara flowing in me. It all seemed too surreal.

I remembered the boy and his mother on the bus. Being a witch, a lesser witch, perhaps I was really hurting him at the time, even though it hadn’t felt like I was actively doing anything.

“Are you with us?” Ike snapped me from my thoughts

“Yes, yes. Please forgive me, Wise one. I couldn’t possibly impose on you. I can’t subject you to such torture all for my benefit.

“Do you not want to live?” She asked with a quizzical look on her face

“Believe me I do, more than you know. Maybe perhaps we could take 2 months’ worth of obara at a time. It’ll greatly reduce the inconvenience.”

“That won’t work,” Ike contributed as our topic of discourse was right up his alley. It was refreshing seeing a small smile break across his face as he spoke. “Obara deteriorates within an hour of leaving its hosts body if it isn’t transfused to a recipient,” he said. Then turning to the wizard he continued, “forgive me, Wise one, but there is another way.”

Fidelia considered Ike suspiciously. What other way could there be? A way that even she was unaware of.

“Speak,” she said.

“There have been publications from Bazing of trans…”

“Bazing! You would speak to me of Bazing. That lawless territory made a wasteland by their own hubris and stupidity,” As she spoke, I saw her features grow dim and fearful, and even though she wore a young face I could see the elderly woman I’d met earlier in the day.

I’d heard of Bazing, a country that once rivalled Aro’s might until it fell to dark mages who dabbled in forbidden magic.

“I am sorry, Wise one. I didn’t mean to upset you.”

“You should know better. There is a reason we do not speak of Bazing, but continue, I want to hear this solution that Bazing presents us with.”

I could see the conflict on Ike’s face. He did not want to continue with his earlier thought but he had been commanded to do so, and he had no choice but to speak.

“There are reports of a phenomenon they’re calling transcendence. And if the reports are anything to go by, we could transcend her from a lesser witch to a full mage and then with proper guidance she could protect herself.”

“What does this transcendence entail?” Fidelia asked.

“It…it involves. The publications describe a procedure that fuses the obara vessels with the blood vessels at specific nodal points.”

“Blood magic! First you speak to me of Bazing and then you suggest I soil myself with blood magic. Is there no end to your insolence young man? I will hear of no such thing ever again.” Her outrage had somehow caused her to age and she was now the old woman I’d seen when I awoke from my coma.

“Leave your windows open every third and fifth day of the week. Make sure to have the necessary equipment for the transfusion. Ike will fill you in on those. I will fly to you on those days.

 “You should be well enough to be on your way home. Hopefully this arrangement won’t last too long.” With that she morphed into a sparrow, landing on the table. Unlike when she’d arrived, this sparrow had pitch black velvety feathers and bloodshot eyes punctuated in the middle by two black dots. Ike rushed to the window and let the bird fly away.

When he joined me at the table, I could see the frustration and disappointment on his face. He sat and slouched. There were no words of comfort I could conjure. However, I managed to pat his shoulder and he smiled weakly at me.

“Does it have to be her obara? I mean can’t I get obara from any of my mage friends?”

“You know any powerful mage who also happens to have terminally differentiated into a healer?”

I didn’t understand, and he saw this on my face.

“Fidelia’s obara is unique in that it has brewed in her vessels for a very long time, and given her bias for medicine it’s very potent in healing and protecting its recipient from biological and, as in your case, psychic illnesses. There aren’t a lot of mages with obara that potent, and I don’t think you know any one of them. Count yourself lucky your path crossed Fidelia’s.”

I was grateful for my life having being saved, but I didn’t feel lucky. The weight of having to bleed Fidelia twice every week was heavy on my conscience.

I left Ike at the table and made for the bed. It made no sense going back home as it was already dark outside.

Just as I tucked myself in there was a knock on the door.

“Who’s that?” Ike enquired.

“Sorry to disturb. Just checking in to see that everything is okay before the shift change.” I recognized the voice. It was the healer nurse in charge of the wards. I saw Ike relax as he too recognized the voice. He opened the door and there she was, in her white nursing uniform, a young woman no more than 30 years old. Holding her right hand was a child, a boy, or a girl, it was hard to tell. Then I noticed her eyes. They were glassy. The black of her eyes were a very faint grey that they blended with the whites.

Before I could draw Ike’s attention to the nurse’s eyes, the child attached to her hand transformed into a hulking man and bashed her head against the door frame rupturing her forehead. Ike made for the door as quickly as his feet would let him, but the child who was now a man stood in the way, overpowering him and pushing the door wide open. He flung Ike into the seats and table as if he weighed nothing. He then stretched his right hand towards Ike and recited some inaudible incantation under his breath. Ike’s eyes went white like the nurse’s had been, and he stopped moving. The huge man then turned his attention on me.

It had all happened in an instant, the child turning into a man and then squashing the nurse’s head, Ike being thrown across the room and then hypnotized. I had opened my mouth to scream but the sound died in my throat and I just sat on the bed, petrified by fear as he walked towards me.

Up close I could see him clearly. He was bald with a tattoo of a hexagon with a snake within it on his forehead, skin as black as night, and ripped clothes hanging off his back and thighs. He inched towards me slowly as if taking his time, savouring every step.

.

“You think that filthy thing can save you?” The man said, voice jagged as the edge of a saw, as he traced a finger on his forearm signifying the borrowed obara I had coursing through me.

When he was centimetres away, I felt strength flow through my legs like electricity, and I lunged to the side of the bed away from him. I hurriedly opened the windows ready to jump to my certain death, for we were on the twentieth floor, and then I saw it in the distance, moving terribly fast towards me, a pair of oval orbs the colour of the sun.

The man jumped over the bed to grab me and as he did, the object I’d seen flew in, an eagle with gold and violet wings. It transformed mid-air into the young Fidelia wielding a sword with which she struck the man on his back. He fell to the ground, blood spurting from the large gash Fidelia had put in him.

She pinned him down with her right foot, squashing his head, and soon he lay in a pool of his own blood.

“Quickly, get some ropes lets…” Fidelia was saying when he broke free and pushed her into the wall before jumping out the window. Seconds later we heard his body collide with the ground.

“Shit! I didn’t want him to die.” Fidelia said as she sheathed her sword. Ike was rousing in the corner. The nurse’s dead body with its brain leaking out the forehead still lay at the doorway.

“What do you mean you didn’t want him to die?” I asked, and then I felt it, no, I heard it.

Bitch! Whore! I will be back for you.”

It was Anayo, he’d been reborn; again.

Kingsley Okpii is a Nigerian author who writes fantasy. His stories have been published in local and international platforms including the Kalahari Review and Igodo Umavulu magazine. He is also medical doctor.

Omenana Speculative Fiction Magazine Issue 15

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Cover for Omenana 15
Cover for Omenana 15

INTRO

The Future is Omenana

BOOK REVIEW

Dominion: An Anthology of Speculative Anthology from Africa and the African Diaspora – Anifowoshe Ibrahim 

Q AND A

The World According to Abdulkareem Baba Aminu 

FICTION

The BeginningRadha Zutshi Opubor

Cycle of the eternal witness – Adelehin Ijasan

The Bend of Water – Tiah Marie Beautement

Ogbanje – Kingsley Okpii

The Mannequin Challenge – By Oghenechovwe Donald Ekpeki

Do Androids Dream of Capitalism and Slavery? Mandisi Nkomo

Download PDF version of Omenana magazine issue 15 here.

The Mannequin Challenge – By Oghenechovwe Donald Ekpeki

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My name is Obaro, which means forward in Urhobo. True to my name, I was always moving forward.

I walked along the University of Lagos road in Abule Oja. It was nothing serious, just a morning stroll. I loved to take these kinds of strolls, with earphones plugged in and music blotting out my thoughts. That helped me think. It was around 7am and shops were mostly closed. The Lagos speed day – where everyone was supposed to be in a hyperactive flurry, in order to attain the kind of productivity necessary to survive Nigeria’s busiest city – was a myth, in Abule Oja anyway.

I passed my favourite food shop, Shop 10. The shopkeepers were gathered outside, doing “morning devotion” – a clap and dance worship session which they used to start the day believing it ensured a good business day more than any exemplary services they could render. I huffed and shook my head. I thought to myself: Why don’t they go set up shop early and attend to workers who leave for work too early to prepare something in their homes? It annoyed me that after squandering their own opportunity with their religious and superstitious attitude, these shop-owners would turn to blame their semi-literate and near brain-dead president for how bad the economy was.

I shook my head again and turned to look thoroughly at the road before crossing. It was a one-way road, but you had to look carefully at both sides before crossing, if you did not want an Aboki okadaman to usher you into oblivion. These commercial bike-men were mostly always high. The alternative was worse. Bus drivers were not only high but also slow. At least the bikes were quick, and if they didn’t take you to your final destination, they would get you to your current one, in time. Such was the public transport system in Lagos, the ‘mega city’. Get there late or get there late.

I crossed the road and continued my walk. Along the way, an older woman was saying something to me. I took off my headphones to hear her but returned them to my ears in annoyance.  It was one of those ‘Mowa stranded’ – People who claimed to have suffered some unfortunate mishap and got stranded on their journey to somewhere important. They just needed a little help to get there. Meanwhile it was a profession. Not getting somewhere important, but being stranded.

 I stopped at a Mallam’s shop to buy gum. There was an old man in front of me purchasing something. Probably snuff or cigarettes or something else not good for him at his age. He was bent almost double and taking an awfully long time. I waited impatiently. Eventually he finished his transaction. As he turned after an unusually long time, I caught sight of what he was buying. It was indeed cigarettes. I hissed and, in my annoyance, said “Oga comot for road na. Dis one wey you just stand for road like mannequin. Dem dey do mannequin challenge for here?”

He turned and said, looking me dead in the eyes, “You will hend up as a mannequin.” His Yoruba accent was heavy. I saw him fully now. He was a very old Yoruba man, with tribal marks on his face. The slashes highlighted his red eyes. He must have been drinking already, this early in the day. I took all this in in a moment. I paused my music and noticed he had gone on a tirade. I didn’t understand the words he was saying but I could understand clearly from his tone that they were invectives. He was cursing me. I shivered a bit. Of course, a modern man like me shouldn’t believe in things like that. Curses are words which had no power to magically hurt you.

But I knew better. Jazz was real. By jazz I didn’t mean a brand of music considered classic. I meant real, dark magic that was used to harm people and influence events in the real world. Why, my maternal grandmother in Ughelli had been a powerful practitioner of African Traditional Religion. I still remembered the space in her wardrobe where she kept what my parents later came to call her idols. There had been a big bowl of red water in front of it. I always wondered what was in the water. Probably palm oil. I always told myself it couldn’t be blood. There had been Fanta and Coke bottles and kolanuts, Cabin biscuits and other oddities offered in sacrifice to the god(s). My parents hadn’t always considered it idolatry. Before their conversion to the modernity of Christianity, they had been ATR worshippers, both of them. That was how I knew enough not to take jazz or the old man’s curse lightly. My paternal grandfather had been a great jazzman too. He had been blind in his old age, but they had said he saw more than those with two eyes. Therefore, being from two great lineages of jazzmen, I knew enough to be afraid of curses.

I still had memories of my father cutting us with razors on our wrists and forearms under the direction of my grandma, after which he sprinkled some protective charms on the incisions. That was before my parents became Christians and turned away from those barbaric practices. But I had confirmed the potency of those charms long before they stopped. One day, I had gotten into an altercation with someone. He swung a cutlass at my head. I wasn’t in time to dodge it and had instead foolishly attempted to block it with my arm. The cutlass bounced off, to everyone’s amazement, me included. I would later call it Metal bending. It wasn’t all magical, though. I felt the pain – sharp and loud, as if I was being hit by a blunt instrument, although I later confirmed the cutlass to be as sharp as my sister’s tongue. Yet my skin wasn’t broken. I didn’t tell my parents, or grandma, – we rarely went to the village anymore anyway. I did tell one of my aunties who confirmed to me that the charms my grandma made were still as potent as anything even after two decades.

It was against this background that I felt trepidation at the old man’s curses on me to become a mannequin. And of course, everyone knew the story of Bode Thomas, the then colonial minister of the colony and protectorate of Nigeria who had been cursed by the Ooni of Ife and had barked uncontrollably and continuously to death like a dog. The Oba was later deposed and sent on exile. Wikipedia said Bode Thomas was poisoned, but we all knew better. The Ooni had cursed him for disrespecting him saying he would keep on barking like a dog for yelling at him. That very night, Bode Thomas had started barking in his home and had died shortly after. So I knew curses were real and shivered as I walked away fast from this man’s curse.

I suddenly froze, unable to move. I was stuck, by myself. The world was moving all around me, but I was stuck in my body, like a mannequin. I remembered all the stories I had heard about curses and felt a sudden breakout of sweat on my forehead. I felt a palpable fear take over me. I shook within but couldn’t move without. I called on my grandma, her gods, and my grandfather’s spirit to save me. I didn’t call on The Lord. I had seen some Christians call on the Lord and fire countless times without any fire actually showing up.  But I knew and had seen my grandma’s magic work before. So, I called on her. At the same instant, I felt my body begin to transform, a brittle, plastic feeling. My arm began to change. I was becoming a mannequin truly. Then I felt something else in my blood. My grandma and father’s blood magic fighting it. The effect of the transformation continued. It took over me, although I wasn’t a mannequin yet. My transformation hadn’t been stopped but had merely been neutralised. That was the effect of neutralising jazz.

I had heard of Acid-to-water Jazz, a jazz that turned acid to water when your enemies poured it on you. I felt different but thought nothing of it. I went home, had my bath, and went for my 11 o’clock class. I was on my way back home, in front of one of those shops along University road when I saw a woman with a child tied on her back crossing the road. She was casually, unconcernedly crossing the one-way road. An okada was speeding down from the other side. She wasn’t looking that way because the commercial bike wasn’t supposed to be there. I wondered for a split second what possessed her to let her guard down like that. This is Nigeria. What worked the way it was supposed to? Why would you expect anyone to obey road and traffic rules? Weird. She was totally oblivious, and was going to get hit by the bike. And everything was slow, or rather, still – like in a mannequin challenge.

I didn’t always think myself a hero, but in that moment, I felt it. I launched myself at her, trying to push her out of the path of the speeding bike. I was in the air, then everything unfroze. My hand shoved her away. But I was now fully in the path of the bike. I was completely airborne. In front of my face was a women’s fashion store. What a thing to see before you die. Shouldn’t my life be flashing before my eyes? Well it had been an unmemorable life thus far. That would have been a boring last thing to see, scenes of my uneventful life. But instead, I saw women’s clothes, which wasn’t any more exciting – women’s clothes worn by a mannequin. I looked at the face, the eyes. It seemed to suck me in. Then the bike hit me. The force was crushing. I felt myself hit the concrete. Snapping, its back tire ran my skull over, then, darkness.

I woke up in a store, wearing women’s clothes. The sales girl burst out screaming. I later walked out to find a crushed mannequin wearing my clothes on the road. The bike man had sped off without stopping. Typical, I thought, standing there in a woman’s pant and bra.

They later called it a prank, but I knew better.

I was standing at the top of the senate building of the University of Lagos with a naked female mannequin. I was over ten floors high. I wore the mannequin clothes and tied it to a pole there. I wasn’t sure how this worked yet (or if it worked at all), but that was why I was here – to run some tests. I had developed powers late, but they had come. Better late than never as they say. Though I say better late than late. The power had come not in the ways I expected it. It hadn’t been a radioactive spider biting me or an explosion in a lab from an experiment. I was a law student anyway, what would I be doing in a lab. I would just get myself burnt for nothing. It had happened, a little unorthodoxly, but it was what I wanted. No more uneventful life. With my new mannequin powers, the possibilities were limitless. I could do some espionage, infiltrate, and obtain valuable information even if I didn’t think much of my fighting abilities. Something like Antman. It wasn’t what I would have chosen, but it was something. So the mannequin was tied, wind wouldn’t blow it/me off. I figured I could shift my consciousness into the mannequin and it into my body and the transference would end once it was destroyed.

I watched recent superhero movies and read enough fantasy novels to know how this worked. A leap of faith, like in Into the Spiderverse. Here I was, set to take a literal leap of faith. That moment you were in danger was when your power activated. It had activated already. But I needed to be sure again. I stood at the edge and turned around. I was naked. I looked at the mannequin. I had chosen female because the first one had been female. I felt more connected to the female mannequin. I hope that doesn’t sound creepy. I was about to connect with my inner woman. That definitely sounded creepy, especially being naked as I was, and staring at a female mannequin wearing my clothes. Leap of faith, right? I looked at it one last time then dove over the edge.

The rush, it was exhilarating. I should change now. Then I realized something was wrong. This hadn’t happened the last time. My life was flashing before my eyes.

Oghenechovwe Donald Ekpeki is an African speculative fiction writer from Nigeria. He was awarded an honourable mention in the Writers of the Future Contest, twice, and won the Nommo Award for best short story by an African. He has been published in Selene Quarterly, Strange Horizons, Uncanny Magazine, Tor, and other venues, and has works forthcoming in several literary mags, journals and anthologies.
He has guest-edited and co-edited several publications, including The Selene Quarterly, Invictus Quarterly and the Dominion Anthology.
He is a member of the African Speculative Fiction Society, Codex, BFA, the BSFA, HWA and the SFWA.
You can find out more about him on his website, and read his novella from the Dominion Anthology for free here https://ekpeki.com/2020/08/24/ife-iyoku-tale-of-imadeyunuagbon/
You can also find him on Twitter at https://www.twitter.com/penprince_nsa 

The Beginning – Radha Zutshi Opubor

3

I was born before the Beginning.

I remember.

I remember my father’s house. Low to the ground and solid with a thick iron door: I never felt safer than when I peered out into the stormy night from behind my window bars. I remember the plants, and the mirrors, the tele… television (the word takes too long to come to me now), and shelf upon shelf of books. I remember how they smelled, their weight in my hands. I remember.

I remember my school uniform, the green blouse and plaid skirt of which my mother was so proud. I remember my satchel and my sandals, stained with sand. I remember skipping over puddles as I walked to school with the neighbour’s son, to see who could jump the farthest. He never beat me.

My father was a teacher, I remember. He wore the ugliest ties, but it made his students laugh and that was all that mattered. My mother loved those ties, but she told him she hated them, laughing. I wonder if they ever think about me. I hope they don’t.

I remember the heat in the harmattan, when clouds of dust choked the sky. I remember the sweat as it dripped down my forehead, the blood as it gushed from my nose. I remember the too-expensive mask my mother strapped over my face every morning before school, and I remember also the way she cried when it was stolen, her long brown fingers covering every inch of her face. There was never another mask and even now I remember the way the air fought me as I forced it into my lungs, the way it settled there and never left. There was no more skipping over puddles after that. Every step, I carried a stone in my chest. The puddles were larger by then, and deeper. The Beginning was coming, although I didn’t know it yet.

I remember the leavers. Not too many, at first, then more and more. The Adeyinkas, the Robertsons, the Ofuokwus, all gone. Lagos is an island, they said. You can bury your head in the sand if you like, but this is an island.

Stores shuttered and moved to the mainland, where they built taller and taller towers, grasping for the sun like the most invasive weeds, strangling the plants below. I was eleven when whole neighbourhoods flooded and began to be deemed uninhabitable, when criminals and wanderers moved into apartments that had once been inhabited by millionaires. My father drove me home after that.

I remember the sun and the wind and the sand that crept up on the city. I remember when the grass in the roundabouts died and never recovered. I remember the inhaler I was forced to carry, and the humidifiers we kept in the house, and the drought that lasted so long food became something we could not afford. But the thing I remember most clearly, the thing I began to see in my dreams, was the rain.

Of course, I remember the rain. How could I not? I remember the drizzle, shockingly cold, that dripped off my ears as I trekked to school, leaving me shivering. I remember the sun showers, warm like a bath, and the rainbows they’d cast in the sky. And I remember the storms. I’d wake up in the night to the sound of thunder, then run to my window as the lightning burned the city white, and I’d see.

The road was a river and the river was the road, I remember. The water was dark and deep and fast-flowing, carrying bicycles and vegetables and the anti-flooding sand bags the government provided. I remember the flood-proof door my father installed, and I remember sweeping water out of the house when it failed. I remember the drowned chickens and lizards and cockroaches and stray cats and birds I would find when the waters finally receded. I remember the trench near the salon my mother owned, how the water would rage and overflow, churning and brown. I remember my mother’s salon after a storm, wet and broken. I was fourteen then. I knew it could not be salvaged.

Did my father know the Beginning was coming? In my own selfish way, I hope he did not. What I do remember is:

This is impossible! and, You couldn’t be more obstinate if you tried.

I remember, We cannot abandon our city and, My father built this house!

He died in this house, and so will you.

Go then, but you cannot come back to this place. I remember, You will not take my child!

I remember, But she will drown!

I remember a long silence. And then I remember that my mother left and did not come back again.

I remember when my father’s school closed down. It was a private school, and there were no more children who could afford to attend it. They had gone to Europe or America or farther inland, and they would not be coming back. My father, who loved literature almost as much as he loved me, began flood-proofing houses. He sold his ugly ties, or maybe he threw them away. All I remember is that I missed them. It took longer for my school to close, but as the roads flooded and the rains came and the sun burned, it was determined that most schools on the island should shut for an indeterminate period of time. I remember my green shirt and plaid skirt sitting forlorn in my closet.

I remember the neighbour’s son, Wole, as he gravely shook my hand. His family was immigrating to Ghana. I’ll miss you, he said. I was sixteen then. I was a little in love with this boy, I remember. I clasped his hand in mine for a long moment.

Do you remember when we used to skip over puddles? I asked him.

Yes, he said, I always let you win.

I never saw him again.

I remember the Beginning. It is not a story I like to tell, but you have followed me this far, and I remember.

I remember the thunder as it woke me, and my father calling me to get my coat and come, and to leave the rest of my things. He had sold the car and we could not carry them. I remember stepping bare-legged into my rain boots as I ran downstairs. I remember what I saw: my father standing in the living room, up to his chest in black water. It was absurd. I stood, stunned on the staircase.

We must go, he was saying, it is all underwater and we must go. I remember his hand closing over mine. We will be all right, he said, as long as you hold on to my hand. The water was freezing cold. His hand was shaking. Then he opened the door.

A wave of water flooded into the house and smacked me full in the chest. I struggled to catch my breath as my feet left the floor. Outside was pandemonium. The road was no longer a river. It was a vast ocean of oily water. People were screaming. There was a woman in the water floating face down. Then she was gone, carried away into the wet blackness. I remember my father pulling me forward as the cold rain fell like bullets on to our backs. We were up to our necks in it and I couldn’t feel my legs. It’s all right, he kept saying, we will get to the Rooftop and we will be all right. But the Rooftop Hotel, with its towers that slashed the sky, was too far away, lost in the rain and the darkness.

By Sunny Efemena

We won’t make it! I screamed. The current pulled my boots from my feet. My father struggled forward, relentless, yanking my arm—and then his hand was not on my hand anymore, and I was being pulled along by much stronger hands, but they were cold like death—the current was cold like death and then there was oil in my lungs and darkness all around me and I screamed, I remember, and I fought for my life—but there was nothing to fight for anymore. That was the beginning of my time here. That was the Beginning.

I can remember in this place. For a long, long time, all I could do was remember. Remember my father and mother, the storms and the floods. Remember the day that I drowned. It took me a much longer time to realise that I could imagine. Now I imagine my father lived, and that he found my mother again. I imagine a floodman fishing me from the water and going to Ghana to see Wole again. I imagine my life if my mother had said She will drown and my father had listened. Or even if he had not listened and she had taken me with her. I imagine a world where the waters had not risen and I had not died. But there is no world like that. I can only imagine it.

Radha Zutshi Opubor is a sixteen-year-old Indian-Nigerian girl who lives in Lagos, Nigeria. She has won her school’s creative writing prize and two short story contests. Radha has short stories published in sites including Chicago Literati, The Kalahari Review and Omenana. Radha’s hobbies include reading, playing rugby and baking.

Cycle of the eternal witness – Adelehin Ijasan

2

The first thought that skittered through his recovering consciousness was: Holy shit, the embryos! The spaceship was aflame and from the corner of his swollen, bleeding eyes, he could see his first mate, Private Jess, unconscious, strapped to her chair, and burning gleefully like a flag at a mob riot.

Somewhere behind him, through the haze of pain, he could hear the pop-pop-pop of the embryos as they combusted in their little egg like pods.  The fire flared across the dash and raked up his arm—animated by the high Gs, it looked like a fiery, guzzling sonic hedgehog or a swarm of bright red piranhas. This is it, this is the end. Command pilot Olusola cracked open his helmet, twisted it clockwise and pulled it off his head. At least, they had been right about the oxygen levels, he thought, taking in lungfuls of air that streamed in through the broken viewport. The fire crept greedily up his face with a cackle, and that was when he heard the axe clear away what was left of the viewport’s polycarbonate screen and felt an arm reach in, grab him. Wide-eyed and in shock, he fought back. What was better: to burn to death or be saved by a life form on a planet that was presumed lifeless?

To his pain-addled mind, the arm looked like a human arm— eerie, since all mankind was dead. He and his first mate had been the ‘Last Hope’: A small ship with a thousand embryos heading to a possible habitable planet at the center of the Milky Way.

No one had ever been—

Duro, duro, farabale!” A voice. And then in English, “Stop fighting and let me help you.” Fingers popped his safety latch and dragged him out summarily through the open viewport.

#

“I thought I was the last man alive,” Olusola said getting up on one elbow and looking around the low room he was lying in. It looked like a cave of some sort, and the man who had saved him was bent over what looked like paper, his back to him, scribbling furiously. Olusola examined his bandages.  An IV cannula jutted out of his arm, connected to a bag of dextrose saline. What in the hell?

“Who are you?”

The man continued to work. There was something quite familiar about the curve of his back and the shape of his head but nothing could prepare Olusola for what was to come. The man turned around and Olusola gasped, then screamed, bile rushing up his throat and out of his mouth in utter repulsion.

 

The man had his face.

There is something thoroughly repulsive about seeing oneself in three dimensions. It was like looking into a grotesque mirror he’d once seen as a child at a circus. It was the sort of disgust he felt towards tryphophobic imagery and Olusola could barely suppress the waves of nausea that rippled through him.

“It will pass soon,” the man said in his voice, reaching forward with callused, dirty fingers to remove the IV cannula.

“What are you, why have you stolen my face?!” Olusola recoiled from his touch. What sort of alien life form was this? Perhaps a chameleon-like sentience that could imitate —

“I am not a chameleon like sentience,” the man said smugly

Oh shit, it can read minds!

“And no, I cannot read minds.”

“Are you God?!” Olusola cried, exasperated.

“Ah, finally we’re getting somewhere!” The man said, smiling that grotesque smile that was as bad as pockmarked fruit. Olusola noticed suddenly that there were mounds on the floor, rows of them extending deeper into the cave.

They looked like… graves.

#

The planet was a particularly unique one. One-third of the sky was a velvety black—the stuff of nightmares—with a beam of light shooting across the other two-thirds: cosmic microwave background repurposed into a pseudo-sun by the extreme gravity of the super massive black hole it circled.

In the days he spent recuperating, Olusola would hobble out of the cave and stare, captivated by this unique and beautiful sky. The darkness on the dark side was absolute—no light escaped from it. And it seemed to also reach into his mind and pull all his warring thoughts into its spinning maw, grinding them up like the debris billowing in the fiery accretion disc that became the bright side of the sky. The man answered no questions on those early days. He seemed extremely busy, writing multiple equations across vast sheets of papers, typing furiously on an old Dell laptop and disappearing deeper into the cave for long hours at a time. The man would bring pain medicine and when Olusola turned the side of the bottle, he saw it came from a pharmacy: Medplus pharmacy and stores. With an Earth 6.0 address! Other times the man returned with junk food from KFC.

He also had books, millions of them filling adjacent rooms to the brim and on some nights, Olusola would find him asleep in a heap, the Philosophiæ Naturalis Principia Mathematica, or the Quran, or Anna Karenina open across his chest. Olusola would help him up, and into his sleeping quarters. He would babble incoherently in his sleep.

On some nights, the man cried: huge deep sobs that filled the cave and were reminiscent of a grief Olusola knew only too intimately.

#

When his wounds had healed fully, the man took him into the belly of the cave.

“Ever heard of a photon sphere?” He asked as they crossed a bridge leading to a rusty metallic door. Under the bridge, a river of molten aluminum flowed.

“You know I have” Olusola replied.

He knew now that the man was indeed himself, a future version of himself. The burn on his arms had healed into a distinct corrugated scar and this man had that scar already. It was matured, and a darker shade, but it was the same damn scar.

“Have we had this conversation before?” Olusola asked as they went through the metal door and onto a ledge that extended into nothingness, into a vast unquantifiable space that was bottomless and endless.

“No we haven’t,” the man said, pulling out a device from his pocket. It looked like a rosary or tesbih and he scrolled through its beads.

“This entire planet is situated in a stable orbit around a Kerr black hole sun.”

“I know, that’s why we chose it as a likely last home for mankind, to survive in the trough of a time dilation so deep therefore extending our existence by a few hundred years while the rest of the universe ended in ‘earth time’. “

“It was a great idea.” The man said with a ghost of a smile. Olusola smiled too. Pride welled up in his heart for he had come up with the idea and the calculations to make it possible. It had come to him in a dream, almost fully formed on one of those frantic nights of panic on Earth 6.0 and he had written the equations down when he woke that morning at 3.33am.

“It was not your idea.” The man said, snapping Olusola out of his reverie.

“What?”

The man clicked one of the beads of his rosary and they were suddenly transported to his room back home. “What?” A wave of nostalgia washed through him. It was all too real, vivid. He reached for and could feel the fabric of his shirt hanging over the shoulder of the bedside chair. He could smell his deodorant, and he reeled, steadying against the wall.

There was a version of Olusola lying in bed, asleep. And the man knelt by his ear and whispered the equations to him. Olusola looked at the bedside clock it was 3:32am.

“I’m—He’s going to wake up any moment.”  Olusola whispered. The clock however remained 3:32am.

“Time dilation,” the man said, looking at his watch. “It’ll be sixteen years for us before that clock becomes 3:33.” He clicked on his rosary device and they were back on the ledge jutting into the darkness.

“Was that real?” Olusola gasped.

The man stared.

“Why? Why did you want us to come here?”

There was a deep sadness in his voice when he replied: “It’s the only way for mankind to exist.”

His thumb ran across the device again, this time backwards, images flashing across the vast emptiness. Olusola watched the asteroid that destroyed the dinosaurs retreat from Earth 1.0, watched the planets melt into elements in the early universe; he watched it all go back, way back, the entire universe coalescing into a vibrating particle, a size, one-billionth of a pin head.

“Everyone wonders what happened before the Big Bang,” the man’s voice boomed God-like in this vacuum of nothing, virtual particle pairs popping into existence and eliminating one other in a broil that was buzzing with white noise. He zoomed into one of those virtual particles and grabbed one before it disappeared into its twin … and swallowed it! Setting in motion all that was to follow.

“Let there be light,” He said.

#

Olusola paced the cave, his mind a-flurry with excitement. The man sat in the corner eating from an open box of Dominoes pizza.

“Are you saying that space-time itself is curved around our black hole and we are back where we started? The end is indeed the beginning? Is that why the cosmic background radiation is so bright? It’s supposed to be non-existent at this time.”

The man dabbed his lips, nodding.

“How did you get the rosary, the time device?”

“The one before me gave it to me.”

Olusola paced again:

“You know all of earth’s history, all of the six earths. That makes you omniscient for all intents and purposes. You have access to all of the earths via your metallic door and” —he shook the pizza piece—“you can make changes. That means you’re omnipotent. And because of the time dilation,” his eyes widened, “you can be everywhere at every time!”

“Omnipresent” the man said.

Olusola stood up and gasped: “You are God.”

“So are you.”

And then it came out in a whisper that was barely audible: “So you could save her?” It wasn’t a question but a plea.

The man stared, tears in his eyes.

“Why won’t you?” Olusola’s lip trembled. The man stood up suddenly and pulled him into an embrace, the tightest, and they both cried—ugly sobs really, for the grief they carried that was never resolved.

#

“We can change the history of the worlds,” Olusola argued. “We can smother Hitler in his sleep, get Bin-laden away from those influences, prevent every single war before it ever started and more.”

“Don’t you think I would have tried?”

“And?”

“First you cease to exist. Somehow, our existence has melded with the existence of the universe. One cannot exist without the other. If I took a day off from rewriting the history of the universe it all breaks apart and we all cease to exist. Every extant butterfly must emerge from its pupa and every bird that starved the first time must starve again.”

“That’s what you do? Everyday? Rewriting the history of the universe?”

“Everything has to happen as it happened the very first time…whenever that was. Because of entropy, the sheer randomness of the universe, it could not happen again a second time or in perpetuity. I have to ride that asteroid that killed the dinosaurs and help the first mud-skipper that starts breathing on land. One day of rest and it all goes to hell as entropy takes over.”

He continued, wiping his hands with a towel: “In one of those, for instance, mankind never evolves and you know what happens?  First you vanish and then I have to fix it before I vanish as well.”

“You can’t do this forever.” Olusola said. The man, God, was visibly coming apart at the seams, time dilation or not. “You can’t survive on Dominoes pizza and soda.”

“That is why I need you. To continue this work and do it again, when I can no longer do it. And you will need the one who comes after you.”

Olusola looked at the mounds scattered around the cave, the graves, and could not imagine how long this had been going. It was madness!

“Why do you do it at all? Why don’t you let go and watch it all go to nothing. Must we exist?”

“No we mustn’t but if we are gone and there’s no one to remember it, then the universe is as good as having never existed. If a tree falls in a forest and no one heard it fall, then did it make a sound? Was it ever there?” His lower lip trembled, “Don’t you get it? We are the eternal witness.”

Olusola threw up his hands. “Must it exist again and again, in perpetuity? Isn’t it enough that it existed once?”

“There’s only one existence.”

“Must this fucking universe so full of pain and horror exist at all then???”

“That is the ultimate question.”

Olusola continued: “If it all has to happen exactly the way it did. If Hitler has to kill all those Jews—“

—and then it hit him with the force of a hundred gigaton explosion: “No!” Olusola whispered stepping away.

“Yes.” The man replied, gritting his teeth.

#

“One day, this”—he raised the rosary—“will be yours and you can decide then if you want to let it all go to nothing. If the pain of your grief is too severe, if the price to pay too expensive, if all the love and the beauty of the universe was nothing when side by side with all its horror and pain. If you would rather not have ever known her, known her love, her voice, her touch and magnificent personality than knowing her and losing her the way you did—“ he lowered the rosary. “One day you will decide. For now you will work with me, for I have decided and I will show you what must be done.

“First the sunset—“

The sunset brought tears to Olusola’s eyes. It was the most magnificent sight off the coast of one of the Samoan islands, a beautiful red ball sinking into the sea while locals played the ukulele and danced the taualuga. A three-hundred-year old turtle had laid its eggs on the beach and Olusola stared at a little hatchling that struggled out of its shell and onto the sand, jerking like a little mechanical toy, harkening to a call that was buried deep in its genetic code as it navigated an obstacle course of footprints, crabs and driftwood on its desperate route to the sea.

 On the beach, a small blonde boy with a deep beautiful laugh played. And the man called to him and spoke to him: “Si o ta alofa atu.”

Talofa lava!” The boy cried and ran off chortling.

“—then the pain.”

They stood beside the bed of a child suffering from the most acute form of glioblastoma multiforme. The child was bald from multiple chemotherapy treatments and was chained to the bed because he was mad with pain that was uncontrollable with morphine. On the side of the room, his mother clutched the arm of a praying priest, too catatonic to mutter another prayer for her dying son, who howled and screeched in undeserved agony as unfettered cells proliferated in his brain.

“Why don’t you help him,” Olusola begged, grabbing his double by the throat. “You can reach into his genetic code and turn off that errant gene. What purpose is his pain to the existence of the universe!?” He pushed the man away and pointed at the priest. “Can’t you see they’re praying to you?”

Then the boy cackled with deranged laughter and Olusola knew it was the same boy on the beach, the boy who had been so full of health and life only a moment ago.

“You did this, didn’t you? You are the devil.” Olusola realized.

“You are me. We are the same.”

“I will never do what you did to this child!” Olusola spat. “I will never be you!”

“This is a new beginning. I know you don’t have the stomach for all the evil that is part of the bargain of existence, so I’ll make you a deal, like the one before made with me. We will be partners, you and I, and you will do only the good—you will ensure the sun rises and sets beautifully; you will inspire them to create art and music and you will whisper to Newton and Einstein and Beethoven in their sleep; you will read all of Shakespeare’s works back to him.”

“And what will you do?”

“All the other things you wouldn’t: I will give them the Bible and the Quran and the Torah and set them against one another. I will eat with Abraham and tell him I’ll make him a father of many nations; I’ll give them Leviticus and tell them to stone all those who commit adultery, and Jesus, I’ll put the spear in his side. I’ll whisper into the hearts of all the suicide bombers and harden the hearts of all men against the other. I’ll dine with Hitler and fill him with delusions of his Aryan race. I’ll orchestrate the nuclear winter that destroyed the first earth and —“

“Enough.”

“You will play God. And I will play the devil. For now.”

#

When it was all done and dusted, the two men sat in their cave. One was broken by all the evil he had done in the universe and there was nothing left of his spirit. He was gaunt and bereft of any joy or energy. The other was full with all of the good he had done.

They stared at each other, quiet; there were no words left unsaid between them. Olusola noticed a dried red splotch on the wall behind the man’s head. It had always been there and he always wondered, in their comings and goings, what it meant.

The man pulled out a gun and placed it on his lap. Olusola watched him and made no attempt to stop him. With a limp hand, he carried the gun and buried it deep into his mouth.

Eyes burning with pain, he pulled the trigger, his brain and blood splattering on the wall behind him, on the red stain that would never fade.

Olusola buried him in a heap along with the others. He picked up the rosary device and pocketed it. He walked outside the cave. He remembered all the good he had done in the universe. All the love between men and women and children. All the laughter, oh all the glorious laughter. All the sunsets and sunrises.  All the ‘eureka’ moments in music, art, technology. Every single smile on every single face of every single race. And it filled him with a feeling of light that was indescribable.

Now he had the rosary: Would he let it all cease to exist? He knew what the man had done last, what had finally broken him, he knew it because he could still feel the pain of losing her burning within his heart.  He had seen it in the man’s eyes in that last second before he pulled the trigger. For a man such as this, suicide is the only mercy.

Outside, Olusola looked up at the piebald skies. If they had done their job well, it would happen as it always would. He watched the spacecraft, Last Hope, burn through the atmosphere and hurtle across the firmament. He picked up his axe.

It was time to save a certain black astronaut whose name was Olusola. It was time for another cycle of the eternal witness.

Adelehin Ijasan is an ophthalmologist and writer living in Lagos, Nigeria. His short stories have appeared in Membra Disjecta, Everyday fiction, The Tiny Globule, Takahe, On The Premises, The Naked Convos and Canary Press. He was also on the Commonwealth short story prize shortlist of 2014.

The Future is Omenana

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What is the future of Omenana speculative fiction magazine?

This is the question I get asked all the time by people who are interested in Omenana’s role in the African and black diaspora speculative fiction sphere.

It is a question I still struggle to answer.

My answers vary, as they are driven by my mood and the place Omenana is, production wise, when the question is asked.

Sometimes, I say that I see Omenana occupying a place of pride, among the best of the best in this genre. Other times I say I am hoping it remains a place of discovery and fulfilment of hopes and desires for the African writer of the speculative. Then there are times I say I just want it to survive and not disappear like many literary magazines around Africa have done after that initial bump.

For Omenana not to disappear into the sunset, we will have to make drastic changes (such as getting more hands to help us run the magazine and try for a more formalised structure) and we have started the process. It may take a while, but we will get there and then we can begin to see a more regular publication schedule.

Anyways, we have an edition ready and it offers an array of established and fantastic new voices.

We had fun reading the stories here, from the familiar to the experimental, and we hope you do too.

No need to bore you with a long story. Like we say in Lagos “make we begin!”.

Mazi Nwonwu