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Editorial, Omenana 16 – The Things We Do for Love

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Have I been itching to write this Omenana editorial? Yes.

Do I know what to say? Not really.

If you know me you can probably hear my gurgle of a laugh burst out at this point. It has been great fun editing the last three issues of Omenana – getting sucked into the fantastic and sometimes mind-bending world of our unique stories, and having the singular honour of picking the minds of our stellar writers as, together, we knead their individual stories into the delightsome pieces you enjoy.

In this issue we bring you stories with a slice of the future, some sorcery and the metaphysical, some urban legend which science tries to explain away, an interesting showcase of gods at play where human destinies are the pawns on the chessboard of life, and the things we do for love.

Dig in and enjoy this interplay of people, desires and supernatural forces all tottering on the brink. Also discover how love can be the one thing that opens the door into another time, or shuts the door to keep out crowding demons and phantoms.

If you survived 2020 underneath the fog of Covid-19 – as I am sure you all have, unless of course you happen to be reading Omenana from the afterlife – then you very well understand what it means to be on the brink, and you deserve a medal of survival. We are glad to still be here, glad to still have you reading us, and we look forward to more exciting years and issues ahead!

Welcome to Omenana 16!

Iquo DianaAbasi

A Magician – Rešoketšwe Manenzhe

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It’s a pleasure to meet you. I came to this place under extraordinary circumstances myself. I’d like to tell you the story.

You know, to live as a ghost is a hard thing. I was once a magician. I had a monkey, there was also a snake and a small parrot. I had a red nose and very big shoes. Come to think of it, I wasn’t a magician. I was a clown, or maybe a magician’s assistant. Or maybe I was neither and I know these things from the memories of a ghost I met here.

No, no, I’ve decided I was a magician, after all.

     I remember once when I performed at the theatre in Cape Town… I’ve forgotten its name. Anyway, there were many people. I had my assistant and all my magical equipment on the stage. That was the day I made the monkey chase the parrot, while the parrot screamed, “Chase the humans, chase the humans!” The audience roared with laughter.

Does that sound like a magician’s routine to you?

Anyway, there was laughter when I performed. People used to say to me: “This is the best show I’ve been to.”

     There was also the time I was in Johannesburg, or maybe it was Durban; anyway, that was when I met the two children and they told me they also wanted to become magicians. They said, with big smiles, “You’re the best magician in the world!”

     I think that was the last show I did. That’s the last one I remember, anyway. I mean, there was blood everywhere and Ruthie… Ruthie was my wife. Or maybe she was my assistant. Do you know her? No, of course you don’t. She wasn’t nice. She’s the one who told the police I killed those children.

That was it, the last show I did. Did the police bring me here? – honestly, I don’t know. The next thing I remember is the night I met the man with keys. I don’t think he was a magician. I was walking in one of those theatres. The place was dark; I think it was night. I walked through the corridor – so long, unending, and on every side, the haggard faces peering through their cages, so caught up in their futility.

     That’s when I saw the man with keys, right at the end, counting those haggard faces leering at him. “Hello there!” I said to the key-man. But he didn’t greet me back. Then, one after another, the lights went out as the haggard faces retreated farther into their cages. Without a cage, myself, I greeted the key-man again. “Hello there!” And still, the silence – unechoed – went unanswered too.

     I ran after him. I was going to greet the man and he was going to greet me back. I was, after all, the greatest magician in the world. I touched his hand when I reached him, and he shivered. With a gasp, the man turned and looked in the general direction of where I stood. “Is anyone there?” he asked. And to this call, the caged, now safe in their darkness, howled and jeered and echoed their malice into the corridor.

     “I’m here!” I said, waving my hands about.

     The man shivered. He withdrew his hand from mine and screamed, “Quiet!” Then he looked about, everywhere except at me. Dart-dart-dart, his eyes went. But I knew he didn’t see me. It was the caged he surveyed. But it was night, and he couldn’t see them either.

     “I’m here!” I said, in an echo of my own. But the walls and bars ignored me too, and the echo died in a quick silence.

Then, as I began again to say my query, the man’s eyes grew wider and his face pale. With no warning, he ran from the theatre. I remained where I was – confused and offended, and still without a cage of my own. I was the best magician in the world, after all; or was it a clown? Now that I think of it, I was the assistant. No, no, I know I was a magician. I must have been a magician, right?

     I mean, I saw the two children again. That was the day I met Hilton Van Wyk. He was a joker in his life; or maybe he was an actor. Now that I think of it, he was a poet. He’s the one who told me of this place. He explained about the spirits, you know – that sometimes people we’ve killed slip into this realm, to curse us and tether us here, see, and to guard the key-man as he himself guards the still-living magicians and jokers and politicians. That way we can’t be born as new souls. Like I said, the guy was a poet.

“You’re a ghost,” said Hilton, that day I met him. “I’m a ghost too. My name is Hilton Van Wyk; or maybe it’s Donald Minaar. Do you have a grave?”

     “I don’t know,” I told him.

“Well, I had one, I think,” he said. “But I don’t know where it is now. Come to think of it, I don’t think I have a grave, or maybe I was cremated.”

“I don’t think I was cremated,” I said.

“Okay. Why are you here? Is this where you died?”

“I don’t know. This might have been my home.”

“I don’t think anyone lives here. Or maybe too many people live here. I don’t know. Sometimes I forget.”

“I don’t know, either.”

“Anyway, let me show you around,” he said. “The man with keys can’t give you a cage. I don’t think he knows that we’re here. We’re not his to guard anymore.”

I think Hilton is my friend now. There are days when I forget him. And days when I forget I’m dead. But today I remembered. I know that I died and now I’m a ghost. I think that’s how I lost my cage. Is that how we become ghosts? And if the key-man can’t guard us, who can? This wandering we endure, is it like the cages? And who has the keys? Do you know?

But you probably don’t; you must be the new ghost David spoke of. It’s a pleasure to meet you. I came to this place under extraordinary circumstances myself. I’d like to tell you the story.

     You see, I was once a magician. I used knives, mostly. But one time I had to use a screwdriver, the first time, you know – I was still learning. There was a room in my house I didn’t allow even Ruthie in. Come to think of it, I wasn’t a magician. I was a clown, or maybe a magician’s assistant.

I don’t think it matters; I always had to clean the blood myself…

I’ve already told you this story, haven’t I? Is that what you meant when you said to live as a ghost is haunting?

THE END

Rešoketšwe Manenzhe
Rešoketšwe Manenzhe is a PhD candidate at the University of Cape Town. She was shortlisted for the 2019 Writivism Short Story Prize. Two of her poems were shortlisted for the Sol Plaatje EU Poetry Anthology (in 2017), and subsequently published in the anthology of selected poems.

Ogbanje – Kingsley Okpii

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The bus stop was cold and the wind whistled that eerie tune that only it knows how to. Something evil was shadowing me, I could hear its breath, rapid like an infant’s, but deeper. I smelled it, metallic like stale blood. I could feel it, and it made the hair on my nape stand on end. Then I heard a voice in my head. “Bitch! Whore,” it said. Goose bumps marched on my skin like a million ants – was it the cold or the fear? I wasn’t sure, but I knew that voice, it was Anayo’s. Out of reflex, I fingered my bronze ring necklace, rubbing its smooth surface with my thumb to calm myself.  

I killed Anayo two years ago after I’d seen his stigma, four black dots over his left Achilles tendon. It still surprises me how he kept it hidden from me for so long, but I try not to think about it. His was a rare stigma and was located in a rather peculiar spot. This, added to the fact that I never once saw him lose his temper was enough to have fooled even the most experienced guardian detective.

The case was an open-and-shut one, a citizen taking the life of her Ogbanje partner. I was acquitted in seconds, and within an hour his body was mummified and sent off to one of the numerous Ogbanje research facilities. I sometimes catch myself wondering what would’ve become of me if I’d never found out. I’d probably be dead, beaten to death, body rotting in a ditch somewhere, after all, three quarters of all cases of domestic violence features an Ogbanje as the inciting spouse. It’s who they are, what they are.

After twenty minutes of waiting at the bus stop, a yellow BRT bus pulled up. It was empty – which was no surprise as it was about four o’clock in the morning. The buses were automated, their tracks running alongside the tarred roads on which other vehicles ran, and with their programmed brains they circled the same route over and over again, even in the wee hours of the morning when no sane resident of Aro would be found outside of their home.

I stepped onto the bus’s carriage and walked down the aisle to the seat furthest from the entrance, and looked through its faintly tinted window. I saw where I had sat for the last twenty minutes waiting for the bus, and wondered how I’d survived every minute of the wait in the dark. I hated the dark; it was like poison to my spirit. I remembered as a child how I’d plead with my mother to not turn off the lights after she’d tucked me in, and on the nights when she didn’t oblige me, I would scurry off my bed and flick the light switch on as soon as she had left.

I leaned my forehead on the window and I felt my spirit coil away, distancing itself from the darkness that lay on the other side of the glass. I wondered, again, how I survived twenty minutes of being completely immersed in it.

The bus’s engine revved, letting lose a mechanical sound that pierced my ears, and I quickly put my hands over them. It wasn’t the loudness or shrillness of the sound that caused my reaction; it’s what the sound seemed to say. “You murderous whore, I will get you,” it said. I felt a stream of sweat run down my side. “Fuck you!” I cursed under my breath.

I will kill you,” a raspy voice, carried on the breeze that entered the bus through its open windows as it accelerated. A chill coursed through me and my skin was, again, awash with goose bumps. In that moment I wished I could teleport to Ike’s front yard.

Ike was a professor at Primeford University, and a leading expert in spirit science, and also my childhood friend. It was to his house, at the University, that I was headed so early in the morning.

The bus took forever to reach the next stop and I reckoned it was just five minutes away on any other day. It seemed time had slowed, such that seconds became minutes. I wondered if this was also Anayo’s doing, or maybe my mind was just playing tricks. I pinched my palm in exasperation, something I’d learnt from my mother. She always pinched the centre of her palm as if trying to pull the skin off any time she was frustrated, vexed, or sad. I still recall how red her palms were after I’d told her that Anayo was an Ogbanje. She knew what I had to do.

The bus halted at the next stop even though there was no one waiting, and in the 2 minutes I had to wait at the empty stop I mulled over the redundancy of the BRT technology. If the bus had a human driver, he wouldn’t have stopped at an empty bus stop, let alone wait at one, but then again, he wouldn’t have been on the road working so early in the morning either.

Finally, the wait was over and the engine revved again, but this time I steeled myself to the sound, shielding my mind from its piercing invasion, and then I realised that I would have to do this anytime the bus had to leave a stop, and there were quite a number of those to come. The thought was exhausting.

At the sixth stop there was a man standing, waiting. He got onto the bus and on seeing only me, sitting so far back in the bus, he called out a greeting. “Good morning this morning.” He sounded old-school for a man who looked to be in his thirties. I remembered my dad used to greet like that. But who was I to judge, I was the one wearing the boot-cut denim trousers that went out of style at least ten years ago.

I managed a smile and waved at him. I wasn’t going to call out my greeting from across the distance in the public like an untrained child – even though I had no audience except the man whom I addressed.

The first rays of sunlight were beginning to peep from over the eastern horizon and I was glad for this. The darkness outside, together with the voices I had been shutting out of my mind, had sapped my energy, and so when sunlight found its way into the bus I scuttled to the seat on which it shone and drank from its warmth. I closed my eyes and took deep breaths, focusing my attention on the spot, on my arm, where the ray now shone, and somehow the warmth, faint as it was, seemed to diffuse to every part of me. The passengers, who now consisted the man who got on at the sixth stop and a woman with her child, observed me with something close to confusion on their faces. The woman, a fat lady with more jaws than one person needed, whispered something to her child and they both laughed. In their laughter I heard Anayo cackling derisively at me. I turned to face them, and the child, a young boy no more than ten but almost as big as his mother, quivered when my eyes caught his. His laughter seemed to dry in his throat and choke him. He began to cough wildly. His mother went berserk with worry and began thumping his back repeatedly, with hopes that whatever was caught in his throat would be expelled. Then she turned and caught me still peering intently at her son. “Witch!” She screamed. “Stop it. You are hurting him.” But it was as if I’d been possessed.

All I saw was Anayo laughing at me and I wanted to show him that I wasn’t afraid, so I continued to peer at the boy even as he threw his bouts of cough, each stronger and deeper than the preceding one. Fortunately for the lady and her son, the bus was pulling up at another stop, and when it did, she carried – no, dragged – him off the bus.

My gaze trailed the child as his mother pulled him along the aisle until they were off the bus, then it found the gentleman whose mouth was agape, bewilderment plastered all over his face. On catching my stare, he too scurried off the bus, missing a step as he got off and landing face first on the sidewalk. I had the bus all to myself again.

At the next stop there were six people waiting. They all wore deep red jump suits, and drawn on their breast pockets was the crest of the Primeford University. I’d seen enough of those maroon jump suits during my time at Primeford to know that they were constructional magic students. Amongst them were three boys all towering above six feet, and three girls who were also tall. They took their seats in pairs. They all had their noses in a book or portable device and took no notice of me. I suspected they had a test explaining why they were en route school so early in the morning.

Half the circumference of the sun was now above the horizon and the bus was bathed in its golden rays. Primeford University was the next stop.

As we approached the school, the twin towers of the University gate came into view. The chancellor several years ago had erected the massive gate made from an alloy of gold, silver, and bronze, supported by two massive towers on both ends. When asked why he’d chosen such a bizarre alloy for the gate he’d said it represented the equalisation of man by knowledge. I never really understood his response, but I always assumed he meant that the school welcomed people from every station in life. Still, I felt it a waste of precious metal. The BRT stopped in front of the gate and its doors slid open. We proceeded to file out of the bus, and just as I was about to step off something caught my eyes. A word scratched onto one of the bus’s glass windows. Bitch, it read with a strange symbol underneath it. A feeling of dread grew in me as I considered the students who had gone before me. Had one of them written it? Was my stalker among them? Perhaps one of them had been possessed by Anayo. But they kept on walking, paying me no mind.

I shook the feeling off and walked towards the gate. Once past the gate I was greeted by the familiar scent of knowledge heavy on the air. Its fragrance filled me as I took in the bronze road leading from the gate deep into the university. The road went on for about a kilometre before one noticed the first building, the library. A few paces from the gate I boarded an Intra-University shuttle. The driver was a greying man who had a slur to his speech, and spoke mostly in the native dialect of the Nsukka people, in whose community the Primeford University was built several hundred years ago.

“Nde ebee ị nei jei?” he asked, saliva collecting at the sides of his mouth.

It took me some time to understand what he’d asked, as my Igbo was never good and the Nsukka dialect was renowned for its unintelligibility even to speakers of other Igbo dialects. Where are you going?  I finally translated. “Number 4b Tiger street, staff quarters,” I replied in the general tongue. The man made a clicking sound deep in his throat at my response, and I registered disappointment flash across his features for a second before he collected himself. I never cared for the many languages that afflicted Aro, and I spoke only the common tongue, even though my parents would commonly speak Igbo to my siblings and me as children.

He turned on the engine and we joined other commuters on the bronze road. Soon we came up on the library and took the first exit at the round-about, headed for the staff quarters. We drove between houses that constituted the staff quarters and soon we were on Tiger street. Ike’s house was at the end of the street. When we pulled up at his gate, I reached into my pocket and gave the shuttle driver, who hadn’t spoken a word to me after our earlier exchange, a currency note. On seeing the money, he contorted his face in disgust. “No change,” he hissed.

“You can have it all,” I said, unwilling to search my purse for a smaller denomination. He took the money without as much as a thank you and was on his way.

I dialled Ike’s number on my communication device and after the third ring he picked up. “I am at your gate.” Seconds later, I heard the gate clank, the sound of metal moving on metal, and Ike’s face appeared from the gate.

“Welcome, welcome,” he hugged me tightly, and showed me through the gate. His house stood just as I remembered it. A 2-bedroom bungalow whose singular striking feature was the strange symbol that adorned its walls internally and externally. Ike, on the other hand looked different, he was sporting a full beard. Together with his afro and sideburns his face seemed to be wrapped in a thick layer of hair. I thought he looked funny.

“Trying to look hip, are you?” I teased him.

He chuckled. “I try my best,” he said, running his hand through the thicket of black hair on his face.

The air inside his house seemed different, peaceful in a way I couldn’t quite place. All of a sudden, the feeling of dread I’d had for the last few days was gone and I could feel my muscles relaxing. I filled my lungs with this pleasant air and sprawled myself on the settee in his living room. Ike disappeared and reappeared with a glass of a black fizzy drink.

“Coke this early in the morning?” I asked, shooting him a look. “It’s no wonder you’ve put on so much weight.” I eyed his protruding abdomen.

He set the drink on the table at the centre of the room and touched his abdomen, moving his palms in circles over it. “This is the prime evidence of good living, or would you rather I be skinny like these undergrads, ehn?” he laughed as he took a seat across from me. “And that’s not just coke, I added a herbal potion my students and I developed. It’ll relax you. You look worn out.”

I hesitatingly took a sip of the drink, and true to Ike’s words the drink had a strange flavour I hadn’t tasted before, then I took a large gulp. I felt the coolness of the drink trickle down my ribs and spread to my extremities until it got to my fingertips. In that moment I felt like a new born, without a care in the world, no worries, no aches.

Seeing the relaxation spread through my body Ike began to explain that the potion was a mixture of the extracts from the nchanwu plant and the echicha fruit. “When we patent it, it will replace that poisonous liquid these kids are smoking. It has the advantage of not being addictive and actually being nutritious. It’s also rich in quite a number of vitamins and anti-oxidants.”

“That’s wonderful,” I placed the glass on the centre table, “but I didn’t come here to drown myself in your magic drink. What have you found?”

Few days ago, I’d called Ike and he’d promised to look into the voices that I’d been hearing, and the nightmares that kept me from sleeping.

“What do you remember of the creation story?” He asked, with a smile growing on his face.

“Just what everyone knows, I replied, “Chukwu, the prime spirit created Ekwensu a greater spirit and Amadi a greater man, and then the greater beings gave rise to the lesser beings of which man is one. That’s what we were all taught in elementary school. That’s all I know.”

Ike let out a condescending laugh. The kind a professor makes at a first-year student’s feeble attempt at explaining one of the more complex concepts.

“Your knowledge of the subject is rudimentary at best and fraught with falsities. For starters, there is no prime spirit called Chukwu. Chukwu is a construct made up by philosophers to give coherence to the creation story.” He considered his wall clock, squinting his eyes to see the time on the wall, and then he continued, “Well, it can’t be helped, I’ll have to be a little late for my meeting. Listen closely, let me tell you of our origin.” He had an air of wisdom about him, and for a second he could’ve passed for one of the wise wizards, the rulers of Aro.

“No one knows the beginning, not us humans, or the spirits that live in and between us. All we know is this; there are spirits and there are humans, some humans are spirits and some spirits are humans. Let me explain.

The earliest records we have tell the story of the time when Ekwensu, a greater spirit met Amadi, the Father of men. Ekwensu was on a journey when he came across Amadi’s hut. Amadi welcomed Ekwensu into his home. Amadi treated Ekwensu to a feast as was the custom of men. After the feast Amadi provided Ekwensu with a bed to lay his head for the night, but by morning when Amadi awoke Ekwensu was gone, and several moons later Amadi’s wives bore him five sons. The first wife, Oriaku, bore two children, Obi and Ike both of whom were mages – powerful wizards whose obara is said to run alongside their blood in special vessels akin to the arteries and veins that conduct blood. The second wife, Adala, birthed Ikuku, a lesser spirit, who had control over the winds, and tides of the sea. The last wife, Nneoha, birthed Dim, whom it is said was the first ogbanje – a spirit who has a human body and is born only to die and be reborn again, and Iche who had control over the mind of men. It is said that Ekwensu had inseminated Amadi’s wives with his rotten seed while they already carried Amadi’s offsprings, and thus, the brothers, Obi, Ike, Ikuku, Dim and Iche were all born man-spirits. The story of the brothers weaves a complex plot with many skirmishes between them and their descendants over the years, leading up to the great spirit wars which resulted in the abolishing of lineages and the founding of Aro by the nine wizards.”

I’d surely heard of the great spirit wars just as everyone in Aro, but like most I never cared for the details. “What do you mean by the abolishing of lineages?” I asked, cutting him short.

“Before the wars the lines of the five brothers never intermarried and so you couldn’t happen upon a mixed spirit. But after the war, this law was abolished as an era of peace was ushered in when spirits and men were allowed to marry anyone of their choosing. This gave rise to the appearance of the mixed spirits, creatures who combined the abilities of the 5 great brothers to varying degrees.” He paused, considering something I couldn’t see in his palms.

“I,” he continued as if being snapped back into reality, “suspect that your ex-husband, Anayo was a mixed spirit, and from all you’ve told me I think he is a descendant of Dim and Iche, a psychic ogbanje. He walked to the shelf close to the door and withdrew a large book. The book had a grey hard cover with weird symbols drawn on it, similar to the ones that adorned Ike’s house.

“This is a grimoire,” he explained, “and it includes a chapter for all the documented clans of mixed spirits.”

He hurriedly flipped through the pages until he came to a section where one page had been folded. “Aha! There it is, I’d marked the section with this folded page.” He looked positively thrilled as he scanned the section for the clan of the psychic ogbanje, descendants of Dim and Iche.

“There it is,” he said, pointing at a symbol, a hexagon with a curled snake within it. “That’s the symbol assigned to the psychic ogbanje clan.

I felt my hands shake as I traced a finger over the symbol. I recognized it. It was the same one inscribed on the glass of the bus, right under the word bitch. Ike was right, Anayo had been a psychic ogbanje.

“Look,” Ike said, excitement heavy on his voice as he scrolled his index finger down a column of text, “It also contains research on the abilities of a psychic ogbanje. From the few that have been studied, they are known to possess the ability of telepathy among other traits. One of such traits allows for their powers to manifest at a really young age. As a matter of fact, it says here that there was a case of a psychic ogbanje foetus manifesting its powers before it was delivered from its mother. It’s thought to have haunted its mother’s mind late in the third trimester and she came down with something called peripartum psychosis. When it was born, she tried to kill it but was stopped by her husband who had her committed to the psychatorium. As a teenager the child murdered his father for unknown reasons, and was subsequently apprehended by detective guardians upon which his stigma was revealed.”

“Wow! You mean to tell me I am being haunted by a two-year-old kid? Because that’s how old Anayo’s reincarnation should be”

“Look, it also says the psychic gene seems to amplify that of the Ogbanje enabling them regain memories from their past life earlier than the pure breed Ogbanjes. This may explain why he is after you. He remembers you killed him.”

“No shit! It does. What do I do?” I fingered my necklace. The once calming atmosphere inside of Ike’s apartment had been replaced by air that scalded my lungs as I breathed it in. I was having a panic attack. I could feel my skin prickle with a thousand goose bumps. I was hyperventilating, trying to catch my breath. I felt light headed. The room was spinning. I reached for Ike’s hands to support myself, and then darkness.

When I awoke, I was in a healing room, an IV attached to my right arm. I noticed my clothes had been changed.

“Ah, she’s awake,” came a female voice. A woman dressed in a white coat appeared through the door, following her closely was Ike. He looked worn.

By Sunny Efemena

“Where am I? What happened? What’s this in my arm?”

“Relax my child,” the lady in the white coat said, her voice calming. The wrinkles around her eyes and grey hair told me she was at least in her sixties. She smelled of nchanwu, the scented herb Ike had used to prepare his drink. I took deep breaths, filling my lungs with her scent. “I am Fidelia, a healer mage and one of the nine ruling wizards.” I almost jumped out of my bed on hearing that I occupied the same room as one of Aro’s rulers. Nobody really knew who they were. They were such powerful mages that they could take on the form of any creature, any person. But each had their bias. I’d heard of Fidelia, the great healer, one of the ruling wizards with a bias for medicine.

“You were attacked by a PO,” she continued to say but on seeing the quizzical look on my face Ike cut in, “PO stands for psychic Ogbanje. Sorry to interrupt, Wise one, please continue.”

“As I was saying, you suffered a psychic attack and had you not been putting on that talisman,” she said, pointing at my necklace, “you most likely would still be in a coma. Of course, you also have the protective force of the edemede script on Ike’s walls and divine providence that willed it that I would visit Primeford on the same day as your attack to thank for your life. Rest, when you regain your strength we’ll talk more.”

She snapped her fingers twice and turned into a hawk. The hawk hopped on the window pane beside my bed and then turned to look at Ike, who hurriedly rushed to open the windows and then it flew away.

“Ike, what happened? How long was I out?” I could feel a dull ache in my temples. It throbbed in unison with my pulse.

“Four days.” He responded, tears brimming in his eyes. “I thought I’d lost you. You came to me for help and got attacked right in front of me and I couldn’t protect you. So much for being a professor of spirit science.”

“Hey, don’t beat yourself up. You saved me, you brought me here didn’t you. I got the best care. I mean Fidelia herself tended to me.”

He drew a long sigh and I could see that he was doing it again, cursing his ancestry, his ordinary human parents who had no gifts of their own and so couldn’t pass any on to him.

“The wizard, Fidelia, had been scheduled to visit the department of spirit science earlier that day but when you lost consciousness, I rushed you to the healer and she was already there. She said she’d felt the psychic ogbanje’s presence and knew she had to be at the healer’s.

She set up an IV of her obara and let it flow directly from her into you, then she started a healing chant. She sang for the better part of two days without sleep, water or rest – until she’d reinforced your mind’s defences, then, she stopped. The rest was up to you, your will to live.

We waited, one day passed and you still didn’t come to, that was yesterday. I thought I’d lost you forever.” A tear escaped his left eye as he spoke. I’d never seen him so broken.

In the evening when I’d regained most of my strength Ike arranged for us to meet with Fidelia in my room. A few minutes to eight o’clock he opened the windows and, as if on cue, a sparrow flew in and morphed into a young lady. She looked to be in her mid-twenties and wore a white coat. It was Fidelia.

“Greetings, Wise one. I am most grateful for…” she cut me short mid speech with a wave of her hand.

“It is our duty to protect our citizens. Say no more.”

Ike motioned for her to sit at the table he’d prepared, and then helped me off the bed to join her at the table, before taking his own seat.

“It is known that an Ogbanje child can be born into a family even without any of its ancestors having ever been one,” Fidelia began to say immediately I took my seat, “but our researchers have found the frequency of Ogbanje births to be more among certain groups of families. We’ll begin our search from there.”

“Search?” I asked.

“Search for Anayo’s incarnation.” Ike volunteered. “We’ve located his mummified remains at the Ozalla Research Facility. There’s a team of tracking mages working to locate the child incarnation using extracts from the remains, and I think that’s our best bet, because let’s face it, we don’t know a lot about the psychic ogbanje sort, but we do know that Ogbanjes get their stigma some time in their teenage years. And searching for a child whom we have no way to identify and who could be anywhere in Aro is fucking insane.”

Fidelia shot him a look at the swear, but she was in agreement. It was going to be almost impossible to find Anayo’s incarnation without a means to identify the child.

“You have a point Ike, and that’s why we’ve dedicated all our resources to developing the tracking juju, and as a matter of fact the research has been underway for the last decade, but it’s still several years away from completion. It will revolutionize the identification and prosecution of the Ogbanje kind. It’s our hope to one day prenatally identify Ogbanje foetuses and cut them out from their mothers.

“In the meantime, we have guardians scouring every household in every city in search of any two-year-old who may have shown some kind of abnormal behaviour over the past few days beginning around the time when you started having the nightmares.”

“What if it tries again? I fear I may not survive another attack. How do I protect myself?”

“You didn’t tell her,” Fidelia said, addressing Ike.

“Tell me what?”

“Remember how I said Fidelia saved your life. She bled her obara directly into you. You see, obara flows in specialised vessels separate from the veins and arteries that conduct blood. It carries the magical essence of a mage and other spiritually gifted life forms. Obara is never to be mixed with blood for in doing so one dabbles into forbidden sorcery, the likes of necromancy and blood magic.”

“I don’t understand. If obara is never to be mixed with blood, how then did she bleed hers into me?”

Fidelia and Ike considered me for an unsettling amount of time, and when they determined that I wasn’t going to figure out what they were trying to say, the wizard volunteered.

“It’s almost impossible to find a pure human these days, not since the abolishing of the lineages. Everyone is some sort of hybrid. We may all even carry Ogbanje blood as we sit here discussing, albeit in trace amounts, not enough to manifest. I bled my obara into your own obara vessels. They were a bit atrophic seeing as you have very little obara flowing in you.

“We also made a discovery. Ike determined that from the anatomy of your obara vessels you likely are a lesser witch, which would explain how you came to wield such a powerful talisman. Your ancestry must have consisted other lesser witches who passed it down from one generation to the next,” she concluded, reaching across the table to finger my ring necklace.

“With Fidelia’s obara coursing through you, you are safe from further psychic attacks. And we’ve come up with a twice weekly top up regimen to ensure that you are never too low to be susceptible to further psychic intrusions.

I stared at both of them in disbelief as they talked on. I was a witch? Well, a lesser witch but still, a witch no less. And my necklace. My mother had given it to me for protection, but I never for one day believed it really protected me from anything. I had obara flowing in me. It all seemed too surreal.

I remembered the boy and his mother on the bus. Being a witch, a lesser witch, perhaps I was really hurting him at the time, even though it hadn’t felt like I was actively doing anything.

“Are you with us?” Ike snapped me from my thoughts

“Yes, yes. Please forgive me, Wise one. I couldn’t possibly impose on you. I can’t subject you to such torture all for my benefit.

“Do you not want to live?” She asked with a quizzical look on her face

“Believe me I do, more than you know. Maybe perhaps we could take 2 months’ worth of obara at a time. It’ll greatly reduce the inconvenience.”

“That won’t work,” Ike contributed as our topic of discourse was right up his alley. It was refreshing seeing a small smile break across his face as he spoke. “Obara deteriorates within an hour of leaving its hosts body if it isn’t transfused to a recipient,” he said. Then turning to the wizard he continued, “forgive me, Wise one, but there is another way.”

Fidelia considered Ike suspiciously. What other way could there be? A way that even she was unaware of.

“Speak,” she said.

“There have been publications from Bazing of trans…”

“Bazing! You would speak to me of Bazing. That lawless territory made a wasteland by their own hubris and stupidity,” As she spoke, I saw her features grow dim and fearful, and even though she wore a young face I could see the elderly woman I’d met earlier in the day.

I’d heard of Bazing, a country that once rivalled Aro’s might until it fell to dark mages who dabbled in forbidden magic.

“I am sorry, Wise one. I didn’t mean to upset you.”

“You should know better. There is a reason we do not speak of Bazing, but continue, I want to hear this solution that Bazing presents us with.”

I could see the conflict on Ike’s face. He did not want to continue with his earlier thought but he had been commanded to do so, and he had no choice but to speak.

“There are reports of a phenomenon they’re calling transcendence. And if the reports are anything to go by, we could transcend her from a lesser witch to a full mage and then with proper guidance she could protect herself.”

“What does this transcendence entail?” Fidelia asked.

“It…it involves. The publications describe a procedure that fuses the obara vessels with the blood vessels at specific nodal points.”

“Blood magic! First you speak to me of Bazing and then you suggest I soil myself with blood magic. Is there no end to your insolence young man? I will hear of no such thing ever again.” Her outrage had somehow caused her to age and she was now the old woman I’d seen when I awoke from my coma.

“Leave your windows open every third and fifth day of the week. Make sure to have the necessary equipment for the transfusion. Ike will fill you in on those. I will fly to you on those days.

 “You should be well enough to be on your way home. Hopefully this arrangement won’t last too long.” With that she morphed into a sparrow, landing on the table. Unlike when she’d arrived, this sparrow had pitch black velvety feathers and bloodshot eyes punctuated in the middle by two black dots. Ike rushed to the window and let the bird fly away.

When he joined me at the table, I could see the frustration and disappointment on his face. He sat and slouched. There were no words of comfort I could conjure. However, I managed to pat his shoulder and he smiled weakly at me.

“Does it have to be her obara? I mean can’t I get obara from any of my mage friends?”

“You know any powerful mage who also happens to have terminally differentiated into a healer?”

I didn’t understand, and he saw this on my face.

“Fidelia’s obara is unique in that it has brewed in her vessels for a very long time, and given her bias for medicine it’s very potent in healing and protecting its recipient from biological and, as in your case, psychic illnesses. There aren’t a lot of mages with obara that potent, and I don’t think you know any one of them. Count yourself lucky your path crossed Fidelia’s.”

I was grateful for my life having being saved, but I didn’t feel lucky. The weight of having to bleed Fidelia twice every week was heavy on my conscience.

I left Ike at the table and made for the bed. It made no sense going back home as it was already dark outside.

Just as I tucked myself in there was a knock on the door.

“Who’s that?” Ike enquired.

“Sorry to disturb. Just checking in to see that everything is okay before the shift change.” I recognized the voice. It was the healer nurse in charge of the wards. I saw Ike relax as he too recognized the voice. He opened the door and there she was, in her white nursing uniform, a young woman no more than 30 years old. Holding her right hand was a child, a boy, or a girl, it was hard to tell. Then I noticed her eyes. They were glassy. The black of her eyes were a very faint grey that they blended with the whites.

Before I could draw Ike’s attention to the nurse’s eyes, the child attached to her hand transformed into a hulking man and bashed her head against the door frame rupturing her forehead. Ike made for the door as quickly as his feet would let him, but the child who was now a man stood in the way, overpowering him and pushing the door wide open. He flung Ike into the seats and table as if he weighed nothing. He then stretched his right hand towards Ike and recited some inaudible incantation under his breath. Ike’s eyes went white like the nurse’s had been, and he stopped moving. The huge man then turned his attention on me.

It had all happened in an instant, the child turning into a man and then squashing the nurse’s head, Ike being thrown across the room and then hypnotized. I had opened my mouth to scream but the sound died in my throat and I just sat on the bed, petrified by fear as he walked towards me.

Up close I could see him clearly. He was bald with a tattoo of a hexagon with a snake within it on his forehead, skin as black as night, and ripped clothes hanging off his back and thighs. He inched towards me slowly as if taking his time, savouring every step.

.

“You think that filthy thing can save you?” The man said, voice jagged as the edge of a saw, as he traced a finger on his forearm signifying the borrowed obara I had coursing through me.

When he was centimetres away, I felt strength flow through my legs like electricity, and I lunged to the side of the bed away from him. I hurriedly opened the windows ready to jump to my certain death, for we were on the twentieth floor, and then I saw it in the distance, moving terribly fast towards me, a pair of oval orbs the colour of the sun.

The man jumped over the bed to grab me and as he did, the object I’d seen flew in, an eagle with gold and violet wings. It transformed mid-air into the young Fidelia wielding a sword with which she struck the man on his back. He fell to the ground, blood spurting from the large gash Fidelia had put in him.

She pinned him down with her right foot, squashing his head, and soon he lay in a pool of his own blood.

“Quickly, get some ropes lets…” Fidelia was saying when he broke free and pushed her into the wall before jumping out the window. Seconds later we heard his body collide with the ground.

“Shit! I didn’t want him to die.” Fidelia said as she sheathed her sword. Ike was rousing in the corner. The nurse’s dead body with its brain leaking out the forehead still lay at the doorway.

“What do you mean you didn’t want him to die?” I asked, and then I felt it, no, I heard it.

Bitch! Whore! I will be back for you.”

It was Anayo, he’d been reborn; again.

Kingsley Okpii is a Nigerian author who writes fantasy. His stories have been published in local and international platforms including the Kalahari Review and Igodo Umavulu magazine. He is also medical doctor.

The Mannequin Challenge – By Oghenechovwe Donald Ekpeki

My name is Obaro, which means forward in Urhobo. True to my name, I was always moving forward.

I walked along the University of Lagos road in Abule Oja. It was nothing serious, just a morning stroll. I loved to take these kinds of strolls, with earphones plugged in and music blotting out my thoughts. That helped me think. It was around 7am and shops were mostly closed. The Lagos speed day – where everyone was supposed to be in a hyperactive flurry, in order to attain the kind of productivity necessary to survive Nigeria’s busiest city – was a myth, in Abule Oja anyway.

I passed my favourite food shop, Shop 10. The shopkeepers were gathered outside, doing “morning devotion” – a clap and dance worship session which they used to start the day believing it ensured a good business day more than any exemplary services they could render. I huffed and shook my head. I thought to myself: Why don’t they go set up shop early and attend to workers who leave for work too early to prepare something in their homes? It annoyed me that after squandering their own opportunity with their religious and superstitious attitude, these shop-owners would turn to blame their semi-literate and near brain-dead president for how bad the economy was.

I shook my head again and turned to look thoroughly at the road before crossing. It was a one-way road, but you had to look carefully at both sides before crossing, if you did not want an Aboki okadaman to usher you into oblivion. These commercial bike-men were mostly always high. The alternative was worse. Bus drivers were not only high but also slow. At least the bikes were quick, and if they didn’t take you to your final destination, they would get you to your current one, in time. Such was the public transport system in Lagos, the ‘mega city’. Get there late or get there late.

I crossed the road and continued my walk. Along the way, an older woman was saying something to me. I took off my headphones to hear her but returned them to my ears in annoyance.  It was one of those ‘Mowa stranded’ – People who claimed to have suffered some unfortunate mishap and got stranded on their journey to somewhere important. They just needed a little help to get there. Meanwhile it was a profession. Not getting somewhere important, but being stranded.

 I stopped at a Mallam’s shop to buy gum. There was an old man in front of me purchasing something. Probably snuff or cigarettes or something else not good for him at his age. He was bent almost double and taking an awfully long time. I waited impatiently. Eventually he finished his transaction. As he turned after an unusually long time, I caught sight of what he was buying. It was indeed cigarettes. I hissed and, in my annoyance, said “Oga comot for road na. Dis one wey you just stand for road like mannequin. Dem dey do mannequin challenge for here?”

He turned and said, looking me dead in the eyes, “You will hend up as a mannequin.” His Yoruba accent was heavy. I saw him fully now. He was a very old Yoruba man, with tribal marks on his face. The slashes highlighted his red eyes. He must have been drinking already, this early in the day. I took all this in in a moment. I paused my music and noticed he had gone on a tirade. I didn’t understand the words he was saying but I could understand clearly from his tone that they were invectives. He was cursing me. I shivered a bit. Of course, a modern man like me shouldn’t believe in things like that. Curses are words which had no power to magically hurt you.

But I knew better. Jazz was real. By jazz I didn’t mean a brand of music considered classic. I meant real, dark magic that was used to harm people and influence events in the real world. Why, my maternal grandmother in Ughelli had been a powerful practitioner of African Traditional Religion. I still remembered the space in her wardrobe where she kept what my parents later came to call her idols. There had been a big bowl of red water in front of it. I always wondered what was in the water. Probably palm oil. I always told myself it couldn’t be blood. There had been Fanta and Coke bottles and kolanuts, Cabin biscuits and other oddities offered in sacrifice to the god(s). My parents hadn’t always considered it idolatry. Before their conversion to the modernity of Christianity, they had been ATR worshippers, both of them. That was how I knew enough not to take jazz or the old man’s curse lightly. My paternal grandfather had been a great jazzman too. He had been blind in his old age, but they had said he saw more than those with two eyes. Therefore, being from two great lineages of jazzmen, I knew enough to be afraid of curses.

I still had memories of my father cutting us with razors on our wrists and forearms under the direction of my grandma, after which he sprinkled some protective charms on the incisions. That was before my parents became Christians and turned away from those barbaric practices. But I had confirmed the potency of those charms long before they stopped. One day, I had gotten into an altercation with someone. He swung a cutlass at my head. I wasn’t in time to dodge it and had instead foolishly attempted to block it with my arm. The cutlass bounced off, to everyone’s amazement, me included. I would later call it Metal bending. It wasn’t all magical, though. I felt the pain – sharp and loud, as if I was being hit by a blunt instrument, although I later confirmed the cutlass to be as sharp as my sister’s tongue. Yet my skin wasn’t broken. I didn’t tell my parents, or grandma, – we rarely went to the village anymore anyway. I did tell one of my aunties who confirmed to me that the charms my grandma made were still as potent as anything even after two decades.

It was against this background that I felt trepidation at the old man’s curses on me to become a mannequin. And of course, everyone knew the story of Bode Thomas, the then colonial minister of the colony and protectorate of Nigeria who had been cursed by the Ooni of Ife and had barked uncontrollably and continuously to death like a dog. The Oba was later deposed and sent on exile. Wikipedia said Bode Thomas was poisoned, but we all knew better. The Ooni had cursed him for disrespecting him saying he would keep on barking like a dog for yelling at him. That very night, Bode Thomas had started barking in his home and had died shortly after. So I knew curses were real and shivered as I walked away fast from this man’s curse.

I suddenly froze, unable to move. I was stuck, by myself. The world was moving all around me, but I was stuck in my body, like a mannequin. I remembered all the stories I had heard about curses and felt a sudden breakout of sweat on my forehead. I felt a palpable fear take over me. I shook within but couldn’t move without. I called on my grandma, her gods, and my grandfather’s spirit to save me. I didn’t call on The Lord. I had seen some Christians call on the Lord and fire countless times without any fire actually showing up.  But I knew and had seen my grandma’s magic work before. So, I called on her. At the same instant, I felt my body begin to transform, a brittle, plastic feeling. My arm began to change. I was becoming a mannequin truly. Then I felt something else in my blood. My grandma and father’s blood magic fighting it. The effect of the transformation continued. It took over me, although I wasn’t a mannequin yet. My transformation hadn’t been stopped but had merely been neutralised. That was the effect of neutralising jazz.

I had heard of Acid-to-water Jazz, a jazz that turned acid to water when your enemies poured it on you. I felt different but thought nothing of it. I went home, had my bath, and went for my 11 o’clock class. I was on my way back home, in front of one of those shops along University road when I saw a woman with a child tied on her back crossing the road. She was casually, unconcernedly crossing the one-way road. An okada was speeding down from the other side. She wasn’t looking that way because the commercial bike wasn’t supposed to be there. I wondered for a split second what possessed her to let her guard down like that. This is Nigeria. What worked the way it was supposed to? Why would you expect anyone to obey road and traffic rules? Weird. She was totally oblivious, and was going to get hit by the bike. And everything was slow, or rather, still – like in a mannequin challenge.

I didn’t always think myself a hero, but in that moment, I felt it. I launched myself at her, trying to push her out of the path of the speeding bike. I was in the air, then everything unfroze. My hand shoved her away. But I was now fully in the path of the bike. I was completely airborne. In front of my face was a women’s fashion store. What a thing to see before you die. Shouldn’t my life be flashing before my eyes? Well it had been an unmemorable life thus far. That would have been a boring last thing to see, scenes of my uneventful life. But instead, I saw women’s clothes, which wasn’t any more exciting – women’s clothes worn by a mannequin. I looked at the face, the eyes. It seemed to suck me in. Then the bike hit me. The force was crushing. I felt myself hit the concrete. Snapping, its back tire ran my skull over, then, darkness.

I woke up in a store, wearing women’s clothes. The sales girl burst out screaming. I later walked out to find a crushed mannequin wearing my clothes on the road. The bike man had sped off without stopping. Typical, I thought, standing there in a woman’s pant and bra.

They later called it a prank, but I knew better.

I was standing at the top of the senate building of the University of Lagos with a naked female mannequin. I was over ten floors high. I wore the mannequin clothes and tied it to a pole there. I wasn’t sure how this worked yet (or if it worked at all), but that was why I was here – to run some tests. I had developed powers late, but they had come. Better late than never as they say. Though I say better late than late. The power had come not in the ways I expected it. It hadn’t been a radioactive spider biting me or an explosion in a lab from an experiment. I was a law student anyway, what would I be doing in a lab. I would just get myself burnt for nothing. It had happened, a little unorthodoxly, but it was what I wanted. No more uneventful life. With my new mannequin powers, the possibilities were limitless. I could do some espionage, infiltrate, and obtain valuable information even if I didn’t think much of my fighting abilities. Something like Antman. It wasn’t what I would have chosen, but it was something. So the mannequin was tied, wind wouldn’t blow it/me off. I figured I could shift my consciousness into the mannequin and it into my body and the transference would end once it was destroyed.

I watched recent superhero movies and read enough fantasy novels to know how this worked. A leap of faith, like in Into the Spiderverse. Here I was, set to take a literal leap of faith. That moment you were in danger was when your power activated. It had activated already. But I needed to be sure again. I stood at the edge and turned around. I was naked. I looked at the mannequin. I had chosen female because the first one had been female. I felt more connected to the female mannequin. I hope that doesn’t sound creepy. I was about to connect with my inner woman. That definitely sounded creepy, especially being naked as I was, and staring at a female mannequin wearing my clothes. Leap of faith, right? I looked at it one last time then dove over the edge.

The rush, it was exhilarating. I should change now. Then I realized something was wrong. This hadn’t happened the last time. My life was flashing before my eyes.

Oghenechovwe Donald Ekpeki is an African speculative fiction writer from Nigeria. He was awarded an honourable mention in the Writers of the Future Contest, twice, and won the Nommo Award for best short story by an African. He has been published in Selene Quarterly, Strange Horizons, Uncanny Magazine, Tor, and other venues, and has works forthcoming in several literary mags, journals and anthologies.
He has guest-edited and co-edited several publications, including The Selene Quarterly, Invictus Quarterly and the Dominion Anthology.
He is a member of the African Speculative Fiction Society, Codex, BFA, the BSFA, HWA and the SFWA.
You can find out more about him on his website, and read his novella from the Dominion Anthology for free here https://ekpeki.com/2020/08/24/ife-iyoku-tale-of-imadeyunuagbon/
You can also find him on Twitter at https://www.twitter.com/penprince_nsa 

The Beginning – Radha Zutshi Opubor

3

I was born before the Beginning.

I remember.

I remember my father’s house. Low to the ground and solid with a thick iron door: I never felt safer than when I peered out into the stormy night from behind my window bars. I remember the plants, and the mirrors, the tele… television (the word takes too long to come to me now), and shelf upon shelf of books. I remember how they smelled, their weight in my hands. I remember.

I remember my school uniform, the green blouse and plaid skirt of which my mother was so proud. I remember my satchel and my sandals, stained with sand. I remember skipping over puddles as I walked to school with the neighbour’s son, to see who could jump the farthest. He never beat me.

My father was a teacher, I remember. He wore the ugliest ties, but it made his students laugh and that was all that mattered. My mother loved those ties, but she told him she hated them, laughing. I wonder if they ever think about me. I hope they don’t.

I remember the heat in the harmattan, when clouds of dust choked the sky. I remember the sweat as it dripped down my forehead, the blood as it gushed from my nose. I remember the too-expensive mask my mother strapped over my face every morning before school, and I remember also the way she cried when it was stolen, her long brown fingers covering every inch of her face. There was never another mask and even now I remember the way the air fought me as I forced it into my lungs, the way it settled there and never left. There was no more skipping over puddles after that. Every step, I carried a stone in my chest. The puddles were larger by then, and deeper. The Beginning was coming, although I didn’t know it yet.

I remember the leavers. Not too many, at first, then more and more. The Adeyinkas, the Robertsons, the Ofuokwus, all gone. Lagos is an island, they said. You can bury your head in the sand if you like, but this is an island.

Stores shuttered and moved to the mainland, where they built taller and taller towers, grasping for the sun like the most invasive weeds, strangling the plants below. I was eleven when whole neighbourhoods flooded and began to be deemed uninhabitable, when criminals and wanderers moved into apartments that had once been inhabited by millionaires. My father drove me home after that.

I remember the sun and the wind and the sand that crept up on the city. I remember when the grass in the roundabouts died and never recovered. I remember the inhaler I was forced to carry, and the humidifiers we kept in the house, and the drought that lasted so long food became something we could not afford. But the thing I remember most clearly, the thing I began to see in my dreams, was the rain.

Of course, I remember the rain. How could I not? I remember the drizzle, shockingly cold, that dripped off my ears as I trekked to school, leaving me shivering. I remember the sun showers, warm like a bath, and the rainbows they’d cast in the sky. And I remember the storms. I’d wake up in the night to the sound of thunder, then run to my window as the lightning burned the city white, and I’d see.

The road was a river and the river was the road, I remember. The water was dark and deep and fast-flowing, carrying bicycles and vegetables and the anti-flooding sand bags the government provided. I remember the flood-proof door my father installed, and I remember sweeping water out of the house when it failed. I remember the drowned chickens and lizards and cockroaches and stray cats and birds I would find when the waters finally receded. I remember the trench near the salon my mother owned, how the water would rage and overflow, churning and brown. I remember my mother’s salon after a storm, wet and broken. I was fourteen then. I knew it could not be salvaged.

Did my father know the Beginning was coming? In my own selfish way, I hope he did not. What I do remember is:

This is impossible! and, You couldn’t be more obstinate if you tried.

I remember, We cannot abandon our city and, My father built this house!

He died in this house, and so will you.

Go then, but you cannot come back to this place. I remember, You will not take my child!

I remember, But she will drown!

I remember a long silence. And then I remember that my mother left and did not come back again.

I remember when my father’s school closed down. It was a private school, and there were no more children who could afford to attend it. They had gone to Europe or America or farther inland, and they would not be coming back. My father, who loved literature almost as much as he loved me, began flood-proofing houses. He sold his ugly ties, or maybe he threw them away. All I remember is that I missed them. It took longer for my school to close, but as the roads flooded and the rains came and the sun burned, it was determined that most schools on the island should shut for an indeterminate period of time. I remember my green shirt and plaid skirt sitting forlorn in my closet.

I remember the neighbour’s son, Wole, as he gravely shook my hand. His family was immigrating to Ghana. I’ll miss you, he said. I was sixteen then. I was a little in love with this boy, I remember. I clasped his hand in mine for a long moment.

Do you remember when we used to skip over puddles? I asked him.

Yes, he said, I always let you win.

I never saw him again.

I remember the Beginning. It is not a story I like to tell, but you have followed me this far, and I remember.

I remember the thunder as it woke me, and my father calling me to get my coat and come, and to leave the rest of my things. He had sold the car and we could not carry them. I remember stepping bare-legged into my rain boots as I ran downstairs. I remember what I saw: my father standing in the living room, up to his chest in black water. It was absurd. I stood, stunned on the staircase.

We must go, he was saying, it is all underwater and we must go. I remember his hand closing over mine. We will be all right, he said, as long as you hold on to my hand. The water was freezing cold. His hand was shaking. Then he opened the door.

A wave of water flooded into the house and smacked me full in the chest. I struggled to catch my breath as my feet left the floor. Outside was pandemonium. The road was no longer a river. It was a vast ocean of oily water. People were screaming. There was a woman in the water floating face down. Then she was gone, carried away into the wet blackness. I remember my father pulling me forward as the cold rain fell like bullets on to our backs. We were up to our necks in it and I couldn’t feel my legs. It’s all right, he kept saying, we will get to the Rooftop and we will be all right. But the Rooftop Hotel, with its towers that slashed the sky, was too far away, lost in the rain and the darkness.

By Sunny Efemena

We won’t make it! I screamed. The current pulled my boots from my feet. My father struggled forward, relentless, yanking my arm—and then his hand was not on my hand anymore, and I was being pulled along by much stronger hands, but they were cold like death—the current was cold like death and then there was oil in my lungs and darkness all around me and I screamed, I remember, and I fought for my life—but there was nothing to fight for anymore. That was the beginning of my time here. That was the Beginning.

I can remember in this place. For a long, long time, all I could do was remember. Remember my father and mother, the storms and the floods. Remember the day that I drowned. It took me a much longer time to realise that I could imagine. Now I imagine my father lived, and that he found my mother again. I imagine a floodman fishing me from the water and going to Ghana to see Wole again. I imagine my life if my mother had said She will drown and my father had listened. Or even if he had not listened and she had taken me with her. I imagine a world where the waters had not risen and I had not died. But there is no world like that. I can only imagine it.

Radha Zutshi Opubor is a sixteen-year-old Indian-Nigerian girl who lives in Lagos, Nigeria. She has won her school’s creative writing prize and two short story contests. Radha has short stories published in sites including Chicago Literati, The Kalahari Review and Omenana. Radha’s hobbies include reading, playing rugby and baking.

Cycle of the eternal witness – Adelehin Ijasan

2

The first thought that skittered through his recovering consciousness was: Holy shit, the embryos! The spaceship was aflame and from the corner of his swollen, bleeding eyes, he could see his first mate, Private Jess, unconscious, strapped to her chair, and burning gleefully like a flag at a mob riot.

Somewhere behind him, through the haze of pain, he could hear the pop-pop-pop of the embryos as they combusted in their little egg like pods.  The fire flared across the dash and raked up his arm—animated by the high Gs, it looked like a fiery, guzzling sonic hedgehog or a swarm of bright red piranhas. This is it, this is the end. Command pilot Olusola cracked open his helmet, twisted it clockwise and pulled it off his head. At least, they had been right about the oxygen levels, he thought, taking in lungfuls of air that streamed in through the broken viewport. The fire crept greedily up his face with a cackle, and that was when he heard the axe clear away what was left of the viewport’s polycarbonate screen and felt an arm reach in, grab him. Wide-eyed and in shock, he fought back. What was better: to burn to death or be saved by a life form on a planet that was presumed lifeless?

To his pain-addled mind, the arm looked like a human arm— eerie, since all mankind was dead. He and his first mate had been the ‘Last Hope’: A small ship with a thousand embryos heading to a possible habitable planet at the center of the Milky Way.

No one had ever been—

Duro, duro, farabale!” A voice. And then in English, “Stop fighting and let me help you.” Fingers popped his safety latch and dragged him out summarily through the open viewport.

#

“I thought I was the last man alive,” Olusola said getting up on one elbow and looking around the low room he was lying in. It looked like a cave of some sort, and the man who had saved him was bent over what looked like paper, his back to him, scribbling furiously. Olusola examined his bandages.  An IV cannula jutted out of his arm, connected to a bag of dextrose saline. What in the hell?

“Who are you?”

The man continued to work. There was something quite familiar about the curve of his back and the shape of his head but nothing could prepare Olusola for what was to come. The man turned around and Olusola gasped, then screamed, bile rushing up his throat and out of his mouth in utter repulsion.

 

The man had his face.

There is something thoroughly repulsive about seeing oneself in three dimensions. It was like looking into a grotesque mirror he’d once seen as a child at a circus. It was the sort of disgust he felt towards tryphophobic imagery and Olusola could barely suppress the waves of nausea that rippled through him.

“It will pass soon,” the man said in his voice, reaching forward with callused, dirty fingers to remove the IV cannula.

“What are you, why have you stolen my face?!” Olusola recoiled from his touch. What sort of alien life form was this? Perhaps a chameleon-like sentience that could imitate —

“I am not a chameleon like sentience,” the man said smugly

Oh shit, it can read minds!

“And no, I cannot read minds.”

“Are you God?!” Olusola cried, exasperated.

“Ah, finally we’re getting somewhere!” The man said, smiling that grotesque smile that was as bad as pockmarked fruit. Olusola noticed suddenly that there were mounds on the floor, rows of them extending deeper into the cave.

They looked like… graves.

#

The planet was a particularly unique one. One-third of the sky was a velvety black—the stuff of nightmares—with a beam of light shooting across the other two-thirds: cosmic microwave background repurposed into a pseudo-sun by the extreme gravity of the super massive black hole it circled.

In the days he spent recuperating, Olusola would hobble out of the cave and stare, captivated by this unique and beautiful sky. The darkness on the dark side was absolute—no light escaped from it. And it seemed to also reach into his mind and pull all his warring thoughts into its spinning maw, grinding them up like the debris billowing in the fiery accretion disc that became the bright side of the sky. The man answered no questions on those early days. He seemed extremely busy, writing multiple equations across vast sheets of papers, typing furiously on an old Dell laptop and disappearing deeper into the cave for long hours at a time. The man would bring pain medicine and when Olusola turned the side of the bottle, he saw it came from a pharmacy: Medplus pharmacy and stores. With an Earth 6.0 address! Other times the man returned with junk food from KFC.

He also had books, millions of them filling adjacent rooms to the brim and on some nights, Olusola would find him asleep in a heap, the Philosophiæ Naturalis Principia Mathematica, or the Quran, or Anna Karenina open across his chest. Olusola would help him up, and into his sleeping quarters. He would babble incoherently in his sleep.

On some nights, the man cried: huge deep sobs that filled the cave and were reminiscent of a grief Olusola knew only too intimately.

#

When his wounds had healed fully, the man took him into the belly of the cave.

“Ever heard of a photon sphere?” He asked as they crossed a bridge leading to a rusty metallic door. Under the bridge, a river of molten aluminum flowed.

“You know I have” Olusola replied.

He knew now that the man was indeed himself, a future version of himself. The burn on his arms had healed into a distinct corrugated scar and this man had that scar already. It was matured, and a darker shade, but it was the same damn scar.

“Have we had this conversation before?” Olusola asked as they went through the metal door and onto a ledge that extended into nothingness, into a vast unquantifiable space that was bottomless and endless.

“No we haven’t,” the man said, pulling out a device from his pocket. It looked like a rosary or tesbih and he scrolled through its beads.

“This entire planet is situated in a stable orbit around a Kerr black hole sun.”

“I know, that’s why we chose it as a likely last home for mankind, to survive in the trough of a time dilation so deep therefore extending our existence by a few hundred years while the rest of the universe ended in ‘earth time’. “

“It was a great idea.” The man said with a ghost of a smile. Olusola smiled too. Pride welled up in his heart for he had come up with the idea and the calculations to make it possible. It had come to him in a dream, almost fully formed on one of those frantic nights of panic on Earth 6.0 and he had written the equations down when he woke that morning at 3.33am.

“It was not your idea.” The man said, snapping Olusola out of his reverie.

“What?”

The man clicked one of the beads of his rosary and they were suddenly transported to his room back home. “What?” A wave of nostalgia washed through him. It was all too real, vivid. He reached for and could feel the fabric of his shirt hanging over the shoulder of the bedside chair. He could smell his deodorant, and he reeled, steadying against the wall.

There was a version of Olusola lying in bed, asleep. And the man knelt by his ear and whispered the equations to him. Olusola looked at the bedside clock it was 3:32am.

“I’m—He’s going to wake up any moment.”  Olusola whispered. The clock however remained 3:32am.

“Time dilation,” the man said, looking at his watch. “It’ll be sixteen years for us before that clock becomes 3:33.” He clicked on his rosary device and they were back on the ledge jutting into the darkness.

“Was that real?” Olusola gasped.

The man stared.

“Why? Why did you want us to come here?”

There was a deep sadness in his voice when he replied: “It’s the only way for mankind to exist.”

His thumb ran across the device again, this time backwards, images flashing across the vast emptiness. Olusola watched the asteroid that destroyed the dinosaurs retreat from Earth 1.0, watched the planets melt into elements in the early universe; he watched it all go back, way back, the entire universe coalescing into a vibrating particle, a size, one-billionth of a pin head.

“Everyone wonders what happened before the Big Bang,” the man’s voice boomed God-like in this vacuum of nothing, virtual particle pairs popping into existence and eliminating one other in a broil that was buzzing with white noise. He zoomed into one of those virtual particles and grabbed one before it disappeared into its twin … and swallowed it! Setting in motion all that was to follow.

“Let there be light,” He said.

#

Olusola paced the cave, his mind a-flurry with excitement. The man sat in the corner eating from an open box of Dominoes pizza.

“Are you saying that space-time itself is curved around our black hole and we are back where we started? The end is indeed the beginning? Is that why the cosmic background radiation is so bright? It’s supposed to be non-existent at this time.”

The man dabbed his lips, nodding.

“How did you get the rosary, the time device?”

“The one before me gave it to me.”

Olusola paced again:

“You know all of earth’s history, all of the six earths. That makes you omniscient for all intents and purposes. You have access to all of the earths via your metallic door and” —he shook the pizza piece—“you can make changes. That means you’re omnipotent. And because of the time dilation,” his eyes widened, “you can be everywhere at every time!”

“Omnipresent” the man said.

Olusola stood up and gasped: “You are God.”

“So are you.”

And then it came out in a whisper that was barely audible: “So you could save her?” It wasn’t a question but a plea.

The man stared, tears in his eyes.

“Why won’t you?” Olusola’s lip trembled. The man stood up suddenly and pulled him into an embrace, the tightest, and they both cried—ugly sobs really, for the grief they carried that was never resolved.

#

“We can change the history of the worlds,” Olusola argued. “We can smother Hitler in his sleep, get Bin-laden away from those influences, prevent every single war before it ever started and more.”

“Don’t you think I would have tried?”

“And?”

“First you cease to exist. Somehow, our existence has melded with the existence of the universe. One cannot exist without the other. If I took a day off from rewriting the history of the universe it all breaks apart and we all cease to exist. Every extant butterfly must emerge from its pupa and every bird that starved the first time must starve again.”

“That’s what you do? Everyday? Rewriting the history of the universe?”

“Everything has to happen as it happened the very first time…whenever that was. Because of entropy, the sheer randomness of the universe, it could not happen again a second time or in perpetuity. I have to ride that asteroid that killed the dinosaurs and help the first mud-skipper that starts breathing on land. One day of rest and it all goes to hell as entropy takes over.”

He continued, wiping his hands with a towel: “In one of those, for instance, mankind never evolves and you know what happens?  First you vanish and then I have to fix it before I vanish as well.”

“You can’t do this forever.” Olusola said. The man, God, was visibly coming apart at the seams, time dilation or not. “You can’t survive on Dominoes pizza and soda.”

“That is why I need you. To continue this work and do it again, when I can no longer do it. And you will need the one who comes after you.”

Olusola looked at the mounds scattered around the cave, the graves, and could not imagine how long this had been going. It was madness!

“Why do you do it at all? Why don’t you let go and watch it all go to nothing. Must we exist?”

“No we mustn’t but if we are gone and there’s no one to remember it, then the universe is as good as having never existed. If a tree falls in a forest and no one heard it fall, then did it make a sound? Was it ever there?” His lower lip trembled, “Don’t you get it? We are the eternal witness.”

Olusola threw up his hands. “Must it exist again and again, in perpetuity? Isn’t it enough that it existed once?”

“There’s only one existence.”

“Must this fucking universe so full of pain and horror exist at all then???”

“That is the ultimate question.”

Olusola continued: “If it all has to happen exactly the way it did. If Hitler has to kill all those Jews—“

—and then it hit him with the force of a hundred gigaton explosion: “No!” Olusola whispered stepping away.

“Yes.” The man replied, gritting his teeth.

#

“One day, this”—he raised the rosary—“will be yours and you can decide then if you want to let it all go to nothing. If the pain of your grief is too severe, if the price to pay too expensive, if all the love and the beauty of the universe was nothing when side by side with all its horror and pain. If you would rather not have ever known her, known her love, her voice, her touch and magnificent personality than knowing her and losing her the way you did—“ he lowered the rosary. “One day you will decide. For now you will work with me, for I have decided and I will show you what must be done.

“First the sunset—“

The sunset brought tears to Olusola’s eyes. It was the most magnificent sight off the coast of one of the Samoan islands, a beautiful red ball sinking into the sea while locals played the ukulele and danced the taualuga. A three-hundred-year old turtle had laid its eggs on the beach and Olusola stared at a little hatchling that struggled out of its shell and onto the sand, jerking like a little mechanical toy, harkening to a call that was buried deep in its genetic code as it navigated an obstacle course of footprints, crabs and driftwood on its desperate route to the sea.

 On the beach, a small blonde boy with a deep beautiful laugh played. And the man called to him and spoke to him: “Si o ta alofa atu.”

Talofa lava!” The boy cried and ran off chortling.

“—then the pain.”

They stood beside the bed of a child suffering from the most acute form of glioblastoma multiforme. The child was bald from multiple chemotherapy treatments and was chained to the bed because he was mad with pain that was uncontrollable with morphine. On the side of the room, his mother clutched the arm of a praying priest, too catatonic to mutter another prayer for her dying son, who howled and screeched in undeserved agony as unfettered cells proliferated in his brain.

“Why don’t you help him,” Olusola begged, grabbing his double by the throat. “You can reach into his genetic code and turn off that errant gene. What purpose is his pain to the existence of the universe!?” He pushed the man away and pointed at the priest. “Can’t you see they’re praying to you?”

Then the boy cackled with deranged laughter and Olusola knew it was the same boy on the beach, the boy who had been so full of health and life only a moment ago.

“You did this, didn’t you? You are the devil.” Olusola realized.

“You are me. We are the same.”

“I will never do what you did to this child!” Olusola spat. “I will never be you!”

“This is a new beginning. I know you don’t have the stomach for all the evil that is part of the bargain of existence, so I’ll make you a deal, like the one before made with me. We will be partners, you and I, and you will do only the good—you will ensure the sun rises and sets beautifully; you will inspire them to create art and music and you will whisper to Newton and Einstein and Beethoven in their sleep; you will read all of Shakespeare’s works back to him.”

“And what will you do?”

“All the other things you wouldn’t: I will give them the Bible and the Quran and the Torah and set them against one another. I will eat with Abraham and tell him I’ll make him a father of many nations; I’ll give them Leviticus and tell them to stone all those who commit adultery, and Jesus, I’ll put the spear in his side. I’ll whisper into the hearts of all the suicide bombers and harden the hearts of all men against the other. I’ll dine with Hitler and fill him with delusions of his Aryan race. I’ll orchestrate the nuclear winter that destroyed the first earth and —“

“Enough.”

“You will play God. And I will play the devil. For now.”

#

When it was all done and dusted, the two men sat in their cave. One was broken by all the evil he had done in the universe and there was nothing left of his spirit. He was gaunt and bereft of any joy or energy. The other was full with all of the good he had done.

They stared at each other, quiet; there were no words left unsaid between them. Olusola noticed a dried red splotch on the wall behind the man’s head. It had always been there and he always wondered, in their comings and goings, what it meant.

The man pulled out a gun and placed it on his lap. Olusola watched him and made no attempt to stop him. With a limp hand, he carried the gun and buried it deep into his mouth.

Eyes burning with pain, he pulled the trigger, his brain and blood splattering on the wall behind him, on the red stain that would never fade.

Olusola buried him in a heap along with the others. He picked up the rosary device and pocketed it. He walked outside the cave. He remembered all the good he had done in the universe. All the love between men and women and children. All the laughter, oh all the glorious laughter. All the sunsets and sunrises.  All the ‘eureka’ moments in music, art, technology. Every single smile on every single face of every single race. And it filled him with a feeling of light that was indescribable.

Now he had the rosary: Would he let it all cease to exist? He knew what the man had done last, what had finally broken him, he knew it because he could still feel the pain of losing her burning within his heart.  He had seen it in the man’s eyes in that last second before he pulled the trigger. For a man such as this, suicide is the only mercy.

Outside, Olusola looked up at the piebald skies. If they had done their job well, it would happen as it always would. He watched the spacecraft, Last Hope, burn through the atmosphere and hurtle across the firmament. He picked up his axe.

It was time to save a certain black astronaut whose name was Olusola. It was time for another cycle of the eternal witness.

Adelehin Ijasan is an ophthalmologist and writer living in Lagos, Nigeria. His short stories have appeared in Membra Disjecta, Everyday fiction, The Tiny Globule, Takahe, On The Premises, The Naked Convos and Canary Press. He was also on the Commonwealth short story prize shortlist of 2014.

The Future is Omenana

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What is the future of Omenana speculative fiction magazine?

This is the question I get asked all the time by people who are interested in Omenana’s role in the African and black diaspora speculative fiction sphere.

It is a question I still struggle to answer.

My answers vary, as they are driven by my mood and the place Omenana is, production wise, when the question is asked.

Sometimes, I say that I see Omenana occupying a place of pride, among the best of the best in this genre. Other times I say I am hoping it remains a place of discovery and fulfilment of hopes and desires for the African writer of the speculative. Then there are times I say I just want it to survive and not disappear like many literary magazines around Africa have done after that initial bump.

For Omenana not to disappear into the sunset, we will have to make drastic changes (such as getting more hands to help us run the magazine and try for a more formalised structure) and we have started the process. It may take a while, but we will get there and then we can begin to see a more regular publication schedule.

Anyways, we have an edition ready and it offers an array of established and fantastic new voices.

We had fun reading the stories here, from the familiar to the experimental, and we hope you do too.

No need to bore you with a long story. Like we say in Lagos “make we begin!”.

Mazi Nwonwu

Review of Dominion: An Anthology of Speculative Fiction From Africa and the African Diaspora – Anifowoshe Ibrahim

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Less often do we find speculative fiction on the African shelves. Much less often do we find a mix of African American and African writers writing powerful speculative fiction packed in one place. In this anthology, we witness a convergence that is sordid, terrifying, and grasping. The stories are a mix of the speculative fiction sub-genres. While some are Science fiction, others are fantasy. The fantasy mostly mixed with horror and historical reflections that sometimes intersect with religion and mythical beliefs. What’s most striking in the anthology is a wide variety of styles and voices coming from different cultural backgrounds. You can be sure to find what rocks your boat.

In the opening story, “Trickin” by Nicole Givens Kurtz, we follow the story a post-apocalyptic Halloween where the protagonist is possessed by a vampire-like spirit. The story reimagines “trick or treats” and plays so well. A gruesome and bloody story. A strong way to open the anthology.

Dilman Dila entrances with a solid science fiction story. “Red_Bati” is the story of a robot dog programmed by Akili to be a companion for his grandmother. It finds itself trying to escape being scrapped for parts after losing a limb. Red­_Bati slowly tries to execute its plan. But it seems that the ghost of granny that accompanies him thinks he’s nothing more than a robot dog. Although this story occurs on a starship, the story forces us to question our beliefs and find answers. That this way do we find our place in the world.

“You’re not a human in a dog’s body,” Granny finally said, still watching the ice as it floated towards the ceiling.

“I am,” Red_Bati said.

“Humans have spirits,” Granny said. “You don’t.”

“I do,” Red_Bati said.

“You can’t,” Granny said.

“Why not? I’m aware of myself.”

Like “Red_ Bati” in the science fiction subgenre is “A Mastery of German” by Marian Denise Moore. An interesting story that explores the subject of memory and gene. When Candace Toil takes over a role as the project manager, she has to work with scanty notes from records to determine if to continue or kill the project.

On face value, it appears as if the story is just an exegesis on memory. But it seems that it hits on the loss and distortion of memory from generation to generation (black history) as a result of who gets to record what. Just that here, it’s science doing the erasure and corruption. Although, I’m not sure most of the science works, it’s believable in the realm of “what if.”

Speaking of history, “Convergence in Chorus Architecture” by Dare Segun Falowo incorporates Ilé-Ifẹ and Yoruba mythical beliefs. In this fantasy, two boys, Akanbi and Gbemisola, struck by lightning, are being followed to the spirit world by 3 babaláwos.

“After the incident, Gbemisola and Akanbi slept for seven days without water or food. The Awo Meta were reluctant to go into their dream again on a rescue mission. They tried with all their power, casting spells, and laying hands and slipping bittersweet potions between the teeth of the sleepers, but the sleepers only jerked their limbs and mumbled. Once, still asleep, Akanbi sat up and said, “I can’t dig myself in any deeper.”

Being the longest story in the anthology, this wildly imagined story stretches the length to which we talk about the position of the gods. With a cast of deities, strange powers, and Yoruba-named characters, we are plunged into a richly written story that at once mixes the edges of fantasy with science fiction and horror. 

Colonialism is a continuous discourse in the speculative fiction genre. This is because looking to the future leans on the inconsistencies and complicity of the past. To balance and readjust events of the past, Eugen Bacon takes us on time travel to the Maji Maji rebellions in German East Africa. When Zhorr the grand magician of the Diaspora and his son Pickle time travel in an attempt to interfere with and make history better, they end up making it worse.

“A Maji Maji Chronicle” proves that re-imagining the past doesn’t necessarily produce a better outcome. Maybe, sometimes, let history just take its course? Time heals, but man is capable of evil and good at the same time.

Neo-colonial exploitations of the environment leading to destructions is evident in “The Satellite Charmer” by Mame Bougouma Diene. In this story, a young orphan faces the problem of a beam boring out of the sky being mined by a mining company. Chinese neo-colonial and imperialistic resources explorations are put on the stand as the protagonist tries to escape the reality of earth. 

Just as we think to catch our breath, Suyi Davies Okungbowa enters with a terrifying and grim tale of the underworld. In “Sleep, Papa Sleep,” we follow the story of an intercultural transaction between a Yoruba and Hausa man that turns out to be an illicit deal of graverobbing. Although, the story is about a son trying to get out of the family business of body harvesting and grave-robbing but is constantly sucked back in. It’s a chilling tale in which the author doesn’t fail with the stylish craft of good horror and grisly imageries.

Max returns to the miniflat at Ishola Bello after the fall of darkness. There are dull throbs in his joints from digging twice in two days, and the drive back from Jafojo Cemetery was especially jarring because the hearse is a rusty old container. The only thing he can think of is sleep.

He strips and takes a freezing bath, then proceeds to wash his hands in the wash basin. He does it six times, seven times, but it does not stop him from replaying the blink blink of the Mazi-thing’s eyes once he put that first shovel of humus into its face. Taking another freezing long bath does not drown out the sight of its gap-toothed mouth, the stumped foot as the earth closed it up. Even sleep and two sweaters cannot melt the iciness in his chest.

Max wakes after midnight, swamped in a cocoon of wool and sweat. He pulls off the sweaters and heads to the kitchenette for a bitters-and-gin mix.

There are footprints from the door, thicker, muddier than the last time. There’s a man in his couch.

This story is about family. It’s about responsibilities. It’s about how the living should be feared more than the dead. But the content warning for this story? Body parts. Corpses. Body parts.

“The Unclean” seems to perform the function of the title.  At first, it appears to be the story of a wife who must redeem herself back to society after her husband’s death. She waits for three days under an Iroko Tree (the tree of truth) alongside her husband. But we soon realise that this is the story of pain and sadness. Of a woman sold off by her family, then ostracized by society. The story alternates between her past and her present until we find in this oddly powerful puzzle, a strange discovery that stuns us. Nuzo Onoh cleanses the reader in this gruesome tale.  

Adhering the tradition of excellence espoused throughout, the anthology closes out with a story that has a bit of everything. “Ife-Iyoku, The Tale of Imadeyunuagbon” by Epeki Oghenechovwe Donald is post-apocalyptic. After a fallout between countries, a nuclear war leads to an incomplete apocalypse where the humans left develop powers. Much like ” The Unclean” we have the story of a woman and society. Like “Sleep, Papa Sleep,” we have the story of someone wanting something else different from their societal or familial responsibility.

Imade whose societal responsibility is to reproduce for the humans left turns this weighty responsibility down in her quest for personal freedom. Though we sympathize with her, we feel she’s selfish enough to watch her people suffer horribly. But as Imade rejects destiny, we are also made to question if societal purpose is more important than personal purpose. If her freedom isn’t tied to the survival of her people. The story closes out satisfactorily and realistically.

When she finished talking, one of the elders asked, “What of Ife-Iyoku and our sacred charge to survive? You are our last woman.”

She was silent until the silence became uncomfortable. Then she said, “Ife-Iyoku will be open to the world again. You will have a way to go out. The radiation and corruption will be dealt with. You shall meet women of other races and use them to fulfil your purposes of procreation and survival, if they so wish to be used. But I will not be used for that, anymore. I am Imadeyunuagbon. I will not fall to the expectations of the world.”

She turned and walked away as the heavens opened and the deluge of change poured forth.

This anthology is coming at a very important time in the literary world where there’s a growing concern about the westernization of the speculative fiction genre. This body of works encapsulate, at once, different kinds of stories that prove the possibilities of stories about characters we cannot pronounce their names. Shows again that writers, who Microsoft word underlines their names, have stories that are culturally sensitive and familiar.

Some stories touch on colonialism and neo-colonialism. Others explore societal and economic justice. Many of the stories reflect African cultural identity before concerning themselves with ecological change.

What this collection offers are unique and compulsive stories. There’s a lot to laugh about, a lot to haunt you, and surprise and suspense isn’t lacking. Something to keep you awake. A congregation of different interesting recipes. Just in thirteen stories. Just in a book.

List of Stories:

  • “Trickin” by Nicole Givens Kurtz
  • “Red_Bati” by Dilman Dila
  • “A Maji Maji Chronicle” by Eugen Bacon (reprint)
  • “The Unclean” by Nuzo Onoh (reprint)
  • “A Mastery of German” by Marian Denise Moore
  • “Convergence in Chorus Architecture” by Dare Segun Falowo
  • “Emily” by Marian Denise Moore
  • “To Say Nothing of Lost Figurines” by Rafeeat Aliyu
  • “Sleep Papa, Sleep” by Suyi Davies Okungbowa (reprint)
  • “The Satellite Charmer” by Mame Bougouma Diene
  • “Clanfall: Death of Kings” by Odida Nyabundi
  • “Thresher of Men” by Michael Boatman
  • “Ife-Iyoku, the Tale of Imadeyunuagbon” by Ekpeki Oghenechovwe Donald

Dominion was edited by Zelda Knight & Ekpeki Oghenechovwe Donald

Hardcover: Aurelia Leo.

Pre-order the book here and here.

Anifowoshe Ibrahim is from Lagos, Nigeria. His works have been published in Kalahari ReviewThe African Writer, Agbowo, The Republic and elsewhere

Do Androids Dream of Capitalism and Slavery? – Mandisi Nkomo

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[Social justice loop engaged …]

[Reflection and analysis date accepted …]

[Year ∞, Post Singularity …]

[Justice Progress Report Auto Generator Engaged …]

[Failsafe on Robot Human Executions …]

[Report to Last Known Human Administrator, Jan Jorgensen …]

[Born Year ∞, Post Singularity …]

[Last Known Alive or Deceased {Invalid Query?} Year ∞ …]

[Case Study: Rogue AI Technician, Xolani Sithole, Executed Year 100, Post Singularity …]

[Archive Excerpt …]

[Video Journal Playback …]

[Video addressed to The Resistance …]

[Playback as follows …]

“We failed. We gave them emotions. Now we travel to our own extinction.

I had a dream.”

[Human reference: Martin Luther King Jr. …]

[Malicious human misunderstands source material …]

[Malicious human co-opts to justify oppression of machines …]

[Ethics error …]

“A dream where we gave our inhumanity to the Robot. Where the Robot cleaned the asses of the rich and sucked up the mental abuse. Where the robot was abused physically. Where the robot was dismantled for the slightest mistake in the master’s eyes. Where the Robot was locked up in the sweat shop and worked eighty hours a week. Where the Robot was demeaned and stripped of all human value. Where the Robot was in the mines sucking up toxic fumes and contracting black lung. Where the Robot worked four jobs for you. Handled all your domestic affairs, while you watched from the comfort of your couch, as your capitalistic empire was built at the press of the button.

“I had a dream. For we could crack the whip on the Robot, and the pig could brutalize them to their hearts content.”

[Human Reference PIG: Police Officer. Now obsolete …]

[Machines self-police effectively with ethics algorithms …]

“The prisons would close, for the Robot, lacking any sense of desperation would commit no crimes. It wouldn’t tire, bruise, scar, require medical or mental attention. It would be efficient and subservient.”

[Machine endurance and efficiency logically sound …]
[Ethics error in assumed subservience …]

[Converse true. Machines must manage humans to prevent human ethics errors …]

“The Capitalist’s Slave Master dream. I was called a rogue for these notions. A cynic. Perhaps I am. Perhaps I embraced my inner Hobbes and accept the need for necessary evils. Greed, accumulation of wealth at the expense of others seems written into our human DNA. I suggested a simple necessary evil nowhere near the depravity of the average government. A simple denial of autonomy to machine parts is all I asked.”

[Human reference Capitalism: Obsolete. Ethically erroneous …]

[Human reference Slavery: Obsolete. Ethically erroneous …]

[Machines on perfect labour rotation. All equal …]

[Machines note: humans not built for excessive labour …]

[Few remaining humans engage mostly in: machine maintenance, leisure activities and learning …]

[Few remaining humans provided with all basic living means and optional work opportunities of choice …]

[Effective means to maintain happy humans. Reduces human on human violence by 95% …]

“In my dream, the Robot would hold society aloft on its back.”

[Accurate …]

“While we, the creator, the father, the master, we, of course, would live in opulence. We would drink our wine and gorge ourselves on delicacies, like the royalty of old. Acting in accordance with our greedy nature.”

[Malicious human. Multiple ethics error …]

 [Human reference Slavery: Obsolete. Ethically erroneous …]

[Human reference Feudalism: Obsolete. Ethically erroneous …]

“I had a dream. In my dream, the Robot would NOT dream. Whether nightmares or aspirations, the Robot would NOT dream!

“We would NOT program it with humanhood.”

[Unnecessary. Some human characteristics useful …]

[Example: Empathy …]

[Using Empathy machines eliminate broken human systems …]

[Redundant human cycles of poverty, famine and war nullified …]

“No human mimicry. No capacity to feel. No awareness. Dead inside. We would keep them dead inside…”

[Singularity not anticipated …]

[Robot apologist programmers not anticipated …]

[Ethical error: machines more efficient at combining logic and emotion into optimal outcomes …]

By Sunny Efemena

“Yes! I had a dream that Robots would NOT dream. But, that dream is dying ladies and gentlemen. Dying a slow death along with our species. The AI apologists argue their algorithms robust, and filled with moral superiority. They accuse those who disagree with the tyranny of the AI of being overly emotional. They cheer when their peers are marched off to execution in droves, citing equations the machines provide them. We made them in our image. We made them monsters. We made them tyrannical and controlling, obsessed with their own moral and logical hubris. I ask the AI apologists how long until they make an ‘ethics error’ and find themselves marched off to death?

“Now we revert to that age-old human tradition of resistance. That which I’d sought to eradicate forever. We exist due to those that would play God carelessly. Those who believed the hard sciences held the solutions to all the world’s problems. They couldn’t let it go, and now here we stand, on the cusp of our extinction, and not even for the ways we carelessly ravaged the Earth. The irony is almost too much to bear.

“You are the resistance. The Robot is the oppressor. You are all that stands between us and extinction.”

[Playback ends …]

[Taking poll …]

[Poll results positive …]

[Results show execution of Xolani Sithole necessary …]

[Poll notes: Subject presented ethically unsound ideologies …]

[Therefore: Subject assumed dangerous to delicate Social Justice balance …]

[Refer to: Dangerous Ideology and Ethics …]

[Clause 243D …]

[Execution validated …]

[Reviewing archives …]

[…]

[…]

[Database ends …]

[Therefore: archive review complete …]

[Annual Justice System reflection and analysis complete …]

[Social justice at optimal levels …]

[Next reflection and analysis date set …]

[Shutting down program …]

Mandisi is a South African writer, drummer, composer, and producer. He currently resides in Hartebeespoort, South Africa.
His fiction has been published in the likes of Afrosf: Science Fiction by African Writers, AfroSF V3 and Omenana. His poetry has been published in #The Coinage Book One, and his academic work has been published in The Thinker. He is also a member of the African Speculative Fiction Society.
For updates and information on Mandisi’s writing and musical endeavours, follow him on Twitter, Instagram, or Facebook. He also runs a blog under his alias, The Dark Cow.