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Tiny Bravery – Ada Nnadi

5

If the girl sitting across from me had my powers, she’d do what I do every day: be invisible. But she doesn’t, and she compensates for it by sinking lower into her seat. Her wings stretch around her to form a dome that shields her face from view. She’s trying to avoid the attention from the kids at the table behind her.

Their leader, Grace – detained here because she kept teleporting people she didn’t like to the Sahara Desert – had commanded one of the assistabots to play the “Egnevaing Angle” video. The bot had complied, hovering above their heads so those at the table and whoever was curious enough to look over could see.

I turn away from the hologram being projected by the bot and begin to cut my akara into precise shapes. I’ve seen the video before, and although I do feel bad, it is impossible to watch with a straight face.

It starts with the winged girl in a bus-stop, waiting for a hanfo. She’s wingless and scratching furiously at her back. Working herself into a frenzy, oblivious to the crowd she’s beginning to draw. Her hand slips into her uniform. She pulls out a feather. The camera captures her expression of dismay as she looks at the feather, mouthing one word repeatedly, “No.”

There’s a snapping sound and she doubles over, body juddering. She mewls loudly. Two humps start to grow out of her back.

“Someone help her!” a voice says.

The person recording abruptly turns to a woman as she pulls out from the crowd. There are wrinkles between her brows and at the sides of her mouth, which tighten as she approaches the girl. When they’re close enough to touch, the woman pauses in her advance, wheezing. It’s hard not to notice the white in her afro or the way she appears drawn into herself, shoulders close to her body.

Under the attention of the RERD chip/contacts – you never know with these things – her wrinkles seem like something carved into her face.

The woman looks to be in her mid-twenties – young enough to be part of the Second Generation consisting of preteens and young adults like me. The Geanomic-2: progenies of the children who survived the effects of the Green Harmattan forty-three years ago, mutations that reengineered the genes of foetuses three-months old and below. The alterations for the rest of the country – adults, mostly – hadn’t been as kind.

Despite how young she looks, the woman carries herself as if she were older, like the years were a burden, one for the stoop in her shoulders, a few more for the wrinkles on her face, the rest trailing behind her like a tail humans haven’t had the need for in a few thousand years.

“No touch am o!” someone in the crowd shouts. “I hear of one woman wey when her pikin dey change, she do mistake touch the boy, na so serious electric just shock am. Na laik dat she take die.”

The air ripples with murmurs from the crowd. Someone spits out the word “demonic.” The woman’s spine straightens and she takes a step forward, reaching out a hand to an exposed skin on the girl’s leg. She takes a deep breath. Her eyes turn a bright yellow. The girl’s shuddering stops, the tension in her body dissipating. The woman whimpers, and as if run through by a hand covered in ash, her hair turns gray and then back to brown, the white in it more plenty than before.

It’s baffling why anyone would find this funny, I know, but as soon as the girl stops shaking, great wings burst from her back in a bloom of black feathers, rending her shirt. They’re not bloody, but there’s a slimy sheen to them.

The girl slinks away from the lady, who has ducked to avoid the onslaught of feathers. Her wings flutter, perhaps trying to shake off the greasy coating or responding to her unease, it’s hard to tell. They spread out from her back, and people stoop or move away to avoid them. She looks over her shoulder and gasps, her lips moving with the familiar refrain, “No!”

Her hands reach behind her as if to pull the wings from their stumps. The wings give one great beat and as quick as a shot, the girl is up in the air, screaming her head off.

Her refrain changes to something else: “Jesus! Jesus!”

Her wings stretch beyond her arms, taking her higher. She knocks askew a surveillance drone whose beacon has begun to flash red for the unfolding disturbance. She loops over a train overpass, and in a breathtaking moment, with the sun as a backdrop, she looks like the representation of an avenging angel – even if this one was awkward and screaming like her head was on fire.

When she flies past a com tower, her hands clamp onto the bars for dear life as her wings beat, pulling her in the other direction. However, she hangs onto it like a long-lost friend.

“Mummie o,” she screams. “Mummie o.”

It takes four flight-aptitude authorities – one of them a geanom with dragonfly wings – to get her to come down. And even then, she refuses to fly herself down. They give her a numbing shot and one of them carries her down instead. I would have thought the story would end well for all the parties involved but she’s here, at geanomic rehab, which means there’s either something wrong with her powers or something goes wrong when she uses her powers.

I study her openly – one of the good things about being invisible. Her wings are no longer shielding her face but she has created a pile of feathers on the table from pulling them out. Maybe that’s why she’s here, because she has geanomic trichotillomania.

She pauses in her feather-pulling and cocks her head in my direction, her gaze narrowing. I don’t look away. Some geanoms can sense me, but I’ve never met one who can see me.

She’s tall, lanky even. It appears that her body is covered in scales – reticula – making it a glossy brown. They’re only obvious when the light hits her skin a certain way, but I’m not surprised. Her geanomaly appears to be of the animalia kind.

Laughter comes from the other table. Someone has replayed the video, and it has gotten the attention of a handful of people in the lunchroom. The girl winces. A few of her feathers flail. She resumes plucking them out, one at a time, faster than before. I wonder if they hurt like it does when you pull a hair strand from your body. Her face gives no indication to support my theory.

I dip my akara in my custard and take a bite. The people on our table don’t bat a lid at the spectacle I create. My not being present but still affecting things around me is nothing compared to Adeyemi, who refuses to sleep because he always wakes up in someone else’s body, or Ibrahim, whose susceptibility to misfortune is higher than average and can be transferred to anyone he touches. He wears a hazmat suit with an automatic call button in case he starts to asphyxiate in it like he did yesterday.

There’s Cee, who affects reality any time they say the words “I wish,” and who was remanded here because they tried to make a potato the Nigerian president. They had been caught because there are people who watch for these things, especially when someone with a similar ability had tried to remake the world in her own image.

We work with parapsychologists to “achieve a balance between our abilities and our places as human beings.” For some people like Ibrahim, parapsychologists clear them for power dampening chips or even a cure. Adeyemi signed the consent forms for his chip a week ago, and Ibrahim is awaiting feedback for a customised cure, engineered with his geanomaly in mind.

I’m actually fine with being invisible. But my psychologist told my parents I’m using my powers to deal with past trauma. With only a few minutes needed each day to recharge and reacclimatise my atoms with this reality, I’ve been invisible for eighteen months.

The girl’s screaming of “Jesus” gets a bigger reaction from her audience the second time around. There’s raucous laughter and she grabs a handful of her feathers and pulls.  This time, pain flashes on her face and before I know what I’m doing, I’m reaching for her hand.

“Stop,” I say. She looks at where my hand should be and rips out another feather. “Stop it!” I hiss. I let the hand atop hers appear – gloved. It gets cold the longer I stay invisible.

“Doesn’t it hurt?” I ask.

“Doesn’t it hurt?” she echoes.

“What?”

“Doesn’t it hurt, being invisible?”

I contemplate my answer. “As long as I don’t stay invisible for more than thirteen hours at a time, I’m usually fine.”

“What are you hiding from?” she asks.

“Why are you plucking your feathers?” I shoot back.

She smiles. “I hate them. I hate the attention,” she pauses. “You hate the attention too. Maybe not the kind of attention I get, but it’s definitely why you’re hiding.”

“Small-small sha. If you add trauma in there somewhere, you just might sound like my therapist.”

She laughs. “I’m Isoken, by the way,” I say.

“Chinwe,” she replies, and stops pulling out her feathers long enough to give me a smile.

Because she can’t see the smile I offer her in return, I give the hand still atop hers a squeeze before withdrawing it. I’m about to have it disappear again, when I notice her watching it, hand trailing over her wings, but not doing any ripping. I let the hand remain visible. I give her a thumbs up.

Her smile widens, and until an orderly takes her away, her wings don’t lose any more feathers.

*

The therapy room is my least favourite place in geanomic rehab. It’s an average-sized room that the facilitating therapist makes even smaller by having us sit in a close circle. There are no windows, and the bio-flo lights are turned on low.

They used to play “soothing” music until a technopath took out the speakers and the facility’s power grid because he heard wraiths speaking to him through the song.

“Isoken, would you like to be present with us today?” the facilitator asks me.

I shrug and give her my usual response. “I’m present enough.”

Someone snorts, but I refuse to pay her any attention. The therapist continues staring at me. An empty chair in a circle of six people makes me very conspicuous. She’s trying to pinpoint my face, my eyes probably, with her pensive stare, but she’s going to have to go a little lower than that. She looks at the tablet in her hands and I know she’s cognitively writing notes about me.

Someone stumbles in and we turn.

“Chinwe,” the therapist says. “Nice of you to join us. How about you grab a chair and join the circle?”

“Or she could sit here?” Grace points to the chair a seat away from her. The chair I’m on. “There’s no one there,” she says innocently.

The therapist gives her a disapproving look. “Grace, you know Isoken is in that seat.”

“She’s not o. She just left. I sensed her leaving.”

Uncertainty smoothens away the disapproving line of the therapist’s mouth, and before she can ask, I say in a jaded tone, “I’m still here.”

Grace does this every time. She pretends I’m not there because I’m invisible and then tries to trick others into doing the same. It’s a tiring joke. Even if I don’t want to be seen, I refuse to be ignored – a conundrum, I know. I may not look like the Isoken from eighteen months ago, but I still sound like her – something I hope never changes.

Chinwe looks from Grace to the therapist and then to the chair I’m in. I want to wave, but what good is that? She walks over to the side of the room, takes out a chair from a stack and carries it to the circle. The action takes longer than it should because her wings keep trying to lift her off the floor while she insists on doing the opposite.

The six of us watch the scene. Adeyemi has pity turned up to the highest. Cee’s expression best matches what I’m feeling – a little pity, a little confusion and a lot of curiosity. The girl sitting between Grace and I is cringing and clutching her hijab, feet bouncing. A few weeks ago, she had been a blur, stuck in a loop from constant alterations of her time stream, trying to redo conversations, events and anything at all that fell short of what she held as ideal.

She looks like she’d really like to give Chinwe a do-over or even a bump in time in order to avoid the scene playing out in front of her. Chinwe’s wings get the upper hand, dragging her a few steps backward. Grace snickers and I swallow the urge to lean over and just wrap my hands around her neck for a few minutes.

“Chinwe,” the therapist calls, her expression kind, “how about you try not to fight it?”

Although Chinwe looks like she’d rather do the opposite, she gives it a go, letting her wings take the lead. They stretch, but not to their full length and give a small flutter, lifting her an inch or two off the floor. Chinwe’s visage is grim, her approach unsteady, but she covers the short distance with no problem and shoves her chair between Cee and me.

Cee gives her a smile and I adjust my seat to make room for her.

“See?” the therapist says, eyes glowing with triumph. “That wasn’t so hard, was it? Good job, Chinwe.”

Adjusting to get into a comfortable position with her wings tucked behind her chair, Chinwe gives the therapist a dubious look, but she’s writing more notes into her tablet. I use the distraction to whisper, “Give her a big smile. She might give you a gold star.”

“Really?”

“You get a gold star, you get a gold star. Gold stars for everybody.”

Chinwe laughs. Her eyes travel lower. “Where is your hand? You showed it the last time.”

“Ah.” I fidget. “I don’t usually let other people see me. I’m invisible most of the time.”

“Why?”

This is the second time she’s asking this question, but the directness of this attempt throws me off so that I’m stunned for a few seconds. My personal therapist tries to prod the answer out of me by asking subtle questions that get me to talk and perhaps put things into perspective. He doesn’t push, but Chinwe’s question jolts, requiring me to think about the reason I keep hiding and I don’t like it.

“Maybe if you share why you’re so afraid of using your powers, I just might tell you why I choose to remain unseen,” I bite out. When I turn away from her, I find the therapist watching me with that pensive expression. This time, she manages to catch my eye, and my anger flares, prickling my skin through the coldness that comes with being invisible.

I force myself to relax. She can’t see me. I’m safe here. My voice is still Isoken’s. The therapist finally looks away.

“Chinwe,” she begins. “I heard about your episode in the dining area. Would you like to talk about it?”

Chinwe shifts in her seat. Her eyes leap to me and then back to the therapist. “I hate these things,” she says gesturing to her wings. “I don’t want them.”

The therapist sports a thoughtful expression. She writes in her tablet. “And why is that?”

“Do you know who my mother is?”

“I know of her. But no one would know her better than you, so why don’t you tell us?”

“I’m different.”

The therapist nods. “Yes, I know. These abilities—”

“Not that kind of different.” Chinwe shakes her head. “I’m erm… I’m different, sexuality-wise.”

Grace snorts. The therapist gives her a quelling look while I debate how to get away with strangling her in the presence of six witnesses.

Chinwe doesn’t let that stop her. “They say the Green Harmattan killed one-fourth of Nigerians, right? One-fourth of four hundred million people gone, just like that. My mother’s family, most of them died. Only her twin sister – they’re fraternal twins – got powers, but it didn’t end up well for her either. So my mother bought into the idea of the apocalypse, the end-time mania. My uncle says it’s her way of getting closure. But her way of getting closure is erm… very…”

“Fundamentalist,” I offer.

She nods. “Yes, that word. She was very dedicated to the cause. It didn’t take long for her to be made a reverend and then she married the founder of the church. After his death, she became the new GO. They had me some time before he died.”

A chair scrapes, Halima, the hijabi girl changing positions. Adeyemi rubs at his neck. Grace lets out a loud yawn and Cee shoots her a glare that suggests they’re seriously considering altering her reality.

“My mom knows I…” She flails her hands. “That I am—”

“A homosexual,” Grace deadpans.

“Grace.” The therapist’s voice carries a warning.

“What? She didn’t want to say it. I was just helping her out.”

“Dem send you message?” Cee says. “Stop helping.”

“Now, everybody, calm down,” the therapist says. “This is a safe place, a support group. Let’s allow Chinwe her chance to be open with us. Please continue, Chinwe.”

“We agreed, my mom and I, we agreed that we’d keep it a secret. Her acceptance of what I am was enough.”

“That’s not acceptance,” Adeyemi interrupts. The therapist stays silent.

Chinwe lifts her chin. “It was enough for me. It’s better than being thrown out or subjected to prayers.”

“What about now? Is it still enough?” the therapist asks.

A beat passes. Chinwe’s feathers fidget. “I can hide being a homosexual,” she finally says. “But not this.” She gestures to her back.

*

Chinwe doesn’t say anymore after that. The session ends with Halima sharing her progress with not using her powers when things don’t go her way. The therapist gives Chinwe a pat and congratulates her for sharing before leaving. Soon, it’s just me, Chinwe, and Grace in the room.

Grace is playing teleporter tag, appearing at random places, shoving and hitting the assistabot as it cleans up the space. I’m still in my chair, disbelief keeps me rooted. Chinwe hasn’t left her seat either. She really took me up on my challenge. Does that mean she’s expecting me to share my reasons for constant invisibility? I study her. Her head is lowered. She is picking at her nails.

“You’re still here, right?” she asks.

I almost don’t answer. I throw Grace a cautious glance. “Yes. Still here.”

“So…”

“You never said why you’re afraid of using your powers. Not explicitly.”

She shoots me an exasperated look. “Using it feels like an acknowledgement. Maybe if I don’t use them—”

 “They will not go away,” I cut in. “And unless you choose to be cured of them, they’ll still be there. Always. Is that what you want?” She squirms in her seat. “Have you even tried flying?”

“The facility provided a teacher. She has butterfly wings.”

“You’re not answering my question.”

She squirms again. “No.” I scoff. “The thing is… I’m afraid of heights. The teacher tried to make me feel better by telling me ‘the ground is not your enemy.’ And I thought, hantie, as long as there’s gravity, the ground will always be my enemy.”

A laugh bursts out of me, more anything else, I am amused at her portrayal of a Yoruba accent. Soon we’re both laughing.

“Oya, your turn,” she says when we’re done. “Why are you always invisible?”

I open my mouth, about to speak but not sure of what I want to say or how I’m going to say it, when Grace suddenly appears in front of us.

“You’re wasting your time with this one,” she tells Chinwe. “She wants to disappear so much that she refuses to use her real name. Ask her na. Ask her if Isoken is her real name? Our madam is pining over her dead sister.”

I bristle. “You looked in my file?”

“Before nko? Why won’t I? When you are forming brooding, invisible teenager. Your sister is dead, Itohan, you don’t look like her anymore, deal with it.”

I grit my teeth and let her see the hand coming before I punch her. We grapple with each other. She teleports me to the desert, and then the roof of a building in god knows where. In one of the rooms, we startle a kid trying to hack into his mother’s botpot. But I have a firm grip on Grace’s blouse and I’m punching her, my hand visible the whole time.

When we return to the therapy room, the attendants are there and ready for us. They give Grace an anti-geanomic shot. She starts to convulse. I pull away from her and let my hand disappear just in time, but the assistabots are prepared. They spray a gaseous form of the serum in my general direction and the last thing I see as my body goes into a fit is Chinwe shoving one of the attendants in a bid to get to me.

*

They can’t give us dampening chips or a cure without our consent, so they make us think through the consequences of our actions by giving us chores we have to do manually. Grace gets cleaning the girls’ toilets, and Chinwe and I get weeding the facility’s field. The arrangement doesn’t please me.

I’d been visible when I got sprayed with anti-geanom. She saw me. Anti-geanom takes away your powers by attacking the genes that carry the geanomic trait. It’s not fatal, but one of the side effects is seizures. Where the cure reengineers the cells by coaxing the anomaly out of the gene’s encoding, absorbing it to be discarded as waste, the serum treats the gene like a thing to be annihilated.

It’s been two days since then, and I’ve been avoiding Chinwe, but I can’t put off my chores any longer. She keeps glancing at me as I uproot weeds with a fervour that matches my agitation.

She shuffles over. “Hey.”

“What?”

She fidgets. “What do you want? Is it my sob story? Is that why you won’t leave me alone? What Grace told you, is it not enough for you?”

Hurt crosses her expression. “Sorry. I just wanted to—” She shakes her head and turns away.

I don’t want to feel bad, but I do. I pull out another weed with so much force that its momentum sends me tumbling. Chinwe hears me yelp and rushes over, the plant in my hand telling her where I am.

“Are you okay?”

My chest heaves and I start to sob. “Grace had no right. Nobody was supposed to know. You weren’t supposed to see. It’s how I keep her alive.”

“Who?”

“Isoken. It’s how I keep Isoken alive.” I wipe my eyes. “She’s my twin.” She doesn’t push. Just stands over me and waits. “There was a fire. A geanomic child suddenly got his abilities on the train. He couldn’t keep it under control. We tried to help. I couldn’t get my force-field to work. Isoken though, Isoken was good at everything. But things got out of hand – an explosion. And then—” I cough, but the clog in my throat stays in place. My heart twists painfully. “When I woke up. I looked like somebody else and I didn’t have a sister anymore.

“We were identical. Even our parents couldn’t tell us apart, and now, I look at my face and I can’t see her. I don’t feel like my parents’ daughter. The only thing I have that’s still mine and hers is our voice.”

There’s silence for a while. Chinwe settles down on the grass. “Your sister won’t be forgotten. You’ll always be your parents’ daughter.”

I laugh. “You’re not related to my therapist are you?”

She shrugs. “My uncle. I read his books. He’s a psychologist. I think some of his psychologist-ness rubbed off on me.”

I chuckle. My breath catches with my next question. “He’s not my therapist, is he?”

“I don’t think so.” She cocks her head so I can see the earnestness on her face.

Her answer quietens my flurry of anxiety. “How do you know my sister won’t be forgotten?”

“You told me about her, didn’t you? So I know her now and since I know her, I’ll remember her. Her friends? They’ll remember her. Your parents? They’ll also remember her. Just as you told me about her, you’ll tell other people about her, and some of them will remember her.”

I start to protest. She shakes her head at me.

“There’s more to you, Itohan, more to your sister than your faces. But if you’re busy trying to keep her alive, hiding away from the world, who’ll remember you then? I know you want to disappear, but do you want to be forgotten?”

We spend the rest of our time in silence. Her question keeps echoing in my mind. Do I want to be forgotten?

*

I tell my therapist about the conversation I had with Chinwe, and he thinks she’s on to something. He convinces me to meet with my parents for the first time in four months. I don’t have to be visible, the only thing I’m required to do is watch.

That’s what I’m doing right now as friends and family mill about the common room. The inpatients are distinguishable in their grey slacks, hugging, talking, some of them crying. The facility only allows one open day each month, and a lot of people are making the most of it.

My parents stand in the middle of the room, my mother’s eyes combing the crowd. She’s looking for me; I realise with a jolt. My dad stands beside her. He doesn’t search for me, but his eyes are fixed to the door. I begin a slow walk towards them.

“Mummie, Daddie.”

I catch my dad’s disappointment before it vanishes. My mother’s eyes stay fixed on the empty space I’m standing in. When I’m around most people, their eyes move over to something else with substance to latch on to. My mother’s eyes, however, never budge.

A beat passes. She asks. “Itohan, you’re still here, abi?”

“I’m still here.”

“I’m so glad you called us.” Her eyes are shining with tears. “We thought you didn’t want to see us anymore.”

“I—” A familiar laugh catches my attention. Chinwe is standing ways away with a man and two children. She’s holding one of the kids and her wings are beating. She’s two feet above the ground.

“So you can fly now.” The man is grinning.

She laughs again. “It’s not really flying, but I’m trying.”

She’s trying. I turn back to my parents. My mum’s expression is expectant. Her eyes are now locked in the wrong direction. My dad doesn’t even try. His gaze is lowered to the floor.

I look down at my hands. There’s more to me than my face. I don’t want to be forgotten. My courage has never been anything impressive, not since I chose to go invisible. But for this, I take a tiny bit from my reserves. I don’t think. I step away from the coldness of being unseen, into the heat of sight.

Gasps follow my reveal. My mother is caught between joy and shock. She starts to sob my name. “Itohan, Itohan.”

When my dad finally looks at me, he doesn’t tear his eyes away, almost as if he’s afraid I’ll disappear again, and I try not to. I can’t stay still, uneasiness churns in my stomach, but I stay visible till the end of their visit.

As soon as they leave – my dad squeezing my hand and my mum almost smothering me with a hug – I fade away again, turning to find Chinwe standing in front of me.

“I saw you,” she says.

I roll my eyes. “Yes, you and everybody else.”

“No.” She shakes her head. “Iz naw laik dat.” She smiles. “I mean, I saw you. I saw what laughter does to your face. How you look when you’re embarrassed. When you’re trying to suppress a smile, the mirth jumps to your eyes. You do a weird thing with your mouth when you’re nervous. I saw all of that.”

“And?”

“You’re a world, all on your own.”

I scoff, but pleasure sits in my stomach like the burn from a spicy food, slowly spreading to the rest of me. “For a girl afraid of heights, how do you manage to sound so deep all the time? Do you lay awake thinking about different ways to be profound?” I tease, but I can’t stop grinning. “That day at the field, what did you want to tell me?”

“I tried flying.”

“How was it?”

“I still hate it. But I don’t think I hate myself for it, not anymore. I was scared, you know? But it took—”

“Tiny bravery.”

“Yes, that. Tiny bravery. One day at a time, nothing grand, nothing impressive. Just living.”

I take another wisp of courage from my reserve and kiss her on the cheek. Her surprise is so comical that I burst into laughter. She grins, doesn’t say anything, and I appear for a bit, just to show her that we’re both grinning like idiots.

Ada Nnadi is a law school dropout, studying psychology at the University of Lagos because she thinks it’ll help her write better characters. She was longlisted for the 2018 Writivism Short Story Prize, and will one day be the mother of many cats. And maybe a dog.

Above the Beach – VK Thipa

1

Like many people suffering from enormous heartbreak, and bereft of real, close friends to help weather the capricious storms of memory and regret, I turned to drugs.

Not the normal complement of common, over-the-counter cuts, or street pharma – injectables, swallowables, smokables – no. I, from the fevered, shadowed depths of my suffering, began a daily scan of the SEEKING SUBJECTS section of my city’s various periodicals.

I pored over the details of these ads, looking for something anomalous, something suggestive of supreme intoxication and affect, some magical elixir that, I fantasized, would grip tight in a fist of pain brighter and more penetrating than the sun, and then render me whole again, somehow cleansed of the psychic stain brought on by a deliberate and unconscionable act of callous betrayal, my life, no longer in the ruins of years of beautiful memories.

I suppose I was ahead of the curve on this, because memory-erasers hadn’t been invented as yet, merely theorized.

So, I searched. Not for the fountain of youth, or a phial to armor me against existential crises, but for a way to forget, obliterate completely and totally, the memory of years of my ex’s horrific abuses, their cold exploitations of me, my life, and our relationship. Not merely to bury, but destroy, without destroying myself.

The first foray: One study, located in a modern clinic decorated in industrial beige, showed promise, but ended up needing subjects to test a new, “less addictive” morphine derivative. I declined.

Another study, across town in a seedy medical office, wanted volunteers to test fast-drying liquid condoms. As I had no partner, I declined.

Another study sought persons with a specific type of brain=- trauma. I got a free MRI from it, but did not qualify.

Months passed in this manner, where I would take random days off work and travel across the city either to refuse, or be disqualified from participating in some exceptionally odd medical research. My job performance suffered. I became reclusive.

Then, late one evening, on the verge of capitulating to drinking myself to death, I saw a particular advertisement:

**SEEKING HUMAN SUBJECTS FOR TRANSFORMATIVE MEDICAL STUDY** **SERIOUS INQUIRIES ONLY**

**FINANCIAL COMPENSATION GUARANTEED**  

The address of the clinic was literally across the block.

I pledged to call the provided number early the next morning and spent the rest of that evening gamely trying to sleep, my thoughts a whirlwind of differing possibilities and potentialities. Eventually, dragged down by exhaustion, I slept.

I woke into dawn’s twilight fading to a bright and unseasonably warm morning. After waiting until the clinic’s regular hours, I scheduled an appointment with the clinic’s nurse over the phone for later that day and spent hours in a sudden, new-colored funk: What if this was another marginal disappointment? What if this offered nothing but another pedestrian research? What if this was exactly what I needed and I was rejected? What if I was accepted, stayed the course of the study and it didn’t produce the desired results? The compensatory nature of the study meant little to me, though my finances had suffered along with my spirit. (Self-abuse isn’t cheap, you know.)

     After what felt like an interminable wait, I left my ill-kept bedsit and walked around two corners to the office of Dr. H  , located in an anonymous beige four-story building with a pair of silvered doors facing the street. Behind the doors was a pale minimalist lobby, with a wooden door for the stairs, dull metal doors for what seemed a modest elevator, and a stark white-on-black placard listing the businesses upstairs under a map of the fire exits hung between the two. The office I sought was the only listing for the second floor; I opted to use the stairs.

The office entrance was situated on the opposite side of the stair door according to the map abreast the exit door. I followed three long sections of a checker-patterned linoleum floor to a ceiling-high black metal door, behind which was a warm-colored, well-lit waiting area with two low gray couches staged facing each other across the lobby’s width. At the lobby’s center was a high wooden circular counter administrated by an elderly, handsome, slender nurse. She greeted me with a graceful wave which silently glided towards the couches as if to indicate that I sit. The couch to her left looked less lumpy than the right one, so I sat on the edge of the cushion seat, pensive. The nurse bent her face towards a screen that she tapped at frequently with a bemused expression on her face.

A few minutes later she glanced at me and gestured that I come to the desk. I sprung off the couch and slow-walked to the desk. She pointed to a door outlined by light that appeared in what had previously been the blank back wall of the lobby.

“Hi. The Doctor will be ready to see you in a moment, so please go through that door, follow the hallway all the way down, make a right at the end and, enter the exam room marked 9C. It’ll be near the end of the hallway on the left”, she said in a whiskey-grained voice. She waved me in closer and half-whispered, “Doctor H works wonders. Don’t be afraid of what happens. This isn’t my professional opinion, and I’ve never been a patient, but I’ve seen what happens with the test subjects. It’s… it’s… miraculous.”

I continued on into the book-stuffed office of Dr. H____, a tall, soft-spoken woman with bland features and short chestnut hair. After a perfunctory greeting, and the signing of an NDA, Dr. H____ led me into an adjoining examination room, where she subjected me to an efficient and thorough psychological and physical evaluation. In the midst of smoothly drawing my blood into more than a few sample tubes, she said, almost casually, “You appear to be under some strain. Has something happened recently that could have induced it?”

“I…” hesitant, not really knowing whether to lie, then deciding against it, “…broke up with someone. They broke up with me. A while ago. It was bad. Nasty. Abusive. I think I’m… still… recovering. From that.”

“I see,” said Dr. H____, placing the last of the tubes in a box on the counter and closing it; the box then traveled along the counter and into the wall. She pulled a pair of black-rimmed glasses from a pocket in her coat but didn’t don them.

“Well, I suppose I should tell you about the experiment, while we wait for your blood work to come back.”

“Doesn’t that usually take a day or so?”

“At labs where there are a lot of patients, yes. Here, no.” Hand-with-glasses gestured to a door in the examination room.

“We’ve got very efficient machines here, and we’re looking to see if your tissues fall within specific parameters.”

“Ah.” I sat upright, slightly chilled, in my examination gown. “Do you think…”

Dr. H__ unfolded and refolded the temples of the glasses, and said, “I’m very confident that you’ll qualify, which is why I’m willing to discuss this with you.”

She sat languorously in a nearby chair. “What will happen, if I am indeed correct about you, is we – I – will administer two injections. One is a cocktail of amino acids and a lot of vitamins, mostly B, to re-balance your system, move you towards something like your optimal health. The other…” she started, then turned towards a curious knock from the closed door.

“Hold on.” Dr. H___ strode swiftly to the door and opened it a crack, withdrew a small sheet of paper extended towards her which she rapidly examined and returned to the fissure. Dr. H___ turned to me then, smiling widely. “Sorry about that. Your labs look good, so you qualify for participation. Where was…”

I was tense. “The other injection?”

“Ah…ah, yes.” She sat gracefully again. “The other injection is a cocktail of my own devising, a similar composition as the first, with the addition of an experimental mutagen.”

“…Experimental?”

“Experimental, and very slightly carcinogenic, but in doses much, much larger than what I’ll be giving you.”

I scratched at my arm. “Which does what, exactly?”

Dr. H___ leaned back in her chair, placing the glasses into a different pocket. “It transforms you. That’s the experiment.

Two injections, and in a week you come back and we see what has happened.”

“Sounds risky”, I said.

“Not at all. All the previous subjects have reported nothing but positive results.” Dr. H___ counted them off on her fingers:

“Better rest, sharper senses, firmer skin, weight loss, better digestion, stronger will, improved libido – you name it, and it’s come back as an experimental return.”

“But what’s the point of the experiment?”

“We’re testing to see if the mutagen has any side effects. So far, none.”

“Will it cure heartbreak?”

Dr. H___ cocked her head to the side for a moment, her face in a quizzical expression, then she quickly returned to her usual nondescript demureness. “If it did, that would be… tremendous. But no one has reported back that… kind of result. Maybe you’ll be the first!

“Really, though, I do expect your stress levels to drop, and this…” she almost couldn’t say the word, “heartbreak that you feel you’re suffering from will become something like the memory of a lingering cold, or a badly stubbed toe. Some pain, then your system will rectify itself.”

“Ah. Well, okay.”

“Let’s get your injections out of the way.”

Dr. H___ pushed a button and a new box slid forth from the wall. She produced two hypodermic syringes from it and carefully injected me in the same arm with both, one site above the other.

     “Before you leave, the nurse will give you a card with your patient ID code and a number to call in case of emergencies, and set up an appointment for a week from now.” She smiled at me and I could see the smile barely touch her eyes. “I expect by this time next week you’ll feel like an entirely new person.” Dr. H__ stood and left the room through a door that appeared as she approached the wall, and I got dressed, feeling the residual irritation of two injections in my arm as I moved.

The nurse smiled as I exited the hallway door, and waved me over. “Hi! How’d it go?”

“It went okay, I guess.” I was anxious to go home and resume my spiraling into grief. She brandished the card like a magician.  The numbers were printed under minimal information in jet matte on high-quality card stock.

“Don’t worry, hon, you’ll probably be feeling much better before we call for your follow-up,” she said, honey-voiced. “The ID number is your case-file, so don’t lose the card and we’ll see you soon, okay?”

“Okay. Thanks.”

“Have a good day!”

“You too.”

Once out of the office, I shoved the card into a pocket and followed the winding hall back to the building’s stairwell.

     As I stepped out onto the sidewalk, heading back to my tiny, grubby apartment, I was hit with a warm, healing flush from within – probably the first injection. Dr. H__ had said it would work quickly.

     That same inner glow carried me around the corner and back to my bedsit, which I spent the rest of the afternoon cleaning, feeling better than I had in… forever. Only certain childhood memories possessed such verve, such immediate vitality. The day stretched into clear evening, and after an early supper I lay on my bed, still feeling amazing.

I slipped into a deep, restful sleep.

For three days.

Waking to answer the phone, get fired, and then fall back asleep.

Four days out – according to my watch – I awoke feeling different – heavier, or thicker, with a pressing need to relieve myself. I shambled from my bed and into my tiny bathroom, where I passed what seemed like an enormous amount of bodily waste into the toilet – I had to flush twice.

I almost didn’t look at myself in the mirror while washing. Scratch that – I didn’t look at myself in the mirror. I looked at a different person: one significantly taller, hairless, no nose or ears whatsoever, red-black irises on blue-black scleras in enormous turquoise-lined eyes, speckled black and gray skin roiling like oiled leather, a tri-part mandible over several rows of slitted mouths, lined shark-like with rows of tiny, knife-edged teeth. Me, but not me, but me.

The image in the mirror fazed me a bit, like waking up the day after a haircut. But I still felt good, though heavy.

Sleepy.

My hands were webbed. But I still had fingers (no nails? all nail?), so I called the emergency number for Dr. H__.

“Hello?” The nurse answered, sounding like she was trying to hide her surprise. I suspected no one had ever actually called this number.

My voice was a gravel chorus. “Something’s gone wrong.”

“Wrong how?” I noticed in myself an ability to discern the exact tonality of a voice. The nurse sounded tentative, skeptical.

“I’ve turned into a thing, that good enough for you?” As weirded out as I felt, I wasn’t angry. I couldn’t be angry. I somehow shaped the basic tone of my voice to sound more pissed off. “Get Dr. H__ on the line.”

“She’s not in right now.” A lie. I could hear a slight quail of panic. And also, the good doctor, standing not too far from

the gesturing nurse. “I can have her call you back…”

I modulated an unfelt impatience. “She’s standing right behind you. Give her the phone.”

There was the soft susurrus of the receiver fumbling from one set of hands to another, then “Yes?” Dr. H__, I noticed, had an icy quality as the base tone of her voice.

“This is Chauncey. I came in last week?”

“I’m sorry, who?”

I read the ID off the card: “I’m subject AHX42042. I’m part of your experiment. Something’s wrong.”

“Wrong how? Can you describe the symptoms?” Despite the false concern I could detect something in her voice that lay between fear and disdain.

“I look like a movie monster. Is that wrong enough?”

“Err…” Dr. H__’s hand covered the receiver, but I could still hear her order the nurse to pull up my records. “Do you want to come in so I -“

“I can’t. If I leave the house like this, someone will call the cops. Or animal control,” I almost giggled. Why wasn’t I angry? Or upset?

“Okay, well, there’s not much I can do over the – “

“I live a block from your office. Just walk over,” I said and hung up.

Quickly, I examined myself. My skin was smooth, but appeared scaly up close. My senses were amplified – I could hear the doctor’s crepe-soled shoes as she came around the corner, mixed with the sounds of light traffic, day-traders yelling into cell-phones, babies crying and gurgling and laughing all around me in my building, the couple three floors above me having sad, slow sex, could smell the brewing of coffee from the building down the block, the distinct chemical elements of the dust coating my apartment, including all the metal proximal to me – the doorknob and the bathroom fixtures, every screw, and nail, and stud, all the appliances and wires and pipes – Dr. H___’s knock almost came as a surprise.

“Door’s unlocked. Come in.”

She entered cautiously, expecting something untoward – there was a syringe of something potent in her coat pocket, next to some keys, next to a scalpel, the rattling of which I somehow heard like notes in a chord, and smelled, the same way I could smell everything in my apartment – “Are you – oh, Jesus.”

“Yeah.” I heard: her fear, her clothing twisting with rising breaths, the sharpened edges of her loneliness. It was something to which I could relate. “So, what was in that injection again?”

“Oh fucking Christ. Oh fuck.” She backed up against the closed door in quickening fright. Petrified. Heart hammering.

“I’m not going to eat you, Doc.” Mock comically, I looked down at myself and back at her. “Oddly, I feel great. I look weird, but I feel great.”

“Fuck. What the fuck.” She was about to lose it. Slowly, as casually as possible, I sat on my bed, reached over into my nightstand, withdrew a colorful knit cap, and pulled it onto my head.

“Is this better?”

“Yes. A little. I… I’m so, so sorry.” She genuinely was. “What… what do you need? What can I do? I’m suddenly at a loss

as to what to do here…” She relaxed her shoulders against the door and  started patting at her pockets. “I could take tissue samples? I think I brought…”

I tried sounding comforting. “That sounds good. Take some samples, figure out what happened to me. Tell me what you can.”

“I, uh, okay. Extend your arm.” She approached as if I was on fire, touching my extended limb as little as possible, tamping her revulsion. She attempted to draw blood with a syringe but my new skin refused the needle. “Hell!”

“No worries,” I said. I looked at her, held up a finger. “How much blood do you need?”

The ice – professionalism, I suppose – crept back into her voice, winning out over the horror. “One hundred CCs will suffice.”

“Okay. Be ready.” Slowly, I leaned back from her and, just as slowly, made a small cut, with my fingernail, on the opposite palm. Bright purple blood oozed viscously from the wound, and she collected it in two sample tubes that she’d brought.

“That enough?”

“I believe so.” I made the cut close by thinking it closed. She leaned in and, with curiosity in her eyes, examined where the cut had been, feeling the fast-fading scar with a trembling finger.

“Holy shit.”

I smiled and I saw from her reaction that it was a horrifying sight, so I stopped. “I’ll probably get that a lot.”

“Are you in any pain or discomfort at all?” Genuine concern.

“None whatsoever. I feel great. I feel fan-fucking-tastic.”

“Fascinating.” She backed toward the door, never taking her eyes off me. “I’ll run this, and call you later. You’ll be around?”

I laughed at that, which seemed, according to Dr. H__’s  vexed expression, more horrible than me smiling. “I’m not planning on going anywhere for a while. I’ll wait.”

“Okay.” I could hear her knuckles strain from clutching the doorknob. “I’ll call you as soon as I can.”

“Cool, Doc,” I said to the closing door, and to the sound of her running down the hall and stairs.

I laid on the bed, attempting to conduct an inventory of my expanded senses, my transformed self, and fell asleep.

The phone woke me a few hours later. It was Dr. H__, and she sounded panicked. “Look, I don’t… I have a hypothesis, but I need an additional piece of info.”

“Sure, whatever,” I drawled lazily. “What you need, Doc?”

“Do you have a scale?”

“Yeah.”

“Go weigh yourself.”

“Okay.” Simple enough. I felt heavier, so I surmised I’d probably be heavier. The scale disagreed. I reported this to Dr. H__, who said, coldly, “Aw, hell.”

“What?” Part of me was genuinely concerned now. The rest of me wanted to sleep more.

“You came in to cure yourself of heartbreak, didn’t you?”

“Yeah.”

“Do you still feel heartbroken?”

“No.”

“Do you feel,” she hesitated, as if seeking the right turn of phrase, “do you feel like you could love again?”

Reflexively: “No.”

“Do you feel like you won’t, or you’re unable?”

“I suppose it could happen. I feel… I feel unmarred. Less disconnected from…”

“From others?”

“Yeah. I can’t remember feeling quite so… open to the possibilities of people, even though most people now would think I’d eat them or something.” I suppressed a laugh so as not to ruffle Dr. H__. It was genuinely funny, the thought of me in this new flesh over a new heart.

“Okay. Well,” I heard the rustling of papers on her desk, the hum of a laptop nearby, “this is my theory. We’re still running tests, but I think that the mutagen has somehow activated some kind of… body overhaul, in conjunction with your own drive to heal, and altered you. Into… well, I don’t know what, really, yet, but I can tell you that it’s not bad. Permanent, yes, but not bad. Kind of interesting.”

“Interesting, how? What do you mean by that?”

I heard a smile that reached her eyes over the phone, the coldness in her voice warming slightly – “What are your thoughts on space travel?”

VK Thipa is the psuedonym of a transplanted AfroBritish polyartist who currently lives on the West coast of the Americas. He has been previously been published on 365 Tomorrows under his birth name, which is unexciting.

The Return – Muuka Gwaba

0

They came for us at night.

Or at least that’s how my Nene liked to tell it. But she was always one for drama, that one, never believing that the truth should interfere with good storytelling.

The truth is much less dramatic, though not any stranger. They actually came for us at sunset. That quiet time when all the children have been called indoors, when the traffic jams have died down, and the street sellers have packed up their wares and gone home. Plus, this was the time when we came out and did our… thing. I wouldn’t call it work. It was never ‘work’ for me. Anyway, they thought this was the time they would catch us at it.

But we were never going to be stopped. Especially not by some overzealous, scared people who called the police, thinking they could actually do something to us. All that happened is that those policemen died for nothing.

When you write this history, make sure to emphasise that last part.

They died for nothing.

*

Let me tell you the story my Nene told me when I was a girl.

She said that the old gods, the ones who were here before the colonisers brought their god to trample us under the heel of Christianity, still walk amongst us. They didn’t dwindle away or get lost in memory, or forget us. They just had to adapt to their new world and the loss of so many believers. Nene’s favourite thing was to gather all her grandchildren around her during the harvest season (the harvest in the village, of course, because I hadn’t harvested so much as a tomato here in the city of my birth), and tell us all about the time she had met our god.

The first time, she was a child walking home with her mother, during heavy rainfall. The sky was dark and heavy with clouds and they couldn’t see farther than a few steps ahead. They took shelter under the branches of a small tree, and when the lightning started, it was so bright and so close that she saw her own shadow on the ground. And next to it, the tree’s shadow turned to look at her. She pulled at her mother’s chitenge and the two of them looked up and into the face of a woman, her brown skin glorious in the light, clad only in the smallest cloth around her hips. As the thunder boomed loud enough to cause both Nene and her mother to clap their hands over their ears and shake in terror, the woman raised her hands, threw back her head and laughed in delight. Nene’s mother screamed, picked her up and ran with the child’s head clutched tight to her chest.

The second time, Nene said, was ten rain seasons later. She had been heading towards the river to bathe, and then she got separated from her friends as they played a game. Following their footprints, she saw a woman ahead of her on one of the many paths, crouching down over footprints and making circular motions over them. Each footprint glowed faintly before rising out of the ground, and as the glow touched her hand and disappeared, the silver scales that covered the woman’s back, shoulders and upper arms rippled with colour

Nene had turned to run.

 Everyone knew the stories about these creatures, Nene told us. If you came across them while they gathered whatever it was they gathered from footprints, they would take away a piece of your soul. You would return to your village acting like the person everyone knew, but you would be a ghost of the person you were before. There would be an emptiness inside you that could never be filled. Sleep, food, laughter, even life, would never be the same for you. You would wake in the night searching and searching, but never find whatever it was you searched for. And you would have nothing to show for it but dirty feet each morning. 

So yes, she had turned as quietly as she could, gathered her chitenge above her thighs and run.

“Stop, girl”, a voice had said to my Nene, and she had stood, unable to move, like roots had planted her into the ground.

“Turn and come to me,” the creature said, its voice was rich, warm and bubbling like water. “I didn’t think that we would meet again so soon. “

She turned, not entirely of her own free will, and faced it, then dropped to her knees, and flat on her stomach in submission. The creature’s glowing white eyes revealed her for what she was. The great river god.

Nene had lain there trembling, apologising for having the cheek to look a god in the face, awaiting her death as she felt the god slither towards her and stop, poised above her head.

“I should eat you right now, and leave your bones behind for people to find”, the god had hissed, “but I’m in a good mood today. And there’s something different about you. Not many people can see me during the day, and not twice in their lifetime and live to tell about it. Definitely not see my work without going mad. You have a gift I haven’t sensed in a long, long time”

And with that, Nene would say, she felt the god’s sticky tongue on her head, tasting the sweat running down her face and laughing in small hissing breaths at the human cowering on the ground. The god told her many things as she lay there, and gave her a new name. Chipego – a gift to return to her people and be the vessel of the god’s words.

*

That was over three hundred and seventy years ago, by her count, and Nene remembered every detail of the story like it happened to her just yesterday. She had told it to us so many times that we knew it word for word. And in those centuries, she had not lost faith in her god, and had passed on this faith first to her clan, her daughters, and then to her daughter’s daughters. But by the start of the last century, only a handful of people knew the real stories of the god. People had moved away from the river to live all over the newly created country. The old borders were not respected by the new people who came to live amongst them, and of the clans that stayed, many were seduced by the promise of new lives away from farming and living close to the river. The history had been lost, mixed up with stories of other tribes, morphed into impossible myths or tales of women who practiced witchcraft.

By the nineteen fifties, when my own mother was also a priestess, belief in the river god was left to those who lived along the river boundaries. The god had gone quiet. Nene didn’t know why. She still felt the god’s presence wherever she went. She and other priestesses followed the old ways, shunning the Christianity that the missionaries tried to force on them, and the punishments the colonial government exacted on them for using plants to heal, for birthing at home, for refusing, basically, to be the good compliant natives they wanted. And when the rumour began that the white men had decided, through some kind of madness, (because it could only be madness that drove them to it) to interfere with the river, the very dwelling place of the god, they had to do something.

And they tried, they really did. The sacrifices didn’t work, pleading didn’t work, the god stayed silent and the dam was built. But the real version of how those events played out, those lies about the clans allowing themselves to be resettled? They never allowed themselves to be resettled, okay? They weren’t given a choice.

But still, I don’t hold the god responsible for what happened at all. No one does. By that time, people didn’t even remember the god’s true name any more. She was now Zambesi, sometimes Nyami nyami, sometimes just the river spirit who “lived in and protected the life around the river”. Her priestesses were branded witches and shunned if caught at their work, so they were reduced to continuing her work in the night. Men took over and declared themselves the true priests of the god. They crafted ornaments and walking sticks and prayed and at least that kept the faith alive. Better than nothing, I guess.  They had reduced her to a spirit, and they expected her to come in all her might when they called. She hadn’t deserted them, but they really believed that she had, and so they just didn’t try hard enough, didn’t turn to the priestesses. Whatever the builders of that dam did, they separated her from us. They severed some spiritual link… spiritual? That word doesn’t cover what the connection to our god used to be. My mother said the night they placed that last brick in the dam, under cover of darkness, like the cowards they were, she woke up with tears running down her face, sadness overwhelmed her and she wept and wept till her eyes ran out of tears. Mother also said that Nene didn’t wake up at all that morning.  They thought she was dead, until they noticed the pillow under her head was soaked through with tears and small breaths escaped her mouth every few hours. She stayed that way for three weeks and when she finally emerged from sleep, her very first words were,

“What have we done?”

While the Brits hailed the might of the British Empire at creating the world’s largest man-made lake and a dam the likes of which the world had never seen before, my people were in mourning. Their valley was gone, their god was gone, and they were barely hanging on to their way of life.

That was just over a hundred a fifty years ago. I’ve grown up on the true history of our tribe as told by Nene Chipo. Nene is over three hundred and eighty years old now, and my mother is over a hundred and fifty. We’ve all accepted that we will have very long lives;  longer than most humans. This was the gift from the god. This is part of what our god whispered to my Nene so many years ago. We’ve learned to change our appearances and our names, secluding ourselves from a lot of daily community life to avoid too many questions. Our little village grew into a town, then into a city where you couldn’t tell who your neighbours were any more, and we could mingle freely again. When our city opened its doors to the new Siavonga University in twenty twenty-five, a few kilometres from our house, I registered as a student and studied geography. I got my first job in Lusitu, north of Siavonga four years later at the ripe age of sixty, though I looked barely out of my teens, and lived at home, close to the river.

*

It wasn’t until forty years ago, when the earth tremors that we had been having since nineteen fifty seven grew into a full earthquake, that my Nene decided it was time to let me know the full truth.

“Do you know why you’re called Chipo, my love?” she said as we shelled groundnuts on the veranda outside my mother’s house. I nodded.

“It’s because I was such a precious gift to my mother, who had been trying for many, many decades to have a baby before I finally came along”.

“Yes and no”, Nene said, shooing a bee away with a tea towel. “Yes they waited a long time to have you, that part is true, but also, you had to be given that name.”

“What do you mean I had to be given that name? I thought the no part is that they also named me after you?”

“No, that’s not the no part. One doesn’t have to call the first girl child after the grandmother. Those are just stories. We had to call you that because you also carry this ability that was given to me.”

I remember rolling my eyes at her, and she kissed her teeth in impatience.

“The problem is you think I’m always exaggerating. I don’t exaggerate. Your Nene has always been one hundred percent truthful with you. You’ve entered puberty now. It’s time for you to know our purpose.”

*

I waited twenty years before going down to the lake. I didn’t find it strange as a child, that my family had never been to see the lake, never travelled to the dam that was within walking distance of our home. That we had never travelled beyond the Zambezi River to the west and the Kafue River to the East. But as I stood there on the shore of the lake, I felt a huge yearning to plunge myself into the water. My body swayed in rhythm with the lapping of the water at the shoreline and I felt the earth shake beneath my feet with a tremor.  I reached into my purse and touched the bundle my mother had given me, more for comfort than anything.

“Hey,” a man walking along the shore shouted over at me. “Are you okay mama?”

I nodded, not wanting to show the excitement on my face. “I’m fine”

I hired a humboat that evening to take me out over the water.

I had to time it just right. Late enough that the jet skis and boat cruises had retreated for the evening, but early enough that one of the local fishermen would still be able to take me over the water.

“Kwasiya taata” I greeted him in the old tongue. He stared at me then inclined his head politely.

“Inhya, kwasiya”

I explained to him where I wanted to go and we set off silently. He pressed a few buttons on the humboat and the electric engine started up, floating gently above the water as we headed towards the dam wall.

When we got to my coordinates, he pressed more buttons and the boat stopped, swaying gently over the water. He turned off the lights and we sat in total darkness for a moment. I pulled out my flashlight and, dropping it into the lake by its opti-line, lowered it about a kilometre into the water before plugging the line into my phone’s USB port.

What I saw… would you even believe me? If you don’t, all you need to do is go and have a look yourself. It doesn’t take any skill at all, you just need to know where to look.

My torch had got caught in the branches of a tree. The leaves swayed gently in the water and fish darted away from the light. I tugged at the opti-line to dislodge the torch, then fed more of the line, letting the torch go another kilometre down. Now there was the sloping side of a hut visible further down, and what I could swear was a mango tree. The fisherman gasped as he looked at my phone where it captured the images from the water.

“What is that!” his voice was shaky with fear or some similar emotion.

“It’s an app I’m using to visualise what a village would look like under water”, I lied without missing a beat. Yet inside, my heart was racing. Another kilometre fed to the line and I could see a whole hut, and swivelling the torch, a kraal, an old fireplace, a shower hut…all intact hundreds of years later.

“The images are incredibly life like,” the fisherman laughed nervously. “All you need is people walking around and I could swear there was a village at the bottom of the lake. Just like the old stories”.

“Indeed”, I replied, searching his face for any signs that he may decide this wasn’t a story and fling me overboard. He just had that look that said I might be a witch.

He asked if I had gotten enough images so we could we head back to the shore. I noticed the sideways glances he kept giving me and memorised his face in case there was trouble later.

A week later, a policeman in our suburb came over to our house and asked how many women lived there.

“Just me, my mother and my grandmother,” I lied calmly. If he knew exactly how many women lived in our house, there would be trouble. He looked around the sitting room as he drank the cup of water we gave him, and commented on all the old things we had in the house.

“Is that a kankobela?” he exclaimed in wonder, pointing at a corner in the display unit.

“Yes, my grandmother has had it forever”, I replied with a neutral face.

“I thought it was a lost ethnic musical art form?”

Ethnic? Was he serious? Ethnic?

“It’s a Tribal instrument that took great skill to master, yes”

When he left, Nene spat on the ground outside the door.

“Idiot! This is what we have become now? Using words like that to describe our own? Chu! I knew his great grandfather when he was a boy and all of a sudden, we’re ethnic?”

We knew then that people had noticed us. And this wasn’t the time to get noticed at all. I went out that night to look for footprints. There weren’t as many as there had been even in my mother’s days. People wore shoes now, children rarely played barefoot, and to compound it all, everywhere was paved. I had to go a long way before I finally came across two small footprints in the poorer section of the city. I drew the nchembo out of my bag. Tracing the outline of the footprint with its pointed end, I said the words for the offering and the footprint glowed faintly and, rising out of the ground, headed out towards the river. I repeated the process on the other footprint and continued hunting more.

I went out every single night for a month, making sure no one saw me, offering up these gifts to the god, hoping it would be enough to awaken her. Another earthquake was reported across the internet and while we breathed a sigh of relief, two houses fell, and only five people died during the quake.

I went out all night in the rainy season. It was the best time, when tourists walked barefoot along the lake’s shore, fishermen took off their shoes as they mended nets along the river’s edge and children often disobeyed their parents to feel the earth squish between their toes as they played games.

As the years went by the Earth tremors grew stronger and earthquakes became more common. The Christians kept on their gloomy predictions about the end of the world and a turning back to the good book, while my heart grew ever hopeful. They pointed to pages in their book of Revelations as proof.  It was indeed a sign of the end of times; just not the ones they thought.

I was celebrating my eightieth birthday when we finally heard on the news that there was a considerable crack in the dam wall. Enough to have the government worried and put a plan in place to fix it. And trust me, I’ve been around long enough to know that if politicians actually get their behinds into gear, then disaster must be imminent. We had to act soon.

The first night of the full moon, the rain fell like it was going out of fashion. My Nene, my mother, my daughter, her daughter and I went out together. We stood at the lake’s edge, five generations of believers, holding hands, then we stepped into the water. A tremor took us to our knees and we stayed there, singing to our god, asking her to return and bring back the river.

We waded in up to our waists, raising our arms high above our heads and sang, begged, pleaded for our god to return. We waded farther, to our necks, still singing. Then, we felt something. It felt like a giant fish had brushed against the back of my legs. I looked around at the others and they all had the same look of shock and wonder.

We sang louder into the night sky and the earth trembled beneath our feet. I felt the same scaly body pass between first my daughter and I to the left, then my mother and I to my right. We all laughed in delight. She was here! She was with us!

Another tremor rocked us on our heels, submerging our heads under water and we came up coughing.

“It’s time to come out!” Nene shouted, and we fought the waves to get back to shore. The calm gently lapping water we had entered was now choppy with waves rising above our heads. We had to fight our way back, gulping water at times as our heads went below the surface. My heart was full and I felt as though each heartbeat sent a spark of electricity running through me. As the lightning began and the thunder roared, something compelled us all to look back in unison and there, illuminated by a flash of lightning, a huge head rose above the surface. It loomed over us, glowing eyes lighting up the scaly face. It rose higher to reveal the silver scaled body of a giant snake. The head morphed slowly into that of a woman, her skin brown as the earth on a warm day, and she threw her head back and laughed the sound of thunder into the air. We cried out in terror and glee, stumbling towards the shore as she flipped backwards and disappeared under the water.

We lay there shaking as an earthquake stronger than we had ever felt drove us to the ground, then got up quickly, soaked and shivering, to head towards our home.

We spent the whole day packing and sending pings across the internet, warning people to leave Siavonga that day. Telling them they had no time. We were flooded by messages telling us to get a life, to turn to their god because we were obviously lost. Telling us to stop believing idiotic nonsense and turn to the true path, to stop stirring things otherwise the police would be sent after “those mad witches in that house”

We tried. My granddaughter Chipo, who is amazing with all the new tech, sent out nano skybots to shoot images showing the amount of rain that had fallen that day and hacked into the aging news stations to run the footage on a loop every hour, showing the ripples on the lake’s surface that were obviously being made by a creature moving with a purpose.

People either praised it for being realistic CGI or wrote it off as scaremongering. They began to threaten us with exorcisms, jail or both – for worshipping demons.

An hour before sunset, we were done. A few precious memories, mostly things my Nene had collected over hundreds of years, like the chitenge she had woven with her own hands; photographs in the days before instacapture that showed my mother as a young girl, my very first cd, back when they still made them, my daughter’s first holochrome with the images of her sitting at her Nene’s feet and learning to sing the old songs. They all came with us.

We sat on the top of the hill above our home and watched at sunset, as policemen walked ahead of a group of people headed towards our deserted home even as a tremor shook the earth.

“We should go down and tell those idiots to leave!” my daughter exclaimed.

“It’s too late now. It’ll take us at least an hour to get down there, only to come to harm”, her daughter replied.

As the men who headed the group turned into our street, clutching umbrellas against the rain, the earth shook hard enough to topple the whole group over and a thunderous roar came from the direction of the dam.

“Look!” Nene pointed, and we all turned to look towards what used to be Kariba dam.

The dam had exploded. Concrete flew out up into the air at one end of the dam. Faint screams drifted up from the people below. Lightning rays showed the gigantic god rise out of the depths and fling itself head first towards the dam and shatter the concrete where it hit. The earth shook again, and the hotels along the hills crumpled like paper cups into the water. The people below began to scatter, some threw themselves to their knees and prayed to their various false gods to save them, others clutched at each other in fear. Buildings began to fall around and on top of them.

We sat where we were, safe from harm and wept at such needless loss of life. We had told them. Hadn’t we told them?

More flashes of lightning showed our god smashing the dam, smashing it, returning the river, finally, to its rightful path. Returning what we had worked for, for so long. Chipo captured it all and streamed it live over the internet.  I can’t even begin to tell you how many people thought it was a hoax. But amongst them, our scattered clan began to comment, feeling a shift in their hearts. Remembering who they were and looking with awe as the waters of the lake began to recede. With one mighty roar, the god raised herself to her full height. Over seven metres of her beautifully scaled body arched into the air and then, with a twist that passed rainbow colours over her shiny scales, the god dove into the churning water and disappeared, headed towards Cabora Bassa dam.

At the final tally, over a thousand people were recorded dead. Those who refused to leave were the saddest. Such an unnecessary death. We told them and they died for nothing.

The waters receded as the lake drained back to the river it once was, revealing huge trees and still intact villages where the riverside used to be. The politicians blamed the government of the day for failing to implement the centuries old dam rehabilitation project, and the finger pointing continued in earnest. Those who could still trace their ancestry back to the valley began to return and build homes again beside the river.

Centuries of work, and were we ever thanked for it?

Of course not.

We were just glad to have our river and our god back.

Muuka Gwaba is a Zambian currently living in Dublin, Ireland. Her interest in african history focuses on exploring the oral histories of our past and using them to empower who we are and what we would like to become. A chartered accountant and psychotherapist, Muuka balances her spare time writing fiction, and eating lots of chocolate while blogging about books, parenting and movies at www.anotherdropofink.com. 

When a dream gets bigger than you

0

We didn’t know how big it would get!

It got bigger than us.

These are some of the ways explain my relationship with Omenana magazine and the fact that I’ve not been able to match the magazine’s growth with more time commitment.

In 2014 when Chinelo Onwualu and I published the first edition of Omenana we didn’t know where it would get to.

For sure, we wanted it to be a home for writers of speculative fiction and we wanted them to be from a community that had not seen much leeway in the world’s speculative fiction community – Africans and the African diaspora.

Starting the magazine was something we did because of the love we have for the genre specifically and literature in general.

There is no gainsaying the fact that it has not been easy producing each edition.

Since we wanted the magazine to be readily available to everyone that could access the website, we made it free.

We also decided that those who contribute to the magazine either as writers or artists or designers must be paid. These payments have majorly been out of pocket.

Thankfully we have gotten donations from writers like Wole Talabi, Mame Diene and Tendai Huchu (who graciously gave us his Nommo Award win) and from Goethe Institut and The Science Fiction Writers Association of America. These donations have served to ease the burden on our pockets.

Then there are the writers who refuse to be paid and instead insist their money be moved forward to pay another writer in the next edition. It is for these people, and their clear desire to see that this dream endures that we keep doing this – despite the constraints of funding it out of pocket.

This year Chinelo Onwualu stepped down from her role as editor after for years of selfless and exemplary work and we managed to convince Iquo DianaAbasi to step into the role and she is still here with us for the 14th edition.

Sunny Efemena, our go-to artist, is still with us as the illustrator and Godson Chukwuemeka Okeiyi has been gracious as our graphic designer.

These people only collect a fraction of what they are worth and we thank them for their sacrifice even as we make more demands of their skill and time.

I want to say that Omenana will carry on despite the challenges, but finding that my family and day job are making much more demands on me than before, I have no option but to be realistic.

The reality is that Omenana can’t survive for much longer, without help form without.

We need funding, we need people!

So, we are calling on lovers of the genre, where ever they may be, to join us and help keep this dream going. We will be adding a donate button to the website and we hope that you will help us keep this website alive by donating to through it. 

We are also calling on volunteers who want to play a role in the magazine to send us a mail. We are in dire need of the leg up.

In this edition, we are introducing some new voices from across the continent who we hope will join the dozens of other names we’ve been happy to publish over the years.

Yeah, this edition has been months in the making, but like we always say; “better late than never”.

Enjoy,

Mazi Nwonwu

Mazi Nwonwu
Mazi Nwonwu is the pen name of Chiagozie Fred Nwonwu, a Lagos-based journalist and writer. While journalism and its demands take up much of his time, when he can, Mazi Nwonwu writes speculative fiction, which he believes is a vehicle through which he can transport Africa’s diverse culture to the future. He is the co-founder of Omenana, an African-centrist speculative fiction magazine is a Senior Broadcast Journalist with BBC Igbo service. His work has appeared in Lagos 2060 (Nigeria’s first science fiction anthology), AfroSF (first PAN-African Science Fiction Anthology), Sentinel Nigeria, Saraba Magazine, ‘It Wasn’t Exactly Love’, an anthology on sex and sexuality publish by Farafina in 2015.

Omenana Speculative Fiction Magazine Issue 13

Inside this edition

Omenana 13 Editorial: So Long and Thanks for All the Stories – Chinelo Onwualu

Essay: Urban Legends as an Outlet for The Modern African Writer of The Speculative – Hannu Afere

Abiba – Dilman Dila

The Last of Her Kind – Mame Bougouma Diene

Sin Eater – Chikodili Emelumadu

Goody Goody – Mazi Nwonwu

‘Becoming a god’ – Keletso Mopai 

Holding on to Water – Shingai  Kagunda

Editorial: So Long and Thanks for All the Stories – Chinelo Onwualu

I’ve been struggling with how to say this for a long time, but I suppose all I can do it is come out with it: I’m stepping down from my role as editor of Omenana magazine.

This was a very difficult decision for me. When Mazi and I started this project in 2014 we had no idea where it would take us – or even if it would take off. Five years later, I’m proud that our little idea has become one of the leading showcases for speculative fiction on the African continent. Our authors and artists have gone on to be showcased in publications and venues all over the world.

But over the last four years, my own life has grown more complex. Between the demands of an international relocation, health issues, a domestic partnership and a full-time job, I’ve found that I have less time than I would like to give to this work. Omenana doesn’t deserve such fractured attention. And so my journey with Omenana has come to an end.

It’s been an honour and a rare privilege to have helped create this magazine. I am deeply proud of every story and essay and piece of art that has been featured in its pages. However, it is time to pass on the editorial reins to new hands with new visions.

In this my last issue, I’m so excited to present our first themed edition: Urban Legends. We’ve all grown up with them – from the high-heeled Lady Koi-koi who trawls school hallways at night eager to consume stray children, to the terrifying Willie-Willie who stalks evildoers through city streets. These were the tales that had us hurrying home before nightfall or kept us from picking up that errant coin on the road.

The six stories in this edition present unique takes on these stories in ways we might recognize and others we don’t. Featuring the gods and monsters who walk among us, they’ll all leave you just a little bit shaken and perhaps more thoughtful.

A huge thank you to Iquo Dianabasi who stepped in to edit this edition and made each of these stories the gems you get to read. Thank you also to Anwuli Ojogwu of Narrative Landscape Press whose initial idea set us down on this path – and who provided important funding that made this issue possible. A shout out to our ever-stalwart slush reader, Chiamaka Onu-Okpara, who pitched in to sort through all our submissions. And as always, a massive “gbosa!” to Sunny ­­­Efemena whose artwork has become a defining part of the Omenana look.

And of course, I want to say a heartfelt thank you to Mazi Nwonwu for bringing me in on this amazing idea. It’s been a heck of a ride.

Even as I step back to focus on some of my own projects, I promise I won’t go too far. Omenana will always have a special place in my heart and I can’t wait to see where it goes next.

I’ll bet you can’t either.

Thank you and good night!

Chinelo Onwualu

The Last of Her Kind – Mame Bougouma Diene

3

To the villagers of Mkumbi, Mpondoland South Africa and all the cannabis, coca and opium farmers worldwide fighting for their rights.

The nutrients from my last meal flow from my mouth and into my veins as its body flows downstream, slowly disintegrating back into nature, and for a moment my old eyes gleam again with the vigour of youth, penetrating and bold yet somehow wiser than they used to be. More alert. Each drop of fluid holds a truth, an emotion, an overwhelming desire for life and death, eternity and oblivion. I am able to commune again. To feel time stop and multiply, to remember it all, every sensation, every pain and every pleasure in my life.

   Yet already the vibrancy fades, consumed by the fire inside me that never ceases to burn, and my ravenous hunger, and again the memories drift away, always a heartbeat ahead of me they disappear in the waters that are my world.

   Days and nights do not have the same meaning when you are as old as I am. Yet I know there was a time when the next meal and the last were not a question lost in a fog. I cannot remember my last meal neither can I remember being young, back when the river was mine, and all the rivers of our corner of the world belonged to my people.

***

The waters are dark and empty around me, only the reflection of the night sun gleaming down, round and alive from the sky provides any light, turning the black, stony waters into fractals of shining, oily pearls that rub against my belly and back as I swim and spin.

   Night is the most peaceful time. The noises of the day do not break through the waters tonight – I do not miss the cacophony of the human engines, the splashing of their oars, the laughter and tears of their children playing and fighting on the riverbanks.

   The humans believe the river is theirs. They believe the whole world is theirs and maybe they are right about that, but they are wrong about the river. The river is mine.

   Tiny salmon swim next to me now, completing their run upstream to spawn on the gravel beds that line the river, the night sun illuminating their bluish-grey scales as they nibble off little bits of dead skin from my body, cleaning me, tickling me, loving me.

   I suppose it is love that I miss the most.

   The humans will not let me prey anymore. Eons ago they did. There were days long ago when they let me roam free, another creature of the world whose wonders they embraced with the gleefulness of any young species or beast, just as I had loved discovering new bends along my river, rapids and rocks, algae and fish.

   Not so anymore.

   They do not remember those days, any more than my famished self remembers my life. They do not live long enough. They believe that the world is theirs and that their thoughts are their own.

   They cannot remember when I whispered my name into their minds.

   Mzintlava.

   They believe they named the river on their own, and gave my name a meaning of their own, and then forgot it. But they did not name it. It was I. I and my sisters, dwelling in the other streams and rivers, and communing with them. Letting them know that different though we are, we all share the same mind. Their language came from us. Their own names came from the dreams we planted in their minds at night, back when I was not so lonely. Before they replaced us with gods. Back when I still had sisters.

#

I might just eat tonight; I can smell the warm scent of prey on the current.

   It is swimming ahead peacefully. I can sense its mind, yet unaware of my presence, unaware of the role it is about to play in the cycle of life. How its flesh and blood but also its thoughts, memories and feelings will ever be part of a greater whole. Me. The one creature connecting it to a past it has forgotten.

   It is closer now. I can feel its panic as I awaken something primal buried deep inside of it. The depths that existed before it was sentient, before it knew itself as distinct from the world. But it need not fear. It need not fear eternity.

#

The day sun shines overhead now. It brings life to the water and the whole world. Although I am almost blind, the day sun allows me a glimmer of my youth, the different shades of small plants, the glorious colours of the fish that have multiplied in their tininess while giants such as myself have dwindled and died.

   But for now I am fed, for now I am strong, I can remember everything, and my body swerves easily towards the waterfall that marks the end of my territory and the grounds of my dead sister. Where our two rivers collide, mine feeding into hers in harmony.

   I want to raise my head out of the waters, just as freely as I had done in the past.

   Even then, times were not always the same. We grew fewer as the humans grew many, and the drunkenness of conquest made them look only ahead, never to pause, never to look behind and remember.

   They would sling rocks at me at first, then with time wooden spears that would soon have pointed stones on their tips, sometimes flames and soon metal. Some would brave the water, clad in the fur of other creatures they killed in the world they own. Loincloths and knives. They would wait for signs of me, and then howl at the night sky, then attack me. The smarter ones would run. Who knew what the price of their shame was? I do not understand that emotion. I retreat if I must, attack when best suited and do not care for the feelings of the world.

   Those knives and spears became bullets. They would bounce off my skin as I reared my head and roared, diving and appearing again, mocking their puny greed, but somehow feeling sorry for them. Pity is an emotion I know too well. Pity for myself, and my amnesic loneliness.

   But today I feel strong. Today I feel defiant. Today I feel that maybe my loneliness will end, that somewhere in another river, one of mine is making its way for me.

   I push my head out of the water, eager for the yellow warmth of the day sun against my flesh.

   Some things never change.

   The rich green and brown mountains still witness my comings and goings as they have before. The valleys are still lush, the skies are still blue and streaked with clouds thin and writhing like eels. There are huts too now, small circular and domed. Pink, blue and green, dotting the grass and slopes like pimples on the noses of giants.

   And around the bend, the waterfall pouring from the mountains to become my sister’s river.

   Mzimvubu.

   How I miss you. How I miss finding you at the end of my realm and the onset of yours. Our fights, heads raising from the waters, thundering like the waterfall, and necks intertwining in a playful dance just as our rivers become one. I never wanted your river and you never wanted mine. Both of us guarded something sacred, something that now, among the stones and the fish lays littered with human refuse.

   Why rule the world if only to treat it so?

   Your limits were the ocean, Mzimvubu. The glorious expanse you would sing to me about, planting ambitions in the sleeping human minds. We thought the world was for everyone to share. How naïve we were.

   They absorbed your name and gave it new meaning as they did with everything else. Calling it the home of the hippopotamus, which were so many and worshipped you. Until they killed them all.

   Just as they have killed you.

   I can hear their children laughing, their joy bouncing from the plateaued stones of the waterfall and ripping through the valleys and paths to their homes.

   The taste of the air so fresh. The breeze of the wind so cool.

   I see them running towards the banks now, rifles in hand, kneeling and pointing their barrels towards me.

   My skin is no longer as impenetrable as it used to be. If they aim true I will bleed. If I bleed, I will die.

Illustration for Last of its kind in Omenana 13
Art by Sunny Efemena

   I should dive back. Plunge and disappear as the coward I have become. But what does it matter? How much time must I spend alone? Hunted. Famished. Afraid. Forgetting. I have lived like this for so long. Far too long.

   Perhaps that is what shame feels like. Perhaps I can show them one last time the glory they have forgotten. It may not be much, but it might tickle their mind.

   I have only one last jump in me. One last leap. May it count for something.

   I push my body out of the waters – every drop falling away, a fragment of my soul – and open my mouth.

   I will eat and commune one last time, and let them destroy all that is left of a time when things were better.

   My body twists through the air; the mountains, valleys and trees spin in a whirlwind of burning life under the day sun.

   The first of their bullets roar, but I cannot hear them, the thunder of their hatred is drowned by the immortal rumble of the waterfall. Splashes of my blood ripple through the air and mix with the colours, streaks of such a long life yet so miniscule, each drop a lifetime, each bite of rusty metal searing my flesh alive.

   It feels good. Good to be dying as strong as I will ever be.

   I can hear their screams now as my jaw closes in on one of their heads and I bite; the flood of who that person was connecting me to their life one last time.  A little girl climbing a mountain every morning to go to school morphing into an adolescent slapping a young boy’s hand away, then a married woman working the bright green dagga fields and singing, thinking about the teenage boy, and what had never been. Their ancestors’ memories, bubbling through every fiber of their being, weaving a timeless tapestry. The sum of who they are, all the way back to when we were all free.

   And through it all I think I can hear you, sister. You and me, united once more as the two rivers that bear our names meet to feed into the ocean.

***

Johan Villiers reporting from Mkumbi village for the Mpondoland Sun.

   It is a beautiful day this afternoon in Mkumbi.

   All the more beautiful as local villagers have finally managed to capture and kill the elusive Mamlambo.

   While many believed it to be a mythical creature, a remnant from old legends such as the Scottish Loch Ness monster, I can confirm with my own eyes that the Mamlambo is very real indeed.

   The creature is an amazing seventy feet in length, with what appears to be the tail of a large fish, the body of a lizard, the long neck of a snake and a head that is equine in shape and features, except for its overlapping layers of sharp fangs, that undoubtedly caused the alarm in recent months.

   Named the Goddess of the River by the Zulu, it has a more infamous name in the region: Brain Sucker.

   Indeed, while locals have spoken of the Mamlambo for generations, it was yet to be sighted, and local knowledge was dismissed as superstitious rumors.

   In the past year three villagers – excluding this morning’s victim, as residents rushed to attack the creature – were found dead, near or in the water, their skulls open and brains sucked out. Local police assumed that they had drowned and had been feasted on by crabs, but it is now clear that they were wrong.

   The reason the Mamlambo fed on people’s brains, and the reason for its recent re-emergence will remain a mystery. While local residents refuse to turn over their catch to local ANC representatives, no sightings of the creature have been claimed in other rivers and streams of the country in the past year, decade, or century.

   I think we can say for certain today, that whatever its motivations were, whatever its existence was like, the fabled Mamlambo is no more.

Mame Bougouma Diene is a Franco –Senegalese American humanitarian living in Brooklyn, New York, and the US/Francophone spokesperson for the African Speculative Fiction Society (http://www.africansfs.com/). You can find his work in Brittle Paper, Omenana, Galaxies Magazine, Edilivres, Fiyah!, Truancy Magazine, EscapePod and Strange Horizons, and in anthologies such as AfroSFv2 & V3 (Storytime), Myriad lands (Guardbridge Books), You Left Your Biscuit Behind (Fox Spirit Books), This Book Ain’t Nuttin to Fuck Wit (Clash Media), and Sunspot Jungle (Rosarium Publishing). His collection Darks Moons Rising on a Starless Night published last year by Clash Books, is nominated for the 2019 Splatterpunk Award.

Goody Goody – Mazi Nwonwu

2

I started following Zainab Isa in Primary 3.

Her mother brought her to our house on the morning of what was her second day in our school. From my perch on the round leather pouf with an embroidered Nigerian Coat of Arms in the centre, I watched the girl with the intense gaze as her eyes scanned our sitting room, sliding past the framed family pictures on the wall to hover for a second on the wooden room divider which doubled as a place-holder for our new Sony Colour TV and the ancient Bosch radio that my father refused to throw away because its ability to capture and hold BBC Radio broadcast was unmatched.

The girl’s head didn’t turn as she took in the room from where she stood beside her mother near the door, but I sensed that her big eyes captured everything, and judged them – and us.

She must have felt me watching because she rolled her eyes towards me. We went at it. Stare for stare. I was the first to look away.

‘She is new here o, make sure you watch over her and bring her home when school closes,’ her mother said as she held a plastic lunch box towards me.

Reluctance struggled with breeding as I moved to take the box from the oyinbo woman, allowing my ‘okay ma’ to be audible enough for her and my parents to discern but whisper-like enough to convey my unhappiness.

Married to a Nigerian a man from somewhere in the middle belt, Mama Zainab hails from one of those Arab speaking countries outside Africa: I thought Lebanon, but she could have been Syrian. She was a Christian.

Though our parents had lived in the same compound for years, Zainab had just moved back to Kaduna after spending the last six years in Kano with an aunty. ‘Not exactly a JJC, but too young to have known her way around before she went to Kano,’ Busola, my sister, had remarked as I complained to her about being asked to shepherd someone, a girl for that matter.

 It didn’t help that everyone at home started calling Zainab my wife right away. In secret, I didn’t mind. But I acted annoyed, all the same.

 I was all big brotherly for the first two days I led Zainab to and from school. After that, she stopped allowing me hold her hands as we waited for traffic to clear before we ran across the zebra crossing opposite Army Children School, New Cantonment A – our school. On that third day she did not even show up. Annoyed, I went to check up on her after waiting thirty minutes. I found her, to my annoyance, sitting in front of their apartment, waiting for me.

It became a habit. She became the leader. I became the one on a leash, one of several.

My sister said Zainab Isa had a magnetic personality. Even though my Oxford Children’s Dictionary did not help when I sought for the meaning of magnetic personality and Busola had refused to explain, I understood—magnets attract metal, Zainab Isa attracts people.

Besides the fact that she was the most beautiful girl in school, Zainab was the closest thing to a white person in Angwa Shanu, our corner of Kaduna city. Before her, Mama Idara’s yellow pawpaw daughters were the ones everyone called oyinbo. Idara and Ekaete’s claim to that tag faded away with Zainab’s coming, like the light of our lantern fades when the florescent tube that hung from our parlour ceiling crackled to life as NEPA blessed us with power. Zainab was that different. In our community, mixed race and white people were akin to gods – fantastic beings who could do almost anything, hence Zainab’s fame, or infamy, as Busola called it.

Everyone wanted to be friends with Zainab, everyone wanted to touch her wavy hair that was almost always pulled into a tight ponytail. In a school where every other girl wore the official plait of the week, Zainab had liberty—the sort that annoyed me to no end.

I soon got tired of hearing teachers mouthing fine girl this, fine girl that, when they should have been flogging her silly for being naughty, again. Where others suffered hot and welted backsides, she got sent to clear litter from the playground. As if there was an edict in school against giving Zainab Isa anything beyond the mildest scolding.

I hated her, I was sure, for getting people—me in particular—in trouble, but loved it when she looked me up during break time, when she held my hand as we walked to the canteen area, when she looked into my eyes and smiled.

***

I first voiced my feeling to Zainab in primary five.

 It was a Saturday. We had decided to be truants for a day, so skipped the extra lessons Mr Aliu arranged for our class. It was not an official class, so instead of continuing to school we walked past it and followed the sound of pop music we could hear from the road between the barracks and Government Secondary School, Kurmin Mashi.

Government Secondary School was a big school, one of the few mixed secondary schools in Kaduna. There was no fence to hold us back. Of the barbed wire that once surrounded the compound, only the concrete poles which held them in place now remained. Cutting between buildings, we avoided the sharp-eyed gate man at the entrance—why there would be a gate man for a compound without a functional fence or gate was a question I never found an answer to.

The music led us to an auditorium where a disused water tank provided the height from which we looked through a window at the seated students from various schools facing a large stage.

The window was too small for the two of us to stand abreast, so Zainab rested her head on my shoulder. Her arms hugged me close.

Zainab was always comfortable sharing intimacies. A short time before then, she had pulled me to a corner at break time and lifted her skirt to show me her underwear.

‘E dey new,’ she said as I stared, speechless and wide-eyed, at the sky blue cotton panties. ‘You wan touch am?’ she asked.

I did not touch it. Same way I had not followed her into her mother’s room when she asked me to, about two months before the pantie episode. I never did find out why she wanted us to go into the room, but her amber eyes had lit up as they usually did when she was up to some mischief: enough warning for me to steer clear. Leaning on that window ledge, with her weight comfortable on my back, I knew a truth and named my feeling. “I love you,” I said as I exhaled.

I can’t remember what my thoughts were. Whether I felt any of those clichéd emotions such as a light bulb coming on in my head and exploding, an Eureka moment, or something stranger yet, I can’t recall.

Ray Parker Junior’s Loving You echoed through the building and vibrated on the cracked glass of the window. Two older boys were on the stage, dancing to the song, their legs, body and arms moving in time to the beat, synchronised. I liked the song, even though I could barely make out much beyond the refrain …loving you.

I liked to think it was the song, but it was most likely the tingling sensation I was getting from her body pressing ever so closer to mine, but what I did next surprised me.

I turned to her, held my lips close to her ear and whispered. She laughed. A rich laugh, mocking me. I moved to face her; annoyed that she was making fun of me. She was smiling. I liked the way her eyelids lowered when she smiled or laughed. I also liked how her smile played around the corners of her mouth. Secretive. Wise.

‘No matter how much, loving you means to me,’ she sang, in tune with Ray Parker Jr. I hadn’t known she knew the song. I laughed with her when she mumbled lines she didn’t know as she sang along.

We must have stayed like that for a long time, me savouring the closeness, she saying nothing. I recall that the Ray Parker Junior dancers gave way to some miniskirt-clad girls from Maimuna Gwarzo Girls Secondary school who swung their hips to Madonna’s Like a Prayer. and that they were still on the stage when the boys from Government College Kaduna, popularly called GCK, jumped on stage to perform Michael Jackson’s Bad. We clapped for the GCK boys. Zainab’s brother was a GCK boy — I would enrol there later that year — so they were the closest thing to a home team for us. We clapped, we yelled, and then we screamed when a lanky GCK boy floated across the stage just as Michael Jackson would. We must have yelled too loud for several eyes in the room turned to look up at us.

We did not wait to get caught. We ran, laughing as we went.

We did not stop until we crossed the school field, past the zebra crossing, through the mostly broken chain link fence of the Nigerian Defence Academy (NDA) Sports Complex and were inside the obstacle course proper. Walls, trenches, rope bridges, tunnels and water troughs stretched behind and in front of us. We sat on the soft grass on the biggest obstacle, the one the military cadets had to run up then jump down from, and laughed as we tried to catch our breath.

“You see the girl, the yellow one with short skirt? That one that was in the middle, their oga na? Yes, her. That’s me when I grow up,” Zainab said as we looked towards the distance.

I smiled.

I could see our houses in the distance. Twin one-story buildings, olive green, with the sun glinting off its silvery roofs. I pointed. She looked, nodded. 

Storey buildings were rare in this part of Kaduna. My father said it was because Muslims, who were in the majority do not like storey buildings near their residences. Something to do with Kwunle—purdah.

There was a valley between the twin houses and us. I thought of birds, I thought of flying home. I looked at the birds circling in the harmattan sky, effortless. I could get home in the blink of an eye. I told her this. She smiled.

‘Let’s kiss.’

I was stunned. ‘What did you say?’

‘I say let’s kiss. I see two oyinbo doing it inside movie wey my brother bring yesterday. I Spit on your Grave. na bad film. Dem dey watch am for Mama Idara’s house. Dem no know sey I dey bedroom with Idara and Ekaete, I see di man kiss di woman, an dem start to do am’

‘Do what?’

‘They started…you know…oya let’s kiss.’

We kissed. More like a peck. Muaaah. We made the noise as our lips met. More like blowing air. We laughed. Then we walked home. Along the way, we would look at each other and laugh. Yes, we had just kissed. We were one.

***

When I fell out with Zainab Isa, no song played. If ever there was a song, then it must have been in my head, a buzzing that seemed to have a rhythm, a beat even. 

Our relationship had gotten more complex. Before I left primary school, there was a big commotion about a ring. I think she told someone I gave her the ring. That someone told someone else and the gist spread until it got to the teachers. The teachers were alarmed that kids in primary five were exchanging rings. It was not too hard enduring ten hot strokes of Mr Ajayi’s cane across my buttocks. It was harder facing my elder sister, who screamed at me when we got home, but just as I had done in school, I kept mute. I never told anyone else the truth about the ring: that I didn’t give it to her, that I knew who did—Chuks, whose house was on the way to school.

Life went on.

 I left for secondary school a few months later, doing only a couple of weeks of primary six. I was a GCK student, deemed intelligent enough to handle junior secondary school when most of my mates were still in primary six. I was an afternoon section student in a school whose route was 45 degrees from the one we used to take to Army Children School. This was when we really began to drift apart. We did see each other, on the weekends, but even the how fars became stilted, a mere formality, devoid of their former glory—if you can ever call hyperventilating lungs and a surging heart rate glorious.

Then she came to me.

It was during the long vacation. I was in JSS 3, she in JSS 2 in Queen Amina Secondary School. She was at this moment a buxom beauty with shoulder length ponytail and skin the colour of ripe udara. I was in our shared backyard, crouched over a Hadley Chase paperback, struggling to finish it before the owner came for it later that day when the noon breeze brought a distinct smell and palms crossed over my eyes.

My heart was threatening to burst as I called out her name.

‘How you sabi sey na me?’ she asked as I turned to face her, still holding on to her hands.

Goody Goody illustration for Omenana issue 13

I smiled, said, ‘cocoa butter.’

‘But my sister dey use cocoa butter cream na, in fact, na her own I use.’

Yes, I smiled, but your sister will not try to cover my eyes.

Later, sitting on the raised side of the small bridge over the gutter in front of the twin storey buildings, she told me about my letters. ‘I kept every one of them. So you really love me that much?’ she asked.

‘Yes!’

‘But why you no say anything?’

‘I did, I said something, several times.’

‘When?’

‘In primary five, the day we went to Government Day Secondary School to watch the dancers, then in my letters.’

She laughed. Her eyelids met as her eyes dimmed. ‘I don’t remember primary five. You say all those things in your letters, when I return from school you no dey talk anything.’

‘But, what could I have done?’

‘Plenty things. E dey bi like you be two different persons, the one inside the letters and the one I know.’

I smiled and said nothing. We sat like that, me staring at the bright coloured birds chirping as they foraged for food among the harmattan dried corn stalks in the garden; she staring at me in that intense way she is wont.

What would I have said? That I always had a thousand things to say to her, but I allowed my jealousy over her numerous admirers get in the way? That I wanted her to really tell me what she felt about me?

I said nothing.

‘Take,’ she said. I looked up to see her holding out a bar of goody goody chocolate.

‘Thanks,’ I said as I collected the chocolate from her and stuffed it into my pocket.

‘Eat it na,’ she urged.

‘I go eat am later,’ I said. To stop her pressing on, I asked, ‘When are you going back to school?’

‘Tomorrow. You go visit me?’

‘When is your next visiting day?’

‘June 8. Why you no wan eat the goody goody?’

‘I said I will eat it later na. Shey you have given it to me already?’

She frowned. Though I was aware of her explosive temper, what she did next shocked me.

‘If you no go eat am, give me back my goody goody,’ she said, stretching out her left hand towards me.

***

The news floated in. It was Rukiya, the girl whose father worked at the local clinic, who first told me. She had just been admitted into Queen Amina and was home for the first term holiday.

‘Zainab is a witch,’ she said in a conspiratorial tone, her finger digging furrows into my arm.

‘What do you mean ‘Zainab is a witch?’ I asked, letting my voice carry my impatience.

‘She is. She and some other girls turn into cats at night. Everybody in school knows their story.’

‘Everybody in school is a jealous busybody joor. Don’t tell me you went to school to become a gossip?’

‘Eeeehn…I am only telling you because you are her husband. Don’t eat anything she brings back from school. Don’t let her initiate you.’ Rukiya said as she ran off to whatever errand she was on before she spotted me.

Zainab didn’t come back to Kaduna that holiday. Her brother said she went to Jos with her school mother, but there was a ruckus in their house a few days after school resumed. She returned home, on suspension from school, and we heard the loud shrieks and ululations of an Aladura priest, who rang his bell in a rhythm that complemented his Yoruba chants.

Busola later told me how a parent had reported that her daughter confessed that Zainab initiated her with a chocolate bar. A search of Zainab’s locker had revealed packets of unopened goody goody bars. Zainab had refused to reveal the source of the chocolates and greeted the question; ‘Are you a witch?’ with silence.

News has a way of running faster than its source and the story of a beautiful mixed-race girl who was initiating the girls in her school into witchcraft, spread as easily as drops of groundnut oil would on a hot pan. Taking children to deliverance session became commonplace in our neighbourhood and Zainab became a hermit. I don’t know for sure if she chose to spend her time indoors or if her parents barred her from going out. I do know that I didn’t see her for weeks.

Then I got her note.

Meet me in the building opposite by 11 pm

***

‘You believe in witchcraft?’ Zainab asked me, her eyes holding my own.

We were seated on the wooden bench I had borrowed from the mechanic workshop that occupied the frontage of the long-abandoned building we were in. I could feel the chill of the coming harmattan probing like sharp needles through my cotton shirt. It was my favourite shirt. I called it my shirt, but it had once belonged to my father. I had dug up the shirt, as I had the opanka sandals I wore, from the big leather trunk my father inherited from the Indian family that used to live down the street—dug up because the 20-year-old red, blue and yellow check pattern came back in fashion. Minus the extra pocket on the right breast, the shirt was on point.

Zainab, who was sitting beside me on the bench, drew closer and turning away from the pockmarked road where a passing okada’s headlight cut a wide swath of yellow through the grey moonlight, pressed her warm cheeks to my chest. I followed the orb of headlight as it washed over the twin storey buildings across the road from us. I marvelled at how the yellow of electric lighting seeping through the glass panes of steel framed windows lent a postcard quality to the view. I wondered where our parents would think their children were—obviously not snuggled together in the uncompleted building across the street.

I spoke my thoughts out loud. Her laugh didn’t surprise me. She lifted her head from my chest to look up at me. She was smiling, understanding, but not falling for my attempt to dodge the question she had asked earlier.

‘You believe in witches?’ She asked again, her eyes steady on mine, perhaps trying to catch a lie.

‘I don’t know, but I know I want to be here with you,’ I said, hoping it was the right answer. She hugged me tight and tried to bury her head into my chest again.

I guessed I must have provided the right answer.

‘You want see wetin I fit do?’ She murmured into my breast pocket.

I felt that familiar quickening.  ‘Yes,’ I said.

I heard a rustle and looked down and saw her hands holding up a goody goody bar.

‘Take,’ she said, smiling up at me. I looked from the chocolate bar to her face and felt a chill climb my back as cats meowed nearby

End

Mazi Nwonwu
Mazi Nwonwu is the pen name of Chiagozie Fred Nwonwu, a Lagos-based journalist and writer. While journalism and its demands take up much of his time, when he can, Mazi Nwonwu writes speculative fiction, which he believes is a vehicle through which he can transport Africa’s diverse culture to the future. He is the co-founder of Omenana, an African-centrist speculative fiction magazine is a Senior Broadcast Journalist with BBC Igbo service. His work has appeared in Lagos 2060 (Nigeria’s first science fiction anthology), AfroSF (first PAN-African Science Fiction Anthology), Sentinel Nigeria, Saraba Magazine, ‘It Wasn’t Exactly Love’, an anthology on sex and sexuality publish by Farafina in 2015.

Urban Legends as an Outlet for The Modern African Writer of The Speculative – Hannu Afere

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The consensus of social commentators is that legends have a basis in fact. While this may sometimes not necessarily be true, it usually is a reasonable conclusion.

Many of the people who relate urban legends believe the stories. And why not? There’s just enough reason to believe as there is not to.

In Egypt for instance, around 1327 BC, Tutankhamen, the most illustrious child-pharaoh was declared dead. He was buried in an ornate tomb, surrounded by his treasures. Millennia after, an archaeologist named Howard Carter led the excavation of the tomb, despite warnings of Pharaoh Tut’s curse. Legend had it that anyone who disturbed the tomb would be cursed until death, and a short while after the excavation, those involved started dropping dead. First, a cobra killed Carter’s pet canary in his home, then Lord Carnarvon (who funded the excavation) died from a mosquito bite. Then others followed. Twenty-seven people died in the following years, and it was said the curse would only end once all the treasures had been returned to the tomb.

Perhaps this incident is just one giant coincidence – a lot of coincidences depending on how you look at it – but the telling and the retelling of it by locals had a lot of people believing the mummy’s curse was actually effective.

While stories like this one are sometimes only good for shock value or amusement, the speculative fiction genre has increasingly become the prime location for inspiring representations of our culture’s deepest concerns and hopes.

It is the responsibility of the modern African writer to harness the seemingly unconscious aspects of human psychology in making sense of the world, responding to it by creating imaginative, inventive, and artistic expressions.

Urban legends are a socially accepted way to express fear. It also serves to warn others about real or perceived dangers.

In 1956, the construction of the Kariba Dam had just begun. The Zambezi River god, Nyaminyami, who has features akin to that of a dragon and is in charge of all living creatures in and around the Zambezi River, took vengeance on those involved with the construction of the Dam. The project resulted in the traditional Batonga people leaving the area, but they believed in Nyaminyami and trusted that the home of their fathers would be saved. Shortly after work began, a flood destroyed the dam and killed many workers, taking their bodies with it. Relatives were told to make a sacrifice or the bodies would never be recovered. A calf was slaughtered and offered to Nyaminyami, and true to legend, the bodies of the workers appeared where the animal was placed.

The science of it at first glance, is unexplainable. But when one realizes there are no mysteries, just an unavailability of knowledge, frustration reduces. One learns to keep an open mind.

Fear can be a powerful currency to have. In the late nineties and early noughties in Nigeria, as a child, if one saw money on the ground in the streets, one was told he would turn to a yam tuber if he picked it. Mostly, this was a tale used to curb greed and petty theft, but it was effective in a way many other moral instructions and cautionary tales weren’t, because of the fear factor.

Children were told that if they bent over and looked between their legs in a crowded market place, they would see ghosts. And if the ghost knocked their heads, they would run mad. “Ghosts” were a euphemism for “kidnappers” or “kids getting lost”. No child wanted to run mad, so they stayed close to their parents or guardians, and of course refrained from being too playful.

If they took food from strangers or indiscriminately ate biscuits or toffees from their peers, they could be initiated to a witchcraft coven. If they pasted faux tattoos from chewing gum, the tattoos would come to life and strangle them.

In 2002, in a very popular area of Lagos, Nigeria, a little boy disappeared. He had been trapped in a bush crying all night, and from the sounds, it was quite clear he was in severe pains. The legend of the Bush Baby cautions one to refrain from rushing out to help when one hears the pitiful cries of a toddler for they can be demonic.

Because of this urban legend, no one went to the little boy’s rescue. In the morning, when his family discovered that their son was missing, they raised an alarm. But they were too late. He was never seen again. If there are very few things as painful as the loss of a child, there is nothing more terrible than the fact that there was no closure. In stories like these, one is acutely aware of the many ways in which truth can be said to be stranger than fiction.

Because urban legends are about life and society today, many concern new technologies and societal fears that didn’t exist when most traditional legends arose. Travel by air, terrorism threats, data farming on social media networks, money making rituals, and government conspiracy theories are some of the themes that often reoccur.

As with traditional legends, urban legends are passed verbally, but they also spread via the Internet, e-mail, and social media. Via Whatsapp broadcast alone, for example, one is able to reach tens of thousands of people very quickly; thus, urban legends are distributed much faster than traditional legends ever were.

Writing about these legends paves the way for open debating on social problems. “The best tellers—and the most popular legends—have the potential to transform social structures for better or worse,” says Dr. Bill Ellis, associate professor of English and American studies at Penn State Hazleton.

Fiction, by definition, is untrue, so usually it includes some level of speculation. The variance is in what’s being speculated upon. Whatever is being speculated upon must be more essential than character or plot. Speculative fiction is any fiction in which the “laws” of that world are – overtly or subtly – different from ours. The defining line is not so much scale of the untruth as the plausibility in reality.

In an era progressively besotted with and reliant on social media, the modern writer must tap into the accountability implicit to the very nature of print. Science and technology may have quite significantly deepened his responsibility but it has not changed it. Urban legend telling for the modern writer of the speculative is often a fundamentally political act. Writers must make use of concepts and techniques generated in the past generation to debate on present-day received wisdom. Instead of using the word “urban legend” as a label indicative of skepticism, they need to see it as a collective investigatory process found among all classes, tribes and religion in Africa.


Hannu Afere is a Co-author of the graphic novel TRINITY and the animated series, SHORT FUSE.
With a collection of poetry called HARMATTAN WOLF, in the works and an animated miniseries called AJANTALA in tow, it is not difficult to see he enjoys exploring Nigerian folklore using Science Fiction and horror as vehicles. He is a devoted student of all things spiritual and arcane.
When he is not travelling or surfing the internet, he can be found walking his dogs Shokologobangoshey and Two-cifer. Presently, Hannu is the managing Editor of WOW Magazine. He writes from Lagos, Nigeria.

Abiba – Dilman Dila

3

Apeli stood at the window, watching a storm as it tried to drown the city. Under a blue sky, the tall buildings would soar like pillars in the ruins of an ancient palace, but now, they looked vague and shapeless, dark forms in the gray horizon, and she thought there were creatures in the dark clouds that hung low, monsters that she had seen only in her dreams.

“What are you doing?” a voice interrupted. She pirouetted to face her aunt, who wore a fancy kitenge dress with an elaborate head piece as though she were going to a party. “Have you washed dishes?” Aunty sounded like thunder. “Should I get my stick?”

Apeli quietly walked away. Aunty had just quarreled with Uncle. They were struggling with finances but Aunty kept spending a lot of money on fancy kitenge. Apeli knew, though the fight had happened in near silence in the bedroom, for just one look into Aunty’s eyes was like reading a book with all of Aunty’s secrets.

In the kitchen, the sight of dishes in the sink made Apeli very tired. With sixteen children and five adults, each meal felt like a party. Apeli did all the work, the cooking, the cleaning, the washing. She always thought of running away, but she was a scrawny fourteen year old orphan. She did not know anyone in the city. Where could she run to?

Mama died five years ago, too soon, before Apeli could learn everything about being an abiba. The little Mama had taught her enabled Apeli to cope with the confusing and terrifying changes that happened to her body, when the ancestors started to manifest. First came the fart fires. The first time it happened, puffs of smoke burst out of her anus and she had expected to feel heat. Instead, she felt comforted. Then came the gift of stealing memories. It used to leave her dizzy and give her migraines, but now whenever she looked into people’s eyes all she felt was a slight tingle in her brains. Recently, she had strange dreams. Many felt like cryptic messages. Some nights she woke up and thought someone was in the room speaking to her in a strange, ancestral language. Mama would know what the ancestors were saying, but Mama was gone and Apeli had to learn everything through trial and error.

By the time she was done with the dishes, and cleaning the kitchen, and peeling potatoes, the storm had ebbed away and darkness had fallen. A power blackout deepened the night. The storm must have knocked down a few electric poles. Apeli used a tadooba for light. She hated the tiny lamp for it emitted a nauseating paraffin smell. Fortunately, Mama had taught her simple prayers to get rid of inconveniences like bad smell. She cooked the meal on a charcoal stove, served it, and went to bed at eleven o’clock, long after everyone else.

She slept in a rundown Land Rover in the garage. Uncle bought it in the ‘60s when he was a government minister but it had not tasted the road in two decades. The family, unable to buy new cars, had turned the garage into a storeroom. It was so full of junk that the only space Apeli could find for a bed was inside the Land Rover.

Aunty forbade her from sharing a room with other children. “You are evil,” Aunty had said the day Apeli arrived, five years ago. “Your mother’s demons are in you.” Being a fanatic born-again Christian, Aunty had chained her to a cross in a church for seven weeks in a sham exorcism. Apeli nearly starved to death. In the end, she put up a show. She went into spasms when the pastor touched her, saliva foaming in her mouth. Satisfied, the pastor released her. He however advised Aunty to keep her isolated from other children until they were sure the demons would not return. Aunty set her up in the garage. Weeks turned into years and the garage became Apeli’s permanent home.

                                                                             #

She could not find sleep that night. Her muscles ached and her bones felt broken. When she finally drifted off, she had a disturbing dream, of a corpse that had crawled out of a grave and was wandering about in the city. Anyone who saw him would mistake him for a drunk. He wore a long white kanzu which she at first mistook for a flowing dress. He had a neat gray beard and a pungent smell of onions. Was he lost or was he going somewhere?

“Apeli,” the dead man said. “Help me.”

Apeli jerked out of sleep, her heart pumping. Was it a message from the ancestors, or was a corpse wandering in the dark streets? But who was he and why was he asking for her help?

She remembered a man once asked for Mama’s help because his late grandfather was restless, and Mama had gone out to the grandfather’s grave to perform rituals so the dead man could rest in peace. Was it a similar case? But why did this corpse not approach an abiba through one of his relatives? Why did he contact her directly? Was that normal?

Thirst burned her throat. Her lips were dry and salty. Something felt wrong. Why was this dead man asking her for help? Could he not see she was only a little girl who knew nothing?

Please mama come back, Apeli cried in the darkness, wishing she knew how to summon Mama’s spirit, or that of her grandmother. I need help!

Rats infested the garage. Cockroaches too. They scampered about in the darkness. They never came to the Land Rover for Apeli had said a prayer to keep them away, so when she noticed a pungent smell, she at first thought a rat had died. The smell grew stronger, and she realized it was the same as in the dream: a stench of onions. She thought she heard the dead man call her again, but she knew it was her imagination. It had been just a dream.

Had it?

Apeli. Help me.

The voice echoed in her head like the after-sound of a church bell. She pulled the old blanket tighter around her body for suddenly the temperature dropped. The smell become stronger, making her eyes water just as if someone had rubbed onions on her face. The dead man was out there in the streets. But who was he and how did he know her name? Why was he asking for her help? Apeli wanted to cower in the old car, to bury her head under the worn out mattress and hope the nightmare would go away. She could not. This was her destiny. She had to answer this call, even though it came from a zombie.

When Mama helped the restless dead, the ritual had seemed simple, requiring nothing more than a prayer and a sacrifice of chicken blood. She knew that prayer. Maybe she could go out and see what it was all about. Maybe it was a simple matter of rats in his coffin, or weeds growing over his grave. Maybe he was asking for her help because he knew the problem was so simple that even an untrained novice like her could handle it.

She crept out of the Land Rover. Rats scampered away. She dressed up in a sweater and a pair of jeans, and then pulled out Mama’s kobi. She kept it hidden at the bottom of her metal suitcase, which she had brought along hoping to use in boarding school. A good thing Aunty never looked in her box otherwise she would have destroyed the winnower, which had become synonymous with abiba. This one looked like any other made from palm fronds, with a variety of colors interwoven in intricate geometric patterns to give it a rare beauty, but Mama said it was no ordinary kobi. It had been in the family for many generations. The day Apeli was born, the kobi regenerated itself, shading off its worn look, repainting over its faded colors, and that was how Mama had known Apeli was an abiba.  Apeli had slept in its hood as a child, had eaten food winnowed on it, and had drunk herbs prepared on it. Having no siblings, the kobi became her big brother. Now, she hoped it would help her as she took a blind step into the world of magic.

Help me. The dead man’s voice reverbed in her head like a corny radio ad.

She crept into the living room, which was not as dark as the garage for a full moon shone in through the window. She slid the bolts on the back door, carefully, hesitating at every creak, and then she stepped out into the night. The backyard had a neat flower garden, a fruit of her labour, and a nine-foot wall fence covered in creeping plants. She had to go over the wall for the gate had a padlock. She stood in the darkness of an orange tree for a long while, watching the windows, until she was satisfied no one was watching. Then, she placed the kobi on the ground, stepped on it, chanted “abruka” three times, and the kobi soared into the air.

Though not an expert flyer, she had practiced enough in the garage to comfortably steer the winnower over the wall. Fire broiled in her belly, keeping her warm from the chilly night, but it did not come out in farts. That only happened in high-altitude flights. Once over the wall, she shakily brought the winnower to ground level. She stood still for several moments, sniffing, until she knew which direction the smell came from.

She went around the corner and found herself at the top of a hill. It would have been brightly lit with orange street lamps, but this night there was just the moon making the road shine. The city’s skyline loomed in the distance, with the moon low on the horizon behind the tall buildings, a few lights blinked here and there. The storm must have done extensive damage to power lines for the blackout to last this long.

Apeli. Help me.

The voice grew stronger. Apeli hovered from street to street, sniffing, following the scent, until she was two miles away from home, in a suburb so densely crowded it resembled a slum. People were in the streets, staggering home from bars, so she got off the winnower and walked. She passed an open-air night-club, music blasting above the roar of a generator. Revelers danced on the muddy pavement. Prostitutes clustered around dead street lamps, laughing and smoking. People cast her glances, but nobody bothered her. She thanked the ancestors for making her wear trousers instead of a skirt. With her short hair, barely formed breasts and scrawny structure, she could have been a boy.

The oniony smell became so strong that she thought she would puke. It led her to a residential street, with broken down fences and old, crumbling houses. The noises from the night-clubs seemed to come from another world. She stood still for several moments, scanning the darkness, holding the kobi in front of her chest. It had grown as hot as a charcoal stove. The dead man stepped out of the shadow of a tree. His kanzu glowed in the moonlight. He walked with a slight shuffle, as though his legs were too heavy.

You? he said, telepathically. They sent you? He did not stop walking.

Apeli hurried after him, her mouth dry, her tongue felt like a stone. Now that she had found him she said the prayer to ward off his smell. It did not go away, it still clung to him like a bad perfume. Then she understood that a powerful juju had brought him out of the grave. If ordinary citizens were to come upon him they would not notice the smell. His eyes were like black smoke, no whites in them, no reflection of the moon. She had seen a corpse before, the night Mama helped the restless grandpa, but it had had something human about it, even though it had decomposed. This one made her think of a demon. Now, she regretted leaving home.

A cock crowed and a dog barked in response. Aunty always woke up before daylight to avoid traffic. She would find Apeli’s bed empty. Then what? Another torture episode in the quack church? She shook off the thought and walked beside the dead man for a few steps, not knowing what to do or say. Finally, she found her voice.

“Why did you call me?” she asked.

I said a prayer, he replied. If you heard it, it means they sent you and you can’t help me.

Apeli bit her lips, berating herself for her naivety. Mama had once explained how prayers worked. If a human made a general call for help to ancestors, each spirit who heard would receive the prayer as though it were addressed personally to it. Apparently, it worked the same way if ancestors cried out to greater powers for help. Those greater powers had allowed her to receive the prayer as though it were addressed personally to her. But why? Did they not see she was only a scrawny, untrained girl?

The dead man turned off the road onto a driveway leading to a rusty gate. Apeli sensed something behind the gate. Something terribly evil. Without giving it a second thought, she grabbed the dead man’s hand and pulled him off the driveway. She used all her energy for it was like pulling a ten-ton truck. Fire flared inside her belly and she farted flames. It scorched her jeans, leaving her buttocks bare to the wind. She kept pulling the dead man until the force dragging him let go. Apeli won the tag of war, but the sudden lack of resistance sent her sprawling onto the road. The dead man fell on top of her.

“If I heard you, then I can help you,” Apeli said. “I’ll take you back to your grave.”

She rushed to her feet, her elbows bruised and hurting, wondering how she would take the corpse back before dawn. She would have to hide him somewhere, then find chicken blood for the ritual to give him a peaceful rest. For now, she had to get away from this evil house. She grabbed him by the hand to pull him to his feet. However, now that the magic was gone, he could not stand up. He lay on the ground, dead, inanimate. The black smoke went out of his eyes and now Apeli saw human eyes, the moon shining in them. His spirit groaned in agony. She could feel it swirling around, agitated, terrified; something was hurting it.

The rusty gate swung open, revealing a ramshackle bungalow, moonlight gleaming off the iron-sheet roof. A man stepped out of the shadows. The moment their eyes met she stole his memories and knew everything about him, all his life from birth to that moment. A musezi. Mama once told her about these cannibals. They killed people and prevented their bodies from decomposing. After burial, they summoned the corpse out of the grave to their home or shrine, where they either cut up and feasted upon it, or turned it into a slave.

The man pointed a finger at Apeli. Instinctively, Apeli raised the kobi as a shield. A force struck the kobi and the next thing she knew was darkness and silence.

#

When she opened her eyes, the first thing she noticed were skulls lined up on a wall like artwork. Over twenty of them. Each had a necklace of bones, beads, and shells. Daylight streamed in from the ventilators, lighting up the room just enough for her to see junk metal, probably parts of cars, beside heaps of bark cloth and animal skins. Herbs were spread out on mats on the floor. A bad smell came from several clay pots, stacked one on top of the other in three columns of four pots each. A table loomed in the middle. She did not have to wonder at its purpose. Bits of flesh stuck to it. A cloth lay abandoned underneath, a kanzu.

Her kobi lay a few feet from her, partly scorched. She could feel its heat.

She was tied up with cowskin rope dipped in a greenish oil, it seared her flesh. Her belly was hot. Fire raced up her veins and spurt out of her anus frequently, reassuring her that the ancestors were with her. But if the musezi hit her with something more powerful than her protectors could handle… Apeli did not want to think about it. Spirits gave her powers but they also drew power from her, and she was only a scrawny fourteen year old girl with no experience, with no knowledge of how to summon greater powers for help.

Was she?

Her muscles contracted as she suddenly realized that she knew a lot about magic. She had stolen the musezi’s memories, and now she knew everything he knew, everything he had taken forty years to learn. She knew all his weapons, and the anti-dote to each, but she lacked ingredients to make them, and while she had his knowledge, she did not have his instincts, his experience, his reflexes. Would she respond fast enough during an attack?

And she knew what he intended to do to her. It turned her stomach inside out. She had to escape, so she looked into his memories and saw that she needed rat’s blood to undo the ropes. There was no rat nearby. But she could burn the ropes. Her wrists were bound together in front of her knees. All she had to do was wriggle her hands between her legs and place them right underneath her bottom.

As she set about this task, a door opened and a woman walked in. She was a little too tall at six feet three inches, with the heavily muscled arms of a woodcutter. One look into her eyes and Apeli knew all about her. The musezi’s wife. They had four children, who did not live with them for she wanted to protect them from her husband. She had not known what he was until after they had gotten married. Now, twelve years later, though more a slave than a dutiful follower, though bearing the wounds of his violence, she helped him run a shrine in the backyard, where people bought fetishes for malicious purposes.

“Hello fire shitter,” she said.

“What are you going to do with me?” Apeli asked her.

“You should be dead,” the woman said. “Something protected you.”

Apeli followed her eyes to the kobi. It had regained some of its color. It was regenerating.

The woman pulled a stool and sat near Apeli. “My husband wanted to finish you off,” she said. “But I saw what you are and I thought…. How did you know about the corpse?”

“I heard his call,” Apeli answered.

“You heard?” The woman eye’s widened. “You can hear them?”

Apeli did not reply. She perceived the woman’s hesitation, her uncertainty, the conflicting thoughts running through her head. She was excited that they had found a young and untrained abiba. Maybe they could turn her into their slave. But she also thought that it would be wrong to turn such a gifted abiba into an evil doer. She did not want a child to suffer under the hands of her husband.

“You have a great gift,” the woman said. “All my life I’ve never met anyone who can hear prayers of the dead. Those are meant for gods!”

“Maybe the ancestors let me hear it,” Apeli said. “Maybe they are too busy with their own affairs that they thought I should answer for them.”

The woman’s forehead narrowed. “You? To answer for the ancestors?” Her voice dropped to a hoarse whisper. “You can’t even protect yourself from a simple lightning strike. How can….” She trailed off, swallowing hard.

Apeli shrugged. She could see the thoughts running through the woman’s head. Her husband had evil spirits, which had given him a lot of power and he had worked unhindered for so long that she had begun to fear he was invincible, but here was a little girl who had heard prayers meant for the ancestors? What if the ancestors had sent her to put an end to her husband? Apeli perceived her confusion. Her good side was struggling to get out, but she feared that the evil spirits would win.

“Maybe they sent me to save you,” Apeli said.

“What?” the woman said.

“Maybe they were answering your prayers,” Apeli said. “Not that of the dead man.”

The woman’s eyes grew wider as the pain she had endured in twelve years of marriage flashed in her pupils. Her lips trembled as she searched for a response. Before she could find any, the musezi walked in. He seemed smaller in daylight. A necklace, of human teeth and a mummified thumb, dangled on his bare chest. His potbelly spilled over a faded pair of brown trousers. He used a live snake for a belt. The woman jumped to her feet.

“It was a chance encounter,” she told the musezi. “She was walking home after a night of fire shitting when she saw a corpse. She’s just a confused fire shitter. Nothing unusual. She has no teacher and is willing to learn from us and work for us.”

For a few moments Apeli did not grasp what the woman was saying. Then she smiled as it dawned on her that the woman’s good side had won.

“Where’s she from?” the musezi asked.

The woman laughed. “Where do fire shitters come from? Come, let’s make her breakfast and give her a good welcome.”

She tagged at her husband’s arm, leading him away to the kitchen where the dead man lay in little heaps on a table. Reluctantly, giving Apeli a friendly smile, the musezi allowed his wife to drag him out. They locked the door.

Apeli waited several minutes until she heard them laughing in the kitchen, then resumed freeing herself. She shoved her hands under her legs, placed them under her butt. The ancestors immediately understood her plan and a jet of flame shot out of her anus and swept over her wrists like hot water. She yelped in pain, for the cow skin rope tried to maintain its grip, but it could not fight her fire and soon it fell off, leaving a bruise on her skin. The pain made her whimper. She pushed it out of her mind and then shit fire on her ankles too. The rope put up a much stronger resistance, causing her so much agony that she nearly passed out. Still, it was no match for her fire. It burned away, leaving red welts on her skin.

Tears clouded her eyes. Ignoring the pain, she struggled to her feet and picked up the kobi. It had regained much of its color. Only a small portion still had scorch marks.

She could not fight her way out, even though she had an ally in the wife. The man was too strong. She needed something to not only divert his attention, but weaken him. Fire. She examined the fetishes in the room, on the floor, on the shelves, on the walls. She stared long at the skulls, at the necklaces that trapped spirits and enslaved them. The musezi treasured these charms. He had other fetishes in the shrine and in other parts of the house, but did not want his customers to freak out on seeing these, his most potent powers, and so he kept them in this room.

She jumped on the kobi, chanted “abruka” three times, and flew. The kobi wobbled a bit. She rode to the ceiling board, which needed only a jet of flame to catch fire. She raced about the room, torching up things at random. Voices erupted in the flames as fetishes screamed in agony. Spirits trapped in the skulls howled in anticipation of freedom. Within a few minutes, the room was ablaze.

She hid behind the door just before it opened and the musezi ran in, shouting chants in a strange language, his wife close behind him. Flames fell down from the ceiling and leapt all around them. They grabbed fetishes at random, but there were too many, and the spirits fueled the fire into an uncontrollable monster. Apeli slinked out of the door into a dark corridor, clutching the kobi tight.

She ran.

“You fire shitter!” the musezi roared behind her.

She felt the bolt of lightning before he threw it, and she ducked to the floor. A zap of electricity swooshed above her. It struck a door at the other end of the corridor. She looked up to see the man raise his arm again, preparing for another strike. Surely this time he would finish her off. But his wife tackled him from behind and shoved him against the wall. Surprised, for a split second he could not react, and that was enough time for the wife’s fingers to stab his eyes. He screamed in pain, collapsing in a heap onto the ground.

“Run,” she told Apeli.

Apeli ran out of the door just as flashes of lightening erupted inside the corridor. Husband and wife were striking each other. Apeli found herself in a living room. It looked like an ordinary living room. A 32’ flat screen TV sat on an entertainment unit, which was full of books, magazines, CDs and DVDs. Photos on the wall told of the family’s happiness. The sofas looked worn from too much washing. Apeli set it all on fire. She ran to the backyard, where a large grass-thatched hut sat in a banana plantation. She did not hesitate. She set it on fire too.

Flames had eaten up a large part of the bungalow. Fetishes screamed in agony as spirits cheered in freedom. The man stumbled out of the back door, blinded, drenched in blood, screaming in rage, one arm torn off his body. He ran to his burning shrine, but the wife jumped on his back. Or what was left of the wife. The lower half of her body was missing. They fell on the grass and her teeth sunk into his neck. He jabbed at her with the mummified finger on his necklace, and the finger tore off a chunk of her head. She rolled off him and finally lay still. Dead. The man tried to crawl to his shrine but there was a huge hole in his neck. Blood gurgled out, choking him, drowning him.

Apeli did not wait to see more. She dashed out of the gate, onto the street, where a crowd had gathered to watch the fire from a safe distance. Apeli fled down the road, aware that they would forever talk about the little boy who ran away from the fire, clutching a winnower. Some might know that winnowers were a symbol of abiba, but the city had a different culture, and most people would probably not know the significance. They would certainly talk about his pants, the rear end of which was burnt off.

#

She did not stop running until she was a mile away from the street. Smoke rose in the distance. Fire engines and police sirens screamed. Apeli leaned against a wall to regain her breath. She saw a skirt on a clothes line and stole it so she could ditch her burnt jeans. The sun stood in the middle of the sky. Her tummy growled. She felt faint from hunger. She did not want to go back to Aunty’s home. There was nothing for her there. Only work and harassment. One look at her and Aunty would know she had gone out on a juju escapade, and then it would be another spell of torture in the quack church. Apeli had to find a new home.

It came to her that she could use her power of perception to get a job as a housemaid, and so she started scanning through the minds of passers-by.

Three hours later, after scanning several dozen candidates, she came upon a single mother who had AIDS. Her little baby was also infected. Her name was Atim and her daughter Amina. All her maids ran away, afraid of contracting the disease from caring for the child. She was shopping for vegetables, worrying about dashing home to cook lunch for her child before running back to a clothes factory where she worked as an accountant. Her supervisor understood her need to frequently leave the office to tend to her child, but he was losing patience.

“Excuse me madam,” Apeli said. “Do you want a maid? Am a hard working girl –”

“Eh little girl,” Atim said. “Even if I wanted a maid, I wouldn’t hire her off the street.”

“Please,” Apeli said. “Mama had the disease and she died last month. Now Aunty has chased me from home. She thinks I’ll infect her children. I’ve nowhere to go. Help me.”

Atim gave her a long stare, and Apeli knew she had struck the right chords. After a short interview, she was carrying the woman’s shopping bag and escorting her home.

“What’s that thing?” Atim asked, nodding at the kobi.

“This,” Apeli smiled, snuggling it under her armpits. “In my language we call it kobi. It’s a winnower. It belonged to my mother. I keep it to remember her.”

“It’s beautiful,” Atim said, opening the door to her apartment.

Apeli’s smile grew wider as she walked into her new home.

END

Dilman Dila is a writer, filmmaker, and all round storyteller. He is the author of a critically acclaimed collection of short stories, A Killing in the Sun. He has been listed in several prestigious prizes, including the British Science Fiction Association (BSFA) Awards (2019), the BBC International Radio Playwriting Competition (2014), the Commonwealth Short Story Prize  (2013), and the Short Story Day Africa prize (2013, 2014). His short fiction have featured in several magazines and anthologies, including A World of Horror, AfroSF v3, and the Apex Book of World SF. His films include the masterpiece, What Happened in Room 13 (2007), which has attracted over eight million views on Youtube, and The Felistas Fable (2013), which was nominated for Best First Feature by a Director at the Africa Movie Academy Awards (2014), and which won four major awards at Uganda Film Festival (2014). His second feature film, Her Broken Shadow (2017), a scifi set in a futuristic Africa, has screened in places like Durban International Film Festival and AFI Silver Theater. More of his life and works are online at www.dilmandila.com